In 2013, Republican "hero" David Stein made international headlines when he was unmasked as David Cole, the notorious Jewish Holocaust denier who made an entirely different set of headlines in the 1990s with his videos from within the gates of Auschwitz and his appearances on shows like 60 Minutes and Donahue.
After a $25,000 bounty was put on his head by a violent extremist group, Cole left behind the bizarre world of Holocaust denial, a landscape populated by Hitler fetishists who Cole himself detested. Then, David Stein the Republican organizer was born.
Stein soon became a major force in the closed-door world of Hollywood right-wingers—people who felt as alienated from the mainstream of their profession as Cole had felt as the lone Jewish Holocaust revisionist. Soon enough, Stein was working with major GOP power players and far-right Hollywood A-listers, creating huge private events for the West Coast GOP elite . . . until it all came crashing down when a vengeful former girlfriend outed him publicly.
Condemned by those who had previously lauded him, Cole was left with nothing but his story. And here he tells it, warts and all, including the first-ever exposé of the secretive Hollywood far-right underground, "Friends of Abe."
Every day, your school, your teachers, and even your peers draw lines to
measure and standardize intelligence. They decide what criteria make one person smart and another person stupid. They decide who will succeed and who will just get by. Perhaps you find yourself outside the norm, because you learn differently -- but, unlike your classmates, you have no system in place that consistently supports your ability and desire to learn. Simply put, you are considered lazy and stupid. You are expected to fail.
Learning Outside the Lines is written by two such "academic failures" -- that is, two academic failures who graduated from Brown University at the top of their class. Jonathan Mooney and David Cole teach you how to take control of your education and find true success -- and they offer all the reasons why you should persevere. Witty, bold, and disarmingly honest, Learning Outside the Lines takes you on a journey toward personal empowerment and profound educational change, proving once again that rules sometimes need to be broken.
A new chapter includes a discussion of domestic spying, preventive detention, the many court challenges to post-9/11 abuses, implementation of the PATRIOT ACT, and efforts to reestablish the checks and balances left behind in the rush to strengthen governmental powers.
This collection gives readers an unfiltered look at the tactics approved for use in the CIA’s secret overseas prisons—including forcing detainees to stay awake for eleven days straight, slamming them against walls, stripping them naked, locking them in a small box with insects to manipulate their fears, and, of course, waterboarding—and at the incredible arguments advanced to give them a green light.
Originally issued in secret by the Office of Legal Counsel between 2002 and 2005, the documents collected here have been edited only to eliminate repetition. They reflect, in their own words, the analysis that guided the legal architects of the Bush administration’s interrogation policies.
Renowned legal scholar David Cole’s introductory essay tells the story behind the memos, and presents a compelling case that instead of demanding that the CIA conform its conduct to the law, the nation’s top lawyers contorted the law to conform to the CIA’s abusive and patently illegal conduct. He argues eloquently that official accountability for these legal wrongs is essential if the United States is to restore fidelity to the rule of law.
Just how far do American privacy rights extend?
And how far is too far when it comes to government secrecy in the name of security?
These are just a few of the questions that have dominated American consciousness since Edward Snowden exposed the breath of the NSA's domestic surveillance program.
In these seven previously unpublished essays, a group of prominent legal and political experts delve in to life After Snowden, examining the ramifications of the infamous leak from multiple angles:
• Washington lawyer and literary agent RONALD GOLDFARB acts as the book's editor and provides an introduction outlining the many debates sparked by the Snowden leaks.
• Pulitzer Prize winning journalist BARRY SIEGEL analyses the role of the state secrets provision in the judicial system.
• Former Assistant Secretary of State HODDING CARTER explores whether the press is justified in unearthing and publishing classified information.
• Ethics expert and dean of the UC Berkley School of Journalism EDWARD WASSERMAN discusses the uneven relationship between journalists and whistleblowers.
• Georgetown Law Professor DAVID COLE addresses the motives and complicated legacy of Snowden and other leakers.
