* illustrated with hundreds of images relating to Trollope’s life and works
* annotated with concise introductions to the novels and other works
* ALL 47 novels – even rare ones - and each with their own contents table
* separate contents tables for the Barsetshire and Palliser novels
* images of how the novels first appeared, giving your Kindle a taste of the Victorian texts
* the Christmas stories, including the scarce novella THE TWO HEROINES OF PLUMPINGTON
* rare short story collections like WHY FRAU FROHMANN RAISED HER PRICES AND OTHER STORIES – first time in digital print
* both of the rare plays
* includes Trollope’s travel writing and classical studies
* includes Trollope’s rare biographies of Lord Palmerston, Thackeray and Cicero
* the textbook Trollope analysing Caesar’s Commentaries
* rare sketches, like the fully illustrated text CLERGYMEN OF THE CHURCH OF ENGLAND, available nowhere else in digital print
* boasts a special criticism section, examining Trollope’s contribution to literature
* SPECIAL BONUS text of Trollope’s autobiography - explore the author’s interesting life!
* scholarly ordering of texts into chronological order and literary genres, allowing easy navigation around Trollope’s immense oeuvre
* UPDATED with more images, corrections and improved structure
* UPDATED with rare short story THE GENTLE EUPHEMIA
The Barsetshire Series
The Palliser Series
THE MACDERMOTS OF BALLYCLORAN
THE KELLYS AND THE O’KELLYS
THE THREE CLERKS
THE STRUGGLES OF BROWN, JONES AND ROBINSON
THE SMALL HOUSE AT ALLINGTON
CAN YOU FORGIVE HER?
THE BELTON ESTATE
THE LAST CHRONICLE OF BARSET
HE KNEW HE WAS RIGHT
THE VICAR OF BULLHAMPTON
SIR HARRY HOTSPUR OF HUMBLETHWAITE
RALPH THE HEIR
GOLDEN LION OF GRANPÈRE
THE EUSTACE DIAMONDS
HARRY HEATHCOTE OF GANGOIL
THE WAY WE LIVE NOW
THE PRIME MINISTER
THE AMERICAN SENATOR
IS HE POPENJOY?
AN EYE FOR AN EYE
THE DUKE’S CHILDREN
DOCTOR WORTLE’S SCHOOL
THE FIXED PERIOD
KEPT IN THE DARK
MR. SCARBOROUGH’S FAMILY
AN OLD MAN’S LOVE
The Shorter Fiction
TALES OF OTHER COUNTRIES SERIES I
TALES OF OTHER COUNTRIES SERIES II
THE GENTLE EUPHEMIA
LOTTA SCHMIDT AND OTHER STORIES
AN EDITOR’S TALES
CHRISTMAS DAY AT KIRKBY COTTAGE
NEVER, NEVER — NEVER, NEVER
WHY FRAU FROHMANN RAISED HER PRICES AND OTHER STORIES
THE TWO HEROINES OF PLUMPLINGTON
NOT IF I KNOW IT
The Short Stories
LIST OF SHORT STORIES IN CHRONOLOGICAL ORDER
LIST OF SHORT STORIES IN ALPHABETICAL ORDER
CLERGYMEN OF THE CHURCH OF ENGLAND
The Travel Writing
THE WEST INDIES AND THE SPANISH MAIN
AUSTRALIA AND NEW ZEALAND
HOW THE ‘MASTIFFS’ WENT TO ICELAND
DID HE STEAL IT?
THE NOBLE JILT
LIST OF ESSAYS AND ARTICLES
THE COMMENTARIES OF CAESAR
STUDIES IN EARLY VICTORIAN LITERATURE by Frederic Harrison
NOTES ON TROLLOPE by Leo Tolstoy
EXTRACT FROM ‘THE NEW NOVEL’ by Henry James
PARTIAL PORTRAITS: ANTHONY TROLLOPE by Henry James
LIFE OF CICERO
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Set in an almshouse in rural England, The Warden features the realism, satire, and biting social commentary that helped establish Anthony Trollope as one of the preeminent English novelists of his day.
Septimus Harding is the modest and wizened warden of Hiram’s Hospital, a charitable institution funded by money bequeathed to the Diocese of Barchester. When young upstart John Bold stages a campaign that challenges the use of these charitable funds—and Harding’s seemingly exorbitant earnings—critics come out of the woodwork to question the hospital’s dealings. And making matters personal, Bold is courting Harding’s daughter, Eleanor.
