People’s Book of the Week

“Perfect for fans of Curtis Sittenfeld's Prep.”—Booklist

Top 6 Books You Need to Read—BuzzFeed

Best Books to Give Every Book Lover on Your List—Town & Country

In this witty, hilarious, and entertaining novel that’s “The Devil Wears Prada meets Primates of Park Avenue” (The New York Times), a young woman is unexpectedly thrust into the cutthroat world of New York City private school admissions.

Despite her innate ambition and summa cum laude smarts, Kate Pearson has turned into a major slacker. After being unceremoniously dumped by her handsome “almost fiancé,” she abandons her plans and instead spends her days lolling on the couch, watching reruns of Sex and the City. Her friends don’t know what to do other than pass tissues and hope for a comeback, while her practical sister, Angela, pushes every remedy she can think of, from trapeze class to therapy to job interviews.

Miraculously, Kate manages to land a job in the admissions department at the revered Hudson Day School. In her new position Kate learns there’s no time for self-pity or nonsense during the thick of the admissions season, or what her colleagues refer to as “the dark time.” As the process revs up, Kate meets smart kids who are unlikable, likeable kids who aren’t very smart, and Park Avenue parents who refuse to take no for an answer. Through a comical and crazy run of wildly unpredictable interviews, subtle bribes, outright threats, final judgments, and page-turning twists, the highly competitive and occasionally absurd world of private school admissions is brought to light in all of its outrageous glory that is reminiscent of Curtis Sittenfeld’s Prep.
The “quick-witted and razor-sharp” (Taylor Jenkins Reid, New York Times bestselling author of Daisy Jones & The Six) author of Limelight and Small Admissions returns with a hilarious and heartfelt new novel about a perfectly imperfect summer of love, secrets, and second chances.

Bridget and Will have the kind of relationship that people envy: they’re loving, compatible, and completely devoted to each other. The fact that they’re strictly friends seems to get lost on nearly everyone; after all, they’re as good as married in (almost) every way. For three decades, they’ve nurtured their baby, the Forsyth Trio—a chamber group they created as students with their Juilliard classmate Gavin Glantz. In the intervening years, Gavin has gone on to become one of the classical music world’s reigning stars, while Bridget and Will have learned to embrace the warm reviews and smaller venues that accompany modest success.

Bridget has been dreaming of spending the summer at her well-worn Connecticut country home with her boyfriend Sterling. But her plans are upended when Sterling, dutifully following his ex-wife’s advice, breaks up with her over email and her twin twenty-somethings arrive unannounced, filling her empty nest with their big dogs, dirty laundry, and respective crises.

Bridget has problems of her own: her elderly father announces he’s getting married, and the Forsyth Trio is once again missing its violinist. She concocts a plan to host her dad’s wedding on her ramshackle property, while putting the Forsyth Trio back into the spotlight. But to catch the attention of the music world, she and Will place their bets on luring back Gavin, whom they’ve both avoided ever since their stormy parting.

With her trademark humor, pitch-perfect voice, and sly perspective on the human heart, Amy Poeppel crafts a love letter to modern family life with all of its discord and harmony. In the tradition of novels by Maria Semple and Stephen McCauley, Musical Chairs is an irresistibly romantic story of role reversals, reinvention, and sweet synchronicity.
The “quick-witted and razor-sharp” (Taylor Jenkins Reid, New York Times bestselling author of Daisy Jones & The Six) author of Limelight and Small Admissions returns with a hilarious and heartfelt new novel about a perfectly imperfect summer of love, secrets, and second chances.

Bridget and Will have the kind of relationship that people envy: they’re loving, compatible, and completely devoted to each other. The fact that they’re strictly friends seems to get lost on nearly everyone; after all, they’re as good as married in (almost) every way. For three decades, they’ve nurtured their baby, the Forsyth Trio—a chamber group they created as students with their Juilliard classmate Gavin Glantz. In the intervening years, Gavin has gone on to become one of the classical music world’s reigning stars, while Bridget and Will have learned to embrace the warm reviews and smaller venues that accompany modest success.

Bridget has been dreaming of spending the summer at her well-worn Connecticut country home with her boyfriend Sterling. But her plans are upended when Sterling, dutifully following his ex-wife’s advice, breaks up with her over email and her twin twenty-somethings arrive unannounced, filling her empty nest with their big dogs, dirty laundry, and respective crises.

Bridget has problems of her own: her elderly father announces he’s getting married, and the Forsyth Trio is once again missing its violinist. She concocts a plan to host her dad’s wedding on her ramshackle property, while putting the Forsyth Trio back into the spotlight. But to catch the attention of the music world, she and Will place their bets on luring back Gavin, whom they’ve both avoided ever since their stormy parting.

With her trademark humor, pitch-perfect voice, and sly perspective on the human heart, Amy Poeppel crafts a love letter to modern family life with all of its discord and harmony. In the tradition of novels by Maria Semple and Stephen McCauley, Musical Chairs is an irresistibly romantic story of role reversals, reinvention, and sweet synchronicity.
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