Edith Hamilton's mythology succeeds like no other book in bringing to life for the modern reader the Greek, Roman and Norse myths that are the keystone of Western culture-the stories of gods and heroes that have inspired human creativity from antiquity to the present.
We follow the drama of the Trojan War and the wanderings of Odysseus. We hear the tales of Jason and the Golden Fleece, Cupid and Psyche, and mighty King Midas. We discover the origins of the names of the constellations. And we recognize reference points for countless works for art, literature and culture inquiry-from Freud's Oedipus complex to Wagner's Ring Cycle of operas to Eugene O'Neill's Mourning Becomes Electra
Both a reference text for scholars of all ages and a book to simply enjoy, Mythology is a classic not to be missed.
Divided into twelve books, these meditations chronicle Aurelius’s personal quest for self-improvement. This enduring text from one of history’s greatest warriors and leaders has been compared to St. Augustine’s Confessions for its timelessness, clarity, and candor. These writings, composed between 161 and 180 CE, set forth Aurelius’s Stoic philosophy and stress the importance of acting in a way that is moral and just rather than self-indulgent.
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In Euthyphro, Socrates explores the concepts and aims of piety and religion: in Apology, he courageously defends the integrity of his teachings; in Crito, he demonstrates his respect for the law in his refusal to flee his death sentence; and in Phaedo embraces death and discusses the immortality of the soul. The four dialogues are presented here in the authoritative translation by the distinguished classical scholar Benjamin Jowett, renowned for his translations of Plato.
Reflecting the emperor's own noble and self-sacrificing code of conduct, this eloquent and moving work draws and enriches the tradition of Stoicism, which stressed the search for inner peace and ethical certainty in an apparently chaotic world. Serenity was to be achieved by emulating in one's personal conduct the underlying orderliness and lawfulness of nature. And in the face of inevitable pain, loss, and death — the suffering at the core of life — Aurelius counsels stoic detachment from the things that are beyond one's control and a focus on one's own will and perception.
Presented here in a specially modernized version of the classic George Long translation, this updated and revised edition is easily accessible to contemporary readers. It not only provides a fascinating glimpse into the mind and personality of a highly principled Roman of the second century but also offers today's readers a practical and inspirational guide to the challenges of everyday life.
Plato's account of Socrates' trial and death (399 BC) is a significant moment in Classical literature and the life of Classical Athens. In these four dialogues, Plato develops the Socratic belief in responsibility for one's self and shows Socrates living and dying under his philosophy. In Euthyphro, Socrates debates goodness outside the courthouse; Apology sees him in court, rebutting all charges of impiety; in Crito, he refuses an entreaty to escape from prison; and in Phaedo, Socrates faces his impending death with calmness and skilful discussion of immortality.
Christopher Rowe's introduction to his powerful new translation examines the book's themes of identity and confrontation, and explores how its content is less historical fact than a promotion of Plato's Socratic philosophy.
The three plays of the Oresteia portray the bloody events that follow the victorious return of King Agamemnon from the Trojan War, at the start of which he had sacrificed his daughter Iphigeneia to secure divine favor. After Iphi-geneia’s mother, Clytemnestra, kills her husband in revenge, she in turn is murdered by their son Orestes with his sister Electra’s encouragement. Orestes is pursued by the Furies and put on trial, his fate decided by the goddess Athena. Far more than the story of murder and ven-geance in the royal house of Atreus, the Oresteia serves as a dramatic parable of the evolution of justice and civilization that is still powerful after 2,500 years.
The trilogy is presented here in George Thomson’s classic translation, renowned for its fidelity to the rhythms and richness of the original Greek.
(Book Jacket Status: Jacketed)
People have taken to living their lives after this text, and have thrived upon its valuable advice. For centuries, this famous book has inspired, enlightened, and also taught generations the importance of philosophy.
Both legal and educational scholars throughout Chinese history have called this book their favorite, and it seems as if a new section of society realizes the Tao Te Ching's beauty every decade.
Written by Lao Tzu, also known as the "Old Master," the Tao Te Ching is known for being both a permanent part of Chinese culture, as well as one of the most famous books of all time in the field of philosophy.