The first installment in the Chronicles of Barsetshire, The Warden illuminates perceived Christian hypocrisies, yet strikes a light-hearted tone. A clear-eyed and humane work of satire, it brilliantly examines issues just as relevant today as in Victorian England.
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Of course there was a Great House at Allington. How otherwise should there have been a Small House? Our story will, as its name imports, have its closest relations with those who lived in the less dignified domicile of the two; but it will have close relations also with the more dignified, and it may be well that I should, in the first instance, say a few words as to the Great House and its owner.
The squires of Allington had been squires of Allington since squires, such as squires are now, were first known in England. From father to son, and from uncle to nephew, and, in one instance, from second cousin to second cousin, the sceptre had descended in the family of the Dales; and the acres had remained intact, growing in value and not decreasing in number, though guarded by no entail and protected by no wonderful amount of prudence or wisdom. The estate of Dale of Allington had been coterminous with the parish of Allington for some hundreds of years; and though, as I have said, the race of squires had possessed nothing of superhuman discretion, and had perhaps been guided in their walks through life by no very distinct principles, still there had been with them so much of adherence to a sacred law, that no acre of the property had ever been parted from the hands of the existing squire. Some futile attempts had been made to increase the territory, as indeed had been done by Kit Dale, the father of Christopher Dale, who will appear as our squire of Allington when the persons of our drama are introduced. Old Kit Dale, who had married money, had bought outlying farms,--a bit of ground here and a bit there,--talking, as he did so, much of political influence and of the good old Tory cause. But these farms and bits of ground had gone again before our time. To them had been attached no religion. When old Kit had found himself pressed in that matter of the majority of the Nineteenth Dragoons, in which crack regiment his second son made for himself quite a career, he found it easier to sell than to save--seeing that that which he sold was his own and not the patrimony of the Dales. At his death the remainder of these purchases had gone. Family arrangements required completion, and Christopher Dale required ready money. The outlying farms flew away, as such new purchases had flown before; but the old patrimony of the Dales remained untouched, as it had ever remained.
The Last Chronicle of Barset (1867) is the novel that Anthony Trollope considered his masterpiece.
In the course of the last century and a half, Trollope’s county of Barset has become one of English literature’s most celebrated fictional landscapes. This sixth and final novel in the Barsetshire series revolves around the proud, hardworking, and impecunious Reverend Josiah Crawley, curate of the poor parish of Hogglestock, and his brush with disaster. Crawley stands accused of a theft, but, as he is uncertain himself as to the truth of the matter, he is unable to offer a defense and retreats into self-doubt and shame. The community is bitterly divided between those who wish to help him and those convinced of his guilt, the latter headed by Mrs. Proudie, the bishop’s forceful wife. Meanwhile, Crawley’s daughter Grace has captured the affection of Archdeacon Grantly’s son, Henry, but her father’s scandal stands in the way of their marriage. The solution to the mystery, the downfall of Mrs. Proudie, and the resolution of the fates of many other beloved characters, including Septimus Harding, Johnny Eames, and Lily Dale, bring the famous Barsetshire chronicles to a splendid conclusion. The Last Chronicle of Barset provides a brilliant example of Trollope’s ability to render a highly individual society with such detail and force that it comes to reflect every society, in any age.
Mr William Whittlestaff was strolling very slowly up and down the long walk at his country seat in Hampshire, thinking of the contents of a letter which he held crushed up within his trousers' pocket. He always breakfasted exactly at nine, and the letters were supposed to be brought to him at a quarter past. The postman was really due at his hall-door at a quarter before nine; but though he had lived in the same house for above fifteen years, and though he was a man very anxious to get his letters, he had never yet learned the truth about them. He was satisfied in his ignorance with 9.15 a.m., but on this occasion the post-boy, as usual, was ten minutes after that time. Mr Whittlestaff had got through his second cup of tea, and was stranded in his chair, having nothing to do, with the empty cup and plates before him for the space of two minutes; and, consequently, when he had sent some terrible message out to the post-boy, and then had read the one epistle which had arrived on this morning, he thus liberated his mind: "I'll be whipped if I will have anything to do with her." But this must not be taken as indicating the actual state of his mind; but simply the condition of anger to which he had been reduced by the post-boy. If any one were to explain to him afterwards that he had so expressed himself on a subject of such importance, he would have declared of himself that he certainly deserved to be whipped himself. In order that he might in truth make up his mind on the subject, he went out with his hat and stick into the long walk, and there thought out the matter to its conclusion. The letter which he held in his pocket ran as follows:—
St. Tawell's, Norwich, February 18—.
