“Light and tight, On Turpentine Lane is constructed with an almost scary mastery.”—New York Times Book Review

“A diverting delight.”—People
 
“[Lipman] has a way of crafting books so utterly charming that you want to set up residence inside them…On Turpentine Lane quickly becomes a friend.”—Seattle Times
 
At thirty-two, Faith Frankel has returned to her claustro-suburban hometown, where she writes institutional thank-you notes for her alma mater. It’s a peaceful life, really, and surely with her recent purchase of a sweet bungalow on Turpentine Lane her life is finally on track. Never mind that her fiancé is off on a crowdfunded cross-country walk, too busy to return her texts (but not too busy to post photos of himself with a different woman in every state). And never mind her witless boss, or a mother who lives too close, or a philandering father who thinks he’s Chagall.
            When she finds some mysterious artifacts in the attic of her new home, she wonders whether anything in her life is as it seems. What good fortune, then, that Faith has found a friend in affable, collegial Nick Franconi, officemate par excellence . . .
            Elinor Lipman may well have invented the screwball romantic comedy for our era, and here she is at her sharpest and best. On Turpentine Lane is funny, poignant, and a little bit outrageous.

“A light but serious antidote to what ails us all these days.”—Washington Post
 
“Delightful! I read it in one day—truly a peak reading experience. Every page was packed with wonders.”—Maria Semple
From the bestselling author of The Inn at Lake Devine ("Rivals her own best work for its understanding of the way smart, opinionated people stumble toward happiness"--Glamour) and Isabel's Bed ("It's Fannie Farmer for the soul . . . delivered in a delicious style that is both funny and elegant"--USA Today) comes a darkly romantic comedy of manners that confirms Elinor Lipman's appointment to the Jane Austen chair in modern American sensibility.

Thirty unmarried years have passed since the barely suitable Harvey Nash failed to show up at a grand Boston hotel for his own engagement party. Today, the near-bride, Adele Dobbin, and her two sisters, Lois and Kathleen, blame Harvey for what unkind relatives call their spinsterhood, and what potential beaus might characterize as a leery, united front. The doorbell rings one cold April night. Harvey Nash, older, filled with regrets (sort of), more charming and arousable than ever, just in from the Coast, where he's reinvented himself as Nash Harvey, jingle composer and chronic bachelor, has returned to the scene of his first romantic crime. Despite the sisters' scars and grudges, despite his platinum tongue and roving eye, this old flame becomes an improbable catalyst for the untried and the long overdue.
        
The refined and level-headed Adele finds herself flirting with her boss--on public television. Entrepreneurial Kathleen is suddenly drinking cappuccino with Lorenz, the handsome doorman at the luxury high-rise where she owns a lingerie boutique. And Lois, the only sister to have embarked on the road to matrimony and, subsequently, divorce, revives her long-cherished notion that Harvey abandoned Adele rather than indulge his preference for another Dobbin.
        
Both comic and compassionate, The Ladies' Man has all of Lipman's trademark wit, wattage, and      social mischief--with an extra bite.
For longtime fans and new readers alike, Read, Love, Repeat: Three Novels by Elinor Lipman collects three beloved works (My Latest Grievance, The Family Man, The View from Penthouse B) by the “enchanting, infinitely witty yet serious, exceptionally intelligent, wholly original, and Austen-like stylist”* Elinor Lipman. (*Fay Weldon, The Washington Post)

MY LATEST GRIEVANCE

My Latest Grievance stars the beguiling teenager Frederica Hatch, the “Eloise of Dewing College.” Born and raised in the dormitory of this small women's college and chafing under the care of “the most annoyingly evenhanded parental team in the history of civilization,” Frederica is starting to feel that her life is stiflingly snug. That all changes with the arrival on campus of a new dorm mother, the glamorous Laura Lee French, the frenetic center of her own universe.

THE FAMILY MAN

A hysterical phone call from Henry Archer’s ex-wife and a familiar face in a photograph upend his well-ordered life and bring him back into contact with the child he adored, a short-term stepdaughter from a misbegotten marriage long ago. Henry is a lawyer, an old-fashioned man, gay, successful, lonely. Thalia is now twenty-nine, an actress-hopeful, estranged from her newly widowed eccentric mother—Denise, Henry’s ex. Hoping it will lead to better things for her career, Thalia agrees to pose as the girlfriend of a horror-movie luminary who is down on his romantic luck. When Thalia and her complicated social life move into the basement of Henry’s Upper West Side townhouse, she finds a champion in her long-lost father, and he finds new life—and maybe even new love—in the commotion.

THE VIEW FROM PENTHOUSE B

Unexpectedly widowed Gwen-Laura Schmidt is still mourning her husband, Edwin, when her older sister Margot invites her to join forces as roommates in Margot’s luxurious Greenwich Village apartment. For Margot, divorced amid scandal (hint: her husband was a fertility doctor) and then made Ponzi-poor, it’s a chance to shake Gwen out of her grief and help make ends meet. To further this effort, she enlists a third boarder, the handsome, cupcake-baking Anthony.

As the three swap moneymaking schemes and timid Gwen ventures back out into the dating world, the arrival of Margot’s paroled ex in the efficiency apartment downstairs creates not just complications but the chance for all sorts of unexpected forgiveness. A sister story about love, loneliness, and new life in middle age from one of our finest comic writers.
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