• Director of the National Security Archive THOMAS BLANTON looks at the impact of the Snowden leaks on the classification of government documents.
• Dean of the University of Florida Law School JON MILLS addresses the constitutional right to privacy and the difficulties of applying it in the digital age.
• New research and field experience prescribe better minimum-impact techniques for wilderness use
• Expanded information on camping practices
• How far you should camp from water, where to pitch your tent, how to build a fire or if you should build one in the first place
• Respecting and caring for wildlands, doing your part to protect our limited resources and future recreation opportunities
• Trampling, litter, waste disposal, fire use, wildlife health, and protecting cultural resources
One of Washington Post's Notable Nonfiction Books of 2016
In an age of executive overreach, what role do American citizens have in safeguarding our Constitution and defending liberty? Must we rely on the federal courts, and the Supreme Court above all, to protect our rights? In Engines of Liberty, the esteemed legal scholar David Cole argues that we all have a part to play in the grand civic dramas of our era--and in a revised introduction and conclusion, he proposes specific tactics for fighting Donald Trump's policies.
Examining the most successful rights movements of the last thirty years, Cole reveals how groups of ordinary Americans confronting long odds have managed, time and time again, to convince the courts to grant new rights and protect existing ones. Engines of Liberty is a fundamentally new explanation of how our Constitution works and the part citizens play in it.
The first major exposition of his ideas appeared in Vers une Architecture (1923), a compilation of articles originally written by Le Corbusier for his own avant-garde magazine, L'Esprit Nouveau. The present volume is an unabridged English translation of the 13th French edition of that historic manifesto, in which Le Corbusier expounded his technical and aesthetic theories, views on industry, economics, relation of form to function, the "mass-production spirit," and much else. A principal prophet of the "modern" movement in architecture, and a near-legendary figure of the "International School," he designed some of the twentieth century's most memorable buildings: Chapel at Ronchamp; Swiss dormitory at the Cité Universitaire, Paris; Unité d'Habitation, Marseilles; and many more.
Le Corbusier brought great passion and intelligence to these essays, which present his ideas in a concise, pithy style, studded with epigrammatic, often provocative, observations: "American engineers overwhelm with their calculations our expiring architecture." "Architecture is stifled by custom. It is the only profession in which progress is not considered necessary." "A cathedral is not very beautiful . . ." and "Rome is the damnation of the half-educated. To send architectural students to Rome is to cripple them for life."
Profusely illustrated with over 200 line drawings and photographs of his own works and other structures he considered important, Towards a New Architecture is indispensable reading for architects, city planners, and cultural historians ― but will intrigue anyone fascinated by the wide-ranging ideas, unvarnished opinions, and innovative theories of one of this century's master builders.
Despite the vast literature about Frank Lloyd Wright, noted Wright scholar Donald Hoffmann contends that observations about Wright commonly fail to reach any understanding of his art and few commentaries deal with the principles of his architecture. What inspired his work? How did his architecture mature? What are the dynamics of its characteristic expression? Why will the formative principles always be valid?
The answers to these and other questions about Wright's architectural philosophy, ideals and methods can be found in this superb treatment, enhanced with 127 photos, plans, and illustrations of a host of Wright masterworks. Among these are the Robie house, the Winslow house, Fallingwater, Hollyhock House, the Larkin Building, Unity Temple, Taliesin, the Guggenheim Museum, the Johnson Wax Building, and many more.
Expertly analyzing Wright's approach to siting, furnishing, landscaping, and other details, Mr. Hoffmann has written an insightful guide to the concepts that gave Wright's architecture "not only its extraordinary vigor of structure and form, expression and meaning, but its surprising continuity." The book will be essential reading for all Wright fans and anyone interested in the evolution of modern architecture.
Olmsted was an American visionary. He foresaw the day when New York and many other growing cities of the mid-nineteenth century would be plagued by what we presently term "urban sprawl." And he was convinced of the critical importance of adapting land for the recreational and contemplative needs of city dwellers before the last remnants of natural terrain were engulfed by "monotonous, straight streets and piles of erect, angular buildings." As a result of his early efforts to revolutionize the design of public parks, many cities today are able to preserve the recreational space and greenery within their urban limits. In addition, his thoughts and words on wilderness areas still echo across a century of preservation in the wild.
