From Cape Cods to Colonials, Small Houses of the Forties offers an eden of illustrations of cozy, charming domiciles, complete with color combinations, charts, and diagrams. This complete republication of a now-rare volume is also filled with vintage dollars-and-sense information for the postwar homebuyer, including mortgage guidance, amortization schedules, valuations, and construction costs of the times.
A nostalgic flashback to a simpler American dream of white picket fences, this entertaining and valuable reference will delight architecture enthusiasts, plan collectors, restorers, and historians alike.
Over 130 illustrations — floor plans, elevations, perspective views, and more — enhance the text, which is further supplemented by two informative and useful articles: "Suggestions on House Building," by A. W. Cobb, describes the process of building a home, from the first sketches offered by the architect to his client, to property selection, scale drawings, and details of construction. “How to Plumb a Suburban House,” by Leonard D. Hosford, provided the late Victorian era homeowner with valuable advice about sewage disposal.
Restorers of old houses, preservationists, and students of American architectural history will welcome this treasury of authentic century-old plans and details. Students of social history will also find it an excellent reference.
This fascinating reprint of a rare architectural catalog is filled with photos of actual completed bungalows from the era, built prior to 1919. A mix of Spanish tile, stucco exteriors, wraparound porches, overhanging gables, handcrafted stone, and woodwork added up to many a homeowner's dream. Geared to the climate of the northern and eastern regions, each bungalow is an authentic Craftsman design and features a photo, description, floor plan, and original costs. A fascinating showcase of primary American architecture, Craftsman Bungalows is an indispensable resource for architects, builders, historians, and illustrators.
"A poorly planned house is usually more expensive than a modern practical plan," according to the author, architect Herbert C. Chivers. Combining "modern methods" with attractive but modestly priced plans, Chivers promoted his business with sketches of stylish homes, accompanied by brief captions stating dimensions, prices, and occasional suggestions for modifications. This reprint of his complete guide to domestic architecture of the early 1900s constitutes a valuable resource for home hobbyists, architecture students and professionals, as well as antique collectors.
Ranging in price from less than $4,000 to over $13,000, these homes offer a fascinating cross section of the most popular building styles in America over 60 years ago. For each home, the catalog provides an illustration of the exterior, complete floor plans with dimensions, costs and a brief description of the features and advantages of the house. Helpful commentary is often included: "The living room should offer an invitation to relax mentally and physically. Comfortable chairs, shaded lights, and soft-tone hangings, draperies and walls will help create the homelike, restful atmosphere so desirable in a living room. For the decoration of the living room walls, tans, medium brown, warm gray, old blue, gray, green and other soft colors are excellent."
In addition to complete plans, the catalog also includes plumbing and bathroom fixtures, wiring, closet fixtures, tiling, heaters, and other necessities. The result is an authentic reference guide for a wide range of homes still extant in American cities and towns. For anyone seeking to buy or restore one of these houses, the Loizeaux plan book represents an unparalleled resource containing original plans, detailed descriptions, dimensions and prices.
The winning designs came from all over the United States and reflected a diverse range of tastes and styles — from a single-floor, tile-roof hacienda to an elaborate thatched-roof English cottage, complete with decorative brickwork and a semicircular exterior wall. Each of the 100 superbly rendered plates shows the house in perspective and provides floor plans, some landscape planning, and an itemized list of construction costs.
An essential reference book for restorers of period homes, historians, students, and enthusiasts of American domestic architecture, this fascinating book also offers browsers an entertaining glimpse of houses that still appear in countless areas across the country.
As bestselling books like Ron Chernow's Titan and David McCullough's The Great Bridge affirm, readers are fascinated with the grand personalities and schemes that populated New York at the close of the nineteenth century. Conquering Gotham re- creates the riveting struggle waged by the great Pennsylvania Railroad to build Penn Station and the monumental system of tunnels that would connect water-bound Manhattan to the rest of the continent by rail. Historian Jill Jonnes tells a ravishing tale of snarling plutocrats, engineering feats, and backroom politicking packed with the most colorful figures of Gilded Age New York.
Conquering Gotham will be featured in an upcoming episdoe of PBS's American Experience.
From the Trade Paperback edition.
Meryle Secrest shows us Frank Lloyd Wright in full scale—the brilliant, outrageous, fascinating man; the giant who changed modern architecture; the standard-bearer for the new, quintessentially American vision, the artist who never, during a seventy-year career, abandoned his principles of design; the radical, the Bohemian—the visionary who was one of the central figures of the twentieth-century American culture, society and politics.
