One mild summer evening, a young couple are enjoying dinner while their daughter sleeps peacefully in her stroller under a tree. When her mother steps outside she is stunned: the child is covered in blood.
Inspector Sejer is called to the hospital to meet the family. Mercifully, the child is unharmed, but the parents are deeply shaken, and Sejer spends the evening trying to understand why anyone would carry out such a sinister prank. Then, just before midnight, somebody rings his doorbell.
No one is at the door, but the caller has left a small gray envelope on Sejer’s mat. From his living room window, the inspector watches a figure disappear into the darkness. Inside the envelope Sejer finds a postcard bearing a short message: Hell begins now.
“No one can thoroughly chill the blood the way Karin Fossum can . . . will put you away, no questions asked.”—Los Angeles Times
Critically acclaimed across Europe, Karin Fossum's Inspector Sejer novels are masterfully constructed, psychologically convincing, and compulsively readable. They evoke a world that is at once profoundly disturbing and terrifyingly familiar.
Eva Magnus and her daughter are out walking by the river when a man’s body floats to the water’s surface. Eva goes to call the police, but when she reaches the phone, she dials another number altogether.
The police find the body anyway. Inspector Sejer and his team quickly determine that the man, Egil, died in a violent attack. But Egil has been missing for months and the trail to his killer is cold. It’s as puzzling as another unsolved case on Sejer’s desk: the murder of a prostitute, found dead just before Egil went missing. Sejer sets to work piecing together these two impossible cases; it's not long before he realizes that they aren’t as separate as they previously seemed.
Suspicion immediately falls on Emil Mork, a local character who lives alone and hasn’t spoken since childhood. His mother insists on cleaning his house weekly—although she’s sometimes afraid of what she might find there. A mother’s worst nightmare in either case—to lose a child or to think a child capable of murder. As Ida’s relatives reach the breaking point and the media frenzy surrounding the case begins, Inspector Konrad Sejer is his usual calm and reassuring self. But he’s puzzled. And disturbed. This is the strangest case he’s seen in years.
Carmen and Nicolai failed to resuscitate their son, Tommy, after finding him floating in their backyard pond. When Inspector Skarre arrives on the scene, Carmen reports that Tommy, a healthy toddler with Down syndrome, wandered into the garden while Nicolai was working in the basement and she was cleaning the house. Skarre senses something is off with Carmen’s story and consults his trusted colleague, the famed Inspector Sejer. An autopsy reveals Tommy’s lungs to be full of soap.
When Sejer and Skarre revisit the couple, Carmen, an epileptic, changes her story, confessing that she’d been knocked unconscious by a seizure while bathing Tommy. When she came to, she found him drowned in the tub and, horrified and frightened, threw him into the pond.
But Skarre and Sejer’s doubt is not appeased and the case is reopened. What more could Carmen be hiding? And what lengths will she take to cover her guilt? As Carmen’s own family starts to doubt her, Skarre and Sejer work to find the truth.
“What grips readers is the enormous amount of emotion [Fossum] works up as we get closer and closer to reliving the murderous event in question . . . Hell Fire is close to heartbreaking, and there are not many novels, thrillers or otherwise, you can say that about.” — Los Angeles Times
A gruesome tableau awaits Inspector Konrad Sejer in the oppressive summer heat: a woman and a young boy lay dead in a pool of blood near a dank trailer. The motivation behind the deaths of Bonnie Hayden and her five-year-old son, Simon, is mysterious—there is no sign of robbery. Who would brutally stab a defenseless woman and her child? In a parallel story, another mother, Mass Malthe, navigates life with her adult son, Eddie. It’s a relationship some would call too close, since Eddie’s father, a man he obsesses over, abandoned them many years ago. As Sejer searches for the truth behind the seemingly senseless killings, Hell Fire deftly probes why we lie to those closest to us, and what drives people to commit the most horrific of crimes.
“There’s always something dark hovering on the edge of the page, something about getting what you wish for and the crushing irony when that gift proves your undoing.” — New York Times Book Review
Inspector Konrad Sejer and his colleague Jacob Skarre see no connection between the infant's death and the reported disappearance of a local delinquent. And so while the confusion in the world outside mounts, the chilling, heart-stopping truth unfolds inside the old woman's home.
Unflappable as ever, Sejer digs below the surface of small-town tranquillity in an effort to understand how and why violence destroys everyday lives. Another brilliantly observed, precisely rendered psychological mystery from the highly acclaimed Karin Fossum.
