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In July 2011, Brad Oberhofer signed with Glassnote Records, which released Oberhofer's debut album Time Capsules II on March 27, 2012, in the United States and worldwide on April 16.
Oberhofer's sound is largely described as Surf Pop Revival, joining the ranks of such bands as Best Coast, Bleached, Surfer Blood, Cayucas, Howler, and Dum Dum Girls.
Telekinesis covered ELO's "Can't Get It Out of My Head" for the American Laundromat Records charity album Sing Me To Sleep–Indie Lullabies, released May 2010. The band also covered Nirvana's "On A Plain" in 2011 for SPIN Magazine's exclusive tribute album, Newermind: A Tribute to Nirvana.
As for their music? You’ve heard it. Fort Lean write big, anthemic rock songs, and they play the hell out of them. Stakes are high. Fort Lean don’t want people to “kinda like” them. They want to be a girl’s first crush. They want college kids to make bad life decisions based on misinterpretations of their lyrics. They want to write the song you dance to with your second wife on the night of your wedding to your first wife. When your son moves to whatever the new Bushwick is in twenty years, and when he calls you, crying, to report he just got shook down by a bunch of punk kids, Fort Lean want you to smile to yourself and think of that line from “Sunsick”: “Get-tin’ mugged by chil-drennn!!”
You would think this is every band’s wish–to be The Biggest Band In The World. But it turns out that’s a lot of work! It turns 99.9% of bands just don’t have the chops or the songbook. Fort Lean somehow have both–which is why they stuck out like a sore thumb this past CMJ. They’re writing choruses you wish you had written, and playing tighter than your band ever could. They’re only going to get better too. Mark my words: the world will get at least five great albums from this band before the singer cracks and decides he wants to be a doctor after all.
I could write thousands of words about keyboardist Will Runge’s impeccable style (great face, great denim). I could rap on drummer Sam Ubl’s tasty hi-hat work, or bassist Jake Aron’s smart use of space. I could tell you about the first time I heard Keenan’s voice–an oaky, siren-like tenor that proves once and for all that nature does in fact trump nurture. Or how about this: Zach Fried routinely wears tight red pants, plays a Telecaster, and insists on using an enormous eighty-pound pedalboard even though he only has like two pedals–and somehow gets away with it all! There’s just so much to like about this band in the particular. But right now, the thing I like most about Fort Lean is quite simple. They pay their rent on time. They chip in when equipment gets broken. They let me use their Twin Reverb, and the Peavy Bandit (great for leads). I didn’t have to tell them twice about not leaving bikes in the hallway. It’s hard to find bands like this. I will miss them when they’re gone.