In a delightful new romantic comedy from Elinor Lipman, one woman’s trash becomes another woman’s treasure, with deliriously entertaining results.
Daphne Maritch doesn't quite know what to make of the heavily annotated high school yearbook she inherits from her mother, who held this relic dear. Too dear. The late June Winter Maritch was the teacher to whom the class of '69 had dedicated its yearbook, and in turn she went on to attend every reunion, scribbling notes and observations after each one—not always charitably—and noting who overstepped boundaries of many kinds.
In a fit of decluttering (the yearbook did not, Daphne concluded, "spark joy"), she discards it when she moves to a small New York City apartment. But when it's found in the recycling bin by a busybody neighbor/documentary filmmaker, the yearbook's mysteries—not to mention her own family's—take on a whole new urgency, and Daphne finds herself entangled in a series of events both poignant and absurd.
Good Riddance is a pitch-perfect, whip-smart new novel from an "enchanting, infinitely witty yet serious, exceptionally intelligent, wholly original, and Austen-like stylist" (Washington Post).
Daphne Maritch doesn't quite know what to make of the heavily annotated high school yearbook she inherits from her mother, who held this relic dear. Too dear. The late June Winter Maritch was the teacher to whom the class of '69 had dedicated its yearbook, and in turn she went on to attend every reunion, scribbling notes and observations after each one—not always charitably—and noting who overstepped boundaries of many kinds.
In a fit of decluttering (the yearbook did not, Daphne concluded, "spark joy"), she discards it when she moves to a small New York City apartment. But when it's found in the recycling bin by a busybody neighbor/documentary filmmaker, the yearbook's mysteries—not to mention her own family's—take on a whole new urgency, and Daphne finds herself entangled in a series of events both poignant and absurd.
Good Riddance is a pitch-perfect, whip-smart new novel from an "enchanting, infinitely witty yet serious, exceptionally intelligent, wholly original, and Austen-like stylist" (Washington Post).
“Light and tight, On Turpentine Lane is constructed with an almost scary mastery.”—New York Times Book Review
“A diverting delight.”—People
“[Lipman] has a way of crafting books so utterly charming that you want to set up residence inside them…On Turpentine Lane quickly becomes a friend.”—Seattle Times
At thirty-two, Faith Frankel has returned to her claustro-suburban hometown, where she writes institutional thank-you notes for her alma mater. It’s a peaceful life, really, and surely with her recent purchase of a sweet bungalow on Turpentine Lane her life is finally on track. Never mind that her fiancé is off on a crowdfunded cross-country walk, too busy to return her texts (but not too busy to post photos of himself with a different woman in every state). And never mind her witless boss, or a mother who lives too close, or a philandering father who thinks he’s Chagall.
When she finds some mysterious artifacts in the attic of her new home, she wonders whether anything in her life is as it seems. What good fortune, then, that Faith has found a friend in affable, collegial Nick Franconi, officemate par excellence . . .
Elinor Lipman may well have invented the screwball romantic comedy for our era, and here she is at her sharpest and best. On Turpentine Lane is funny, poignant, and a little bit outrageous.
“A light but serious antidote to what ails us all these days.”—Washington Post
“Delightful! I read it in one day—truly a peak reading experience. Every page was packed with wonders.”—Maria Semple
“A diverting delight.”—People
“[Lipman] has a way of crafting books so utterly charming that you want to set up residence inside them…On Turpentine Lane quickly becomes a friend.”—Seattle Times
At thirty-two, Faith Frankel has returned to her claustro-suburban hometown, where she writes institutional thank-you notes for her alma mater. It’s a peaceful life, really, and surely with her recent purchase of a sweet bungalow on Turpentine Lane her life is finally on track. Never mind that her fiancé is off on a crowdfunded cross-country walk, too busy to return her texts (but not too busy to post photos of himself with a different woman in every state). And never mind her witless boss, or a mother who lives too close, or a philandering father who thinks he’s Chagall.
When she finds some mysterious artifacts in the attic of her new home, she wonders whether anything in her life is as it seems. What good fortune, then, that Faith has found a friend in affable, collegial Nick Franconi, officemate par excellence . . .
Elinor Lipman may well have invented the screwball romantic comedy for our era, and here she is at her sharpest and best. On Turpentine Lane is funny, poignant, and a little bit outrageous.
