A liberal artist seeks the perfection of the human faculties. The liberal artist begins with the language arts, the trivium, which is the basis of all learning because it teaches the tools for reading, writing, speaking, and listening. Thinking underlies all these activities. Many readers will recognize elements of this book: parts of speech, syntax, propositions, syllogisms, enthymemes, logical fallacies, scientific method, figures of speech, rhetorical technique, and poetics. The Trivium, however, presents these elements within a philosophy of language that connects thought, expression, and reality.
"Trivium" means the crossroads where the three branches of language meet. In the Middle Ages and the Renaissance, students studied and mastered this integrated view of language. Regrettably, modern language teaching keeps the parts without the vision of the whole. Inspired by the possibility of helping students "acquire mastery over the tools of learning" Sister Miriam Joseph and other teachers at Saint Mary's College designed and taught a course on the trivium for all first year students. The Trivium resulted from that noble endeavor.
The liberal artist travels in good company. Sister Miriam Joseph frequently cites passages from William Shakespeare, John Milton, Plato, the Bible, Homer, and other great writers. The Paul Dry Books edition of The Trivium provides new graphics and notes to make the book accessible to today's readers. Sister Miriam Joseph told her first audience that "the function of the trivium is the training of the mind for the study of matter and spirit, which constitute the sum of reality. The fruit of education is culture, which Mathew Arnold defined as 'the knowledge of ourselves and the world.'" May this noble endeavor lead many to that end.
"Is the trivium, then, a sufficient education for life? Properly taught, I believe that it should be."—Dorothy L. Sayers
"The Trivium is a highly recommended and welcome contribution to any serious and dedicated writer's reference collection."—Midwest Book Review
This ebook contains Shakespeare's complete plays and complete poems in a new, easy-to-read and easy-to-navigate format. This is the most reader-friendly introduction to Shakespeare available today. 'The Complete Works of William Shakespeare' collects all thirty-seven of the immortal Bard's comedies, tragedies, and historical plays in a Collectible Edition. This volume also features Shakespeare's complete poetry, including the sonnets. With this beautiful Collectible Edition, you can enjoy Shakespeare's enduring literary legacy again and again.
This collection features the following works:
A Midsummer Night’s Dream
All’s Well that Ends Well
Antony and Cleopatra
As You Like It
The Comedy of Errors
Hamlet, Prince of Denmark
King Henry the Eighth
King Henry the Fifth
King Henry the Fourth, the First Part
King Henry the Fourth, the Second Part
King Henry the Sixth, the First Part
King Henry the Sixth, the Second Part
King Henry the Sixth, the Third Part
King Richard the Second
King Richard the Third
Love’s Labour’s Lost
Measure for Measure
The Merchant of Venice
The Merry Wives of Windsor
Much Ado About Nothing
Othello, the Moor of Venice
Pericles, Prince of Tyre
Romeo and Juliet
The Taming of the Shrew
Timon of Athens
Troilus and Cressida
Twelfth Night; or, What You Will
The Two Gentlemen of Verona
The Winter’s Tale
SONNETS AND POEMS
A Lover’s Complaint
The Passionate Pilgrim
The Phoenix and the Turtle
The Rape of Lucrece
Venus and Adonis
(The Complete Works of William Shakespeare by William Shakespeare, 9789380914831)
In the years leading up to 1606, Shakespeare’s great productivity had ebbed. But that year, at age forty-two, he found his footing again, finishing a play he had begun the previous autumn—King Lear—then writing two other great tragedies, Macbeth and Antony and Cleopatra.
It was a memorable year in England as well—a terrorist plot conceived by a small group of Catholic gentry had been uncovered at the last hour. The foiled Gunpowder Plot would have blown up the king and royal family along with the nation’s political and religious leadership. The aborted plot renewed anti-Catholic sentiment and laid bare divisions in the kingdom.
It was against this background that Shakespeare finished Lear, a play about a divided kingdom, then wrote a tragedy that turned on the murder of a Scottish king, Macbeth. He ended this astonishing year with a third masterpiece no less steeped in current events and concerns: Antony and Cleopatra.