Meryle Secrest is the first biographer to have full access to the Frank Lloyd Wright Archives. Her life of the architect, more than five years’ work and illustrated with 121 photographs, is a stunning feat of biographical narrative, sustained analysis and compassionate insight. With her extraordinary grasp of the man and his art, she gives us Frank Lloyd Wright close up—a creature of boundless energy and indomitable appetite for experience, a man whose limitless belief in his own rightness carried him through bankruptcy, arrest, fire, divorce, and years of social ostracism. A riveting portrait of a genius.
With new essays by Pier Vittorio Aureli, Ellen Dunham-Jones, Keller Easterling, Lauren Kogod, Robert Hewison, Joanna Merwood-Salisbury, Robin Schuldenfrei, Deborah Gans, Simon Sadler, Nathan Rich, and Micahel Sorkin.
Differing radically in their views on architecture, Wright and Johnson shared a restless creativity, enormous charisma, and an outspokenness that made each man irresistible to the media. Often publicly at odds, they were the twentieth century's flint and steel; their repeated encounters consistently set off sparks. Yet as acclaimed historian Hugh Howard shows, their rivalry was also a fruitful artistic conversation, one that yielded new directions for both men. It was not despite but rather because of their contentious--and not always admiring--relationship that they were able so powerfully to influence history.
In Architecture's Odd Couple, Howard deftly traces the historical threads connecting the two men and offers readers a distinct perspective on the era they so enlivened with their designs. Featuring many of the structures that defined modern space--from Fallingwater to the Guggenheim, from the Glass House to the Seagram Building--this book presents an arresting portrait of modern architecture's odd couple and how they shaped the American landscape by shaping each other.
These authentic plans offer a wealth of information on building materials and other details, along with external views, floor plans, descriptions with prices, and more. Antique collectors, home hobbyists, and fans of traditional design will find this book a bountiful resource for valuable tips on building and restoration.
When he got the commission to design the house, Wright was nearing seventy, his youth and his early fame long gone. It was the Depression, and Wright had no work in sight. Into his orbit stepped Edgar J. Kaufmann, a Pittsburgh department-store mogul–“the smartest retailer in America”–and a philanthropist with the burning ambition to build a world-famous work of architecture. It was an unlikely collaboration: the Jewish merchant who had little concern for modern architecture and the brilliant modernist who was leery of Jews. But the two men collaborated to produce an extraordinary building of lasting architectural significance that brought international fame to them both and confirmed Wright’s position as the greatest architect of the twentieth century.
Fallingwater Rising is also an enthralling family drama, involving Kaufmann, his beautiful cousin/wife, Liliane, and their son, Edgar Jr., whose own role in the creation of Fallingwater and its ongoing reputation is central to the story. Involving such key figures of the l930s as Frida Kahlo, Albert Einstein, Henry R. Luce, William Randolph Hearst, Ayn Rand, and Franklin Roosevelt, Fallingwater Rising shows us how E. J. Kaufmann’s house became not just Wright’s masterpiece but a fundamental icon of American life.
One of the pleasures of the book is its rich evocation of the upper-crust society of Pittsburgh–Carnegie, Frick, the Mellons–a society that was socially reactionary but luxury-loving and baronial in its tastes, hobbies, and sexual attitudes (Kaufmann had so many mistresses that his store issued them distinctive charge plates they could use without paying).
Franklin Toker has been studying Fallingwater for eighteen years. No one but he could have given us this compelling saga of the most famous private house in the world and the dramatic personal story of the fascinating people who made and used it.
A major contribution to both architectural and social history.
From the Hardcover edition.
The present volume, a meticulous reproduction of a rare Sears, Roebuck catalog of 1926, provides a thorough, accurate record of the company's "Honor Bilt Modern Homes." Over 300 photographs and illustrations, with full descriptions, offer views of 86 different houses and cottages of widely varying sizes and designs. Readers may recognize familiar architectural styles in designs such as the cozy six-room "Homewood" bungalow or the elegant "Lexington," a nine-room, green-shuttered colonial. Also shown are several room interiors for each of 14 homes, along with photographs and plans for nine garages and a hunter's cabin. In addition to visual documentation, the catalog provides extensive, detailed construction information, ranging from the grade of exterior siding to the type of wood used for flooring, windows, and trim.
An invaluable primary source illustrated for anyone engaged in the study, authentication, or restoration of antique homes or furnishings, this period catalog will also be of special value to architectural and social historians, Americana enthusiasts, and general readers.
