Hornusk Spakri works out what a single horn will give you before you commit it to the pot. Gauge the raw material on seven figures - butt girth, length along the outer curve, the solid tip π‘, wall thickness at the butt and at the mid, curve and twist - then photograph it yourself and tag what is wrong β with it: checks, ridges, dark zones, thin patches, the gut-channel end. Hornusk Spakri unrolls the hollow cone into its true developed plate, shades that plate with the real wall-thickness gradient, subtracts the solid tip and every flaw you marked, and lays the blanks of whatever you intend to make onto what is left, honouring each product's minimum wall and the direction of the grain. Back comes a yield percentage, a numbered cut order starting at the thick end where the demanding blanks have to come from, a verdict on every blank, and one word for the horn as a whole: MAKES, TIGHT or SHORT. Raise the minimum wall, loosen the grain rule, count the solid tip as stock or leave it out of the reckoning, and every figure on every screen moves with you. Once the layout stands up, Hornusk Spakri reads the press schedule ποΈ back off the plate's own thickest wall - how long in the soak, how long in the pot, how long under the screw, how long under the stone - and names the faults that live at each stage before you meet them. Eight kinds of horn and antler, ten blanks from comb to lantern pane, nine faults with the stage each one comes from and the way past it, and eight bench tools π οΈ. It all runs on the handset, with no connection wanted at any point.
What you can do: gauge a horn, mark its flaws on your own photograph, lay the patterns, and let Hornusk Spakri tell you the yield, the cut order and the press schedule ποΈ before the saw ever touches it.
Find out what one horn will give you before you cut it.