“Exciting and sometimes revelatory, in The Year of Lear, James Shapiro takes a closer look at the political and social turmoil that contributed to the creation of three supreme masterpieces” (The Washington Post). He places them in the context of their times, while also allowing us greater insight into how Shakespeare was personally touched by such events as a terrible outbreak of plague and growing religious divisions. “His great gift is to make the plays seem at once more comprehensible and more staggering” (The New York Review of Books). For anyone interested in Shakespeare, this is an indispensable book.
William Shakespeare, the most celebrated poet in the English language, left behind nearly a million words of text, but his biography has long been a thicket of wild supposition arranged around scant facts. With a steady hand and his trademark wit, Bill Bryson sorts through this colorful muddle to reveal the man himself. His Shakespeare is like no one else's—the beneficiary of Bryson's genial nature, his engaging skepticism, and a gift for storytelling unrivaled in our time.
Drawing on her hugely popular lecture courses at Yale and Harvard over the past thirty years, Marjorie Garber offers passionate and revealing readings of the plays in chronological sequence, from The Two Gentlemen of Verona to The Two Noble Kinsmen. Supremely readable and engaging, and complete with a comprehensive introduction to Shakespeare’s life and times and an extensive bibliography, this magisterial work is an ever-replenishing fount of insight on the most celebrated writer of all time.
Something may be rotten in the state of Denmark, but your grades will be sweet when you rely on CliffsNotes on Hamlet as you digest Shakespeare's tragic masterpiece. In this play, Hamlet explores the meaning of life, death, eternity, relationships, hypocrisy, truth, the existence of God, and almost anything else that concerns mankind.
Character studies shed new light on Prince Hamlet, his father King Hamlet, the malevolent Claudius, the troubled Ophelia — and the rest of the cast. You'll also explore the life and times of William Shakespeare, and unlock the play's themes and literary devices. Count on CliffsNotes on Hamlet for detailed summaries and commentaries on every scene to help you appreciate the complexity of the play.
Other features that help you study include Character analyses of major playersA character map that graphically illustrates the relationships among the charactersCritical essaysA review section that tests your knowledge
Classic literature or modern modern-day treasure — you'll understand it all with expert information and insight from CliffsNotes study guides.
If you have struggled in the past reading Shakespeare, then BookCaps can help you out. This book is a modern translation of a Twelfth Night.
The original text is also presented in the book, along with a comparable version of both text.
We all need refreshers every now and then. Whether you are a student trying to cram for that big final, or someone just trying to understand a book more, BookCaps can help. We are a small, but growing company, and are adding titles every month. Visit BookCaps.com to find out more.
To know some Shakespeare provides a head start in life. His plays are among the great bedrocks of Western civilization and contain the finest writing of the past 450 years. Many of the best novels, plays, poems, and films in the English language produced since Shakespeare’s death in 1616—from Pride and Prejudice to The Godfather—are heavily influenced by Shakespeare’s stories, characters, language, and themes. In How to Teach Your Children Shakespeare, acclaimed playwright Ken Ludwig provides the tools you need to inspire an understanding, and a love, of Shakespeare’s works in your children, and to have fun together along the way.
Ken Ludwig devised his friendly, easy-to-master methods while teaching his own children. Beginning with memorizing short passages from the plays, his technique then instills children with cultural references they will utilize for years to come. Ludwig’s approach includes understanding of the time period and implications of Shakespeare’s diction as well as the invaluable lessons behind his words and stories. Colorfully incorporating the history of Shakespearean theater and society, How to Teach Your Children Shakespeare guides readers on an informed and adventurous journey through the world in which the Bard wrote.
This book’s simple process allows anyone to impart to children the wisdom of plays like A Midsummer Night’s Dream, Twelfth Night, Macbeth, and Romeo and Juliet. And there’s fun to be had throughout. Shakespeare novices and experts and readers of all ages will each find something delightfully irresistible in How to Teach Your Children Shakespeare.