“A light but serious antidote to what ails us all these days.”—Washington Post
“Delightful! I read it in one day—truly a peak reading experience. Every page was packed with wonders.”—Maria Semple
Two sisters recover from widowhood, divorce, and Bernie Madoff as unexpected roommates in a Manhattan apartment
Unexpectedly widowed Gwen-Laura Schmidt is still mourning her husband, Edwin, when her older sister Margot invites her to join forces as roommates in Margot’s luxurious Village apartment. For Margot, divorced amid scandal (hint: her husband was a fertility doctor) and then made Ponzi-poor, it’s a chance to shake Gwen out of her grief and help make ends meet. To further this effort she enlists a third boarder, the handsome, cupcake-baking Anthony.
As the three swap money-making schemes and timid Gwen ventures back out into the dating world, the arrival of Margot’s paroled ex in the efficiency apartment downstairs creates not just complications but the chance for all sorts of unexpected forgiveness. A sister story about love, loneliness, and new life in middle age, this is a cracklingly witty, deeply sweet novel from one of our finest comic writers.
“Her worldview? Her enthusiasm, her effortless wit? Just a few of the reasons we love Elinor Lipman.”–Boston Globe
Unexpectedly widowed Gwen-Laura Schmidt is still mourning her husband, Edwin, when her older sister Margot invites her to join forces as roommates in Margot’s luxurious Village apartment. For Margot, divorced amid scandal (hint: her husband was a fertility doctor) and then made Ponzi-poor, it’s a chance to shake Gwen out of her grief and help make ends meet. To further this effort she enlists a third boarder, the handsome, cupcake-baking Anthony.
As the three swap money-making schemes and timid Gwen ventures back out into the dating world, the arrival of Margot’s paroled ex in the efficiency apartment downstairs creates not just complications but the chance for all sorts of unexpected forgiveness. A sister story about love, loneliness, and new life in middle age, this is a cracklingly witty, deeply sweet novel from one of our finest comic writers.
“Her worldview? Her enthusiasm, her effortless wit? Just a few of the reasons we love Elinor Lipman.”–Boston Globe
It was not complicated, and, as my mother pointed out, not even personal: They had a hotel; they didn't want Jews; we were Jews...It's the early 1960s and Natalie Marx is stunned when her mother inquires about vacation accommodations in Vermont and receives a response that says, "The Inn at Lake Devine is a family-owned resort, which has been in continuous operation since 1922. Our guests who feel most comfortable here, and return year after year, are Gentiles."
So begins Natalie's fixation with the Inn and the family who owns it. And when Natalie finagles an invitation to join a friend on vacation there, she sets herself upon a path that will inextricably link her adult life into this peculiar family and their once-restricted hotel.
The Inn at Lake Devine will enchant readers with the beguiling voice, elegant charm, and deft storytelling that have been hallmarks of Elinor Lipman's previous novels and have made her beloved by her fans. Her characters sparkle on the page and delight us with their wit and grace--even when anti-Semitism rears its head in Vermont and the tables are turned in the Catskills. Elinor Lipman is the undisputed master of the art of screwball comedy.
From the Hardcover edition.
So begins Natalie's fixation with the Inn and the family who owns it. And when Natalie finagles an invitation to join a friend on vacation there, she sets herself upon a path that will inextricably link her adult life into this peculiar family and their once-restricted hotel.
The Inn at Lake Devine will enchant readers with the beguiling voice, elegant charm, and deft storytelling that have been hallmarks of Elinor Lipman's previous novels and have made her beloved by her fans. Her characters sparkle on the page and delight us with their wit and grace--even when anti-Semitism rears its head in Vermont and the tables are turned in the Catskills. Elinor Lipman is the undisputed master of the art of screwball comedy.
From the Hardcover edition.
For longtime fans and new readers alike, Read, Love, Repeat: Three Novels by Elinor Lipman collects three beloved works (My Latest Grievance, The Family Man, The View from Penthouse B) by the “enchanting, infinitely witty yet serious, exceptionally intelligent, wholly original, and Austen-like stylist”* Elinor Lipman. (*Fay Weldon, The Washington Post)
MY LATEST GRIEVANCE
My Latest Grievance stars the beguiling teenager Frederica Hatch, the “Eloise of Dewing College.” Born and raised in the dormitory of this small women's college and chafing under the care of “the most annoyingly evenhanded parental team in the history of civilization,” Frederica is starting to feel that her life is stiflingly snug. That all changes with the arrival on campus of a new dorm mother, the glamorous Laura Lee French, the frenetic center of her own universe.