MY DEAR MR WHITTLESTAFF,—Poor Mrs Lawrie has gone at last. She died this morning at seven o'clock, and poor Mary is altogether alone in the world. I have asked her to come in among us for a few days at any rate, till the funeral shall be over. But she has refused, knowing, I suppose, how crowded and how small our house is. What is she to do? You know all the circumstances much better than I do. She says herself that she had always been intended for a governess, and that she will, of course, follow out the intention which had been fixed on between her and her father before his death. But it is a most weary prospect, especially for one who has received no direct education for the purpose. She has devoted herself for the last twelve months to Mrs Lawrie, as though she had been her mother. You did not like Mrs Lawrie, nor did I; nor, indeed, did poor Mary love her very dearly. But she, at any rate, did her duty by her step-mother. I know that in regard to actual money you will be generous enough; but do turn the matter over in your mind, and endeavour to think of some future for the poor girl.—Yours very faithfully,
THE BARONY OF DESMOND.
I wonder whether the novel-reading world—that part of it, at least, which may honour my pages—will be offended if I lay the plot of this story in Ireland! That there is a strong feeling against things Irish it is impossible to deny. Irish servants need not apply; Irish acquaintances are treated with limited confidence; Irish cousins are regarded as being decidedly dangerous; and Irish stories are not popular with the booksellers.
For myself, I may say that if I ought to know anything about any place, I ought to know something about Ireland; and I do strongly protest against the injustice of the above conclusions. Irish cousins I have none. Irish acquaintances I have by dozens; and Irish friends, also, by twos and threes, whom I can love and cherish—almost as well, perhaps, as though they had been born in Middlesex. Irish servants I have had some in my house for years, and never had one that was faithless, dishonest, or intemperate. I have travelled all over Ireland, closely as few other men can have done, and have never had my portmanteau robbed or my pocket picked. At hotels I have seldom locked up my belongings, and my carelessness has never been punished. I doubt whether as much can be said for English inns.
Just a fortnight before Christmas, 1871, a young man, twenty-four years of age, returned home to his dinner about eight o'clock in the evening. He was married, and with him and his wife lived his wife's sister. At that somewhat late hour he walked in among the two young women, and another much older woman who was preparing the table for dinner. The wife and the wife's sister each had a child in her lap, the elder having seen some fifteen months of its existence, and the younger three months. "He has been out since seven, and I don't think he's had a mouthful," the wife had just said. "Oh, Harry, you must be half starved," she exclaimed, jumping up to greet him, and throwing her arm round his bare neck.
"I'm about whole melted," he said, as he kissed her. "In the name of charity give me a nobbler. I did get a bit of damper and a pannikin of tea up at the German's hut; but I never was so hot or so thirsty in my life. We're going to have it in earnest this time. Old Bates says that when the gum leaves crackle, as they do now, before Christmas, there won't be a blade of grass by the end of February."
"I hate Old Bates," said the wife. "He always prophesies evil, and complains about his rations."
The gardens of Clavering Park were removed some three hundred yards from the large, square, sombre-looking stone mansion which was the country-house of Sir Hugh Clavering, the eleventh baronet of that name; and in these gardens, which had but little of beauty to recommend them, I will introduce my readers to two of the personages with whom I wish to make them acquainted in the following story. It was now the end of August, and the parterres, beds, and bits of lawn were dry, disfigured, and almost ugly, from the effects of a long drought. In gardens to which care and labour are given abundantly, flower-beds will be pretty, and grass will be green, let the weather be what it may; but care and labour were but scantily bestowed on the Clavering Gardens, and everything was yellow, adust, harsh, and dry. Over the burnt turf towards a gate that led to the house, a lady was walking, and by her side there walked a gentleman.
"You are going in, then, Miss Brabazon," said the gentleman, and it was very manifest from his tone that he intended to convey some deep reproach in his words.