The collapse of Catholicism in Boston became painfully apparent in 2002, with the full explosion of the sex-abuse crisis. But Lawler brings an insider’s knowledge and a journalist’s sense of drama to show that the sex-abuse scandal was neither the cause nor the beginning of Catholicism’s decline in Boston. In fact, the scandal was itself a symptom of corruption that was already well advanced.
Full of colorful anecdote and gripping social history, The Faithful Departed will be of interest not only to Catholics and to those acquainted with Boston’s rich political tradition, but to anyone concerned about the interplay between religious faith and public policy. The demise of Catholic influence in Massachusetts is an especially vivid example of a secularizing trend that is visible throughout the United States.
Fr Raoul Plus, S.J., is such a director, and reading this little book about the four types of prayer will be for you like hearing the voice of the wise and gentle counsellor you long for but can't find: one who knows your soul well and understands its needs.
How can this be? Well, the interior life is in most ways the same – and in lesser ways different – for each of us. The good director understands the ways it must always be the same, and allows for all the ways in which it will be different, uniquely our own. By showing us in these pages the saints in prayer, their struggles and their insights, and by drawing on 2,000 years of Christian experience Fr. Plus is here able to make his spiritual advice both concrete and universal: suited to each of us as if we were speaking with him face-to-face.
To read is not always to pray; but to read this book is to be led to the very threshold of true prayer.
"Since it was first published, Dr. May's text Catholic Bioethics and the Gift of Human Life has served an irreplaceable role in Catholic moral education. His new revision adds clear systematic treatments of several additional issues of pressing moral concern to the Church and society. Catholic educators everywhere will welcome this excellent revision. I welcome it! - E. Christian Brugger, Associate Professor of Moral Theology, Institute for the Psychological Sciences
"With so much bioethical thinking supporting the 'culture of death,' I can think of no better champion of a 'culture of life' than Professor William E. May. Professor May has given us a book which is useful not only for its masterful summary of the moral magisterium on bioethics, but also for its treatment of such issues as contraception, artificial reproduction, the care of the dying, human experimentation, and the definition of death and organ transplants." - Dr. Mark S. Latkovic, Associate Professor of Moral Theology, Sacred Heart Major Seminary
What the Church teaches - and why - on issues of euthanasia, in vitro fertilization, genetic counseling, assisted suicide, living wills, persistent vegetative state, organ transplants, and more.
We long for heaven, and we will never feel fully at home until we get there. This keen insight into our souls pervades the writings of C. S. Lewis. From his Chronicles of Narnia to Mere Christianity, Lewis's writings continually return to the theme of heaven as our true home, the land we have been searching for our whole lives, a place where all is finally made right and that all the joys in this life point to. With selections from The Weight of Glory, The Great Divorce, and The Problem of Pain, this collection includes some of Lewis's most beautiful and profound writing on heaven, revealing how our destinies transform every aspect of our lives.
Instead, politics and culture were dehumanized as scientific experts began treating human beings as little more than animals or machines. In criminal justice, these experts denied the existence of free will and proposed replacing punishment with invasive “cures” such as the lobotomy. In welfare, they proposed eliminating the poor by sterilizing those deemed biologically unfit. In business, they urged the selection of workers based on racist theories of human evolution and the development of advertising methods to more effectively manipulate consumer behavior. In sex education, they advocated creating a new sexual morality based on “normal mammalian behavior” without regard to longstanding ethical and religious imperatives.
Based on extensive research with primary sources and archival materials, John G. West’s captivating Darwin Day in America tells the story of how American public policy has been corrupted by scientistic ideology. Marshaling fascinating anecdotes and damning quotations, West’s narrative explores the far-reaching consequences for society when scientists and politicians deny the essential differences between human beings and the rest of nature. It also exposes the disastrous results that ensue when experts claiming to speak for science turn out to be wrong. West concludes with a powerful plea for the restoration of democratic accountability in an age of experts.
Is now the time for an American parish priest to be declared a Catholic saint?