Thirty-five sets of floor plans, elevations, and specifications in this excellent reproduction of that now-rare volume depict a wide variety of brick houses, bungalows, cottages, garages, and multi-dwelling buildings--from the four-bedroom Pocatello to the handsome Saratoga, featuring a wraparound porch and two bathrooms.
This practical guide will appeal to anyone wanting to buy or renovate an existing home of the period. It will also serve as a how-to manual for all desiring to build their own homes today with authentic materials and techniques. For those who love fine, old buildings, Small Brick Houses of the Twenties offers a charming view of American homes from that era.
Designed as a survey and focused on key examples/paradigms arranged chronologically from 1903 to 2003, this volume covers a myriad of countries; historical, social, and political conditions; and projects/developments that range from small houses to urban plans to architectural movements. The book is structured so that it can be read in a variety of ways—as a historically developed narrative of modern architecture in Latin America, as a country-specific chronology, or as a treatment of traditions centered on issues of art, technology, or utopia. This structure allows readers to see the development of multiple and parallel branches/historical strands of architecture and, at times, their interconnections across countries. The authors provide a critical evaluation of the movements presented in relationship to their overall goals and architectural transformations.
Critics hated it. The public feared it would topple over. Passersby were knocked down by the winds. But even before it was completed, the Flatiron Building had become an unforgettable part of New York City.
The Flatiron Building was built by the Chicago-based Fuller Company--a group founded by George Fuller, "the father of the skyscraper"--to be their New York headquarters. The company's president, Harry Black, was never able to make the public call the Flatiron the Fuller Building, however. Black's was the country's largest real estate firm, constructing Macy's department store, and soon after the Plaza Hotel, the Savoy Hotel, and many other iconic buildings in New York as well as in other cities across the country. With an ostentatious lifestyle that drew constant media scrutiny, Black made a fortune only to meet a tragic, untimely end.
In The Flatiron, Alice Sparberg Alexiou chronicles not just the story of the building but the heady times in New York at the dawn of the twentieth century. It was a time when Madison Square Park shifted from a promenade for rich women to one for gay prostitutes; when photography became an art; motion pictures came into existence; the booming economy suffered increasing depressions; jazz came to the forefront of popular music--and all within steps of one of the city's best-known and best-loved buildings.
In The Metropolis of Tomorrow, 49 stunning illustrations depict towering structures, personal space, wide avenues, and rooftop parks — features that now exist in many innovative, densely populated urban landscapes. Ferriss uses metaphors from nature that lend his text a poetic quality. It is no wonder that the work inspired critics of the time to remark: “As a creative entity, as a symbol of the American spirit, it is superb” (Survey), and as “magically stirring as a prophecy” (Albert Guerard in Books).
With its eloquent commentary and powerful renderings, The Metropolis of Tomorrow is an indispensable resource for students, architects, and anyone else with an interest in American architecture.
One hundred years ago America's richest man established a dynastic seat, the granite-clad Kykuit, high above the Hudson River. Though George Vanderbilt's 255-room Biltmore had recently put the American country house on the money map, John D. Rockefeller, who detested ostentation, had something simple in mind—at least until his son John Jr. and his charming wife, Abby, injected a spirit of noblesse oblige into the equation. Built to honor the senior Rockefeller, the house would also become the place above all others that anchored the family's memories. There could never be a better picture of the Rockefellers and their ambitions for the enormous fortune Senior had settled upon them.
The authors take us inside the house and the family to observe a century of building and rebuilding—the ebb and flow of events and family feelings, the architecture and furnishings, the art and the gardens. A complex saga, The House the Rockefellers Built is alive with surprising twists and turns that reveal the tastes of a large family often sharply at odds with one another about the fortune the house symbolized.
At the heart of this now-rare publication were measured floor plans for 68 Sears homes. Over 200 illustration displayed interiors and exteriors for such handsome residences as the Belmont, a six-room house with vestibule, breakfast alcove, three bedrooms, and one-and-a-half baths; and the Dover, an English-styled cottage with a massive chimney and unusual roof lines. Photographs of some interiors revealed a furnished living room with paneled side walls and hewed oak ceiling beams; a spacious kitchen with contemporary appliances; a 60-foot living room with a huge stone fireplace, built-in bookshelves, a vaulted ceiling, and other designs.
An invaluable sourcebook for restorationists, this handsome volume will also be of use to people interested in preserving homes of the period. It will be welcomed by anyone who relishes a glimpse of America's architectural past.
From 1890 to 1940, Americans designed and built classical architecture on an extraordinary scale. During this American Renaissance were built countless libraries, museums, universities, courthouses, capitol buildings and other structures, both public and private, rich with domes, pediments, colonnades, and other classical features. "We built with unparalleled grandeur," architect and scholar John Barrington Bayley observes, "and our architecture led the world."