"Of course I am going in," said the lady. "You asked me to walk with you, and I refused. You have now waylaid me, and therefore I shall escape,--unless I am prevented by violence." As she spoke she stood still for a moment, and looked into his face with a smile which seemed to indicate that if such violence were used, within rational bounds, she would not feel herself driven to great anger.
A literary classic, The Way We Live Now was inspired by the English financial scandals of the 1870s, and is a stunning, satirical look at an era dominated by greed and dishonesty. The Way We Live Now has twice been adapted for television.
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Drawing on his own childhood experience of genteel poverty, Trollope gives a painstakingly realistic depiction of the trials of a family striving to maintain its standards at all costs. With its sensitive portrayal of the proud and self-destructive figure of Crawley, this final volume is the darkest and most complex of all the Barsetshire novels.
THE REMNANTS OF THE AMEDROZ FAMILY.
Mrs. Amedroz, the wife of Bernard Amedroz, Esq., of Belton Castle, and mother of Charles and Clara Amedroz, died when those children were only eight and six years old, thereby subjecting them to the greatest misfortune which children born in that sphere of life can be made to suffer. And, in the case of this boy and girl the misfortune was aggravated greatly by the peculiarities of the father's character. Mr. Amedroz was not a bad man,—as men are held to be bad in the world's esteem. He was not vicious,—was not a gambler or a drunkard,—was not self-indulgent to a degree that brought upon him any reproach; nor was he regardless of his children. But he was an idle, thriftless man, who, at the age of sixty-seven, when the reader will first make his acquaintance, had as yet done no good in the world whatever. Indeed he had done terrible evil; for his son Charles was now dead,—had perished by his own hand,—and the state of things which had brought about this woful event had been chiefly due to the father's neglect.
'Trollope did not write for posterity,' observed Henry James. 'He wrote for the day, the moment; but these are just the writers whom posterity is apt to put into its pocket.' Considered by contemporary critics to be Trollope's greatest novel, The Way We Live Now is a satire of the literary world of London in the 1870s and a bold indictment of the new power of speculative finance in English life. 'I was instigated by what I conceived to be the commercial profligacy of the age,' Trollope said.
His story concerns Augustus Melmotte, a French swindler and scoundrel, and his daughter, to whom Felix Carbury, adored son of the authoress Lady Carbury, is induced to propose marriage for the sake of securing a fortune. Trollope knew well the difficulties of dealing with editors, publishers, reviewers, and the public; his portrait of Lady Carbury, impetuous, unprincipled, and unswervingly devoted to her own self-promotion, is one of his finest satirical achievements.
His picture of late-nineteenth-century England is a portrait of a society on the verge of moral bankruptcy. In The Way We Live Now Trollope combines his talents as a portraitist and his skills as a storyteller to give us life as it was lived more than a hundred years ago.
Alice Vavasor should be married to the sensible, kindly John Grey. But despite what her respectable relations might think, Alice cannot quite reconcile herself to this fate. Once upon a time she was engaged to her wild cousin George, and now he stands in need of her money and, perhaps too, her good influence. Meanwhile Alice's friend Lady Glencora has married the rising politician Plantagenet Palliser, but is still pursued by Burgo Fitzgerald, the handsome rascal she loves.
In this hugely compelling novel,Trollope shows the two women struggling to reconcile heart, mind and moral code whilst enduring the stifling scrutiny of their contemporaries.