In Father Michael McGivney (1852-1890), born and raised in a Connecticut factory town, the modern era's ideal of the priesthood hit its zenith. The son of Irish immigrants, he was a man to whom "family values" represented more than mere rhetoric. And he left a legacy of hope still celebrated around the world.
In the late 1800s, discrimination against American Catholics was widespread. Many Catholics struggled to find work and ended up in infernolike mills. An injury or the death of the wage earner would leave a family penniless. The grim threat of chronic homelessness and even starvation could fast become realities. Called to action in 1882 by his sympathy for these suffering people, Father McGivney founded the Knights of Columbus, an organization that has helped to save countless families from the indignity of destitution. From its uncertain beginnings, when Father McGivney was the only person willing to work toward its success, it has grown to an international membership of 1.7 million men.
At heart, though, Father McGivney was never anything more than an American parish priest, and nothing less than that, either—beloved by children, trusted by young adults, and regarded as a "positive saint" by the elderly in his New Haven parish.
In an incredible work of academic research, Douglas Brinkley (The Boys of Pointe Du Hoc, Tour of Duty) and Julie M. Fenster (Race of the Century, Ether Day) re-create the life of Father McGivney, a fiercely dynamic yet tenderhearted man. Though he was only thirty-eight when he died, Father McGivney has never been forgotten. He remains a true "people's priest," a genuinely holy man—and perhaps the most beloved parish priest in U.S. history. Moving and inspirational, Parish Priest chronicles the process of canonization that may well make Father McGivney the first American-born parish priest to be declared a saint by the Vatican.
"I have been led into an exploration of the way the social form of Elizabethan holidays contributed to the dramatic form of festive comedy. To relate this drama to holiday has proved to be the most effective way to describe its character. And this historical interplay between social and artistic form has an interest of its own: we can see here, with more clarity of outline and detail than is usually possible, how art develops underlying configurations in the social life of a culture."--C. L. Barber, in the Introduction
This new edition includes a foreword by Stephen Greenblatt, who discusses Barber's influence on later scholars and the recent critical disagreements that Barber has inspired, showing that Shakespeare's Festive Comedy is as vital today as when it was originally published.
In this important book, Pat Buchanan reveals that, slowly but surely, the great American Southwest is being reconquered by Mexico. These lands---which many Mexicans believe are their birthright---are being detached ethnically, linguistically, and culturally from the United States by a deliberate policy of the Mexican regime. This is the "Aztlan Plot" for "La Reconquista," the recapture of the lands lost by Mexico in the Texas War of Independence and Mexican-American War.
Comparing the immigrant invasion of America from across the Mexican border---and of Europe from across the Mediterranean---to the barbarian invasions that ended the Roman Empire, the author writes with passion and conviction that we have begun the final chapter of the Death of the West. Unless the invasion is halted now, Buchanan argues, by midcentury America will be a country unrecognizable to our parents, the Third World dystopia that Theodore Roosevelt warned against when he said we must never let America become a "polyglot boardinghouse" for the world.
President Bush's failure to halt the invasion and secure America's border, Buchanan writes, is a dereliction of constitutional duty that, in other times, would have called forth articles of impeachment. In the final chapter, "Last Chance," he lays out a sweeping immigration reform and border security plan, which, he contends, if not pursued, means George W. Bush's legacy will be to have lost for America a Southwest that was the legacy of Sam Houston, Andrew Jackson, and James K. Polk. With an estimated ten to fifteen million "illegals" already here and tens of millions more poised to pour across our borders, few books could be as timely---or important---as State of Emergency. It is essential reading for all Americans.
theory" of religion - that belief in God is merely a product of man's
desire for security - Professor Vitz argues that psychoanalysis actually
provides a more satisfying explanation for atheism. Disappointment in
one's earthly father, whether through death, absence, or mistreatment,
frequently leads to a rejection of God.
A biographical survey of influential atheists of the past four centuries
shows that this "defective father hypothesis" provides a consistent
explanation of the "intense atheism" of these thinkers. A survey of the
leading defenders of Christianity over the same period confirms the
hypothesis, finding few defective fathers. Vitz concludes with an
intriguing comparison of male and female atheists and a consideration of
other psychological factors that can contribute to atheism.