More than any other document of the period, The American Vignola laid the groundwork for this grand resurgence in American architecture. Its author, William R. Ware, founded America's first school of architecture at M.I.T. in 1865, and sixteen years later, the School of Architecture at Columbia University. He became America's leading teacher of the art of designing classical architecture. The American Vignola is his textbook on that art.
As the Renaissance architect Giacomo Barozzi da Vignola helped to recover the lost laws of classical architecture that made possible the architectural wonders of the Italian Renaissance, Ware helped lay the groundwork for the wonders of the American Renaissance. The American Vignola contains tables of the Tuscan, Ionic, Doric, Corinthian, and Composite Orders; measured drawings of the great monuments of the ancient, Renaissance, and baroque periods; and guides for drawing and establishing geometrical relations. Especially important are its detailed practical instructions for designing classical arches and vaults, roofs and domes, doors and windows, walls and ceilings, steps and staircases, and more. Over 300 illustrations illuminate the text, including 37 full-page plates and 267 smaller figures. Introductory notes by Mr. Bayley and architectural expert Henry Hope Reed set Mr. Ware's great achievement in perspective.
Labor historian Harvey Schwartz has compiled oral histories of nine workers who helped build the celebrated bridge. Their powerful recollections chronicle the technical details of construction, the grueling physical conditions they endured, the small pleasures they enjoyed, and the gruesome accidents some workers suffered. The result is an evocation of working-class life and culture in a bygone era.
Most of the bridge builders were men of European descent, many of them the sons of immigrants. Schwartz also interviewed women: two nurses who cared for the injured and tolerated their antics, the wife of one 1930s builder, and an African American ironworker who toiled on the bridge in later years. These powerful stories are accompanied by stunning photographs of the bridge under construction.
An homage to both the American worker and the quintessential San Francisco landmark, Building the Golden Gate Bridge expands our understanding of Depression-era labor and California history and makes a unique contribution to the literature of this iconic span.
This treasury showcases some of the finest American country houses produced during that unusually fruitful period. Culled from many of the best architectural firms of the time, the volume includes numerous detailed floor plans, lively sketches, and breathtaking photographs of exteriors and interiors. From simple cottages to functional family homes to sprawling estates, a wide variety of styles is represented. Celebrating the stately form, quiet technique, and balance and simplicity that is at the heart of every well-built American country house, anyone interested in history, art, and architecture will find in this collection an inspiring vision.
In these chapters, historians offer their analysis on design as a vehicle for power and as a mediator of social currents. Power is defined through a variety of forms: modernization, obsolescence, technology, capital, ergonomics, biopolitics, and others. The chapters explore the diffusion of power through the establishment of norms and networks that frame human conduct, action, identity, and design. They follow design as it functions through the body, in the home, and at the state and international level.
Overall, Aggregate views the intersection of architecture with the human need for what Foucault termed “governmentality”—societal rules, structures, repetition, and protocols—as a way to provide security and tame risk. Here, the conjunction of power and the power of design reinforces governmentality and infuses a sense of social permanence despite the exceedingly fluid nature of societies and the disintegration of cultural memory in the modern era.
A reaction to the excesses of the Victorian era, the modest bungalow provided a practical, affordable answer to the huge demands of California's housing market in the 1920s. This handsome reprint of a Stillwell & Company catalog is an ideal resource for 21st-century bungalow buyers and renovators as well as for builders seeking details of authentic materials and techniques. Its 50 examples of the classic California bungalow style include magnificently reproduced photographs, in addition to floor plans, estimated costs, and descriptions of exteriors and interiors.
An excellent guide for woodturners and cabinetmakers, this volume also provides an inspiring and instructive resource for architects, preservationists, designers, and students of Victoriana.
Featured items include illustrations of French doors, garage doors, windows and sashes, blinds, stairwork, phone and clock niches, colonnades, fireplaces, bookcases and window seats, radiator covers, sideboards and buffets, wardrobes, bathroom cabinets, pergolas, arbor seats, trellises, and other interior and exterior elements. Captions provide descriptions and measurements for each item.
Cynthia G. Falk connects agricultural buildings-both extant examples and those long gone-with the products and processes they made and make possible. Great attention is paid not only to main barns but also to agricultural outbuildings such as chicken coops, smokehouses, and windmills. Falk further emphasizes the types of buildings used to support the cultivation of products specifically associated with the Empire State, including hops, apples, cheese, and maple syrup.
