In CliffsNotes on The Things They Carried, you discover Tim O'Brien's powerful and innovative novel about the experiences of foot soldiers during and after the Vietnam War. Drawing largely on his own experiences during the war, the author creates a fictional protagonist who shares the author's own name, and allows this fictional "Tim O'Brien" to relate disturbing war stories as he creates an indictment against the wastefulness of war.
Chapter summaries and commentaries take you through Tim O'Brien's very personal journey. Critical essays give you insight into the novel's historical context, the novel's narrative structure, and the theme of loss of innocence. Other features that help you study includeCharacter analyses of the main charactersA character map that graphically illustrates the relationships among the charactersA section on the life and background of Tim O'BrienA review section that tests your knowledgeA Resource Center full of books, articles, films, and Internet sites
Classic literature or modern-day treasure—you'll understand it all with expert information and insight from CliffsNotes study guides.
1. Go Set a Watchman by Harper Lee | Summary & Analysis
2. The Bourbon Kings: by J.R. Ward | Summary & Analysis
3. The Girl on the Train: A Novel by Paula Hawkins | Summary & Analysis
4. Circling the Sun: by Paula McLain | Summary & Analysis
5. The Marriage of Opposites: by Alice Hoffman | Summary & Analysis
6. Luckiest Girl Alive by Jessica Knoll | Summary & Analysis
7. The Martian by Andy Weir | Summary & Analysis
8. Grey by E L James | Summary & Analysis
9. All the Light We Cannot See by Anthony Doerr | Summary & Analysis
10. Secrets of a Charmed Life by Susan Meissner | Summary & Analysis
11. At the Water’s Edge by Sara Gruen | Summary & Analysis
12. The Nightingale: by Kristin Hannah | Summary & Analysis
13. The Rumor by Elin Hilderbrand | Summary & Analysis
14. In the Unlikely Event by Judy Blume | Summary & Analysis
15. The Boston Girl by Anita Diamant | Summary & Analysis
16. Trail of Broken Wings by Sejal Badani | Summary & Analysis
17. A God in Ruins by Kate Atkinson | Summary & Analysis
18. A Spool of Blue Thread by Anne Tyler | Summary & Analysis
19. Everything I Never Told You by Celeste Ng | Summary & Analysis
20. Wreckage by Emily Bleeker | Summary & Analysis
21. Private Vegas: by James Patterson & Maxine Paetro | Summary & Analysis
22. God Help the Child by Toni Morrison | Summary & Analysis
23. The Fifth Gospel: by Ian Caldwell | Summary & Analysis
24. Still Alice by Lisa Genova | Summary & Analysis
25. The Paying Guests by Sarah Waters | Summary & Analysis
Inside each Instaread Summary & Analysis
• Summary of book
• Introduction to the Important People in the book
• Analysis of the Themes and Author’s Style
1. Rising Strong: by Brene Brown | Key Takeaways, Analysis & Review
2. Being Mortal: by Atul Gawande | A 15-minute Key Takeaways & Analysis: Medicine and What Matters in the End
3. The Life-Changing Magic of Tidying Up: by Marie Kondo | A 15-minute Key Takeaways & Analysis: The Japanese Art of Decluttering and Organizing
4. It IS About Islam: by Glenn Beck | Key Takeaways, Analysis & Review: Exposing the Truth About ISIS, Al Qaeda, Iran, and the Caliphate
5. Primates of Park Avenue by Wednesday Martin: Summary & Analysis
6. Adios, America: The Left's Plan to Turn Our Country into a Third World Hellhole by Ann Coulter: Key Takeaways, Analysis & Review
7. Plunder and Deceit: by Mark R. Levin | Key Takeaways, Analysis & Review
8. Legends and Lies by Bill O'Reilly and David Fisher | Summary & Analysis: The Real West
9. H is for Hawk by Helen Macdonald | A Review
10.Elon Musk by Ashlee Vance | Summary & Analysis: Tesla, SpaceX, and the Quest for a Fantastic Future
11.The Boys in the Boat by Daniel James Brown | Summary & Analysis: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics
12.The Power of Habit: by Charles Duhigg | A 15-minute Key Takeaways & Analysis: Why We Do What We Do in Life and Business
13.The Road to Character by David Brooks | Key Takeaways & Analysis
