Soon after recording was completed, rumors circulated in the press that DGC might not release the album in its original state, as the record label felt that the result was not commercially viable. Although Nirvana publicly denied the statements, the group was not fully satisfied with the sound Albini had captured. Albini declined to alter the album further, and ultimately the band hired R.E.M producer Scott Litt to make minor changes to the album's sound and remix the singles "Heart-Shaped Box" and "All Apologies".
The album title was revealed during the 2013 MTV Video Music Awards on August 25 with a preview of the lead single "Berzerk" The song was released two days later, and peaked at number three on the Billboard Hot 100. It was followed by two singles: "Survival", released on October 8, and "Rap God", released on October 15, 2013. The former debuted at number 17 on the Hot 100, and the latter at number seven. "The Monster", featuring Rihanna, was released as the album's fourth single on October 29, 2013.
The album features guest appearances from Pharrell Williams, Drake, Lil Wayne, Mase, Pusha T, Chrisette Michele, Fergie, Iamsu!, T-Pain, Dolla Boy, Rich Homie Quan, and Lloyd among others. The album's production was handled by Diplo, Mike Will Made It, Drumma Boy, J.U.S.T.I.C.E. League, Mannie Fresh, Wonder Arillo, Da Honorable C.N.O.T.E. and DJ Toomp among others.
It was supported by the singles "Feds Watching" featuring Pharrell Williams and "Used 2", along with the promotional singles "Where U Been?" and "Netflix". Upon the album's release, it was met with generally positive reviews from music critics. It debuted at number three on the US Billboard 200, and number two on the Top R&B/Hip-Hop Albums chart selling 63,000 copies in its first week.
The album debuted at number one on the US Billboard 200 chart, selling 872,000 copies in its first week. It generated four singles, including the number one hits "In da Club" and "21 Questions", and the international hit "P.I.M.P." By July 2014, Get Rich or Die Tryin ' has sold 8.3 million copies in the United States and is certified 8× platinum by the Recording Industry Association of America. Upon its release, the album received positive reviews from most music critics and was nominated for a Grammy Award for Best Rap Album, losing to OutKast's Speakerboxxx/The Love Below at the 46th Grammy Awards.
Shinoda handled production for the album. Jay-Z, who worked with Linkin Park on their collaborative EP Collision Course, served as an executive producer for the album. Shinoda collaborated with many longtime friends, as well as many notable and underground hip-hop and R&B artists for the album.
It spawned three singles: "Petrified/Remember the Name", "Believe Me" and "Where'd You Go", the latter of which was responsible for propelling Fort Minor to mainstream success.
In Three Cheers for Sweet Revenge, My Chemical Romance had produced a cleaner sound than they had done with I Brought You My Bullets, You Brought Me Your Love. Three Cheers for Sweet Revenge was a success for the band and the label. The album lifted the popularity for My Chemical Romance more than I Brought You My Bullets, You Brought Me Your Love had. Gerard Way has described the album as a "pseudo-conceptual horror story".
The four released singles from the record included "I'm Not Okay", "Helena", "The Ghost of You", and – in the United Kingdom – "Thank You for the Venom".
The album was certified Platinum by the Recording Industry Association of America in late 2005. The UK release of the album contains the remix of "Go Crazy", Let's Get It: Thug Motivation 101 debuted at number two on the Billboard 200, with 172,000 copies sold, in the first week of release. The album was certified platinum by the Recording Industry Association of America in 2006. In 2012 Complex called the album one of the classic albums of the last decade.
Musically, Manson isn't departing from his basic sound -- he's following through on the return to basics Holy Wood represented -- but his first self-production has resulted in an album that feels light and nimble, even though it's drenched in distortion and screams. It feels as if Manson now feels liberated from not being consistently in the spotlight, and his music has opened up as well. With that new freedom, he gets silly on occasion -- the gibberish on the ridiculously titled "This Is the New Sh*t," the appropriation of Faith No More's "Be Aggressive" for "mOBSCENE," the lyric "You are the church/I am the steeple/When we f*ck we are God's People" -- but instead of knocking the record off track, they are part of the big picture on this oversized album. What matters here, as it always does on a Marilyn Manson album, is the overarching concept, and while The Golden Age of Grotesque has some kind of theme, its particulars aren't discernible, but the overall feeling resonates strongly. This messy, unruly, noisy burlesque may fall on its face, but it puts itself in the position where it can either stand or fall, and, unlike in the past, Manson isn't taking himself so seriously that he sounds stiff. It all adds up to a very good album -- maybe not his best, and certainly not one that will attract the most attention, but it's a hell of a lot grander than what his peers are producing, and holds its own with his previous records. It's also a bit more fun, too, and that counts for a lot. [The album's Japan edition added three bonus tracks -- "Baboon Rape Party," an industrialized "Tainted Love," and "Paranoiac."]
The first single to be taken from the album, "Bad Girls", was released nearly two years before the album and became one of her most successful singles. Three other songs from the album were released as singles in the run-up to its eventual release. Critics' opinions of the album were generally favourable, but its first-week sales were significantly lower than those of M.I.A.'s previous album, and its chart peak was lower in all major markets.
The album debuted at number 1 on the Billboard 200 chart, selling 463,000 copies in its first week. The Black Album has sold 3,516,000 original copies in the United States as of July 2013. It produced three singles that attained Billboard chart success, including Hot 100 top-ten hits "Change Clothes" and "Dirt Off Your Shoulder".