Enhanced by more than two hundred contemporary and historic photographs and other images, this book provides historical, cultural, and economic context for understanding the rural landscape. In an appendix are lists of historic farm buildings open to the public at living history museums and historic sites. Through a greater awareness of the buildings found on farms throughout New York, readers will come away with an increased appreciation for the state's rich agricultural and architectural legacy.
A New York City-based firm prepared and published this catalog in 1897, selecting the very best models from more than 12,000 houses built from their plans. Designed with style, utility, and low cost of construction uppermost in mind, it features hundreds of illustrations, including perspective drawings and floor plans. Details of interior and exterior materials and potential modifications include remarks on the particular amenities of each house, plus estimates of building costs. Antique collectors, home hobbyists, and fans of traditional design will find this volume a valuable reference and an endless source of inspiration.
One of the most striking features of these homes is their extreme variety in terms of efficient design. The plans combine a limited number of units into a workable whole, without sacrifice of convenience or economy. Blending practicality and charm, these imaginative designs will inspire professional architects, amateur builders, and anyone interested in the ways American architects adapted Old World designs and added elements of native style to produce a new and vibrant home building idiom.
The first, best, and most exquisite documentation of this surge of architectural creativity was the 1886–87 publication of George William Sheldon's Artistic Country-Seats: Types of Recent American Villa and Cottage Architecture with Instances of Country-Club Houses. It presented exceedingly fine photographs, clearly detailed plans and elevations, as well as Sheldon's own commentary for a total of 97 buildings (93 houses and 4 casinos). Most structures were located in new England and the Middle Atlantic states, and embraced the full spectrum of architectural and artistic expressions. This present volume reproduces all of Sheldon's fascinating and historically important photographs and plans, and adds a new, thoroughly accurate text by Arnold Lewis (Professor of Art, the College of Wooster, Wooster, Ohio) that includes the most useful information supplied by Sheldon and also reports on the present condition of each house or casino, providing analyses of elevations and plans, observations about family life in the 1880s, and brief biographical comments about the clients and architects.
Sheldon's photographs connect us with a time and style of living that today increasingly seem more the realm of fiction than fact. Yet, in the pages of this important collection, they are brought fresh to life as they appeared when they were new and times were very different.
This facsimile edition of the 1881 book of plans and instructions will engage the reader with its anecdotal style. Nearly 100 structures span the gamut of farm buildings: from monumental barns--four stories high and covering nearly an acre, to lowly hen coops and root cellars. The particulars of their construction, recounted in simple and practical terms, tell a timeless tale of life lived amid the changing seasons and the natural world.
Broadway Street was originally identified as Fort Street in the initial 1849 city tract created by U.S. Army map surveyor Lieutenant Edward Ord. The Fort referenced Fort Moore Hill, a prominent and strategic incline that overlooked the early settlement. The Fort Moore district served as one of the city’s first burial grounds and was later leveled to construct the Hollywood Freeway. In 1890, Broadway Street was permanently renamed.
The Los Angeles El Pueblo settlement was established in the mid-18th century along the then fertile banks of the Los Angeles River. The colony’s terrain was agriculturally cultivated for vineyards, cattle ranching and later citrus groves before an encroaching urban environment altered the complexion of city towards the close of the 19th century.
Drawing from varied archival documentation and narratives, Vickers traces the evolutionary stages of Broadway Street into the city’s commercial and entertainment center. Broadway’s reputation extended throughout the first half of the twentieth century but was followed by a prolonged period of four-decade stagnation. The most current reinvention has introduced retail, office and residential mixed-use developments. This synergy of change, however, has been slowed by existing retail lease commitments contracted during the street’s lean years of decline.
“Reinventing Broadway Street” documents numerous colorful and influential contributors to the local history. Among the profiled personalities include Oliver Morosco, John Temple, William Wolfskill, Jean-Luis Vignes, Abel and Arcadia Sterns, Isaias Hellman, Joaquin Murrieta, John C. Fremont, John Parkinson, Prudent Beaudry, Sarah Bernhardt, Harris Newmark, and many others.
The book profiles over 65 existing distinctive building’s lineage and their unique legacies. The structures photographed include the Times Mirror Square, Bradbury, Irvine-Byrne, Hosfield, Zobel, Trustee, O. T. Johnson #1 and #2, Junipero Serra, Metropolitan, Judson Rives, Bumiller, Chester Williams, Remick and Grayson, Schulte United, J. W. Gold, Story, Desmond, Jewelry Trade, Mercantile Arcade, Norton, Hass, Merritt, Clifton’s Brookside and Schaber’s Cafeterias, Yorkshire Hotel, Garland, Charles C. Chapman, Eastern Columbia, Wurlitzer, Brown-Israel, Broadway Leasehold, Platt, Western Pacific, Howard Huntington, Case Hotel and Los Angeles Herald Examiner.