You will find that no less than a dozen sayings and idioms that Chinese people use in their daily life were originated from this book.
Translations of the Tao Te Ching are often accomplished after a lot of difficulties are overcome in the actual act of translating it. The original text was written in Ancient Chinese, a language that is filled with different connotations, meanings, and nuances to each word.
Even modern Chinese speakers have problems translating the original Tao Te Ching; being able to translate it while keeping its rich meaning intact has been a feat that isn't easily accomplished.
The biggest problems found in other English versions of the Tao Te Ching are that in many cases extras were added by the translators based on their own understanding; while in other cases words were lost or omitted from original Chinese text. Some translations were gibberish and difficult to understand.
Great care has been taken in this version to give a precise translation without adding the translator's own interpretation. You will find that this new translation is easy to understand, yet virtually unchanged from the original Tao. This new English translation of the Tao Te Ching will enlighten and entertain people for years to come.
Collected by an unidentified Icelander, probably during the twelfth or thirteenth century, The Poetic Edda was rediscovered in Iceland in the seventeenth century by Danish scholars. Even then its value as poetry, as a source of historical information, and as a collection of entertaining stories was recognized. This meticulous translation succeeds in reproducing the verse patterns, the rhythm, the mood, and the dignity of the original in a revision that Scandinavian Studies says "may well grace anyone's bookshelf."
Foxfire has brought the philosophy of simple living to hundreds of thousands of readers, teaching creative self-sufficiency and preserving the stories, crafts, and customs of Appalachia. Inspiring and practical, this classic series has become an American institution. In July 2016, Vintage Shorts celebrates Foxfire's 50th Anniversary.
How Music Works is David Byrne’s incisive and enthusiastic look at the musical art form, from its very inceptions to the influences that shape it, whether acoustical, economic, social or technological. Utilizing his incomparable career and inspired collaborations with Talking Heads, Brian Eno, and many others, Byrne taps deeply into his lifetime of knowledge to explore the panoptic elements of music, how it shapes the human experience, and reveals the impetus behind how we create, consume, distribute, and enjoy the songs, symphonies, and rhythms that provide the backbeat of life. Byrne’s magnum opus uncovers ever-new and thrilling realizations about the redemptive liberation that music brings us all.
Written in the form of a dialog in which Socrates questions his students and fellow citizens, The Republic concerns itself chiefly with the question, "What is justice?" as well as Plato's theory of ideas and his conception of the philosopher's role in society. To explore the latter, he invents the allegory of the cave to illustrate his notion that ordinary men are like prisoners in a cave, observing only the shadows of things, while philosophers are those who venture outside the cave and see things as they really are, and whose task it is to return to the cave and tell the truth about what they have seen. This dynamic metaphor expresses at once the eternal conflict between the world of the senses (the cave) and the world of ideas (the world outside the cave), and the philosopher's role as mediator between the two.
High school and college students, as well as lovers of classical literature and philosophy, will welcome this handsome and inexpensive edition of an immortal work. It appears here in the fine translation by the English classicist Benjamin Jowett.
Difficult to guard and hard to restrain.
The person of wisdom sets it straight,
As a fletcher does an arrow.
The Dhammapada introduced the actual utterances of the Buddha nearly twenty-five hundred years ago, when the master teacher emerged from his long silence to illuminate for his followers the substance of humankind’s deepest and most abiding concerns. The nature of the self, the value of relationships, the importance of moment-to-moment awareness, the destructiveness of anger, the suffering that attends attachment, the ambiguity of the earth’s beauty, the inevitability of aging, the certainty of death–these dilemmas preoccupy us today as they did centuries ago. No other spiritual texts speak about them more clearly and profoundly than does the Dhammapada.
In this elegant new translation, Sanskrit scholar Glenn Wallis has exclusively referred to and quoted from the canonical suttas–the presumed earliest discourses of the Buddha–to bring us the heartwood of Buddhism, words as compelling today as when the Buddha first spoke them. On violence: All tremble before violence./ All fear death./ Having done the same yourself,/ you should neither harm nor kill. On ignorance: An uninstructed person/ ages like an ox,/ his bulk increases,/ his insight does not. On skillfulness: A person is not skilled/ just because he talks a lot./ Peaceful, friendly, secure–/ that one is called “skilled.”