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It was admitted by all her friends, and also by her enemies,—who were in truth the more numerous and active body of the two,—that Lizzie Greystock had done very well with herself. We will tell the story of Lizzie Greystock from the beginning, but we will not dwell over it at great length, as we might do if we loved her. She was the only child of old Admiral Greystock, who in the latter years of his life was much perplexed by the possession of a daughter. The admiral was a man who liked whist, wine,—and wickedness in general we may perhaps say, and whose ambition it was to live every day of his life up to the end of it. People say that he succeeded, and that the whist, wine, and wickedness were there, at the side even of his dying bed. He had no particular fortune, and yet his daughter, when she was little more than a child, went about everywhere with jewels on her fingers, and red gems hanging round her neck, and yellow gems pendent from her ears, and white gems shining in her black hair. She was hardly nineteen when her father died and she was taken home by that dreadful old termagant, her aunt, Lady Linlithgow. Lizzie would have sooner gone to any other friend or relative, had there been any other friend or relative to take her possessed of a house in town. Her uncle, Dean Greystock, of Bobsborough, would have had her, and a more good-natured old soul than the dean's wife did not exist,—and there were three pleasant, good-tempered girls in the deanery, who had made various little efforts at friendship with their cousin Lizzie; but Lizzie had higher ideas for herself than life in the deanery at Bobsborough. She hated Lady Linlithgow. During her father's lifetime, when she hoped to be able to settle herself before his death, she was not in the habit of concealing her hatred for Lady Linlithgow. Lady Linlithgow was not indeed amiable or easily managed. But when the admiral died, Lizzie did not hesitate for a moment in going to the old "vulturess," as she was in the habit of calling the countess in her occasional correspondence with the girls at Bobsborough.
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Gender issues and economic hardships are dealt with deftly in Doctor Thorne, the third novel in the Chronicles of Barsetshire, and arguably the saga’s finest love story. Set in rural England in the fictitious county of Barsetshire, this Victorian novel is one of Anthony Trollope’s most optimistic and engaging works.
When Henry Thorne seduces local villager Mary Scatcherd, her stonemason brother, Roger, avenges the indignity by murdering Thorne in cold blood. While Roger goes off to prison, Mary follows a promising suitor to the Americas, leaving her illegitimate daughter in the hands of Dr. Thomas Thorne, brother to her murdered lover. The physician names the girl Mary, after her mother, and in an effort to protect the girl’s reputation—and keep her away from her murderous uncle—he keeps her lineage a secret. Later, when young Mary falls in love with the heir of the squire of Greshamsbury, the lad is put in the precarious position of pursuing the girl despite his family’s clear desire for him to marry a woman with titles and a much better financial standing.
Doctor Thorne is one of the most lighthearted and hopeful tales by Trollope. Addressing the flaws inherent in the social mores of his day, the author, a master of the English novel, entreats readers to consider—as his characters must—profound issues of life, love, and morality.
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THE MAN WHO HUNTS AND DOESN'T LIKE IT.
It seems to be odd, at first sight, that there should be any such men as these; but their name and number is legion. If we were to deduct from the hunting-crowd farmers, and others who hunt because hunting is brought to their door, of the remainder we should find that the "men who don't like it" have the preponderance. It is pretty much the same, I think, with all amusements. How many men go to balls, to races, to the theatre, how many women to concerts and races, simply because it is the thing to do? They have perhaps, a vague idea that they may ultimately find some joy in the pastime; but, though they do the thing constantly, they never like it. Of all such men, the hunting men are perhaps the most to be pitied.
They are easily recognized by any one who cares to scrutinize the men around him in the hunting field. It is not to be supposed that all those who, in common parlance, do not ride, are to be included among the number of hunting men who don't like it. Many a man who sticks constantly to the roads and lines of gates, who, from principle, never looks at a fence, is much attached to hunting. Some of those who have borne great names as Nimrods in our hunting annals would as life have led a forlorn-hope as put a horse at a flight of hurdles. But they, too, are known; and though the nature of their delight is a mystery to straight-going men, it is manifest enough, that they do like it.