Theatres include The Million Dollar, Roxie, Cameo, Los Angeles, Palace, Globe, Tower, Rialto, Orpheum, Arcade and United Artists. Former department store buildings includes The May Company, Bullock’s, Swelldom’s, F. W. Woolworth’s, National Dollar Store, S. H. Kress, Broadway, Silverwood’s, Hartfield’s, and Barker Brothers. Notable government constructions include the LA County Hall of Record, Justice Building, Foltz Criminal Justice Center and the nearly completed Federal Courthouse Building.
“Reinventing Broadway Street” takes the reader on a stroll through the history, present and progressive future envisioned and being created simultaneously.
This book unites ten different perspectives from architects whose lives and ideas intersected with Rowe’s, including:Robert Maxwell Anthony Vidler Peter Eisenman O. Mathias Ungers Léon Krier Rem Koolhaas Alan Colquhoun Robert Slutzky Bernhard Hoesli Bernard Tschumi With an introduction by Emmanuel Petit and a postscript by Jonah Rowen
In their critical assessment of a key 20th century formalist, these renowned architects reflect on how their own positions came to diverge from Rowe’s. Reckoning with Colin Rowe is a thought-provoking discussion of key schools, places, concepts and people of architectural theory since the post-war years, illustrated with over forty beautiful black and white drawings and photographs.
Edited by the staff of WTTW, the Chicago PBS affiliate that is the most-watched public television station in the country, 10 Buildings will be released alongside the national broadcast of an hour-long special by the same name. This television event will be promoted over digital media, on-ground events, and educational initiatives in schools, and the book will be a significant component to all of these elements.
10 Buildings retells the shocking, funny, and even sad stories of how these buildings came to be. It offers a peek inside the imaginations of ten daring architects who set out to change the way we live, work, and play. From American architectural stalwarts like Louis Sullivan and Frank Lloyd Wright, to modern revolutionaries like Frank Gehry and Robert Venturi, this book examines the most prominent buildings designed by the most noteworthy architects of our time.
Also profiled are Americans less noted for their architectural acumen, but no less significant for their contributions to the field. Thomas Jefferson, a self-taught architect, is profiled for designing the iconic Virginia State Capitol. Taking its inspiration from ancient Rome, America's first major public building forged a philosophical link between America and the world's earliest democracies. Similarly, Henry Ford employed Albert Kahn to design a state-of-the-art, innovative factory for Ford's groundbreaking assembly line. Reinforced concrete supported massive, open rooms without any interior dividing walls, which yields the uninterrupted space that was essential for Ford's sprawling continuous production setups. What's more, Kahn considered the needs of workers by including astonishingly modern large windows and louvers for fresh air.
The design of each of these ten buildings was completely monumental and prodigious in its time because of the architect’s stylistic or functional innovations. Each was also highly influential, inspiring a generation or more of architects, who in turn made a lasting impact on the American landscape. We see the legacy of architects like Mies van der Rohe or H.H. Richardson all around us: in the homes where we live, the offices where we work, our public buildings, and our houses of worship. All have been shaped in one way or another by a handful of imaginative, audacious, and sometimes even arrogant individuals throughout history whose bold ideas have been copied far and wide. 10 Buildings is the ideal collection to detail the flashes of inspiration from these architects who dared to strike out on their own and design radical new types of buildings that permanently altered our environmental and cultural landscape.
He was a leader of the modernist movement that sought to create better living conditions and a better society through housing concepts. He predicted the city of the future with its large, white apartment buildings in parklike settings—a move away from the turn-of-the-century industrial city, which he saw as too fussy and suffocating and believed should be torn down, including most of Paris. Irascible and caustic, tender and enthusiastic, more than a mercurial innovator, Le Corbusier was considered to be the very conscience of modern architecture.
In this first biography of the man, Nicholas Fox Weber writes about Le Corbusier the precise, mathematical, practical-minded artist whose idealism—vibrant, poetic, imaginative; discipline; and sensualism were reflected in his iconic designs and pioneering theories of architecture and urban planning.
Weber writes about Le Corbusier’s training; his coming to live and work in Paris; the ties he formed with Nehru . . . Brassaï . . . Malraux (he championed Le Corbusier’s work and commissioned a major new museum for art to be built on the outskirts of Paris) . . . Einstein . . . Matisse . . . the Steins . . . Picasso . . . Walter Gropius, and others.