In 423 verses gathered by subject into chapters, the editor offers us a distillation of core Buddhist teachings that constitutes a prescription for enlightened living, even in the twenty-first century. He also includes a brilliantly informative guide to the verses–a chapter-by-chapter explication that greatly enhances our understanding of them. The text, at every turn, points to practical applications that lead to freedom from fear and suffering, toward the human state of spiritual virtuosity known as awakening.
Glenn Wallis’s translation is an inspired successor to earlier versions of the suttas. Even those readers who are well acquainted with the Dhammapada will be enriched by this fresh encounter with a classic text
From the Hardcover edition.
Now, in Without Getting Killed or Caught: The Life and Music of Guy Clark, writer, producer, and music industry insider Tamara Saviano chronicles the story of this legendary artist from her unique vantage point as his former publicist and producer of the Grammy-nominated album This One’s for Him: A Tribute to Guy Clark. Part memoir, part biography, Saviano’s skillfully constructed narrative weaves together the extraordinary songs, larger-than-life characters, previously untold stories, and riveting emotions that make up the life of this modern-day poet and troubadour.
In Works of Hesiod and the Homeric Hymns, highly acclaimed poet and translator Daryl Hine brings to life the words of Hesiod and the world of Archaic Greece. While most available versions of these early Greek writings are rendered in prose, Hine's illuminating translations represent these early classics as they originally appeared, in verse. Since prose was not invented as a literary medium until well after Hesiod's time, presenting these works as poems more closely approximates not only the mechanics but also the melody of the originals.
This volume includes Hesiod's Works and Days and Theogony, two of the oldest non-Homeric poems to survive from antiquity. Works and Days is in part a farmer's almanac—filled with cautionary tales and advice for managing harvests and maintaining a good work ethic—and Theogony is the earliest comprehensive account of classical mythology—including the names and genealogies of the gods (and giants and monsters) of Olympus, the sea, and the underworld. Hine brings out Hesiod's unmistakable personality; Hesiod's tales of his escapades and his gritty and persuasive voice not only give us a sense of the author's own character but also offer up a rare glimpse of the everyday life of ordinary people in the eighth century BCE.
In contrast, the Homeric Hymns are more distant in that they depict aristocratic life in a polished tone that reveals nothing of the narrators' personalities. These hymns (so named because they address the deities in short invocations at the beginning and end of each) are some of the earliest examples of epyllia, or short stories in the epic manner in Greek.
This volume unites Hine's skillful translations of the Works of Hesiod and the Homeric Hymns—along with Hine's rendering of the mock-Homeric epic The Battle of the Frogs and the Mice—in a stunning pairing of these masterful classics.
'We set about founding the best city we could, because we could be confident that if it was good we would find justice in it'
The Republic, Plato's masterwork, was first enjoyed 2,400 years ago and remains one of the most widely-read books in the world: as a foundational work of Western philosophy, and for the richness of its ideas and virtuosity of its writing. Presented as a dialogue between Plato's teacher Socrates and various interlocutors, it is an exhortation to philosophy, inviting its readers to reflect on the choices to be made if we are to live the best life available to us. This complex, dynamic work creates a picture of an ideal society governed not by the desire for money, power or fame, but by philosophy, wisdom and justice.
Christopher Rowe's accurate and enjoyable new translation remains faithful to the many variations of the Republic's tone, style and pace. This edition also contains a chronology, further reading, an outline of the work's main arguments and an introduction discussing Plato's relationship with Socrates, and the Republic's style, ideas and historical context.
‘Medea’, in which a spurned woman takes revenge upon her lover by killing her children, is one of the most shocking and horrific of all the Greek tragedies. Dominating the play is Medea herself, a towering and powerful figure who demonstrates Euripides’ unusual willingness to give voice to a woman’s case. ‘Alcestis’, a tragicomedy, is based on a magical myth in which Death is overcome, and ‘The Children of Heracles’ examines the conflict between might and right, while ‘Hippolytus’ deals with self-destructive integrity and moral dilemmas. These plays show Euripides transforming the awesome figures of Greek mythology into recognizable, fallible human beings.