Let the reader be introduced to Lady Carbury, upon whose character and doings much will depend of whatever interest these pages may have, as she sits at her writing-table in her own room in her own house in Welbeck Street. Lady Carbury spent many hours at her desk, and wrote many letters,—wrote also very much beside letters. She spoke of herself in these days as a woman devoted to Literature, always spelling the word with a big L. Something of the nature of her devotion may be learned by the perusal of three letters which on this morning she had written with a quickly running hand. Lady Carbury was rapid in everything, and in nothing more rapid than in the writing of letters. Here is Letter No. 1;—
I have taken care that you shall have the early sheets of my two new volumes to-morrow, or Saturday at latest, so that you may, if so minded, give a poor struggler like myself a lift in your next week's paper. Do give a poor struggler a lift. You and I have so much in common, and I have ventured to flatter myself that we are really friends! I do not flatter you when I say, that not only would aid from you help me more than from any other quarter, but also that praise from you would gratify my vanity more than any other praise. I almost think you will like my "Criminal Queens." The sketch of Semiramis is at any rate spirited, though I had to twist it about a little to bring her in guilty. Cleopatra, of course, I have taken from Shakespeare. What a wench she was! I could not quite make Julia a queen; but it was impossible to pass over so piquant a character. You will recognise in the two or three ladies of the empire how faithfully I have studied my Gibbon. Poor dear old Belisarius! I have done the best I could with Joanna, but I could not bring myself to care for her. In our days she would simply have gone to Broadmore. I hope you will not think that I have been too strong in my delineations of Henry VIII. and his sinful but unfortunate Howard. I don't care a bit about Anne Boleyne. I am afraid that I have been tempted into too great length about the Italian Catherine; but in truth she has been my favourite. What a woman! What a devil! Pity that a second Dante could not have constructed for her a special hell. How one traces the effect of her training in the life of our Scotch Mary. I trust you will go with me in my view as to the Queen of Scots. Guilty! guilty always! Adultery, murder, treason, and all the rest of it. But recommended to mercy because she was royal. A queen bred, born and married, and with such other queens around her, how could she have escaped to be guilty? Marie Antoinette I have not quite acquitted. It would be uninteresting;—perhaps untrue. I have accused her lovingly, and have kissed when I scourged. I trust the British public will not be angry because I do not whitewash Caroline, especially as I go along with them altogether in abusing her husband....
It is certainly of service to a man to know who were his grandfathers and who were his grandmothers if he entertain an ambition to move in the upper circles of society, and also of service to be able to speak of them as of persons who were themselves somebodies in their time. No doubt we all entertain great respect for those who by their own energies have raised themselves in the world; and when we hear that the son of a washerwoman has become Lord Chancellor or Archbishop of Canterbury we do, theoretically and abstractedly, feel a higher reverence for such self-made magnate than for one who has been as it were born into forensic or ecclesiastical purple. But not the less must the offspring of the washerwoman have had very much trouble on the subject of his birth, unless he has been, when young as well as when old, a very great man indeed. After the goal has been absolutely reached, and the honour and the titles and the wealth actually won, a man may talk with some humour, even with some affection, of the maternal tub;—but while the struggle is going on, with the conviction strong upon the struggler that he cannot be altogether successful unless he be esteemed a gentleman, not to be ashamed, not to conceal the old family circumstances, not at any rate to be silent, is difficult. And the difficulty is certainly not less if fortunate circumstances rather than hard work and intrinsic merit have raised above his natural place an aspirant to high social position. Can it be expected that such a one when dining with a duchess shall speak of his father's small shop, or bring into the light of day his grandfather's cobbler's awl? And yet it is difficult to be altogether silent! It may not be necessary for any of us to be always talking of our own parentage. We may be generally reticent as to our uncles and aunts, and may drop even our brothers and sisters in our ordinary conversation. But if a man never mentions his belongings among those with whom he lives, he becomes mysterious, and almost open to suspicion. It begins to be known that nobody knows anything of such a man, and even friends become afraid. It is certainly convenient to be able to allude, if it be but once in a year, to some blood relation.
One of the best-loved stories of all time, To Kill a Mockingbird has been translated into more than forty languages, sold more than forty million copies worldwide, served as the basis for an enormously popular motion picture, and was voted one of the best novels of the twentieth century by librarians across the country. A gripping, heart-wrenching, and wholly remarkable tale of coming-of-age in a South poisoned by virulent prejudice, it views a world of great beauty and savage inequities through the eyes of a young girl, as her father—a crusading local lawyer—risks everything to defend a black man unjustly accused of a terrible crime.
Set on the desert planet Arrakis, Dune is the story of the boy Paul Atreides—who would become known as Muad’Dib—and of a great family’s ambition to bring to fruition humankind’s most ancient and unattainable dream.
A stunning blend of adventure and mysticism, environmentalism and politics, Dune won the first Nebula Award, shared the Hugo Award, and formed the basis of what is undoubtedly the grandest epic in science fiction.
“Orwell saw, to his credit, that the act of falsifying reality is only secondarily a way of changing perceptions. It is, above all, a way of asserting power.”—The New Yorker
In 1984, London is a grim city in the totalitarian state of Oceania where Big Brother is always watching you and the Thought Police can practically read your mind. Winston Smith is a man in grave danger for the simple reason that his memory still functions. Drawn into a forbidden love affair, Winston finds the courage to join a secret revolutionary organization called The Brotherhood, dedicated to the destruction of the Party. Together with his beloved Julia, he hazards his life in a deadly match against the powers that be.
