The unveiling of memorializing as a mode of expression proceeds diachronically and synchronically. Diachronically tracing the contours of American memorial traditions from 1630 to the present provides a nearly cinemagraphic representationof the ebb and flow, the movement and moment of cultural transformation and dominance. This demonstrates why the content of public memory at any given moment in a multicultural society depends largely on the needs and inclinations, the values and the norms, the ethos and the world view of the culture that is dominant at that moment. Within this interpretive frame, responses to Lincoln's assassination--considered as a synchronic balance--provide images akin to still photographs of a specific moment and place that deepen our understanding of memorializing. Taken together, these twin focal points reveal a historically embedded cultural struggle that has significant implications for how we interpret cultural conflict in past, present, and future America.
This is the story of Amedeo Guillet – an Italian calvary officer who was sent out to Abyssinia as part of Mussolini’s army to establish and command a troupe of 2,000 Spahis – or Arabic calvary. He met and fell in love with Khadija – a beautiful Ethiopian Muslim. Together they held up the British lorries heaving up the mountain road to Asmara and blew up the important Ponte Aosta. Eventually captured, Amedeo went on the run disguised as an Arab, eventually making it to Yemen, only to be thrown in jail.
This is a rare view of the Second World War from an Italian perpective; particularly valuable are the chapters that tell the story of Italian resistance to the Nazis, and their subsequent withdrawal from Italy in 1943.
There are few stories more cinemagraphic than this – Fascist Italy, his early years in Ethiopia commanding the Cossack-like Spahis, the brutal Abyssinian war waged by the Duce, Italian and British colonial rivalry; Amedeo led the last ever cavalry charge the British army faced (Eritrea 1941 – they were massacred by tanks and sub-machine guns), defeat and guerrilla warfare against the British; then flight, disguised as an Arab, imprisonment in the Yemen and a great love lost as he leaves his beloved Khadija behind to face her future alone and returns to Italy, to his fiancée and a career as a distinguished Italian diplomat and Arabist.
Amedeo is still alive and living in County Meath, Ireland. Sebastian O’Kelly is a journalist for the Mail and Telegraph and has Amedeo’s full co-operation in writing this book.
This is a very valuable and absolutely stunning story, beautifully told by O’Kelly.
想當設計A咖就不能錯過的影像編修關鍵技巧教學!
Photoshop工具繁多,功能繁雜,我們知道你的時間有限,所以特別針對最多使用者需要、以最常用的實務應用面:影像編修、去背應用、海報設計、網頁動畫、快速影片製作…介紹說明。書中提供許多設計人在實務常會遇到的案件或難題,運用大量的秘技與操作讓你在面對問題時更加得心應手。
如果你有以下問題,絕對不能錯過本書:
「想為寵物相片去背,卻永遠只會魔術棒?」「想將女友的相片微整為V字小顏?」「網拍產品老是賣不好?」「不論夕陽或藍天都沒有鮮豔的色彩表現?」「想設計出創意十足的 Facebook 封面相片與大頭貼?」「不會寫程式但要設計網頁?」
重要觀念
歸納整理出重要的操作技巧及觀念,初學者的你可先認識基本工具與工作環境、數位影像基本知識、色彩模式管理與校正,已有基礎的你也可隨時複習查找,先打好基礎才能玩出新花樣!
去背妙用
網拍、編修都少不了的去背應用,從最基礎的魔術棒工具去背到進階的筆型工具與色版去背,依不同的影像(單純背景、美食、寵物毛髮…)選取不同的工具才能事半功倍,讓你快速學會去背技法。
設計張力
平面設計說來簡單,但要依不同版面尺寸及使用需求做出適合的作品可不容易,平面海報、Facebook 封面相片 & 大頭貼、普普風創意、網拍產品圖後製…等實務設計都收納在書中內容,簡單的一張相片也能變化出無限創意。
影像編修
景深效果、調整魚眼與廣角鏡頭造成的擴張、做出玩具城市移軸攝影效果,這些透過全新的濾鏡收藏館就可完全滿足你的需求;利用Photoshop後製編修,不管是要擁有鮮豔又飽和的天空色調、修正曝光過度與不足、重現相片的懷舊氣氛、排除色彩的黑白質感、人物寫真美型編修…都沒問題!
動畫網頁
Photoshop已不是單純的影像編輯軟體,你可利用其完成網拍網頁編排、遊記相片影片,甚至最流行的「會動的相片」Cinemagraph都能輕易製作。從設計網頁版型、割版、輸出成HTML,一次搞定網頁設計案;如果靜態網頁已滿足不了你,還可加上動態效果GIF動態圖檔或是MP4影片。
#碁峰資訊 GOTOP Information Inc.
How to Cheat in Adobe Animate CC
is a goldmine of artistic inspiration, time-saving practical tips, and step-by-step walkthroughs. Let your sasquatch sunbathe, your coyote howl, and your lint spider see the light of day. With real-world projects and project source files, you can follow along and try for yourself. This book includes all NEW content and cheats for Animate CC, such as making cinemagraphs, creating a double exposure effect, speeding up the process of making real life doodles, simulating a bokeh effect, converting your documents to HTML5, and more.