14.The Wright Brothers by David McCullough | Key Takeaways & Analysis
15.Becoming Steve Jobs by Brent Schlender and Rick Tetzeli | Summary & Analysis: The Evolution of a Reckless Upstart into a Visionary Leader
16.Goddesses Never Age by Christiane Northrup M.D. | Key Takeaways & Analysis: The Secret Prescription for Radiance, Vitality, and Well-Being
17.Team of Teams by General Stanley McChrystal | Key Takeaways & Analysis: New Rules of Engagement for a Complex World
18.Zero to One by Peter Thiel - A 20-minute Instaread Summary: Notes on Startups, or How to Build the Future
19.The Immortal Life of Henrietta Lacks: by Rebecca Skloot | A 15-minute Key Takeaways & Analysis
20.Dead Wake: by Erik Larson | Summary & Analysis: The Last Crossing of the Lusitania
21.Missoula by Jon Krakauer | Summary & Analysis: Rape and the Justice System in a College Town
22.The Emperor of All Maladies by Siddhartha Mukherjee | Key Takeaways & Analysis: A Biography of Cancer
23.Money Master the Game: by Tony Robbins | A 15-minute Key Takeaways & Analysis: 7 Simple Steps to Financial Freedom
24.It Starts With Food: by Melissa and Dallas Hartwig | A 15-minute Key Takeaways & Analysis
25.Brain Maker by Dr. David Perlmutter and Kristin Loberg | A Review: The Power of Gut Microbes to Heal and Protect Your Brain-for Life
These forty stories represent their eras but also stand the test of time. Here is Ernest Hemingway’s first published story and a classic by William Faulkner, who admitted in his biographical note that he began to write “as an aid to love-making.” Nancy Hale’s story describes far-reaching echoes of the Holocaust; Tillie Olsen’s story expresses the desperation of a single mother; James Baldwin depicts the bonds of brotherhood and music. Here is Raymond Carver’s “minimalism,” a term he disliked, and Grace Paley’s “secular Yiddishkeit.” Here are the varied styles of Donald Barthelme, Charles Baxter, and Jamaica Kincaid. From Junot Díaz to Mary Gaitskill, from ZZ Packer to Sherman Alexie, these writers and stories explore the different things it means to be American.
Moore writes that the process of assembling these stories allowed her to look “thrillingly not just at literary history but at actual history — the cries and chatterings, silences and descriptions of a nation in flux.” 100 Years of The Best American Short Stories is an invaluable testament, a retrospective of our country’s ever-changing but continually compelling literary artistry.
LORRIE MOORE, after many years as a professor of creative writing at the University of Wisconsin–Madison, is now the Gertrude Conaway Vanderbilt Professor of English at Vanderbilt University. Moore has received honors for her work, among them the Irish Times International Fiction Prize and a Lannan Foundation fellowship, as well as the PEN/Malamud Award and the Rea Award for her achievement in the short story. Her most recent novel, A Gate at the Stairs, was short-listed for the 2010 Orange Prize for Fiction and for the PEN/Faulkner Award, and her most recent story collection, Bark, was short-listed for the Story Prize and the Frank O’Connor Award.
HEIDI PITLOR is a former senior editor at Houghton Mifflin Harcourt and has been the series editor of The Best American Short Stories since 2007. She is the author of the novels The Birthdays and The Daylight Marriage.
The sage Bhavabhuti—Eastern teller of these tales—after making his initiatory and propitiatory congé to Ganesha, Lord of Incepts, informs the reader that this book is a string of fine pearls to be hung round the neck of human intelligence; a fragrant flower to be borne on the turban of mental wisdom; a jewel of pure gold, which becomes the brow of all supreme minds; and a handful of powdered rubies, whose tonic effects will appear palpably upon the mental digestion of every patient. Finally, that by aid of the lessons inculcated in the following pages, man will pass happily through this world into the state of absorption, where fables will be no longer required.