Lionel Trilling said of Orwell’s masterpiece, “1984 is a profound, terrifying, and wholly fascinating book. It is a fantasy of the political future, and like any such fantasy, serves its author as a magnifying device for an examination of the present.” Though the year 1984 now exists in the past, Orwell’s novel remains an urgent call for the individual willing to speak truth to power.
In her now classic novel Outlander, Diana Gabaldon told the story of Claire Randall, an English ex-combat nurse who walks through a stone circle in the Scottish Highlands in 1946, and disappears . . . into 1743. The story unfolded from there in seven bestselling novels, and CNN has called it “a grand adventure written on a canvas that probes the heart, weighs the soul and measures the human spirit across [centuries].” Now the story continues in Written in My Own Heart’s Blood.
1778: France declares war on Great Britain, the British army leaves Philadelphia, and George Washington’s troops leave Valley Forge in pursuit. At this moment, Jamie Fraser returns from a presumed watery grave to discover that his best friend has married his wife, his illegitimate son has discovered (to his horror) who his father really is, and his beloved nephew, Ian, wants to marry a Quaker. Meanwhile, Jamie’s wife, Claire, and his sister, Jenny, are busy picking up the pieces.
The Frasers can only be thankful that their daughter Brianna and her family are safe in twentieth-century Scotland. Or not. In fact, Brianna is searching for her own son, who was kidnapped by a man determined to learn her family’s secrets. Her husband, Roger, has ventured into the past in search of the missing boy . . . never suspecting that the object of his quest has not left the present. Now, with Roger out of the way, the kidnapper can focus on his true target: Brianna herself.
Written in My Own Heart’s Blood is the brilliant next chapter in a masterpiece of the imagination unlike any other.
Praise for Written in My Own Heart’s Blood
“[Written in My Own Heart’s Blood] features all the passion and swashbuckling that fans of this historical fantasy series have come to expect.”—People
“Another breakneck, rip-roaring, oh-so-addictive page-turner from Gabaldon . . . Take a deep breath, jump aboard, and enjoy the ride.”—Library Journal
“With her Outlander series, Gabaldon . . . successfully [juggles] a sizable and captivating cast of characters; developing thrilling plotlines that borrow equally from adventure, history, and romance; and meticulously integrating a wealth of fascinating period details into the story without slowing down the pace. The result is a sprawling and enthralling saga that is guaranteed to keep readers up long past their bedtimes.”—Booklist (starred review)
From the Hardcover edition.
The critically acclaimed debut novel from Stephen Chbosky, Perks follows observant “wallflower” Charlie as he charts a course through the strange world between adolescence and adulthood. First dates, family drama, and new friends. Sex, drugs, and The Rocky Horror Picture Show. Devastating loss, young love, and life on the fringes. Caught between trying to live his life and trying to run from it, Charlie must learn to navigate those wild and poignant roller-coaster days known as growing up.
A #1 New York Times best seller for more than a year, an American Library Association Best Book for Young Adults (2000) and Best Book for Reluctant Readers (2000), and with millions of copies in print, this novel for teen readers (or “wallflowers” of more-advanced age) will make you laugh, cry, and perhaps feel nostalgic for those moments when you, too, tiptoed onto the dance floor of life.
The magnificent saga continues....
It began in Scotland, at an ancient stone circle. There, a doorway, open to a select few, leads into the past—or the grave. Claire Randall survived the extraordinary passage, not once but twice. Her first trip swept her into the arms of Jamie Fraser, an eighteenth-century Scot whose love for her became legend—a tale of tragic passion that ended with her return to the present to bear his child. Her second journey, two decades later, brought them together again in frontier America. But Claire had left someone behind in the twentieth century. Their daughter, Brianna....
Now Brianna has made a disturbing discovery that sends her to the stone circle and a terrifying leap into the unknown. In search of her mother and the father she has never met, she is risking her own future to try to change history...and to save their lives. But as Brianna plunges into an uncharted wilderness, a heartbreaking encounter may strand her forever in the past...or root her in the place she should be, where her heart and soul belong....