THE FAMILY MAN
A hysterical phone call from Henry Archer’s ex-wife and a familiar face in a photograph upend his well-ordered life and bring him back into contact with the child he adored, a short-term stepdaughter from a misbegotten marriage long ago. Henry is a lawyer, an old-fashioned man, gay, successful, lonely. Thalia is now twenty-nine, an actress-hopeful, estranged from her newly widowed eccentric mother—Denise, Henry’s ex. Hoping it will lead to better things for her career, Thalia agrees to pose as the girlfriend of a horror-movie luminary who is down on his romantic luck. When Thalia and her complicated social life move into the basement of Henry’s Upper West Side townhouse, she finds a champion in her long-lost father, and he finds new life—and maybe even new love—in the commotion.
THE VIEW FROM PENTHOUSE B
Unexpectedly widowed Gwen-Laura Schmidt is still mourning her husband, Edwin, when her older sister Margot invites her to join forces as roommates in Margot’s luxurious Greenwich Village apartment. For Margot, divorced amid scandal (hint: her husband was a fertility doctor) and then made Ponzi-poor, it’s a chance to shake Gwen out of her grief and help make ends meet. To further this effort, she enlists a third boarder, the handsome, cupcake-baking Anthony.
As the three swap moneymaking schemes and timid Gwen ventures back out into the dating world, the arrival of Margot’s paroled ex in the efficiency apartment downstairs creates not just complications but the chance for all sorts of unexpected forgiveness. A sister story about love, loneliness, and new life in middle age from one of our finest comic writers.
MY LATEST GRIEVANCE
My Latest Grievance stars the beguiling teenager Frederica Hatch, the “Eloise of Dewing College.” Born and raised in the dormitory of this small women's college and chafing under the care of “the most annoyingly evenhanded parental team in the history of civilization,” Frederica is starting to feel that her life is stiflingly snug. That all changes with the arrival on campus of a new dorm mother, the glamorous Laura Lee French, the frenetic center of her own universe.
THE FAMILY MAN
A hysterical phone call from Henry Archer’s ex-wife and a familiar face in a photograph upend his well-ordered life and bring him back into contact with the child he adored, a short-term stepdaughter from a misbegotten marriage long ago. Henry is a lawyer, an old-fashioned man, gay, successful, lonely. Thalia is now twenty-nine, an actress-hopeful, estranged from her newly widowed eccentric mother—Denise, Henry’s ex. Hoping it will lead to better things for her career, Thalia agrees to pose as the girlfriend of a horror-movie luminary who is down on his romantic luck. When Thalia and her complicated social life move into the basement of Henry’s Upper West Side townhouse, she finds a champion in her long-lost father, and he finds new life—and maybe even new love—in the commotion.
THE VIEW FROM PENTHOUSE B
Unexpectedly widowed Gwen-Laura Schmidt is still mourning her husband, Edwin, when her older sister Margot invites her to join forces as roommates in Margot’s luxurious Greenwich Village apartment. For Margot, divorced amid scandal (hint: her husband was a fertility doctor) and then made Ponzi-poor, it’s a chance to shake Gwen out of her grief and help make ends meet. To further this effort, she enlists a third boarder, the handsome, cupcake-baking Anthony.
As the three swap moneymaking schemes and timid Gwen ventures back out into the dating world, the arrival of Margot’s paroled ex in the efficiency apartment downstairs creates not just complications but the chance for all sorts of unexpected forgiveness. A sister story about love, loneliness, and new life in middle age from one of our finest comic writers.
A hysterical phone call from Henry Archer’s ex-wife and a familiar face in a photograph upend his well-ordered life and bring him back into contact with the child he adored, a short-term stepdaughter from a misbegotten marriage long ago. Henry is a lawyer, an old-fashioned man, gay, successful, lonely. Thalia is now twenty-nine, an actress-hopeful, estranged from her newly widowed eccentric mother—Denise, Henry’s ex. Hoping it will lead to better things for her career, Thalia agrees to pose as the girlfriend of a horror-movie luminary who is down on his romantic luck. When Thalia and her complicated social life move into the basement of Henry’s Upper West Side townhouse, she finds a champion in her long-lost father, and he finds new life—and maybe even new love—in the commotion.