Professor Vitz does not argue that atheism is psychologically
determined. Each man, whatever his experiences, ultimately chooses to
accept God or reject him. Yet the cavalier attribution of religious
faith to irrational, psychological needs is so prevalent that an
exposition of the psychological factors predisposing one to atheism is
In this groundbreaking book, political historian Paul Kengor draws upon Reagan's legacy of speeches and correspondence, and the memories of those who knew him well, to reveal a man whose Christian faith remained deep and consistent throughout his more than six decades in public life. Raised in the Disciples of Christ Church by a devout mother with a passionate missionary streak, Reagan embraced the church after reading a Christian novel at the age of eleven. A devoted Sunday-school teacher, he absorbed the church's model of "practical Christianity" and strived to achieve it in every stage of his life.
But it was in his lifelong battle against communism -- first in Hollywood, then on the political stage -- that Reagan's Christian beliefs had their most profound effect. Appalled by the religious repression and state-mandated atheism of Bolshevik Marxism, Reagan felt called by a sense of personal mission to confront the USSR. Inspired by influences as diverse as C.S. Lewis, Whittaker Chambers, and Aleksandr Solzhenitsyn, he waged an openly spiritual campaign against communism, insisting that religious freedom was the bedrock of personal liberty. "The source of our strength in the quest for human freedom is not material, but spiritual," he said in his Evil Empire address. "And because it knows no limitation, it must terrify and ultimately triumph over those who would enslave their fellow man."
From a church classroom in 1920s Dixon, Illinois, to his triumphant mission to Moscow in 1988, Ronald Reagan was both political leader and spiritual crusader. God and Ronald Reagan deepens immeasurably our understanding of how these twin missions shaped his presidency -- and changed the world.
In The Myth of Hitler’s Pope, you’ll learn:
The true history of Pope Pius XII and the Holocaust—how the Catholic Church did more than any other religious body to save Jewish lives
The real history of the Church and the Nazis—including the Nazi plan to kidnap the pope
The real agenda of the myth-makers: hijacking the Holocaust to attack the very idea of the papacy—especially the papacy of the late Pope John Paul II—as well as Christianity and traditional religion as a whole
Hitler’s cleric—Hajj Amin al-Husseini, who advised and assisted the Nazis in carrying out Hitler’s Final Solution
How Pope Pius XII rescued Jews—and deserves to be called a "righteous gentile"—while the grand mufti of Jerusalem called for their extermination
Full of shocking and irrefutable detail, The Myth of Hitler’s Pope is sure to generate controversy, and more important, to set the record straight. If you want the truth about Pope Pius XII, about the Catholic Church, the Jews, and the Holocaust, and about how the myth of Hitler’s pope plays into the culture wars of our own time—and how the fact of Hitler’s mufti is a vital source of radical Islam today—you must begin here.
It Takes a Family is one of the most profound and comprehensive books of political thought ever written by a politician. Santorum offers a penetrating look at the social, political, and economic shifts that have hurt American families—and a principled, genuinely conservative plan for reversing this slide.
Here Santorum explains his core beliefs, laying out a humane vision that he believes must inform public policy if it is to be effective and just. Politicians of both parties, he shows, fail to address the way Americans truly live their lives: in families, neighborhoods, churches, and communities. It Takes a Family is animated by an appreciation for the civic bonds that unite a community—an appreciation that lies at the heart of genuine conservatism.
Where the Right Went Wrong chronicles how the Bush administration and Beltway conservatives have abandoned their principles, and how a tiny cabal hijacked U. S. foreign policy, and may have ignited a "war of civilizations" with the Islamic world that will leave America's military mired down in Middle East wars for years to come.
At the same time, these Republicans have sacrificed the American worker on the altar of free trade and discarded the beliefs of Taft, Goldwater and Reagan to become a party of Big Government that sells its soul to the highest bidder.
A damning portrait of the present masters of the GOP, Where the Right Went Wrong calls to task the Bush administration for its abandonment of true conservatism including:
- The neo-conservative cabal-liberal wolves in conservative suits.