He then teaches us how Vikramaditya the Brave became King of Ujjayani.
Some nineteen centuries ago, the renowned city of Ujjayani witnessed the birth of a prince to whom was given the gigantic name Vikramaditya. Even the Sanskrit-speaking people, who are not usually pressed for time, shortened it to ‘Vikram,’ and a little further West it would infallibly have been docked down to ‘Vik.’
This expanded and updated translation of Florence Goyet's influential La Nouvelle, 1870-1925: Description d'un genre à son apogée (Paris, 1993) is the only study to focus exclusively on this classic period across different continents. Ranging through French, English, Italian, Russian and Japanese writing - particularly the stories of Guy de Maupassant, Henry James, Giovanni Verga, Anton Chekhov and Akutagawa Ry?nosuke - Goyet shows that these authors were able to create brilliant and successful short stories using the very simple 'tools of brevity' of that period.
In this challenging and far-reaching study, Goyet looks at classic short stories in the context in which they were read at the time: cheap newspapers and higher-end periodicals. She demonstrates that, despite the apparent intention of these stories to question bourgeois ideals, they mostly affirmed the prejudices of their readers. In doing so, her book forces us to re-think our preconceptions about this 'forgotten' genre.
AN ERRING SHEPHERD
AN ASPIRANT FOR CONGRESS
THE FORTUNE OF SETH SAVAGE
A WISH UNEXPECTEDLY GRATIFIED
A FORMIDABLE WEAPON
THE VALET'S HISTORY
THE VALET'S MASTER
ORIGINAL PAPERS IN THE CASE OF ROUX DE MARSILLY.
P. DU MOULIN.
PART II—True Stories of Modern Magic
IT IS MORE DIFFICULT TO SUPPORT ADMIRATION THAN TO EXCITE IT.
THE FASHION AN ARTIST ENJOYS CAN ONLY LAST AS HIS TALENT DAILY INCREASES.
THE MAGICIAN WHO BECAME AN AMBASSADOR
FACING THE ARAB'S PISTOL
THE METHODS OF A "DOCTOR OF THE OCCULT"
HOW THE TRICKS SUCCEEDED
THE NAME OF THE DEAD
MIND READING IN PUBLIC
SOME FAMOUS EXPOSURES
"MATTER THROUGH MATTER"
DECEPTION EXPLAINED BY THE SCIENCE OF PSYCHOLOGY
THE GRIFFIN AND THE MINOR CANAAN
THE PIECE OF STRING
THE MAN WHO WAS
THE FALL OF THE HOUSE OF USHER
THE SIRE DE MALETROIT'S DOOR
In fact, however, the beginnings had been much more simple, and they had confined themselves, beneath the trees of Medan, to deciding on a general title for the work. Zola had contributed the manuscript of the "Attaque du Moulin," and it was at Maupassant's house that the five young men gave in their contributions. Each one read his story, Maupassant being the last. When he had finished Boule de Suif, with a spontaneous impulse, with an emotion they never forgot, filled with enthusiasm at this revelation, they all rose and, without superfluous words, acclaimed him as a master.
He undertook to write the article for the Gaulois and, in cooperation with his friends, he worded it in the terms with which we are familiar, amplifying and embellishing it, yielding to an inborn taste for mystification which his youth rendered excusable. The essential point, he said, is to "unmoor" criticism.
It was unmoored. The following day Wolff wrote a polemical dissertation in the Figaro and carried away his colleagues. The volume was a brilliant success, thanks to Boule de Suif. Despite the novelty, the honesty of effort, on the part of all, no mention was made of the other stories. Relegated to the second rank, they passed without notice. From his first battle, Maupassant was master of the field in literature.
At once the entire press took him up and said what was appropriate regarding the budding celebrity. Biographers and reporters sought information concerning his life. As it was very simple and perfectly straightforward, they resorted to invention. And thus it is that at the present day Maupassant appears to us like one of those ancient heroes whose origin and death are veiled in mystery.