We see how Le Corbusier, who appreciated goverments only for the possibility of obtaining architectural commissions, was drawn to the new Soviet Union and extolled the merits of communism (he never joined the party); and in 1928, as the possible architect of a major new building, went to Moscow, where he was hailed by Trotsky and was received at the Kremlin. Le Corbusier praised the ideas of Mussolini and worked for two years under the Vichy government, hoping to oversee new construction and urbanism throughout France. Le Corbusier believed that Hitler and Vichy rule would bring about “a marvelous transformation of society,” then renounced the doomed regime and went to work for Charles de Gaulle and his provisional government.
Weber writes about Le Corbusier’s fraught relationships with women (he remained celibate until the age of twenty-four and then often went to prostitutes); about his twenty-seven-year-long marriage to a woman who had no interest in architecture and forbade it being discussed at the dinner table; about his numerous love affairs during his marriage, including his shipboard romance with the twenty-three-year-old Josephine Baker, already a legend in Paris, whom he saw as a “pure and guileless soul.” She saw him as “irresistibly funny.” “What a shame you’re an architect!” she wrote. “You’d have made such a good partner!”
A brilliant revelation of this single-minded, elusive genius, of his extraordinary achivements and the age in which he lived.
From the Hardcover edition.
Physically shaped by the Columbian Exposition of 1893 and by the efforts of some of the greatest architects of the nineteenth and twentieth centuries—including Daniel Burnham, Frank Lloyd Wright, Mies Van Der Rohe—this area hosts some of the city’s most spectacular architecture amid lush green space. Tree-lined streets give way to the impressive neogothic buildings that mark the campus of the University of Chicago, and some of the Jazz Age’s swankiest high-rises offer spectacular views of the water and distant downtown skyline.
In Chicago’s Historic Hyde Park, Susan O’Connor Davis offers readers a biography of this distinguished neighborhood, from house to home, and from architect to resident. Along the way, she weaves a fascinating tapestry, describing Hyde Park—Kenwood’s most celebrated structures from the time of Lincoln through the racial upheaval and destructive urban renewal of the 1940s, 50s, and 60s into the preservationist movement of the last thirty-five years. Coupled with hundreds of historical photographs, drawings, and current views, Davis recounts the life stories of these gorgeous buildings—and of the astounding talents that built them. This is architectural history at its best.
Their world and times were those of Edith Wharton and Henry James, though both writers and their society shunned the architects as being much too much about new money. They brought together the titans of their age with a vibrant and new American artistic community and helped to forge the arts of America’s Gilded Age, informed by the heritage of European culture.
McKim, Mead & White built houses for America’s greatest financiers and magnates: the Astors, Joseph Pulitzer, the Vanderbilts, Henry Villard, and J. P. Morgan, among others . . . They designed and built churches—Trinity Church in Boston, Judson Memorial Baptist Church in New York, and the Lovely Lane Methodist Church in Baltimore . . .
They built libraries—the Boston Public Library—and the social clubs for gentlemen, among them, the Freundschaft, the Algonquin of Boston, the Players club of New York, the Century Association, the University and Metropolitan clubs. . . .
They built railroad terminals—the original Pennsylvania Station in New York City—and the first Roman arch in America for Washington Square (it put the world on notice that New York was now a major city on a par with Rome, Paris, and Berlin). They designed and built Columbia University, with Low Memorial Library at the centerpiece of its four-block campus, and New York University, and they built, as well, the old Madison Square Garden whose landmark tower marked its presence on the city’s skyline . . .
Mosette Broderick’s Triumvirate is a book about America in its industrial transition; about money and power, about the education of an unsophisticated young country, and about the coming of artists as an accepted class in American society.
Broderick, a renowned architectural and social historian, brilliantly weaves together the strands of biography, architecture, and history to tell the story of the houses and buildings Charles McKim, William Mead, and Stanford White designed. She writes of the firm’s clients, many of whom were establishing their names and places in upper-class society as they built and grabbed railroads, headed law firms and brokerage houses, owned newspapers, developed iron empires, and carved out a new direction for America’s modern age.
From the Hardcover edition.
Tales of Two Cities examines and compares five urban spaces—the pleasure garden, the cemetery, the apartment, the restaurant and the music hall—that defined urban modernity in the nineteenth century. The citizens of Paris and London first created these essential features of the modern cityscape and so defined urban living for all of us.