This lively and insightful account of his prodigious life features many of his outstanding landscape projects, including the Biltmore Estate, Prospect Park (Brooklyn), the capitol grounds in Washington, DC, the Boston Park System, the Chicago parks and the Chicago World Fair, as well as measures to preserve the natural settings at Niagara Falls, Yosemite, and the Adirondacks. It traces his early years and describes events that were to form his artistic, intellectual, and deeply humanistic sensibilities. And it restores this lost American hero to his prominent place in history. In addition to being the acknowledged father of American landscape architecture, Frederick Law Olmsted helped shape the political and philosophical climate of America in his own time and today.
Elizabeth Stevenson is the author of the Bancroft Award-winning Henry Adams: A Biography; The Glass Lark, a biography of Lafcadio Hearn; and Babbitts and Bohemians: From the Great War to the Great Depression, all available from Transaction.
In volume one of this monograph, more than 30 of Safdie's projects are illustrated with spectacular photography, original design sketches and text. These works include his seminal Habitat project for Expo '67 in Montreal, Canada; the National Gallery of Canada, Ottawa; the Montreal Museum of Fine Arts; Library Square, Vancouver, Canada; Mamilla Center and Hebrew Union College, Jerusalem; the Skirball Museum and Cultural Center, Los Angeles; and urban designs for Montreal and Keur Farah Pahlavi, Senegal. Together they demonstrate the depth of Safdie's work, and an architectural vocabulary full of light and colour.
In his essay 'The Medium and Language of Architecture', Safdie discusses his architecture and influences. Each of the texts by authors Paul Goldberger, Peter G Rowe, Witold Rybczynski and Michael Sorking covers a different facet of Safdie's oeuvre.
Frank Lloyd Wright built a body of works and drawings to illustrate and explain his work: collections of designs with commentary that temperamentally parallel that work: irascible, radical, powerful and dense, astonishing and simple in its clarity. One of his earliest published works illustrates the parallel, preserving thought and design at a prophetic moment, shortly before Wright's genius and fame captured two continents and many converts. The Wasmuth portfolio of drawings (named after the original German publisher) is reproduced here from an extremely rare first edition (1910).
Wright's polemical preface indicates the importance he attached to the drawings and their publication: ". . . the work illustrated in this volume, with the exception of the work of Louis Sullivan, is the first consistent protest in bricks and mortar against this pitiful waste [academic, inorganic styles]. It is a serious attempt to formulate some industrial and aesthetic ideals that in a quiet, rational way will help to make a lovely thing of an American's home environment. . . ." "Home environment" for Wright was the Midwestern plain; these these drawings, perhaps his earliest experiments in organic design, partake of the Illinois, Indiana, Michigan and Wisconsin prairie with their emphasis on the horizontal ("the line of domesticity") and the environmental motif: "A beautiful elm standing near gave the suggestion for the mass of the building," Wright says of the Winslow house in River Forest, Illinois, a dwelling he cites as the first embodiment of many of his ideas. Elegant full-page architectural drawings and plans show Wright's atelier in Oak Park, Illinois, many homes, cottages, banks, a burial chapel, Unity Church temple, a concrete house designed for Ladies' Home Journal and numerous studies for buildings, treated as problems in design, that were never built.
The republication of this rare work gives access again to what has been called "the single most important collection of work published by Frank Lloyd Wright." Students of American architectural genius will find here the seeds of Wright's greatness.
Drawing on hundreds of new and unpublished interviews and countless unseen documents from the Wright archives, The Fellowship is an unforgettable story of genius and ego, sex and violence, mysticism and utopianism. Epic in scope yet intimate in its detail, it is a stunning true account of how an idealistic community devolved into a kind of fiefdom where young apprentices were both inspired and manipulated, often at a staggering personal cost, by the architect and his imperious wife, Olgivanna Hinzenberg, along with her spiritual master, the legendary Greek-Armenian mystic Georgi Gurdjieff. A magisterial work of biography, it will forever change how we think about Frank Lloyd Wright and his world.