From the bestselling author of The Inn at Lake Devine ("Rivals her own best work for its understanding of the way smart, opinionated people stumble toward happiness"--Glamour) and Isabel's Bed ("It's Fannie Farmer for the soul . . . delivered in a delicious style that is both funny and elegant"--USA Today) comes a darkly romantic comedy of manners that confirms Elinor Lipman's appointment to the Jane Austen chair in modern American sensibility.
Thirty unmarried years have passed since the barely suitable Harvey Nash failed to show up at a grand Boston hotel for his own engagement party. Today, the near-bride, Adele Dobbin, and her two sisters, Lois and Kathleen, blame Harvey for what unkind relatives call their spinsterhood, and what potential beaus might characterize as a leery, united front. The doorbell rings one cold April night. Harvey Nash, older, filled with regrets (sort of), more charming and arousable than ever, just in from the Coast, where he's reinvented himself as Nash Harvey, jingle composer and chronic bachelor, has returned to the scene of his first romantic crime. Despite the sisters' scars and grudges, despite his platinum tongue and roving eye, this old flame becomes an improbable catalyst for the untried and the long overdue.
The refined and level-headed Adele finds herself flirting with her boss--on public television. Entrepreneurial Kathleen is suddenly drinking cappuccino with Lorenz, the handsome doorman at the luxury high-rise where she owns a lingerie boutique. And Lois, the only sister to have embarked on the road to matrimony and, subsequently, divorce, revives her long-cherished notion that Harvey abandoned Adele rather than indulge his preference for another Dobbin.
Both comic and compassionate, The Ladies' Man has all of Lipman's trademark wit, wattage, and social mischief--with an extra bite.
From the Hardcover edition.
Thirty unmarried years have passed since the barely suitable Harvey Nash failed to show up at a grand Boston hotel for his own engagement party. Today, the near-bride, Adele Dobbin, and her two sisters, Lois and Kathleen, blame Harvey for what unkind relatives call their spinsterhood, and what potential beaus might characterize as a leery, united front. The doorbell rings one cold April night. Harvey Nash, older, filled with regrets (sort of), more charming and arousable than ever, just in from the Coast, where he's reinvented himself as Nash Harvey, jingle composer and chronic bachelor, has returned to the scene of his first romantic crime. Despite the sisters' scars and grudges, despite his platinum tongue and roving eye, this old flame becomes an improbable catalyst for the untried and the long overdue.
The refined and level-headed Adele finds herself flirting with her boss--on public television. Entrepreneurial Kathleen is suddenly drinking cappuccino with Lorenz, the handsome doorman at the luxury high-rise where she owns a lingerie boutique. And Lois, the only sister to have embarked on the road to matrimony and, subsequently, divorce, revives her long-cherished notion that Harvey abandoned Adele rather than indulge his preference for another Dobbin.
Both comic and compassionate, The Ladies' Man has all of Lipman's trademark wit, wattage, and social mischief--with an extra bite.
From the Hardcover edition.
In her newest well-tuned, witty, and altogether wonderful novel, bestselling author Elinor Lipman dares to ask: Can an upper-middle-class doctor find love with a shady, fast-talking salesman?
Meet Alice Thrift, surgical intern in a Boston hospital, high of I.Q. but low in social graces. She doesn’t mean to be acerbic, clinical, or blunt, but where was she the day they taught Bedside Manner 101? Into Alice’s workaholic and wallflower life comes Ray Russo, a slick traveling fudge salesman in search of a nose job and well-heeled companionship, but not necessarily in that order. Is he a conman or a sincere suitor? Good guy or bad? Alice’s parents, roommate, and best friend Sylvie are appalled at her choice of mate. Despite her doubts, Alice finds herself walking down the aisle, not so much won over as worn down. Will their marriage last the honeymoon? Only if Alice’s best instincts can triumph over Ray’s unsavory ways.
From the Trade Paperback edition.
