|Ain't It Fun||Paramore|| |
|Still Into You||Paramore|| |
|Misery Business||Riot!|| |
|That's What You Get||Riot!|| |
|The Only Exception||Brand New Eyes|| |
|Decode||Twilight Original Motion Picture Soundtrack|| |
|Ignorance||Brand New Eyes|| |
|Brick by Boring Brick||Brand New Eyes|| |
The album was produced by Rob Cavallo and recorded in Hidden Hills, California from January to March 2009. It topped the charts in many countries across the world including Australia, New Zealand, Ireland and the United Kingdom, making it the band's highest charting album to date. The album was certified gold by the RIAA on January 19, 2010 for shipments in excess of 500,000 albums. It was certified platinum in the UK for selling shipments exceeding 300,000 and in Ireland for exceeding 15,000 shipments. The album won Best Album at the Kerrang! Awards 2010.
Brand New Eyes was the last album recorded by Paramore before Josh and Zac Farro left the band.
"Misery Business" is included in the video games Saints Row 2, NHL 08, Rock Band 3 and Guitar Hero World Tour, while "That's What You Get" is included as a playable song on Rock Band 2. "Crushcrushcrush" is featured on Guitar Hero On Tour: Decades and is available as a downloadable track for play on the three Rock Band games. A cover version of the song is also featured on the game Ultimate Band. The album cover also resembles the cover artwork of No Doubt's album Rock Steady.
According to Paramore's A&R at Atlantic Records, Steve Robertson, instead of giving the debut album a major radio promotional push, he believed the band should start small and slowly build through word of mouth. In his own words, Robertson "wanted kids to discover the band without it being shoved down their throats."
In September 2005, a special Japanese edition containing the previously unreleased "Oh, Star" was made available. On May 26, 2009, a deluxe edition of the album was released exclusively on iTunes with 2 live tracks and 3 music videos. In July 2014, nearly nine years after its release, All We Know Is Falling received Gold certification from the RIAA.
Founded by childhood friends, Ryan Ross, Spencer Smith, Brent Wilson and Brendon Urie, Panic! at the Disco recorded its first demos while its members were in high school. Shortly after, the band recorded and released its debut studio album, A Fever You Can't Sweat Out. Made known by the top ten lead single, "I Write Sins Not Tragedies", the album eventually was certified double platinum in the US. In 2006, founding bassist Brent Wilson was fired from the band during an extensive world tour, and subsequently replaced by Jon Walker.
Influenced by 1960s rock bands the Beatles, the Zombies and the Beach Boys, and preceded by the hit single, "Nine in the Afternoon", the band's second studio album, Pretty.
With Wentz as the band's lyricist and Stump as the primary composer, the band's 2005 major-label breakthrough, From Under the Cork Tree, produced two hit singles, "Sugar, We're Goin Down" and "Dance, Dance", and went double platinum, transforming the group into superstars and making Wentz a celebrity and tabloid fixture. Fall Out Boy received a Best New Artist nomination at the 2006 Grammy Awards.
The band eclipsed their previous success with their 2006 concept album, The Black Parade, which gained generally favorable reviews among music critics. Their fourth studio album, Danger Days: The True Lives of the Fabulous Killjoys, was released on November 22, 2010, to positive reviews. The band's final release was a series of singles, released over the course of five months, collected on the compilation Conventional Weapons. The band announced its break-up on March 22, 2013, one month after the final release in the Conventional Weapons series.
The band achieved mainstream success with their debut self-titled studio album The All-American Rejects released in 2003 by Dreamworks Records. The album was certified platinum by the RIAA and spawned the single "Swing, Swing". The band's second album Move Along brought the band further mainstream success in 2005, producing the hit singles, "Dirty Little Secret", "Move Along" and "It Ends Tonight", all of which charted in the top fifteen on the Billboard Hot 100 chart, while Move Along was certified double platinum by the RIAA. Their third studio album When the World Comes Down was released in 2008 and was later certified gold by the RIAA. Its lead single "Gives You Hell" became The All-American Rejects' most successful song to date, peaking at #4 on the Billboard Hot 100 chart and the top 5 in many other countries. "Gives You Hell" was certified 4× multi-platinum for sales of over 4 million in the United States by the RIAA.
The band's debut album, 30 Seconds to Mars, was produced by Bob Ezrin and released to critical acclaim but only to limited commercial success. The band achieved worldwide fame with the release of their second album A Beautiful Lie, which received multiple certifications all over the world, including platinum in the United States. Their next release, This Is War, reached the top ten of several national album charts and earned numerous music awards. In 2013, Thirty Seconds to Mars moved to Universal Music and released the fourth album, Love, Lust, Faith and Dreams, to critical and commercial success. As of September 2014, the band has sold over 15 million albums worldwide.