Upon its release, The Black Album received acclaim from music critics. It was nominated for a Grammy Award for Best Rap Album at the 47th Grammy Awards, ultimately losing to Kanye West's The College Dropout. The album was ranked #349 in Rolling Stone's list of the 500 greatest albums of all time.
Jay-Z had announced that The Black Album would be his final album. He went on a retirement tour following the release of the album, but he later came out with releases of various songs and collaborations.
The Very Best of Prince does not include the US #1 hit "Batdance" most likely due to the licensing of the character Batman. AllMusic supposes that the Batman album is being unofficially written out of his discography.
The album has been commercially successful, peaking within the top ten of at least ten countries. True debuted at number two in the United Kingdom during September 2013, and has subsequently re-peaked at number two in February 2014. On 24 March 2014, Avicii released a remixed version of the album, titled True.
A 2-disc edition, comprising the standard 10-track "True" alongside the remix album was released featuring a brand new cover, in June 2014.
Greatest Hits, Vol. 1 debuted and peaked at number four on the Billboard 200, achieving a Platinum certification by the RIAA. For unspecified reasons Korn left off two of their hits, "Thoughtless" and "Good God" but included songs "Trash" and "Twist" on the album, though neither were released as singles.
After several reformation attempts the album was recorded in secrecy at Rubyred Recordings in Santa Monica, California, beginning in the fall of 2012. The album sessions were marked by a desire to reinvent the band's sound in a more modern form. The band brought in producer Butch Walker for a fresh approach, marking their first time without longtime producer Neal Avron. In the band's new form, each member of the quartet was involved in crafting the compositions, although sessions were initially difficult as they struggled to reconnect.
The album was released May 15, 2009 through Reprise Records. Armstrong has described the album as a "snapshot of the era in which we live as we question and try to make sense of the selfish manipulation going on around us, whether it be the government, religion, media or frankly any form of authority". The singles "Know Your Enemy" and "21 Guns" exemplify the themes of alienation and politically motivated anger present in the record.
Critical response to 21st Century Breakdown was generally positive. The record achieved Green Day's best chart performance to date, reaching number one on the album charts of various countries, including the United States Billboard 200, the European Top 100 Albums, and the United Kingdom Albums Chart.
The songs "Straight Out of Line" and "I Stand Alone" had Grammy nominations for 'Best Rock Song' and, 'Best Hard Rock Performance' respectively.
The tracks in the album are a mixture of uptempos and ballads, which are basically inspired by R&B and soul genres; it also features elements of hip hop and Arabic music. Although Beyoncé remained discreet about her interpretation of the songs, its underlying meanings were attributed by music writers as an allusion to her intimate relationship with then-boyfriend and well-known music mogul Jay-Z. Dangerously in Love received positive reviews from music critics upon its release, with critics praising Knowles' "artistic leap".
With Teeth became an immediate commercial success, debuting at number one on the Billboard 200 and selling more than 272,000 copies in its first week. The album generated three singles: "The Hand That Feeds", "Only", and "Every Day Is Exactly the Same", which all became number-one singles on Billboard's Hot Modern Rock Tracks chart.
Settle received widespread critical praise and was nominated for the 2013 Mercury Prize. The album debuted at number one on the UK Albums Chart, selling 44,633 copies in its first week. It had sold 165,000 copies by late October 2013, and was certified platinum by the British Phonographic Industry on 4 April 2014. A remix of the album, titled Settle: The Remixes was released on 16 and 17 December 2013 in the United Kingdom and United States, respectively.
The Singles Collection was praised by contemporary critics, who noted Spears's impact and influence on pop music during her first decade in the music industry. The album entered the top forty in Australia, Japan, Mexico, New Zealand and the United States as well as in a number of European countries. "3" was released as the only single from the album. In the United States, it debuted at number one on the Billboard Hot 100, becoming her first song to do so.
In a statement regarding the album, AFI frontman Davey Havok said, "This record is of silence, and the burials that result from that silence. It's of betrayal, cruelty, weakness, anxiety, panic – deep and slow – despair, injury and loss. And in this it is shamefully honest and resolutely unforgiving".
The vinyl LP version of the record was pressed by United Record Pressing in Nashville, TN.
Comedown Machine received mostly positive reviews and was ranked number 41 in NME's 50 Best Albums of 2013.
According to the RIAA website, the album has sold over 6 million copies in the United States alone as of 2010 and around 20 million worldwide. It features the singles "My Generation", "Rollin'", "Take a Look Around", "Boiler", and "My Way".
The album is listed in the book 1001 Albums You Must Hear Before You Die.
Icky Thump entered the UK Albums Chart at number one and debuted at number two on the Billboard 200 with 223,000 copies sold. By late July, Icky Thump was certified gold in the United States. As of March 8, 2008, the album has sold 725,125 copies in the US. On February 10, 2008, the album won a Grammy Award for Best Alternative Music Album.
The album debuted at number one on the U.S. Billboard 200 chart, selling 355,880 copies in its first week. His fourth U.S. number-one album, it had sold 764,000 copies by November 2008, eventually over time it went platinum. Upon its release, Hip Hop Is Dead received generally positive reviews from most music critics. Hip Hop Is Dead was nominated for a Grammy Award for Best Rap Album, ultimately losing to Kanye West's Graduation at the 50th Grammy Awards