Meet Alice Thrift, surgical intern in a Boston hospital, high of I.Q. but low in social graces. She doesn’t mean to be acerbic, clinical, or blunt, but where was she the day they taught Bedside Manner 101? Into Alice’s workaholic and wallflower life comes Ray Russo, a slick traveling fudge salesman in search of a nose job and well-heeled companionship, but not necessarily in that order. Is he a conman or a sincere suitor? Good guy or bad? Alice’s parents, roommate, and best friend Sylvie are appalled at her choice of mate. Despite her doubts, Alice finds herself walking down the aisle, not so much won over as worn down. Will their marriage last the honeymoon? Only if Alice’s best instincts can triumph over Ray’s unsavory ways.
From the Trade Paperback edition.
With her trademark humor and warmth, the beloved author of The Ladies' Man and The Inn at Lake Devine explores going home again; about finding light in the dark corners of one's inhospitable past; about love, golf, and DNA.
Everyone in King George, New Hampshire, loved Margaret Batten, part-time amateur actress, full-time wallflower, and single mother to a now-distant daughter, Sunny. But accidents happen. The death of Margaret, side by side with her putative fiancé, brings Sunny back to the scene of the unhappy adolescence she thought she’d left behind. Reentry is to be dreaded; there’s no hiding in a town with one diner, one doctor, one stop sign, one motel. Yet allies surface; even high school tormentors have grown up in unforeseen and gratifying ways. Just possibly, Sunny begins to think, she wasn’t as beleaguered as she felt she was. And maybe her mother’s life was richer than anyone suspected. Add to the mix a chief of police whose interest in Sunny exceeds his civic duty, and you have the makings of an irresistibly beguiling tale from an author who writes with all the wit and wry authority of a latter-day Jane Austen.
From the Trade Paperback edition.
Everyone in King George, New Hampshire, loved Margaret Batten, part-time amateur actress, full-time wallflower, and single mother to a now-distant daughter, Sunny. But accidents happen. The death of Margaret, side by side with her putative fiancé, brings Sunny back to the scene of the unhappy adolescence she thought she’d left behind. Reentry is to be dreaded; there’s no hiding in a town with one diner, one doctor, one stop sign, one motel. Yet allies surface; even high school tormentors have grown up in unforeseen and gratifying ways. Just possibly, Sunny begins to think, she wasn’t as beleaguered as she felt she was. And maybe her mother’s life was richer than anyone suspected. Add to the mix a chief of police whose interest in Sunny exceeds his civic duty, and you have the makings of an irresistibly beguiling tale from an author who writes with all the wit and wry authority of a latter-day Jane Austen.
From the Trade Paperback edition.
When Harriet Mahoney first sees it, Isabel Krug's bed is covered with sheared sheep and littered with celebrity biographies. Unpublished, fortyish, and recently jilted, Harriet has fled Manhattan for Isabel's loudly elegant Cape Cod retreat, where she will ghostwrite The Isabel Krug Story, based on the sexy blond's scandalous tabloid past. Unusually "talented" in the man department ("I give lessons"), Isabel revamps and inspires Harriet as they gear up to tell all, including the tangled history Isabel shares with her odd lodger, Costas. Life according to Isabel is a nonstop soap opera extravaganza, an experience to be swallowed whole -- and the attitude is catching....
At thirty-two, Faith Frankel has returned to her claustro-suburban hometown, where she writes institutional thank-you notes for her alma mater. It's a peaceful life, really, and surely with her recent purchase of a sweet bungalow on Turpentine Lane her life is finally on track. Never mind that her fiance is off on a crowdfunded cross-country walk, too busy to return her texts (but not too busy to post photos of himself with a different woman in every state). And never mind her witless boss, or a mother who lives too close, or a philandering father who thinks he's Chagall. When she finds some mysterious artifacts in the attic of her new home, she wonders whether anything in her life is as it seems.
Unexpectedly widowed Gwen-Laura Schmidt is still mourning her husband when her sister Margot invites her to join forces as roommates in Margot's luxurious Village apartment. For Margot, divorced amid scandal, then made Ponzi-poor, it's a chance to shake Gwen out of her grief and help make ends meet. To further this effort she enlists a third boarder, the handsome Anthony. As the three swap money-making schemes and Gwen ventures back out into the dating world, the arrival of Margot's paroled ex in the apartment downstairs creates not just complications but the chance for all sorts of unexpected forgiveness. A sister story about love, loneliness, and new life in middle age, this is a cracklingly witty, deeply sweet novel from one of our finest comic writers.