I will not dwell on Guy de Maupassant's younger days. His relatives, his old friends, he himself, here and there in his works, have furnished us in their letters enough valuable revelations and touching remembrances of the years preceding his literary debut. His worthy biographer, H. Edouard Maynial, after collecting intelligently all the writings, condensing and comparing them, has been able to give us some definite information regarding that early period.
I will simply recall that he was born on the 5th of August, 1850, near Dieppe, in the castle of Miromesnil which he describes in Une Vie. . . .
Maupassant, like Flaubert, was a Norman, through his mother, and through his place of birth he belonged to that strange and adventurous race, whose heroic and long voyages on tramp trading ships he liked to recall. And just as the author of "Education sentimentale" seems to have inherited in the paternal line the shrewd realism of Champagne, so de Maupassant appears to have inherited from his Lorraine ancestors their indestructible discipline and cold lucidity.
His childhood was passed at Etretat, his beautiful childhood; it was there that his instincts were awakened in the unfoldment of his prehistoric soul. Years went by in an ecstasy of physical happiness. The delight of running at full speed through fields of gorse, the charm of voyages of discovery in hollows and ravines, games beneath the dark hedges, a passion for going to sea with the fishermen and, on nights when there was no moon, for dreaming on their boats of imaginary voyages.
Mme. de Maupassant, who had guided her son's early reading, and had gazed with him at the sublime spectacle of nature, put, off as long as possible the hour of separation. One day, however, she had to take the child to the little seminary at Yvetot. Later, he became a student at the college at Rouen, and became a literary correspondent of Louis Bouilhet. It was at the latter's house on those Sundays in winter when the Norman rain drowned the sound of the bells and dashed against the window panes that the school boy learned to write poetry.
Vacation took the rhetorician back to the north of Normandy. Now it was shooting at Saint Julien l'Hospitalier, across fields, bogs, and through the woods. From that time on he sealed his pact with the earth, and those "deep and delicate roots" which attached him to his native soil began to grow. It was of Normandy, broad, fresh and virile, that he would presently demand his inspiration, fervent and eager as a boy's love; it was in her that he would take refuge when, weary of life, he would implore a truce, or when he simply wished to work and revive his energies in old-time joys. It was at this time that was born in him that voluptuous love of the sea, which in later days could alone withdraw him from the world, calm him, console him.
In 1870 he lived in the country, then he came to Paris to live; for, the family fortunes having dwindled, he had to look for a position. For several years he was a clerk in the Ministry of Marine, where he turned over musty papers, in the uninteresting company of the clerks of the admiralty.
Then he went into the department of Public Instruction, where bureaucratic servility is less intolerable. The daily duties are certainly scarcely more onerous and he had as chiefs, or colleagues, Xavier Charmes and Leon Dierx, Henry Roujon and Rene Billotte, but his office looked out on a beautiful melancholy garden with immense plane trees around which black circles of crows gathered in winter....
A PIECE OF BREAD By Francois Coppee
THE ELIXIR OF LIFE By Honore de Balzac
THE AGE FOR LOVE By Paul Bourget
MATEO FALCONE By Prosper Merimee
THE MIRROR By Catulle Mendes
MY NEPHEW JOSEPH By Ludovic Halevy
A FOREST BETROTHAL By Erckmann-Chatrian
ZADIG THE BABYLONIAN By Francois Marie Arouet de Voltaire
ABANDONED By Guy de Maupassant
THE GUILTY SECRET By Paul de Kock
JEAN MONETTE By Eugene Francois Vidocq
SOLANGE By Alexandre Dumas
THE BIRDS IN THE LETTER-BOX By Rene Bazin
JEAN GOURDON'S FOUR DAYS By Emile Zola
BARON DE TRENCK By Clemence Robert
THE PASSAGE OF THE RED SEA By Henry Murger
THE WOMAN AND THE CAT By Marcel Prevost
GIL BLAS AND DR. SANGRADO By Alain Rene Le Sage
A FIGHT WITH A CANNON By Victor Hugo
TONTON By A. Cheneviere
THE LAST LESSON By Alphonse Daudet
CROISILLES By Alfred de Musset
THE VASE OF CLAY By Jean Aicard
Lang Leav is a poet and internationally exhibiting artist. Her work expresses the intricacies of love and loss. Love & Misadventure is her first poetry collection.