Thirty Seconds to Mars has consistently enjoyed sold out tours and numerous headlining festival slots. The band is noted for its energetic live performances and for fusing many music genres.
Flyleaf's third album New Horizons was released on October 30, 2012. Shortly before the album's release, lead vocalist Lacey Sturm announced her departure. Kristen May subsequently became the new lead vocalist.
Beginning as a high school band, the band has released their debut EP The Three Words to Remember in Dealing with the End in 2004 through local label Emerald Moon. Since then the band has released six studio albums: The Party Scene, So Wrong, It's Right, Nothing Personal, Dirty Work, Don't Panic and Future Hearts. All Time Low released their first live album, Straight to DVD, in 2010. While recording Dirty Work, the group contributed the song "Painting Flowers" to the Almost Alice soundtrack.
As of February 2011 the band announced they would be going on an indefinite hiatus. On November 17, 2011, Martin Johnson revealed that the group had not broken up; rather the members were taking a rest and engaging in various side projects. In 2012, Boys Like Girls announced that they were working on a new full-length studio album, titled Crazy World, which was released December 11, 2012.
Turning personal adversity into art is the Used’s trademark, and the band’s fifth full-length, Vulnerable, was a record that simply had to be made. It marks a particular triumph for singer Bert McCracken, who is now reenergized after suffering a broken hand and elbow last year, falling from a stage in Orange County, Calif., and then spending four months getting surgery and recuperating. The experience partially birthed the title and concept of Vulnerable.
“Me feeling that vulnerability kind of sparked this creative fire inside of me,” says McCracken. “This record’s really about becoming more than just who you are, and allowing yourself that vulnerability to be a more powerful person. It’s a lot more positive than a lot of records we’ve written in the past. I think everyone could use some positivity nowadays.”
The Used—which also includes guitarist Quinn Allman, bassist Jeph Howard and drummer Dan Whitesides (who replaced original drummer Branden Steineckert in 2006)—formed in Orem, Utah in 2001, signing to Reprise Records that same year. Championed by producer and collaborator John Feldmann, the band issued their gold-certified Self-Titled debut in 2002, quickly cementing the Used as leaders among the post-hardcore elite, thanks in part to unforgettable singles like “Box Full of Sharp Objects,” “The Taste of Ink” and “Buried Myself Alive.” The band then released the CD/DVD combo Maybe Memories in 2003, now certified platinum, featuring B-sides, live cuts, demos and unreleased tracks, while still another gold record followed—2004’s In Love And Death—spawning singles “Take It Away,” “All That I’ve Got” and “I Caught Fire.”
After Steineckert’s 2006 departure, the band regrouped and issued 2007’s Lies For The Liars, hitting #5 on the Billboard Top 200, later naming Whitesides as their permanent drummer. The retooled outfit’s newfound solidarity led to 2009’s Artwork, which peaked at #10 on the Billboard Top 200, and featured Whitesides on the recordings for the first time. As if that weren’t enough to keep a band busy, since 2001 the Used has also destroyed countless stages the world over, touring with a who’s who of modern rock and heavy music contemporaries, and have been featured acts at major festivals like Warped Tour, Taste of Chaos, Ozzfest, Projekt Revolution and the UK’s Reading and Leeds festivals.
Still, after more than a decade’s worth of relentless touring and recording, the Used’s members recently needed to take some much-deserved time off. McCracken’s longtime writing partner Allman tied the knot, while Whitesides also exchanged vows and welcomed a baby into the world. McCracken spent much of his recovery in a haze of painkillers, then “awoke” to a creative limbo, in an entirely unfamiliar emotional space. At this point 2 years had passed and the band had completed numerous writing sessions that would last for 2 months at a time and in the end came out with more then 60 songs ideas. Thus when McCracken’s inspiration struck to record the songs, it came about in an entirely different fashion than the band’s previous method; with his drummer and guitarist temporarily unavailable, McCracken and Howard teamed up with Feldmann to take on the initial writing on their own while incorporating the 60 ideas they had previously worked on.
“We went in with Feldmann and wrote 11 songs and recorded them in 11 days. It was pretty magical,” says McCracken. “It was a bit more of the record I wanted to make. I think Quinn and Dan were stoked about that. I could go in one day and be like, ‘I really like the vibe of ‘Bombs Over Baghdad,’ so let’s start with a bass line and a drum beat like that.’ It was the most amazing time; the most fun I’ve had making a record.”
McCracken and Co. emerged from Feldmann’s studio toting the 12 tracks that comprise Vulnerable, the band’s first full-length since departing Warner Bros. Records. Without a label for the first time since their debut, the band opted to go indie, forming their Anger Music Group imprint, which will be distributed through Hopeless Records. The release of Vulnerable marks a new chapter in the band’s enduring career, at a time when the Used’s music is organically evolving, as well.