- Why the Iraq War has widened and imperiled the War on Terror.
- How current trade policy outsources American sovereignty, independence and industrial power.
Ask someone today where Western Civilization originated, and he or she might say Greece or Rome. But what is the ultimate source of Western Civilization? Bestselling author and professor Thomas E. Woods, Jr. provides the long neglected answer: the Catholic Church. In the new paperback edition of his critically-acclaimed book, How the Catholic Church Built Western Civilization, Woods goes far beyond the familiar tale of monks copying manuscripts and preserving the wisdom of classical antiquity. Gifts such as modern science, free-market economics, art, music, and the idea of human rights come from the Catholic Church, explains Woods. In How the Catholic Church Built Western Civilization, you’ll learn:
Why modern science was born in the Catholic Church
How Catholic priests developed the idea of free-market economics five hundred years before Adam Smith
How the Catholic Church invented the university
Why what you know about the Galileo affair is wrong
How Western law grew out of Church canon law
How the Church humanized the West by insisting on the sacredness of all human life
No institution has done more to shape Western civilization than the two-thousand-year-old Catholic Church—and in ways that many of us have forgotten or never known. How the Catholic Church Built Western Civilization is essential reading for recovering this lost truth.
Considered by Ratzinger devotees as his greatest work on the Liturgy, this profound and beautifully written treatment of the "great prayer of the Church" will help readers rediscover the Liturgy in all its hidden spiritual wealth and transcendent grandeur as the very center of our Christian life.
In his own foreward to the book, Cardinal Ratzinger compares this work to a much earlier classic of the same title by Romano Guardini because Ratzinger feels that his insights here are similar with what Guardini achieved in his time regarding a renewed understanding of the Liturgy.
"My purpose here is to assist this renewal of understanding of the Liturgy. Its basic intentions coincide with what Guardini wanted to achieve. The only difference is that I have had to translate what Guardini did at the end of the First World War, in a totally different historical situation, into the context of our present-day questions, hopes and dangers. Like Guardini, I am not attempting to involve myself with scholarly discussion and research. I am simply offering an aid to the understanding of the faith and to the right way to give the faith its central form of expression in the Liturgy."
In The Shakespeare Wars, Ron Rosenbaum gives readers an unforgettable way of rethinking the greatest works of the human imagination. As he did in his groundbreaking Explaining Hitler, he shakes up much that we thought we understood about a vital subject and renews our sense of excitement and urgency. He gives us a Shakespeare book like no other. Rather than raking over worn-out fragments of biography, Rosenbaum focuses on cutting-edge controversies about the true source of Shakespeare’s enchantment and illumination–the astonishing language itself. How best to unlock the secrets of its spell?
With quicksilver wit and provocative insight, Rosenbaum takes readers into the midst of fierce battles among the most brilliant Shakespearean scholars and directors over just how to delve deeper into the Shakespearean experience–deeper into the mind of Shakespeare.
Was Shakespeare the one-draft wonder of Shakespeare in Love? Or was he rather–as an embattled faction of textual scholars now argues–a different kind of writer entirely: a conscientious reviser of his greatest plays? Must we then revise our way of reading, staging, and interpreting such works as Hamlet and King Lear?
Rosenbaum pursues key partisans in these debates from the high tables of Oxford to a Krispy Kreme doughnut shop in a strip mall in the Deep South. He makes ostensibly arcane textual scholarship intensely seductive–and sometimes even explicitly sexual. At an academic “Pleasure Seminar” in Bermuda, for instance, he examines one scholar’s quest to find an orgasm in Romeo and Juliet. Rosenbaum shows us great directors as Shakespearean scholars in their own right: We hear Peter Brook–perhaps the most influential Shakespearean director of the past century–disclose his quest for a “secret play” hidden within the Bard’s comedies and dramas. We listen to Sir Peter Hall, founder of the Royal Shakespeare Company, as he launches into an impassioned, table-pounding fury while discussing how the means of unleashing the full intensity of Shakespeare’s language has been lost–and how to restore it. Rosenbaum’s hilarious inside account of “the Great Shakespeare ‘Funeral Elegy’ Fiasco,” a man-versus-computer clash, illustrates the iconic struggle to define what is and isn’t “Shakespearean.” And he demonstrates the way Shakespearean scholars such as Harold Bloom can become great Shakespearean characters in their own right.
