Ineffable Mysteries from Shpongleland is the fourth studio album by Shpongle released on 2 November 2009. The album's track list was released on 12 August via Twisted Records's website. Songs from the album began to trickle to the public in live form, being played at many of Shpongle's 2009 concerts. Previews of the album were made available through Twisted Music's official audio player. The album was ranked at #7 on Sputnik's Best Of 2009 list.
Stylistically, the album is the culmination of what began with their previous album Nothing Lasts... But Nothing Is Lost, in the sense that it contains much more emphasis on world music influences and parts performed on various instruments by Posford, Ram and guest musicians, compared to first two albums which were heavier on sampling and with more influences from dub and electronic dance music. As one of more interesting bits of instrumental work, the track "Nothing is Something Worth Doing" is built around novel melodic percussive instrument Hang, and lines played by Austrian Hang player Manu Delago.
The cover artwork was created by Storm Thorgerson.
Stylistically, the album is the culmination of what began with their previous album Nothing Lasts... But Nothing Is Lost, in the sense that it contains much more emphasis on world music influences and parts performed on various instruments by Posford, Ram and guest musicians, compared to first two albums which were heavier on sampling and with more influences from dub and electronic dance music. As one of more interesting bits of instrumental work, the track "Nothing is Something Worth Doing" is built around novel melodic percussive instrument Hang, and lines played by Austrian Hang player Manu Delago.
The cover artwork was created by Storm Thorgerson.
Kaleidoscope is the fourth studio album by Dutch DJ and record producer Tiësto, released on 6 October 2009 by Musical Freedom, Tiësto's new label in association with PIAS Recordings. The album contains collaborations with Nelly Furtado, Emily Haines of Metric, Tegan and Sara, Jónsi of Sigur Rós, Kele Okereke of Bloc Party, and Calvin Harris among others.
The album also features the song "I Will Be Here" with Australian group Sneaky Sound System, which was released as the lead single on 28 July 2009. This album marks the change in Tiesto's style from trance towards more commercial house, dance and pop. The album entered the Dutch Albums Chart at number 2. It also debuted at number 20 on the UK Albums Chart and at number 5 on the Irish and Mexican Albums Chart.
The album also features the song "I Will Be Here" with Australian group Sneaky Sound System, which was released as the lead single on 28 July 2009. This album marks the change in Tiesto's style from trance towards more commercial house, dance and pop. The album entered the Dutch Albums Chart at number 2. It also debuted at number 20 on the UK Albums Chart and at number 5 on the Irish and Mexican Albums Chart.
Sirens of the Sea is the debut album by the British vocal trance group Above & Beyond presents OceanLab, released on 21 July 2008 through Anjunabeats.
On 8 June 2009 a remix edition of the album was released, Sirens of the Sea Remixed, which features both previously released and new remixes.
On 8 June 2009 a remix edition of the album was released, Sirens of the Sea Remixed, which features both previously released and new remixes.
Dreamland is the debut studio album by Robert Miles. It was released on 7 June 1996 to critical acclaim in Europe, where it was a hit, and was also released in the United States about a month later, with a new track sung by Maria Nayler, "One and One." This new track became very popular and was later released as a single in the US and Germany.
At the end of 1996, Miles released a new version of Dreamland, called Dreamland – The Winter Edition, in Germany. It was largely similar to Dreamland, but contains the tracks "For Us" and "One and One" and removes "Fable", and was also released in Japan. Nowadays it appears that the US version of Dreamland including "One and One" is the most popular and common version.
At the end of 1996, Miles released a new version of Dreamland, called Dreamland – The Winter Edition, in Germany. It was largely similar to Dreamland, but contains the tracks "For Us" and "One and One" and removes "Fable", and was also released in Japan. Nowadays it appears that the US version of Dreamland including "One and One" is the most popular and common version.
Vicious Delicious is the sixth studio album by psychedelic trance duo Infected Mushroom, released on March 26, 2007.
Polymorphic Code is the debut studio album by French one-man band The Algorithm, signed by Basick Records and released on November 19, 2012. Music video for the song Trojans was released on November 7, 2012.
Common Ground is the fourth studio album by British progressive trance group Above & Beyond. It was released on 26 January 2018 on Anjunabeats. The album is their first studio album since We Are All We Need and includes appearances from frequent collaborators Richard Bedford, Justine Suissa, and Zoë Johnston plus new guest vocalist Marty Longstaff. Common Ground charted at number three in the United States, making it the biggest US chart debut by a British electronic group and Above & Beyond's highest career charting album release.
Group Therapy is the second studio album by British progressive trance group Above & Beyond. It was released on 6 June 2011 by Anjunabeats. The album features collaborations with Zoë Johnston and Richard Bedford. The album has 15 tracks.
No Silence is the fifth studio album released by German DJ and producer, ATB. It was released in 2004 and includes hits such as "Marrakech", "Ecstasy" and "Here with Me". These three songs were released as singles, with promotional videos for the first two. The first two singles were released from the album No Silence, while "Here With Me" was released from The DJ 2 in the Mix, ATB's second DJ mix compilation. The song "Marrakech" was used in the Mindhunters film. There is also a special edition album version, which includes a bonus DVD with remixes and videos. Unlike his other album releases, ATB used a cross fade effect on each song as a transition to the next song on the album with dream-like sequences and sounds of nature.