China Construction Design International (CCDI) is one
of Asia’s premier architectural firms. It was ranked as the number one private
architectural firm in China in 2004. In 2005, it became the first firm from
China to receive an award from the United Nations Human Settlements Programme
Among CCDI’s completed projects are office towers,
sports arenas, residential complexes and cultural centres, as well as many
large-scale planning projects. All projects are based on the firm’s core
principles of integrated design, technology, environment and local public
culture in order to design building solutions to meet the manifold needs of
This is a unique opportunity to review award-winning
architectural design in 21st century China.
In response to the scandal generated by his open affair with the proto-feminist and free love advocate Mamah Borthwick Cheney, Wright had begun to build Taliesin as a refuge and "love cottage" for himself and his mistress (both married at the time to others).
Conceived as the apotheosis of Wright’s prairie house style, the original Taliesin would stand in all its isolated glory for only a few months before the bloody slayings that rocked the nation and reduced the structure itself to a smoking hull.
Supplying both a gripping mystery story and an authoritative portrait of the artist as a young man, Drennan wades through the myths surrounding Wright and the massacre, casting fresh light on the formulation of Wright’s architectural ideology and the cataclysmic effects that the Taliesin murders exerted on the fabled architect and on his subsequent designs. Best Books for General Audiences, selected by the American Association of School Librarians, and Outstanding Book, selected by the Public Library Association
Dimendberg provides an extensive overview of these concerns and the history of the studio, revealing how principals Elizabeth Diller, Ricardo Scofidio, and Charles Renfro continue to expand the definition of architecture, question the nature of space and vision in contemporary culture, and produce work that is endlessly surprising and rewarding, from New York’s High Line to Blur, an artificial cloud, and Facsimile, a video screen that moves around a building facade. Dimendberg also explores the relation of work by DS+R to that by earlier modernists such as Marcel Duchamp and John Hejduk. He reveals how the fascination of the architects with evolving forms of media, technology, and building materials has produced works that unsettle distinctions among architecture and other media. Based on interviews with the architects, their clients, and collaborators as well as unprecedented access to unpublished documents, sketchbook entries, and archival records, Diller Scofidio + Renfro is the most thorough consideration of DS+R in any language. Illustrated with many previously unpublished renderings in addition to photos from significant contemporary photographers, this book is an essential study of one of the most significant and creative architecture and design studios working today.
In 1924, in the vibrant heart of Manhattan, a fierce rivalry was born. Two architects, William Van Alen and Craig Severance (former friends and successful partners, but now bitter adversaries), set out to imprint their individual marks on the greatest canvas in the world--the rapidly evolving skyline of New York City. Each man desired to build the city’s tallest building, or ‘skyscraper.’ Each would stop at nothing to outdo his rival.
Van Alen was a creative genius who envisioned a bold, contemporary building that would move beyond the tired architecture of the previous century. By a stroke of good fortune he found a larger-than-life patron in automobile magnate Walter Chrysler, and they set out to build the legendary Chrysler building. Severance, by comparison, was a brilliant businessman, and he tapped his circle of downtown, old-money investors to begin construction on the Manhattan Company Building at 40 Wall Street.
From ground-breaking to bricklaying, Van Alen and Severance fought a cunning duel of wills. Each man was forced to revamp his architectural design in an attempt to push higher, to overcome his rival in mid-construction, as the structures rose, floor by floor, in record time. Yet just as the battle was underway, a third party entered the arena and announced plans to build an even larger building. This project would be overseen by one of Chrysler’s principal rivals--a representative of the General Motors group--and the building ultimately became known as The Empire State Building.