In the middle of the night, a man breaks into a woman’s house, finds her bedroom, and wakes her up. She’s the author who could save his soul by telling his story. He’s one of many characters waiting their turn—except now he’s cut the line. After all, she could die soon, leaving him lost forever. He refuses to leave until she gives him a name. And so his story begins . . .
Alvar Eide, forty-two and single, works in an art gallery. He maintains a quiet life—until one icy winter morning when a drug-addicted young woman walks into his gallery to escape the cold. Alvar gives her a cup of coffee to warm her up. Soon after, she appears on his doorstep. The author is finally telling his story . . . but she never promised a happy ending.
Broken is an unconventional, disturbing, and thought-provoking mystery from a master of the form, and winner of the Los Angeles Times Book Prize for her crime novel The Indian Bride.
“Fossum crafts remarkably incisive psychological suspense: novels that carry the headlong momentum of thrillers and the acuity and weight of literary fiction.” —The Washington Post Book World
“I always eagerly await a new novel from Karin Fossum.” —Ruth Rendell
“Claustrophobic and intense.” —The Independent (UK)
Eva Magnus, una joven pintora de escaso éxito, se encuentra a Maja, una vieja amiga, que intenta convencerla para que se gane la vida como prostituta y salde así sus deudas, cada día más acuciantes.
Maja invita a Eva a su casa y la anima a ver por el resquicio de la puerta cómo se hace el «trabajo». Pero de pronto el cliente y Maja se enzarzan en una pelea, y Eva acaba con el cadáver de su amiga en los brazos. Se inicia así un torbellino criminal al que Eva, casi por casualidad, se ve arrastrada.
El inspector Sejer, al hacerse cargo de la investigación, intuye que la joven artista sabe más de lo que dice y que las respuestas a sus interrogantes están en la vida secreta de Eva Magnus...
«Karin Fossum aporta unos personajes creíbles, unos ambientes poco frecuentados, una sensación de tristeza que acaba calando y una resolución casi impecable.»
«El ojo de Eva se lee muy bien y engancha hasta la última página.»
«Fossum crea un suspense psicológico increíblemente incisivo.»
The Washington Post
«Un suspense extraordinario... Un tesoro para los fans.»
Critically acclaimed across Europe, Karin Fossum’s Inspector Sejer novels are masterfully constructed, psychologically convincing, and compulsively readable. They evoke a world that is at once profoundly disturbing and terrifyingly familiar. The inaugural Inspector Sejer novels have been conveniently packaged together for your very own chilling reading experience.
When the body of a man floats to the surface of a river, Inspector Sejer is called in. Sejer and his team determine that the man, Egil, died in a violent attack. But Egil has been missing for months, and the trail to his killer has gone cold. It’s as puzzling as another unsolved case on Sejer’s desk: the murder of a prostitute who was found dead just three days before Egil went missing. Sejer sets to work piecing together the fragments of these two impossible cases; soon enough he realizes that they might not be as separate as they had seemed.
DON’T LOOK BACK
At the foot of the imposing Kollen Mountain lies a small, idyllic village where neighbors know neighbors and children play happily in the streets. But when the body of a teenage girl is found by the lake at the mountaintop, the town’s tranquility is shattered forever. Annie was strong, intelligent, and loved by everyone. What went so terribly wrong? Doggedly, yet subtly, Inspector Sejer uncovers layer upon layer of distrust and lies beneath the town’s seemingly perfect façade.
HE WHO FEARS THE WOLF
Inspector Sejer is hard at work again, investigating the murder of a woman who lived alone in the middle of the woods. The chief suspect is another loner, a schizophrenic recently escaped from a mental institution. The only witness is a twelve-year-old boy, overweight, obsessed with archery, and a resident at a home for delinquents. Shrewdly, patiently, as is his way, Sejer confronts a case where the strangeness of the crime is matched only by the strangeness of the criminals, and where small-town prejudices warp every piece of information he tries to collect.
“In spare, incisive prose, Fossum turns a conventional police procedural into a sensitive examination of troubled minds and a disturbing look at the way society views them . . . A superb writer of psychological suspense.” — New York Times
One summer evening Lily and her husband are enjoying a meal while their baby daughter sleeps peacefully in her pram beneath a maple tree. But then Lily steps outside to find her baby soaked in blood.
The distraught parents rush to the hospital where they discover that she is unharmed. Inspector Sejer is called in and spends the evening trying to comprehend why anyone would carry out such a sinister prank. Then, just before midnight, somebody rings his doorbell.
The corridor is empty, but the caller has left a small grey envelope on the mat. Inside it, Sejer finds a postcard bearing a short message: Hell begins now...