There are numerous time-honored stories which have become so incorporated into the literature and thought of our race that a knowledge of them is an indispensable part of one's education. These stories are of several different classes. To one class belong the popular fairy tales which have delighted untold generations of children, and will continue to delight them to the end of time. To another class belong the limited number of fables that have come down to us through many channels from hoar antiquity. To a third belong the charming stories of olden times that are derived from the literatures of ancient peoples, such as the Greeks and the Hebrews. A fourth class includes the half-legendary tales of a distinctly later origin, which have for their subjects certain romantic episodes in the lives of well-known heroes and famous men, or in the history of a people.
It is to this last class that most of the fifty stories contained in the present volume belong. As a matter of course, some of these stories are better known, and therefore more famous, than others. Some have a slight historical value; some are useful as giving point to certain great moral truths; others are products solely of the fancy, and are intended only to amuse. Some are derived from very ancient sources, and are current in the literature of many lands; some have come to us through the ballads and folk tales of the English people; a few are of quite recent origin; nearly all are the subjects of frequent allusions in poetry and prose and in the conversation of educated people. Care has been taken to exclude everything that is not strictly within the limits of probability; hence there is here no trespassing upon the domain of the fairy tale, the fable, or the myth.
That children naturally take a deep interest in such stories, no person can deny; that the reading of them will not only give pleasure, but will help to lay the foundation for broader literary studies, can scarcely be doubted. It is believed, therefore, that the present collection will be found to possess an educative value which will commend it as a supplementary reader in the middle primary grades at school. It is also hoped that the book will prove so attractive that it will be in demand out of school as well as in.
Acknowledgments are due to Mrs. Charles A. Lane, by whom eight or ten of the stories were suggested.
The literary world of Pak depicts the trials of the Korean War and the subsequent three decades of upheaval during which Korea was transformed from a military dictatorship and an agriculturally based society to an urban industrialized, albeit troubled, democracy. Pak offers a searching woman's perspective on radical changes in Korean family structures and social values, exposing the cruelty and hypocrisy of Korea's Confucian traditions, which have subjugated women for centuries. Her realistic prose also portrays the dehumanizing impacts of the capitalist market order that characterizes Korea today.
With rich insight, Pak presents moral ambiguities inherent in Korea's society today and encourages her readers to question the injustices that prevail in the more impersonal and often alienated world emerging in a "globalized" Korea.
From the Hardcover edition.
Belonging in the immortal company of the great works of literature, Dante Alighieri’s poetic masterpiece, The Divine Comedy, is a moving human drama, an unforgettable visionary journey through the infinite torment of Hell, up the arduous slopes of Purgatory, and on to the glorious realm of Paradise—the sphere of universal harmony and eternal salvation.
Now, for the first time, John Ciardi’s brilliant and authoritative translations of Dante’s three soaring canticles—The Inferno, The Purgatorio, and The Paradiso—have been gathered together in a single volume. Crystallizing the power and beauty inherent in the great poet’s immortal conception of the aspiring soul, The Divine Comedy is a dazzling work of sublime truth and mystical intensity.
This long-awaited new edition of Lattimore's Iliad is designed to bring the book into the twenty-first century—while leaving the poem as firmly rooted in ancient Greece as ever. Lattimore's elegant, fluent verses—with their memorably phrased heroic epithets and remarkable fidelity to the Greek—remain unchanged, but classicist Richard Martin has added a wealth of supplementary materials designed to aid new generations of readers. A new introduction sets the poem in the wider context of Greek life, warfare, society, and poetry, while line-by-line notes at the back of the volume offer explanations of unfamiliar terms, information about the Greek gods and heroes, and literary appreciation. A glossary and maps round out the book.