Infused with narrative thrills and perfectly rendered historical and engineering detail, Higher brings to life a sensational episode in American history. Author Neal Bascomb interweaves characters such as Al Smith and Governor Franklin Delano Roosevelt, leading up to an astonishing climax that illustrates one of the most ingenious (and secret) architectural achievements of all time.
McCarter examines here how Wright aspired to influence America’s evolving democratic society by the challenges his buildings posed to traditional views of private and public space. He investigates Wright’s relationships with key leaders of art, industry, and society, and how their views came to have concrete significance in Wright’s work and writings. Wright argued that architecture should be the “background or framework” for daily life, not the “object,” and McCarter dissects how and why he aspired to this and other ideals, such as his belief in the ethical duty of architects to improve society and culture.
A penetrating study of the foremost pioneer in modern architecture, Frank Lloyd Wright offers a fascinating biographical chronicle that reveals the principles and relationships at the base of Wright’s production.
In his lifetime, Isambard Kingdom Brunel towered over his profession. Today, he remains the most famous engineer in history, the epitome of the volcanic creative forces which brought about the Industrial Revolution - and brought modern society into being.
Brunel's extraordinary talents were drawn out by some remarkable opportunities - above all his appointment as engineer to the new Great Western Railway at the age of 26 - but it was his nature to take nothing for granted, and to look at every project, whether it was the longest railway yet planned, or the largest ship ever imagined, from first principles. A hard taskmaster to those who served him, he ultimately sacrificed his own life to his work in his tragically early death at the age of 53. His legacy, though, is all around us, in the railways and bridges that he personally designed, and in his wider influence.
This fascinating new book draws on Brunel's own diaries, letters and sketchbooks to understand his life, times, and work.
Super Potato's powerful designs for the interiors of restaurants, shops and hotels, as well as Takashi Sugimoto's designs for tea ceremony spaces and utensils, are richly complex compositions of materials which create simple, strong spaces.
Using traditional Japanese building materials such as bamboo, wood, and stone, but crating original yet timeless spaces, Super Potato's designs avoid specific stylistic characterizations and short-lived fashion. By finding contemporary expression for important concepts present in traditional Japan and combining materials in unexpected ways to create exciting spaces, Super Potato's work has had a significant impact on interior design in Japan and throughout Asia.
Super Potato Design is generously illustrated with 320 full-color photographs by the respected Japanese photographer Yoshio Shiratori, who has recorded Super Potatos projects since the firm's conception in 1973. Architect and Japan scholar Mira Locher introduces the ideas and influences of Takashi Sugimoto, the founder and principle designer of Super Potato, and provides a thorough explanation of each project. Architectural drawings further describe the projects. A forward by Tadao Anso, interviews between Takashi Sugimoto and architect Kiyoshi Sey Takeyama, and also graphic designer Kenya Hara, explore the ideas relevant to Japanese designers today. A list of the Complete Works of Super Potato rounds off the book.
Specifically, this book situates Ando’s churches, particularly his world-renowned Church of the Light (1989), within the legacy of nothingness expounded by Kitaro Nishida (1870-1945), the father of the Kyoto Philosophical School.
Linking Ando’s Christian architecture with a philosophy originating in Mahayana Buddhism illuminates the relationship between the two religious systems, as well as tying Ando’s architecture to the influence of Nishida on post-war Japanese art and culture.
In Wright Studies Volume Two: Fallingwater and Pittsburgh, contributors Kathryn Smith, Neil Levine, and Richard Cleary concentrate on two themes: Smith focuses on Wright’s interest in the imagery of water in architecture while Levine and Cleary look at Wright’s relationship with Edgar Kaufmann, the department store magnate, and analyze the results—aesthetic and otherwise—of that relationship. All three deal with Fallingwater, built for Kaufmann in the 1930s, and other projects planned for Pittsburgh, which included a planetarium, a civic center, a parking garage, and an apartment house.
Smith discusses how Wright refined his integration of bodies of water into his designs over the course of his career, the most successful of which is Fallingwater. Levine provides historical background on Fallingwater and analyzes the architectural elements of the design while emphasizing Fallingwater’s temporal dimension. Cleary covers Wright’s Pittsburgh projects and Edgar Kaufmann Sr.’s role in them.