A hysterical phone call from Henry Archer's ex-wife and a familiar face in a photograph upend his well ordered life and bring him back into contact with the child he adored, a short-term stepdaughter from a misbegotten marriage long ago. Henry is a lawyer, an old fashioned man, gay, successful, and lonely. Thalia is now 28, a hopeful actress, estranged from her newly widowed crackpot mother-Denise, Henry's ex. Hoping it will lead to better things for her career, Thalia agrees to pose as the girlfriend of a former child star and current horror movie luminary who is down on his romantic luck. When Thalia and her complicated social life move into the basement of Henry's Upper West Side townhouse, she finds a champion in her long lost father, and he finds new life-and maybe even new love-in the commotion.
Frederica Hatch, born and raised in a college dorm and chafing under the care of "the most annoyingly evenhanded parental team in the history of civilization," is starting to feel that her life is stiflingly snug. Then into this cozy but claustrophobic world comes Laura Lee French, a wannabe Rockette and the new dorm mother at the lackluster women's college where Frederica's parents teach and agitate. Further disturbing the peace is the fact that Miss French-in the distant past-had been married to Frederica's earnest and unglamorous father. Fearing scandal and campus glee, the three Hatches and Laura Lee attempt to keep their secret.
Elinor Lipman has populated her fictional universe with characters so utterly real that we feel like they're old friends. Now she shares an even more intimate world with us - her own - in essays that offer a candid, charming take on modern life. Looking back and forging ahead, she considers the subjects that matter most: childhood and condiments, long marriage and solo living, career and politics. Here you'll find the lighthearted: a celebration of four decades of All My Children, a reflection on being Jewish in heavily Irish-Catholic Lowell on St. Patrick's Day, a hilariously unflinching account of her tiptoe into online dating. But she also tackles the serious and profound in eloquent stories of unexpected widowhood and caring for elderly parents that use her struggles to illuminate ours.
When Harriet Mahoney first saw it, Isabel Krug's bed was covered in sheared sheep and littered with celebrity biographies. The unpublished, fortyish, and recently jilted Harriet had fled wintry Manhattan in response to a mysterious ad in the New York Review of Books: "Book in progress? Why not share my Cape Cod retreat? Roomy and peaceful-your life will be your own." In a room with a view atop a Truro dune, Harriet starts on a different path to fulfillment by ghostwriting The Isabel Krug Story, based on the sexy blonde's tabloid past-specifically, a nasty night in Greenwich, Connecticut, when Guy Van Vleet died and Isabel lived to tell about it. Unusually talented in the man department, Isabel revamps and inspires Harriet as they gear up to tell all. Life according to Isabel is a soap-opera extravaganza, an experience to be swallowed whole-and the attitude is catching.
Everyone in King George, New Hampshire, loved Margaret Batten-part-time amateur actress, full-time wallflower-and single mother to a now distant daughter, Sunny. But accidents happen, and the death of Margaret, side by side with her putative fiance, brings Sunny back to the scene of her unhappy adolescence, to the community that remembers her solely, nervously, as the girl who golfed. Reentry is to be dreaded; there's no hiding in a town with one diner, one doctor, one stop sign, one motel. Yet allies surface; the country club opens its doors to its former Orphan Annie caddie. High school classmates, even the tormenters, have grown up nicely, matured in unforeseen and gratifying ways. Maybe, Sunny begins to think, she wasn't as beleaguered as she felt she was, maybe her mother's life was richer than anyone suspected, and maybe the man at the funeral-the one with her face, her flyaway hair, her golf swing-is the half brother she doesn't know she needs.
April Epner teaches high school Latin, wears flannel jumpers, and is used to having her evenings free. Bernice Graverman brandishes designer labels, favors toad-sized earrings, and hosts her own tacky TV talk show: Bernice G! But behind the glitz and glam, Bernice has followed the life of the daughter she gave up for adoption thirty-six years ago. Now that she's got her act together, she's aiming to be a mom like she always knew she could. And she's hurtling straight for April's quiet little life.