The result is a volume that actively invites readers into Homer's poem, helping them to understand fully the worlds in which he and his heroes lived—and thus enabling them to marvel, as so many have for centuries, at Hektor and Ajax, Paris and Helen, and the devastating rage of Achilleus.
Pretty women wonder where my secret lies.
I’m not cute or built to suit a fashion model’s size
But when I start to tell them,
They think I’m telling lies.
It’s in the reach of my arms,
The span of my hips,
The stride of my step,
The curl of my lips.
I’m a woman
Thus begins “Phenomenal Woman,” just one of the beloved poems collected here in Maya Angelou’s third book of verse. These poems are powerful, distinctive, and fresh—and, as always, full of the lifting rhythms of love and remembering. And Still I Rise is written from the heart, a celebration of life as only Maya Angelou has discovered it.
“It is true poetry she is writing,” M.F.K. Fisher has observed, “not just rhythm, the beat, rhymes. I find it very moving and at times beautiful. It has an innate purity about it, unquenchable dignity. . . . It is astounding, flabbergasting, to recognize it, in all the words I read every day and night . . . it gives me heart, to hear so clearly the caged bird singing and to understand her notes.”
From the Hardcover edition.
Leav has an unnerving ability to see inside the hearts and minds of her readers. Her talent for translating complex emotions with astonishing simplicity has won her a cult following of devoted fans from all over the world.
Lang Leav is a poet and internationally exhibiting artist.
"You've done excellent research and there were some things that I learned that I didn't know. It was interesting what you had to say about the accusers and about his dad, Joe Jackson. I liked your comparison that Americans will sleep with animals in their bed but they are not accused of bestailiaty... good comparison... You've presented a convincing story about people who fabricated stories for personal gain, including the media, at the expense of Michael Jackson... great job and very interesting." Larry Nimmer
Despite the fact that his first published works were books of poetry, during his lifetime Edgar Allan Poe was recognized more for his literary criticism and prose than his poetry. However, Poe’s poetic works have since become as well-known as his famous stories, and reflect similar themes of mystery and the macabre. “Annabel Lee” was the last complete poem composed by Poe, and was most likely inspired by his wife, Virginia Eliza Clemm Poe.
HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
Revised and corrected, this edition includes Yeats's own notes on his poetry, complemented by explanatory notes from esteemed Yeats scholar Richard J. Finneran. The Collected Poems of W. B. Yeats is the most comprehensive edition of one of the world's most beloved poets available in paperback.
In his work a continent awakens to consciousness," wrote the Swedish Academy in awarding the Nobel Prize to Pablo Neruda, author of more than thirty-five books of poetry and one of Latin America's most revered writers and political figures-a loyal member of the Communist party, a lifelong diplomat and onetime senator, a man lionized during his lifetime as "the people's poet."
Born Neftali Basoalto, Neruda adopted his pen name in fear of his family's disapproval, and yet by the age of twenty-five he was already famous for the book Twenty Love Poems and a Song of Despair, which remains his most beloved. During the next fifty years, a seemingly boundless metaphorical language linked his romantic fantasies and the fierce moral and political compass-exemplified in books such as Canto General-that made him an adamant champion of the dignity of ordinary men and women.
Edited and with an introduction by Ilan Stavans, this is the most comprehensive single-volume collection of this prolific poet's work in English. Here the finest translations of nearly six hundred poems by Neruda are collected and join specially commissioned new translations that attest to Neruda's still-resounding presence in American letters.
HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
Revised and corrected, this edition includes Yeats's own notes on his poetry, complemented by explanatory notes from esteemed Yeats scholar Richard J. Finneran. The Collected Poems of W. B. Yeats is the most comprehensive edition of one of the world's most beloved poets available.
From the revolutionary "Seduction" to the tender new poem, "Just a Simple Declaration of Love," from the whimsical "I Wrote a Good Omelet" to the elegiac "All Eyez on U," written for Tupac Shakur, these poems embody the fearless passion and spirited wit for which Nikki Giovanni is beloved and revered.
