He finds dangerous refuge with a group of biker-thieves, and then hides in the boarded-up summer house of a professor and his wife. He finally settles in an abandoned schoolbus with Rose, a child he rescues from a fast-talking pedophile. There Bone meets I-Man, an exiled Rastafarian, and together they begin a second adventure that takes the reader from Middle America to the ganja-growing mountains of Jamaica. It is an amazing journey of self-discovery through a world of magic, violence, betrayal and redemption.
Suspended in a strangely modern-day version of limbo, the young man at the center of Russell Banks’s uncompromising and morally complex new novel must create a life for himself in the wake of incarceration. Known in his new identity only as the Kid, and on probation after doing time for a liaison with an underage girl, he is shackled to a GPS monitoring device and forbidden to live within 2,500 feet of anywhere children might gather. With nowhere else to go, the Kid takes up residence under a south Florida causeway, in a makeshift encampment with other convicted sex offenders.
Barely beyond childhood himself, the Kid, despite his crime, is in many ways an innocent, trapped by impulses and foolish choices he himself struggles to comprehend. Enter the Professor, a man who has built his own life on secrets and lies. A university sociologist of enormous size and intellect, he finds in the Kid the perfect subject for his research on homelessness and recidivism among convicted sex offenders. The two men forge a tentative partnership, the Kid remaining wary of the Professor’s motives even as he accepts the counsel and financial assistance of the older man.
When the camp beneath the causeway is raided by the police, and later, when a hurricane all but destroys the settlement, the Professor tries to help the Kid in practical matters while trying to teach his young charge new ways of looking at, and understanding, what he has done. But when the Professor’s past resurfaces and threatens to destroy his carefully constructed world, the balance in the two men’s relationship shifts.
Suddenly, the Kid must reconsider everything he has come to believe, and choose what course of action to take when faced with a new kind of moral decision.
Long one of our most acute and insightful novelists, Russell Banks often examines the indistinct boundaries between our intentions and actions. A mature and masterful work of contemporary fiction from one of our most accomplished storytellers, Lost Memory of Skin unfolds in language both powerful and beautifully lyrical, show-casing Banks at his most compelling, his reckless sense of humor and intense empathy at full bore.
The perfect convergence of writer and subject, Lost Memory of Skin probes the zeitgeist of a troubled society where zero tolerance has erased any hope of subtlety and compassion—a society where isolating the offender has perhaps created a new kind of victim.
Hannah flees America for West Africa, where she and her Liberian husband become friends of the notorious warlord and ex-president, Charles Taylor. Hannah's encounter with Taylor ultimately triggers a series of events whose momentum catches Hannah's family in its grip and forces her to make a heartrending choice.
Twenty-nine-year-old Vanessa Cole is a wild, stunningly beautiful heiress, the adopted only child of a highly regarded New York brain surgeon and his socialite wife. Twice married, Vanessa has been scandalously linked to any number of rich and famous men. But on the night of July 4, 1936, at her parents' country home in a remote Adirondack Mountain enclave known as The Reserve, two events coincide to permanently alter the course of Vanessa's callow life: her father dies suddenly of a heart attack, and a mysteriously seductive local artist, Jordan Groves, blithely lands his Waco biplane in the pristine waters of the forbidden Upper Lake. . . .
Jordan's reputation has preceded him; he is internationally known as much for his exploits and conquests as for his paintings themselves, and, here in the midst of the Great Depression, his leftist loyalties seem suspiciously undercut by his wealth and elite clientele. But for all his worldly swagger, Jordan is as staggered by Vanessa's beauty and charm as she is by his defiant independence. He falls easy prey to her electrifying personality, but it is not long before he discovers that the heiress carries a dark, deeply scarring family secret. Emotionally unstable from the start, and further unhinged by her father's unexpected death, Vanessa begins to spin wildly out of control, manipulating and destroying the lives of all who cross her path.
Moving from the secluded beauty of the Adirondack wilderness to the skies above war-torn Spain and Fascist Germany, The Reserve is a clever, incisive, and passionately romantic novel of suspense that adds a new dimension to this acclaimed author's extraordinary repertoire.
In the title story, a father looks back on the legend of the cherished family dog whose divided loyalties mirrored the fragmenting of his marriage. “A Former Marine” asks, to chilling effect, if one can ever stop being a parent. And in the haunting, evocative “Veronica,” a mysterious woman searching for her daughter may not be who she claims she is.
Moving between the stark beauty of winter in upstate New York and the seductive heat of Florida, Banks’s acute and penetrating collection demonstrates the range and virtuosity of both his narrative prowess and his startlingly panoramic vision of modern American life.
Now in his mid-seventies, Russell Banks has indulged his wanderlust for more than half a century. This longing for escape has taken him from the “bright green islands and turquoise seas” of the Caribbean islands to peaks in the Himalayas, the Andes, and beyond.
In each of these remarkable essays, Banks considers his life and the world. In Everglades National Park this “perfect place to time-travel,” he traces his own timeline. Recalling his trips to the Caribbean in the title essay, “Voyager,” Banks dissects his relationships with the four women who would become his wives. In the Himalayas, he embarks on a different quest of self-discovery. “One climbs a mountain not to conquer it, but to be lifted like this away from the earth up into the sky,” he explains.
Pensive, frank, beautiful, and engaging, Voyager brings together the social, the personal, and the historical, opening a path into the heart and soul of this revered writer.
Family Life: Russell Banks's first novel is an adult fairy tale of a royal family in a mythical contemporary kingdom where the myriad dramas of domesticity blend with an outrageous slew of murders, mayhem, coups, debauches, world tours, and love in all guises, transcendent or otherwise.
Hamilton Stark: This tale of a solitary, boorish, misanthropic New Hampshire pipe fitter—the sole inhabitant of the house from which he evicted his own mother—is at once a compelling meditation on identity and a thoroughly engaging story of life on the cold edge of New England.
The Relation of My Imprisonment: Utilizing a form invented by imprisoned seventeenth-century Puritan divines—an utterly sincere and detailed, if highly artificial, recounting of great suffering—Banks's novel is a remarkably inventive, lovingly good-humored argument, exploration, and map of the caged religious mind.