SMS or Text is one of the most popular forms of messaging. Yet, despite its immense popularity, SMS has remained unexamined by science. Not only that, but the commercial organisations, who have been forced to offer SMS by a demanding public, have had very little idea why it has been successful. Indeed, they have, until very recently, planned to replace SMS with other messaging services such as MMS.

This book is the first to bring together scientific studies into the values that ‘texting’ provides, examining both cultural variation in countries as different as the Philippines and Germany, as well as the differences between SMS and other communications channels like Instant Messaging and the traditional letter. It presents usability and design research which explores how SMS will evolve and what is likely to be the pattern of person-to-person messaging in the future. In short, Inside Text is a fundamental resource for anyone interested in mobile communications at the start of the 21st Century

 

 

The book will be of interest to anyone in the CHI, CSCW and mobile communications research areas, as well as sociologists, anthropologists, communications scientists and policy makers.

Single Women in Popular Culture demonstrates how single women continue to be figures of profound cultural anxiety. Examining a wide range of popular media forms, this is a timely, insightful and politically engaged book, exploring the ways in which postfeminism limits the representation of single women in popular culture.

This book explores the forms of credit which have historically been associated with the British working class. Taylor seeks to assess the effect of credit on working class communities, and relates this to the debate about community. This work is the first comprehensive examination of the history of these forms of credit to make comparisons between the periods before and after 1945. Based on extensive archival research and oral history interviews, this book combines lively individual accounts with theoretical arguments.

Erotic Coleridge charts Coleridge's prolific creation of love poems from early flirtatious verse to poems about marital incompatibility, the blank faces of young women fearing for their reputations, the obliterating seductions of young women, the exaltation of falling in love, the spoken and sung voices of women, the pain of jealousy, and late meditations on how to live with the waning of love. In his prose he responds to Parliamentary debates about punishing adulteresses and gives advice about how marriage can warp the soul. In his sensual exuberance and his ethics of reverencing the individuality of other persons, Coleridge attends closely to the lives of women.

Andrew Taylor provides an overview of the origins, evolution, and impact of state failure since the 1990s. Avoiding quickly outdated country-based case studies, he focuses on failure as a process rather than an event, putting contemporary usage in a wider historical context.

Andrew Taylor provides an overview of the origins, evolution, and impact of state failure since the 1990s. Avoiding quickly outdated country-based case studies, he focuses on failure as a process rather than an event, putting contemporary usage in a wider historical context.

This collection offers the first detailed investigation of political life in nineteenth-century London. London politics did not share the free-trade and civil-equality preoccupations of the provinces which currently dominate scholarly literature. As these essays reveal, the capital remained more concerned with older struggles for political independence. By highlighting the inability of existing accounts to accommodate metropolitan distinctiveness, the collection aims to stimulate a major reappraisal not of London politics alone, but of Victorian political history more generally.

'This is an important and illuminating collection, however, which could only have been assembled by a formidably learned scholar.' - N. Fruman, Choice From Coleridge's vast writings this book assembles excerpts from Coleridge's inquiries into the workings of consciousness and the soul; man's evolution and divergence from animals; the varieties of human weakness and evil and the creation of culture and belief join to suggest an underlying coherence in Coleridge's interdisciplinary thought. The editor has arranged material from an assortment of public and private writings, and has provided linking commentary to the texts and notes. This volume follows John Morrow's volume, the first in the series, On Politics and Society (1990).

Bacchus in Romantic England describes real drunkenness among writers and ordinary people in the Romantic age. It grounds this 'reality' in writings by doctors and philanthropists from 1780 onwards, who describe an epidemic of drunkenness. These commentators provide a context for the different ways that poets and novelists of the age represent drunkards. Wordsworth writes poems and essays evaluating the drunken career of his model Robert Burns. Charles Lamb's essays and letters reveal a real and metaphorical preoccupation with his own drinking as a way of disguising his personal suffering; his companion Coleridge writes drinking songs, essays about drunkenness, and meditations about his own weakness of will that show both festive inebriety and consciousness of an inward abyss; Coleridge's son Hartley, whose fate his father had prophesied, experiences drunkenness as the life-long humiliation described in his poems and letters. Keats's complex dionysianism runs through 'Endymion' and the late odes, setting him at odds with his temperate hero Milton. Men in the Romantic age, such as Sheridan, Byron, Moor, and Clare, celebrate rowdy friendship with tales and songs of drinking; Romantic women novelists such as Smith, Edgeworth and Wollstonecraft depict these men stumbling home to abuse their wives. Although excessive drinking is real in the period, observers and participants can still maintain ambivalence about its power to release or to debase the human being.

Flamboyant, cultured and refined, aristocracy is often seen as a national treasure. Lords of Misrule takes a different view and considers the role of an aristocracy behaving badly. This is a book about the political, social and moral failings of aristocracy and the ways in which they have featured in political rhetoric. Drawing on the views of critics of aristocracy, it explores the dark side of power without responsibility. Less 'patrician paragons' than dissolute and debauched debtors, the aristocrats featured here undermined, rather than augmented, the fabric of national life. For the first time, Lords of Misrule recaptures the views of those radicals and reformers who were prepared to contemplate a Britain without aristocrats.