Wright Studies Volume Two is richly illustrated, with seventy-three halftones and twenty-three line drawings.
Yet, the questions concerning the method of form expression in contemporary architecture, and its meaning, remain very much open. Performalism takes up this discussion, defines it and presents changes in form conception in architecture, followed by their repercussions.
The book is supported by a wealth of case studies from some of the top firms across the globe and contributed to by some of the top names in this field. With a unique and insightful emphasis on professional practice this is essential reading for all architects, aspiring and practicing.
When he got the commission to design the house, Wright was nearing seventy, his youth and his early fame long gone. It was the Depression, and Wright had no work in sight. Into his orbit stepped Edgar J. Kaufmann, a Pittsburgh department-store mogul–“the smartest retailer in America”–and a philanthropist with the burning ambition to build a world-famous work of architecture. It was an unlikely collaboration: the Jewish merchant who had little concern for modern architecture and the brilliant modernist who was leery of Jews. But the two men collaborated to produce an extraordinary building of lasting architectural significance that brought international fame to them both and confirmed Wright’s position as the greatest architect of the twentieth century.
Fallingwater Rising is also an enthralling family drama, involving Kaufmann, his beautiful cousin/wife, Liliane, and their son, Edgar Jr., whose own role in the creation of Fallingwater and its ongoing reputation is central to the story. Involving such key figures of the l930s as Frida Kahlo, Albert Einstein, Henry R. Luce, William Randolph Hearst, Ayn Rand, and Franklin Roosevelt, Fallingwater Rising shows us how E. J. Kaufmann’s house became not just Wright’s masterpiece but a fundamental icon of American life.
One of the pleasures of the book is its rich evocation of the upper-crust society of Pittsburgh–Carnegie, Frick, the Mellons–a society that was socially reactionary but luxury-loving and baronial in its tastes, hobbies, and sexual attitudes (Kaufmann had so many mistresses that his store issued them distinctive charge plates they could use without paying).
Franklin Toker has been studying Fallingwater for eighteen years. No one but he could have given us this compelling saga of the most famous private house in the world and the dramatic personal story of the fascinating people who made and used it.
A major contribution to both architectural and social history.
From the Hardcover edition.
In The Perfect House, bestselling author Witold Rybczynski, whose previous books (Home, A Clearing in the Distance, Now I Sit Me Down) have transformed our understanding of domestic architecture, reveals how a handful of Palladio's houses in an obscure corner of the Venetian Republic should have made their presence felt hundreds of years later and halfway across the globe. More than just a study of one of history's seminal architectural figures, The Perfect House reflects Rybczynski's enormous admiration for his subject and provides a new way of looking at the special landscapes we call "home" in the modern world.
Walking through this parklike area, the memorial appears as a rift in the earth -- a long, polished black stone wall, emerging from and receding into the earth. Approaching the memorial, the ground slopes gently downward, and the low walls emerging on either side, growing out of the earth, extend and converge at a point below and ahead. Walking into the grassy site contained by the walls of this memorial, we can barely make out the carved names upon the memorial's walls. These names, seemingly infinite in number, convey the sense of overwhelming numbers, while unifying these individuals into a whole....
So begins the competition entry submitted in 1981 by a Yale undergraduate for the design of the Vietnam Veterans Memorial in Washington, D.C. -- subsequently called "as moving and awesome and popular a piece of memorial architecture as exists anywhere in the world." Its creator, Maya Lin, has been nothing less than world famous ever since. From the explicitly political to the un-ashamedly literary to the completely abstract, her simple and powerful sculpture -- the Rockefeller Foundation sculpture, the Southern Poverty Law Center Civil Rights Memorial, the Yale Women's Table, Wave Field -- her architecture, including The Museum for African Art and the Norton residence, and her protean design talents have defined her as one of the most gifted creative geniuses of the age.