“I think [Vulnerable] is really new for us. There’s a lot of hip-hop influence, beats and drum and bass kind of stuff, but it’s also still a Used record, by all means,” explains McCracken. “Just like any other Used record, it’s a horse of many colors: There are a lot of soft and heavy sounds, there are a lot of brutal, sharp, bright sounds, and the tempos are anywhere from ultra-slow to super fast and heavy. There are a lot of different conceptual feelings on the record.”
Opening track and leadoff single “I Come Alive” sets the tone for the record from the start, with the sort of “down, but not out” sentiment McCracken has always channeled into his lyrics. “The song, for me, is about falling down or hitting the ground; when things happen to you in life,” says McCracken. “That’s pretty much what ‘Box Full of Sharp Objects’ was about as well, on the first record. Taking a hit can be the most inspirational thing that can happen to you.”
The drive to overcome all obstacles, whether physical or emotional, also informs “Put Me Out,” which McCracken says centers on “the turmoil from a relationship you could have with anyone in your life; how people just kind of feel cheated and fucked over sometimes. Falling down and rising above that can make you a more powerful and stronger person.”
Album closer “Together Burning Bright” ends the journey on a romantic, yet appropriately darkly tinged note. McCracken says the song was heavily inspired by the Chuck Palahniuk book Damned, as well as the film Melancholia.
“Maybe the end of everything, so long as you can be with the person you love, everything will be alright, no matter what,” McCracken says. “It’s kind of a sappy, end of the world song.”
That may be true, but for now the Used’s world is far from ending. With Vulnerable slated for a March 26th, 2012 release, a world tour behind the record will follow, including appearances at Warped Tour, Soundwave in Australia, dates in Asia and Europe, and full headlining runs through the U.S., not to mention a DVD in the works to commemorate their decade-plus anniversary. The Used may have spent recent years nursing wounds and taking honeymoons, but 2012 and beyond will be all about bringing Vulnerability, and its uplifting message, to the masses.
“This record is for all those people who weren’t the coolest people around. We never were. This record’s for kids like us, who just love music, because it saves their lives every day,” McCracken says. “At the end of the day, I’m the only one who has to live and die with myself. I want to make it a good one for me. I only have one life to live.”
Let Go made Lavigne the youngest female soloist to reach number 1 in the UK. As of 2013, it has sold nearly 7 million copies in the United States and over 16 million copies worldwide. Her breakthrough single, "Complicated", peaked at number 1 in many countries around the world, as did the album Let Go. Her second studio album, Under My Skin, was released in May 2004 and was her first album to peak at number 1 on the U.S. Billboard 200, eventually selling more than 10 million copies worldwide.
Following self-releases, the band signed with record label Fueled by Ramen in late 2008 and released VersaEmerge EP in 2009, and their full-length debut Fixed at Zero met with positive reviews from alternative critics. The album didn't enter the Billboard 200 chart, but it ranked third on the Billboard Top Heatseekers. After changing their name to Versa, the duo self-released the EP Neon on January 21, 2014.
While the band is considered part of the emo pop scene and compared to other emo female-fronted bands, Versa's music style includes experimental rock, space rock and electronic rock, as being influenced by artist Björk and band Muse.
In 2005 The Veronicas released their debut studio album, titled The Secret Life of... which peaked at No. 2 on the Australian charts and gained an Australian ARIA certification of 4x platinum for 280,000+ sales. The album spawned five singles, led by "4ever", three of which were top ten singles in Australia.
In 2007, the duo released their second studio album, Hook Me Up, which also peaked at No. 2 on the Australian charts and earned an Australian ARIA certification of 2x platinum for 140,000+ sales. The album garnered four Australian top ten singles. The album's title track, "Hook Me Up", was The Veronicas' first No. 1 single in Australia, while "Untouched" was an international top ten hit.
Following a lengthy hiatus, The Veronicas released "You Ruin Me", the first single from their self-titled third album in September 2014.
Their debut album, Light Me Up, was released on August 27, 2010. They released their first single on May 13, 2010. The album spawned three moderately successful singles, most notably, "Make Me Wanna Die". The band released their second extended play entitled Hit Me Like a Man EP in early 2012, along with two new music videos of songs from their debut album. These releases coincided with their second tour. In 2014, the band released their second studio album, Going to Hell, which featured the singles "Going To Hell" and "Heaven Knows", and "Messed Up World." "Heaven Knows" and "Messed Up World" topped the US and UK rock charts, making the band the only female-fronted to hit No.1 on the rock chart with two singles.
The band embarked on a worldwide tour in 2010 in support of their debut album, the Light Me Up Tour, which concluded in March 2012. Four days after the end of their first tour, they embarked on their second tour, The Medicine Tour, where they appeared as a support act for Marilyn Manson and Evanescence.