Drawing upon intensive research and interviews, acclaimed biographer Anne Edwards, well-known for her revelatory and incisive books on members of Britain's royal family, here uncovers new details of Diana's life and her search for love; of her family background; and of a betrayal, historic in its outcome. What the public did not know at the time of her storybook wedding was the true story of Diana's troubled childhood-of the cold, autocratic grandfather who disdained her father, who was himself an abusive husband obsessed with having a son to inherit the Spencer wealth and title.
When Diana married Prince Charles, she joined the equally troubled House of Windsor, and was caught up in a plot Shakespearean in its deception and eventual tragic ending. Anne Edwards paints a vivid portrait of a woman desperate in her marriage, fearful of her life, who became devious-and often brilliant-in the moves she played in a treacherous royal chess game.
As in her superb biographies of other royal and celebrated women, Anne Edwards's Ever After transcends the one-sided views of Diana in a work that must be called definitive. At long last, and with all of the insight and narrative drama that have marked her previous bestsellers, Edwards brings us the first full-scale, authoritative portrait of a more intelligent, more resourceful, and sometimes more ruthless woman than we have seen before.
"Diana's many fans are sure to be delighted by Edwards's intimate prose and detailed descriptions." - Publishers Weekly
The second daughter of Greek immigrant parents, Maria found herself in the grasp of an overwhelmingly ambitious mother who took her away from her native New York and the father she loved, to a Greece on the eve of the Second World War. From there, we learn of the hardships, loves and triumphs Maria experienced in her professional and personal life. We are introduced to the men who marked Callas forever—Luchino Visconti, the brilliant homosexual director who she loved hopelessly, Giovanni Battista Meneghini, the husband thirty years her senior who used her for his own ambitions, as had her mother, and Aristotle Onassis, who put an end to their historic love affair by discarding her for the widowed Jacqueline Kennedy. Throughout her life, Callas waged a constant battle with her weight, a battle she eventually won, transforming herself from an ugly duckling into the slim and glamorous diva who transformed opera forever, whose recordings are legend, and whose life is the stuff of which tabloids are made.
Anne Edwards goes deeper than previous biographies of Maria Callas have dared. She draws upon intensive research to refute the story of Callas's "mystery child" by Onassis, and she reveals the true circumstances of the years preceding Callas's death, including the deception perpetrated by her close and trusted friend. As in her portraits of other brilliant, star-crossed women, Edwards brings Maria Callas—the intimate Callas—alive.
The theoretical framework which has shaped these studies is Cultural Historical Activity Theory (CHAT). CHAT analyses how people and organisations learn to do something new, and how both individuals and organisations change. The theoretical and methodological tools used have their origins in the work of Lev Vygotsky and A.N. Leont’ev. In recent years this body of work has aroused significant interest across the social sciences, management and communication studies.
Working as part of an integrated international team, the authors identify specific findings which are of direct interest to the academic community, such as:
the analysis of vertical learning between operational and strategic levels within complex organizations;
the refinement of notions of identity and subject position within CHAT;
the introduction of the concept of ‘labour power’ into CHAT;
the development of a method of analysing discourse which theoretically coheres with CHAT and the design of projects.
Activity Theory in Practice will be highly useful to practitioners, researchers, students and policy-makers who are interested in conceptual and empirical issues in all aspects of ‘activity-based’ research.
What if the Jabberwocky fell in love with Alice from Lewis Caroll’s Through the Looking Glass? That’s the question tackled in The Reaping. A Young Adult with an atmospheric Gothic feel, and elements from such classic novels, as Gaston Leroux’s Phantom of the Opera and John Fowles’ The Collector.
He won’t snitch on her, unless she gives him whatever he wants – her.
She’s being blackmailed.
Evelynn has no one to turn to for help. Not her parents who don’t understand her rebellious nature or her circle of friends who only care about partying and getting high. When Adam Tristen moves in across the street, and he wants to get to know her better, it all seems too good to be true.
She must make a pact with the devil.
Evelynn now looks over her shoulder wherever she goes, waiting for Eric to act on his threats. But Adam, the charming college sophomore, sees something special inside Evelynn, and he wants to help her fix mistakes. In order to do that she must confront a dark secret from her past that could destroy her family…her life…and her entire world as she knows it.
She’ll need to take a leap of faith.
Margaret Mitchell was as complex and compelling as her legendary heroine, Scarlett O'Hara, and her story is as dramatic as anything out of her own imagination. Indeed, it is the basis for the legend she created. Gone with the Wind took the American public by storm and went on to become one of the most popular books and motion pictures of all time. The book was a phenomenon whose success has never been equaled, but it shattered Margaret Mitchell's private life. In Road to Tara, Anne Edwards tells the real story of Margaret Mitchell and the extraordinary novel that has become part of our heritage.