The Shakespeare Wars offers a thrilling opportunity to engage with Shakespeare’s work at its deepest levels. Like Explaining Hitler, this book is destined to revolutionize the way we think about one of the overwhelming obsessions of our time.
From the Hardcover edition.
We hear from James Earl Jones on reclaiming Othello as a tragic hero, Julie Taymor on turning Prospero into Prospera, Camille Paglia on teaching the plays to actors, F. Murray Abraham on gaining an audience’s sympathy for Shylock, Sir Ben Kingsley on communicating Shakespeare’s ideas through performance, Germaine Greer on the playwright’s home life, Dame Harriet Walter on the complexity of his heroines, Brian Cox on social conflict in his time and ours, Jane Smiley on transposing King Lear to Iowa in A Thousand Acres, and Sir Antony Sher on feeling at home in Shakespeare’s language. Together these essays provide a fresh appreciation of Shakespeare’s works as a living legacy to be read, seen, performed, adapted, revised, wrestled with, and embraced by creative professionals and lay enthusiasts alike.
F. Murray Abraham ● Isabel Allende ● Cicely Berry ● Eve Best ● Eleanor Brown ● Stanley Cavell ● Karin Coonrod ● Brian Cox ● Peter David ● Margaret Drabble ● Dominic Dromgoole ● David Farr ● Fiasco Theater ● Ralph Fiennes ● Angus Fletcher ● James Franco ● Alan Gordon ● Germaine Greer ● Barry John ● James Earl Jones ● Sir Ben Kingsley ● Maxine Hong Kingston ● Rory Kinnear ● J. D. McClatchy ● Conor McCreery ● Tobias Menzies ● Joyce Carol Oates ● Camille Paglia ● James Prosek ● Richard Scholar ● Sir Antony Sher ● Jane Smiley ● Matt Sturges ● Julie Taymor ● Eamonn Walker ● Dame Harriet Walter ● Bill Willingham ● Jess Winfield
Lucid language and dramatic illustrations re-create the Bard's world of kings and queens, fairies and potions, and bloody beheadings. It imparts an amazing amount of vivid, interesting material about place, period and background of Shakespeare.
This sweeping account is a biography, a history, and a retelling of some of Shakespeare’s most famous plays—all in one approachable volume.
• Shakespeare's Early Life
• Life as Playwright and Actor
• Theatre Companies
• Style of Presentation
• Last Years of Life
• England of Shakespeare's Days
• Drama in Shakespeare's Days
• Shakespeare's Greatness as a Poet
• Shakespeare's Influence
• Works of Shakespeare in detail
• Principal Facts of Shakespeare's Life
Publisher : General Press
This collection offers readers sundry answers to these questions by showcasing a sampling of ways this culturally arresting play can be read and interpreted. The strength of this monograph lies in the disparate approaches its contributors offer – from a feminist view of Portia and Nerissa’s friendship to psychoanalytic readings of allegories between the play and Shakespeare’s Pericles to a reading of a Manga comic book version of The Merchant of Venice. Each essay is supported by a strong basis in traditional close reading practices. Our collection of scholars then buttresses such work with the theoretical or pedagogical frameworks that reflect their area of expertise. This collection offers readers different critical lenses through which to approach the primary text.
Although Shakespeare scholars and graduate students will no doubt appreciate and employ the work of this collection, the primary audience of this anthology is undergraduate students and the professors who work with them. Many budding scholars have had the experience of checking out a monograph from the library and then finding it was a waste of time because the author spends three hundred pages discussing a perspective of which they have no interest. With this collection, students will not only see how multi-faceted interpretations of the play can be but they also are more likely to find essays that appeal to their own research interests.