From the highly acclaimed, multiple award-winning Anthony Doerr, the beautiful, stunningly ambitious instant New York Times bestseller about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II.
Marie-Laure lives with her father in Paris near the Museum of Natural History, where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great-uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel.
In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge.
Doerr’s “stunning sense of physical detail and gorgeous metaphors” (San Francisco Chronicle) are dazzling. Deftly interweaving the lives of Marie-Laure and Werner, he illuminates the ways, against all odds, people try to be good to one another. Ten years in the writing, a National Book Award finalist, All the Light We Cannot See is a magnificent, deeply moving novel from a writer “whose sentences never fail to thrill” (Los Angeles Times).
With courage, grace, and powerful insight, bestselling author Kristin Hannah captures the epic panorama of World War II and illuminates an intimate part of history seldom seen: the women's war. The Nightingale tells the stories of two sisters, separated by years and experience, by ideals, passion and circumstance, each embarking on her own dangerous path toward survival, love, and freedom in German-occupied, war-torn France—a heartbreakingly beautiful novel that celebrates the resilience of the human spirit and the durability of women. It is a novel for everyone, a novel for a lifetime.
Goodreads Best Historical Novel of the Year • People's Choice Favorite Fiction Winner • #1 Indie Next Selection • A Buzzfeed and The Week Best Book of the Year
Praise for The Nightingale:
"Haunting, action-packed, and compelling." —Christina Baker Kline, #1 New York Times bestselling author
"Absolutely riveting!...Read this book." —Dr. Miriam Klein Kassenoff, Director of the University of Miami Holocaust Teacher Institute
"Beautifully written and richly evocative." —Sara Gruen, #1 New York Times bestselling author
“A hauntingly rich WWII novel about courage, brutality, love, survival—and the essence of what makes us human.” —Family Circle
“A heart-pounding story.” —USA Today
"An enormous story. Richly satisfying. I loved it." —Anne Rice
"A respectful and absorbing page-turner." —Kirkus Reviews
"Tender, compelling...a satisfying slice of life in Nazi-occupied France." —Jewish Book Council
“Expect to devour The Nightingale in as few sittings as possible; the high-stakes plot and lovable characters won’t allow any rest until all of their fates are known.” —Shelf Awareness
"I loved The Nightingale." —Lisa See, #1 New York Times bestselling author
"Powerful...an unforgettable portrait of love and war." —People
This sixth novel in Diana Gabaldon’s bestselling Outlander saga is a masterpiece of historical fiction from one of the most popular authors of our time. A Breath of Snow and Ashes continues the extraordinary story of 18th-century Scotsman Jamie Fraser and his 20th-century wife, Claire.
The year is 1772, and on the eve of the American Revolution, the long fuse of rebellion has already been lit. Men lie dead in the streets of Boston, and in the backwoods of North Carolina, isolated cabins burn in the forest.
With chaos brewing, the governor calls upon Jamie Fraser to unite the backcountry and safeguard the colony for King and Crown. But from his wife Jamie knows that three years hence the shot heard round the world will be fired, and the result will be independence—with those loyal to the King either dead or in exile. And there is also the matter of a tiny clipping from The Wilmington Gazette, dated 1776, which reports Jamie’s death, along with his kin. For once, he hopes, his time-traveling family may be wrong about the future.
Ray Bradbury’s internationally acclaimed novel Fahrenheit 451 is a masterwork of twentieth-century literature set in a bleak, dystopian future.
Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden.
Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television “family.” But then he meets an eccentric young neighbor, Clarisse, who introduces him to a past where people didn’t live in fear and to a present where one sees the world through the ideas in books instead of the mindless chatter of television.
When Mildred attempts suicide and Clarisse suddenly disappears, Montag begins to question everything he has ever known. He starts hiding books in his home, and when his pilfering is discovered, the fireman has to run for his life.
One of the most famous and beloved mysteries from the queen of suspense, Agatha Christie! More than 100 million copies sold and now a Lifetime TV movie.
Ten people, each with something to hide and something to fear, are invited to a isolated mansion on Indian Island by a host who, surprisingly, fails to appear. On the island they are cut off from everything but each other and the inescapable shadows of their own past lives. One by one, the guests share the darkest secrets of their wicked pasts. And one by one, they die…
Which among them is the killer and will any of them survive?