Romantic, bold, and erotic, Love Poems expresses notions of love in ways that are delightfully unexpected. Articulating in sensuous verse what we know only instinctively, Nikki Giovanni once again confirms her place as one of our nations's most distinguished poets and powerful truth-tellers.In a career that has spanned more than a quarter century, starting with her explosive early years in the Black Rights Movement, Nikki Giovanni has earned a reputation as one of America's most celebrated and controversial writers. Her mind-speaking work has made her a universal favorite and a number-one best-seller.The love poems-the revolutionary "Seduction," the whimsical "I Wrote a Good Omelet," and the tender "My House" to name just a few-are among the most beloved of all Nikki Giovanni's works. Now, Love Poems brings together these and other favorites with over twenty new poems. Romantic, bold, and erotic, Love Poems will once again confirm Nikki Giovanni's place among the country's most renowned poets and truth tellers.
Nikki self–published her first book Black Feeling, Black Talk/BlackJudgement in 1969, selling 10,000 copies; William Morrow published in 1970. Know for its iconic revolutionary phrases, it is heralded as one of the most important volumes of modern African–American poetry and is considered the seminal volume of Nikki's body of work.
My House (Morrow 1972) marks a new dimension in tone and philosphy––This is Giovanni's first foray into the autobiographical.
In The Women and the Men (Morrow 1975), Nikki displays her compassion for the people, things and places she has encountered––She reveres the ordinary and is in search of the extraordinary.
Cotton Candy on a Rainy Day (Morrow 1978) is one of the most poignant and introspective of all Giovanni's collections. These poems chronicle the drastic change that took place during the 1970s––when the dreams of the Civil Rights era seemed to have evaporated.
Those Who Ride the Night Winds (Morrow 1983) is devoted to "the day trippers and midnight cowboys," the ones who have devoted their lives to pushing the limits of the human condition and shattered the constraints of the stautus quo.
To Persians , the poems of Hafiz are not "classical literature" from a remote past but cherished wisdom from a dear and intimate friend that continue to be quoted in daily life. With uncanny insight, Hafiz captures the many forms and stages of love. His poetry outlines the stages of the mystic's "path of love"-a journey in which love dissolves personal boundaries and limitations to join larger processes of growth and transformation.
With this stunning collection, Ladinsky has succeeded brilliantly in translating the essence of one of Islam's greatest poetic and spiritual voices.
"If you haven't yet had the delight of dining with Daniel Ladinsky's sweet, playful renderings of the musings of the great saints, I Heard God Laughing is a perfect appetizer. . . . This newly released edition of his first playful foray into Hafiz's divinely inspired poetry is essential reading . . . . Ladinsky is a master who will be remembered for finally bringing Hafiz alive in the West."—Alexandra Marks, The Christian Science Monitor
“America’s favorite poet.”—The Wall Street Journal
From the two-term Poet Laureate of the United States Billy Collins comes his first volume of new and selected poems in twelve years. Aimless Love combines fifty new poems with generous selections from his four most recent books—Nine Horses, The Trouble with Poetry, Ballistics, and Horoscopes for the Dead. Collins’s unmistakable voice, which brings together plain speech with imaginative surprise, is clearly heard on every page, reminding us how he has managed to enrich the tapestry of contemporary poetry and greatly expand its audience. His work is featured in top literary magazines such as The New Yorker, Poetry, and The Atlantic, and he sells out reading venues all across the country. Appearing regularly in The Best American Poetry series, his poems appeal to readers and live audiences far and wide and have been translated into more than a dozen languages. By turns playful, ironic, and serious, Collins’s poetry captures the nuances of everyday life while leading the reader into zones of inspired wonder. In the poet’s own words, he hopes that his poems “begin in Kansas and end in Oz.” Touching on the themes of love, loss, joy, and poetry itself, these poems showcase the best work of this “poet of plenitude, irony, and Augustan grace” (The New Yorker).