Boundaries is her first book: an eloquent visual/verbal sketchbook produced with the same inspiration and attention to detail as any of her other artworks. Like her environmental sculptures, it is a site, but one which exists at a remove so that it may comment on the personal and artistic elements that make up those works. In it, sketches, photographs, workbook entries, and original designs are held together by a deeply personal text. Boundaries is a powerful literary and visual statement by "a leading public artist" (Holland Carter). It is itself a unique work of art.
A shift in the architecture industry’s focus in the last 20 years toward
ecological concerns, long-term value, and user comfort has coincided with
significant new developments in digital controls, actuators, shading
typologies, building physics simulation capability, and material performance.
This collision has afforded architects an expanded set of opportunities to create
architecture that can respond directly to environmental conditions, resulting
in innovative façade designs that quickly become landmarks for their cities.
Authors Russell Fortmeyer and Charles Linn trace the historical
development of active façades in modern architecture, and reveal how
contemporary architects and consultants design and test these systems.
In Exhibiting Blackness, art historian Bridget R. Cooks analyzes the curatorial strategies, challenges, and critical receptions of the most significant museum exhibitions of African American art. Tracing two dominant methodologies used to exhibit art by African Americans -- an ethnographic approach that focuses more on artists than their art, and a recovery narrative aimed at correcting past omissions -- Cooks exposes the issues involved in exhibiting cultural difference that continue to challenge art history, historiography, and American museum exhibition practices. By further examining the unequal and often contested relationship between African American artists, curators, and visitors, she provides insight into the complex role of art museums and their accountability to the cultures they represent.
Complemented by 28 photographs and 18 line illustrations, this comprehensive narrative describes Brunelleschi's many remarkable achievements, among them masonry techniques for building the cupola; construction concepts, including the use of stone and wood chains; machines he devised and built (a reversible hoist and elevated cranes); and other inventions.
Of value to students of architecture and engineering, this volume will appeal to anyone with an interest in Renaissance studies.
Brown AIA, Tiltwallism is designed to be an introductory resource to
architects and an inspiration to contractors, developers and structural
consultants who have encountered the technology of Tilt Wall construction. The
vast amount of trade and technical information available on the subject is
interpreted in a formal treatment for the first time on a subject at the
forefront of the architectural role in an era of lowered construction costs.
Brown provides a
full synthetic treatment of Tilt Wall construction by laying
out the design opportunities in engaging in the architectural exploration of a
low technology / low cost form of construction. He explains its history,
methodology, and relationship to current architectural approaches to meaning. Brown
writes in a balanced style targeted at both architects and academics that will
also be accessible to non-architects and allied professionals. The title is
richly illustrated in an effort to be useful to the many ancillary professions
such as contractors, developers, and real estate brokers who are driving this
increasingly prevalent approach to “investment” architecture.
Volume two features an essay by Safdie presenting his views on the significant issues facing architects today. Complementing this piece are texts by William J. Mitchell on the theme of a global practice responding to a wide range of varied local conditions, and by Thomas Fisher on Safdie's books, which represent another of Safdie's significant contributions to the global architectural dialogue. Among the projects covered in these pages are, in the U.S., the Salt Lake City Main Public Library, the Peabody Essex Museum and the U.S. Institute of Peace Headquarters; in Israel, the Holocaust History Museum at Yad Vashem, the Yitzhak Rabin Center and the new city of Modi'in; in India, the Khalsa Heritage Memorial Complex; and in China, the Guangdong Science Center and the Guangzhou No. 2 Children's Palace.
Both volumes demonstrate the depth of Safdie's work, every example of which is a unified expression of its technology and materials as well as its setting and purpose.
Author Donald Langmead guides readers through Lin's ancestry and family connections in precommunist China; her childhood and youth in Athens, Ohio; the story behind the Vietnam Veterans Memorial in Washington, DC; her career after 1982 (by decades); and emphasis on environmental conservation. Written for a young adult and general readership, Maya Lin: A Biography provides an up-to-date description of how she became one of the most famous and respected artists in America.