Compiled from newspaper archives and richly illustrated with historic images, Manhattan Moves Uptown reveals bygone days when Greenwich Village was a real village and Midtown was a cluster of shacks surrounded by garbage dumps and slaughter houses. The rise of Union Square, Murray Hill, Broadway, the Upper West Side, and other well-known areas are recounted, along with trends ranging from the first luxury department store to the earliest tenement houses. A captivating account of metropolitan flux and expansion, this book offers memorable historic views of one of the nation's richest, most powerful, and most exciting cities.
Since 2004 Gavin Stamp, one of Britain’s most eminent and readable architectural historians, has written a monthly column for Apollo, the esteemed architecture and fine art magazine. The subject is simply whatever in design or architecture happens to take his fancy. It might be the splendid reopening of the magnificent Midland Grand Hotel at St Pancras Station, or the dilapidation of a little-known church in Eastbourne; the much-lamented demise of the original Routemaster bus, or the colossal majesty of the airship sheds that housed the R.101.
But while these pieces display a wonderful range and variety, they are unified by Stamp’s wider quest: to explore, define and champion the very Englishness of English architecture and design. When fine examples are preserved and restored, he celebrates; when they fall victim to philistine neglect – or, worse, demolition – he mourns. And when the elegant is overshadowed by the merely modish, he deplores.
In Anti-Ugly, Stamp has selected the best of these ‘excursions’, producing a compulsively readable collection that builds into an eloquent, learned, trenchant and often indignant portrait of our national design heritage./div
The Plan Service Company of St. Paul, Minnesota, published a series of Ideal Homes catalogs in the 1920s and '30s. This particular issue has been long out of print, and its reissue offers professional architects and armchair renovators alike an authentic look at houses of the era. Daniel D. Reiff, an expert on vintage house design catalogs, provides an informative introduction.
Of the 117 designs included, most are substantial middle-class homes. But the popularity of cottages and bungalows is also apparent in the wide selection of practical and appealing designs depicted. And there are large, formal homes as well, many of which embody America's unflagging interest in colonial styling. Some have affluent touches such as a sleeping porch or a sun room. Many reflect a strong interest in exterior detailing, in the form of cypress siding, broad eaves, heavy timber brackets, stucco pillars, and flower boxes, among other features.
Each house is shown in a large frontal illustration. Floor plans for the first and second floors are included, and interior and exterior detailing are extensively described. The specifics of plumbing, heating, and lighting are included in a special section at the back of the book.
Architects, architectural and social historians — anyone interested in American home design — will enjoy the rich variety of designs presented. Republished in association with the Athenaeum of Philadelphia, this authentic catalog provides not only an indispensable repository of information about the homes themselves but a source of insight into American life at a time when owning a home became a widely realizable dream for a rapidly growing middle class.
Old Red: Pioneering Medical Education in Texas examines the life and legacy of the Ashbel Smith Building from its beginnings through modern-day efforts to preserve it. Chapters explore the nascence of medical education in Texas; the supreme talent and genius of Old Red architect, Nicholas J. Clayton; and the lives of faculty and students as they labored and learned in the midst of budget crises, classroom and fraternity antics, death-rendering storms, and threats of closure. The education of the state’s first professional female and minority physicians and the nationally acclaimed work of physician-scientists and researchers are also highlighted. Most of all, the reader is invited to step inside Old Red and mingle with ghosts of the past—to ascend the magnificent cedar staircase, wander the long, paneled hallways, and take a seat in the tiered amphitheater as pigeons fly in and out of windows overhead.
The present publication features 36 articles that appeared in The Craftsman between 1903 and 1916. Included are graphic descriptions of 59 "bungalows" (Most of which were actually spacious, year-round homes), floor plans for 35 dwellings, and many sketches or photographs of houses in landscaped settings.
Characterized by its functional simplicity and integrated with the outdoor environment, the Craftsman home was typically composed of locally obtainable materials. A few of the most modest homes ― according to the magazine ― could even be constructed by persons with a minimum of masonry and carpentry experience. Interiors reflected the simple lines of the exteriors and generally included an ample fireplace (often of fieldstone construction), fireside benches, built-in bookcases and sideboards, plus walls, floors, and ceiling beams decorated ― preferably ― in colors that would harmonize with the structure's natural surroundings.
This inexpensive volume of selected Craftsman articles provides collectors of Americana with a fascinating glimpse of an influential and thoroughly American style of architectural design and construction. Craftsman Bungalows will be welcomed as a primary source of information and ideas by architects, students, and historians of architecture, preservationists, restorers ― anyone interested in the Arts and Crafts movement in America.
Dover (1988) republication of 36 articles from The Craftsman magazine, 1903–1916.