Go, little book,
out of this house and into the world,
carriage made of paper rolling toward town
bearing a single passenger
beyond the reach of this jittery pen
and far from the desk and the nosy gooseneck lamp.
It is time to decamp,
put on a jacket and venture outside,
time to be regarded by other eyes,
bound to be held in foreign hands.
So off you go, infants of the brain,
with a wave and some bits of fatherly advice:
stay out as late as you like,
don’t bother to call or write,
and talk to as many strangers as you can.
Praise for Aimless Love
“[Billy Collins] is able, with precious few words, to make me cry. Or laugh out loud. He is a remarkable artist. To have such power in such an abbreviated form is deeply inspiring.”—J. J. Abrams, The New York Times Book Review
“His work is poignant, straightforward, usually funny and imaginative, also nuanced and surprising. It bears repeated reading and reading aloud.”—The Plain Dealer
“Collins has earned almost rock-star status. . . . He knows how to write layered, subtly witty poems that anyone can understand and appreciate—even those who don’t normally like poetry. . . . The Collins in these pages is distinctive, evocative, and knows how to make the genre fresh and relevant.”—The Christian Science Monitor
“Collins’s new poems contain everything you've come to expect from a Billy Collins poem. They stand solidly on even ground, chiseled and unbreakable. Their phrasing is elegant, the humor is alive, and the speaker continues to stroll at his own pace through the plainness of American life.”—The Daily Beast
“[Collins’s] poetry presents simple observations, which create a shared experience between Collins and his readers, while further revealing how he takes life’s everyday humdrum experiences and makes them vibrant.”—The Times Leader
From the Hardcover edition.
Coleman Barks presents entirely new translations of Rumi's poems, published for the first time in The Soul of Rumi. The poems range over the breadth of Rumi's themes: silence, emptiness, play, God, peace, grief, sexuality, music, to name just a few. But the focus is on the ecstatic experience of human and divine love and their inseparability, conveyed with Rumi's signature passion, daring, and insights into the human heart and the heart's longings.
'I think I shall be among the English Poets after my death,' John Keats soberly prophesied in 1818 as he started writing the blankverse epic Hyperion. Today he endures as the archetypal Romantic genius who explored the limits of the imagination and celebrated the pleasures of the senses but suffered a tragic early death. Edmund Wilson counted him as 'one of the half dozen greatest English writers,' and T. S. Eliot has paid tribute to the Shakespearean quality of Keats's greatness. Indeed, his work has survived better than that of any of his contemporaries the devaluation of Romantic poetry that began early in this century. This Modern Library edition contains all of Keats's magnificent verse: 'Lamia,' 'Isabella,' and 'The Eve of St. Agnes'; his sonnets and odes; the allegorical romance Endymion; and the five-act poetic tragedy Otho the Great. Presented as well are the famous posthumous and fugitive poems, including the fragmentary 'The Eve of Saint Mark' and the great 'La Belle Dame sans Merci,' perhaps the most distinguished literary ballad in the language. 'No one else in English poetry, save Shakespeare, has in expression quite the fascinating felicity of Keats, his perception of loveliness,' said Matthew Arnold. 'In the faculty of naturalistic interpretation, in what we call natural magic, he ranks with Shakespeare.'
Have not been born yet
They are waiting quietly
For their past to die
please give blood
Here is the account of a man so ravished by a kiss that it distorts his highest and lowest frequencies of understanding into an Incongruent mean of babble and brilliance...
One day, while browsing an antique store in Helena, Montana, photographer Tyler Knott Gregson stumbled upon a vintage Remington typewriter for sale. Standing up and using a page from a broken book he was buying for $2, he typed a poem without thinking, without planning, and without the ability to revise anything.
He fell in love.
Three years and almost one thousand poems later, Tyler is now known as the creator of the Typewriter Series: a striking collection of poems typed onto found scraps of paper or created via blackout method. Chasers of the Light features some of his most insightful and beautifully worded pieces of work—poems that illuminate grand gestures and small glimpses, poems that celebrate the beauty of a life spent chasing the light.