John Davie’s accessible prose translation is accompanied by a general introduction and individual prefaces to each play.
Previously published as Alcestis and Other Plays
Towering over the rest of Greek tragedy, the three plays that tell the story of the fated Theban royal family—Antigone, Oedipus the King and Oedipus at Colonus—are among the most enduring and timeless dramas ever written. Robert Fagles's authoritative and acclaimed translation conveys all of Sophocles's lucidity and power: the cut and thrust of his dialogue, his ironic edge, the surge and majesty of his choruses and, above all, the agonies and triumphs of his characters. This Penguin Classics edition features an introduction and notes by the renowned classicist Bernard Knox.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Beneath the often tranquil surface of his music and his clear, clean tenor voice, however, lurked a darker side to Denver's character. The writer of 'Annie's Song', one of the most straightforward and personal expressions of love, became a wife-beater. The man who cavorted with the Muppets was an alcoholic. The committed environmentalist had his own plane, the most polluting form of transport.
John Collis has delved deep to discover exactly who John Denver was. By unravelling the complexities of the singer's personality and background, he reveals Denver as a complicated, contradictory man, much more intriguing than the sometimes placid surface of his music might suggest. Millions of people around the globe found something in his music that touched their souls; Collis, by charting Denver's career and development as an artist, explores his legendary contribution not only to the world of music but also to the society of which he was a protagonist and a victim.
This celebratory Omnibus enhanced edition of Burning Bridges: Life With My Father Glen Campbell includes both an interactive digital timeline of his life, filled with videos and images of live performances and interviews, as well as a Spotify collection of the greatest recordings that Glen Campbell ever made.
As a studio musician Campbell contributed to countless Sixties and Seventies records; as a solo artist he produced the classic hits Galveston, By The Time I Get To Phoenix, Wichita Lineman and Rhinestone Cowboy; he had a successful US TV show, co-starred with John Wayne in the film True Grit, and was lauded for his talents. However, a series of failed marriages saw this shining star fall heavily into serious substance abuse, and the fabric of his life unravelled.
Persistent short-term memory loss resulted from this turbulence and Glen Campbell would have few constants in his life as the years waned on. One of them, however, was the co-author of this book, his daughter Debby. She witnessed his struggles and suffering, both musically and personally, as well as the beginning of his decline into Alzheimer’s disease.
Burning Bridges: Life With My Father Glen Campbell is a loving but unflinching reminiscence of a multi-talented musician, a troubled man and a father. Debby Campbell provides a poignant, eye-witness account of a musical legend like no other.
American folk music has provided a narrative thread to the fiber of the nation since its earliest days. Forms ranging from New England sea chanteys to Pennsylvania Dutch worksongs helped shape life in the Northeast. Appalachian ballads evolved in the South, as did slave spirituals that served as codes for the Underground Railroad. Folk ballads on lumbering and mining grew in the Midwest and Northwest, while cowboy ballads emerged across the Great Plains and the West, and railroad songs accompanied expansion along the American frontier. Folk music scholar Norm Cohen presents a thorough exploration of the many ways in which folk music genres and subgenres have arisen in different regions of America. Chapters on folk song types, folk instrumentation, and the urban folk revival set further context to the discussion, and an itemized summary of noted folksong collections serves as an additional tool for both general readers and folk music scholars.
The Greenwood Guide to American Roots Music series includes volumes on musical genres that have pervaded American culture. Each volume explores the different ways that selected genres, such as folk music, have evolved naturally in different regions and scenes thoughout the nation.
Karen's musical career was short – only 13 years. During that time, the Carpenters released 10 studio albums, toured more than 200 days a year, taped five television specials, and won three Grammys and an American Music Award. But that's only part of Karen's story. As the world received news of her death at 32 years of age in 1983, she became the proverbial poster child for anorexia nervosa.
Little Girl Blue is an intimate profile of Karen Carpenter, a girl from a modest Connecticut upbringing who became a Superstar.
Based on exclusive interviews with nearly 100 friends and associates, including record producers, studio musicians, songwriters, television directors, photographers, radio personalities, classmates, childhood friends, neighbours, personal assistants, romantic interests, hairdressers, and housekeepers.'...thorough and affectionate biography of a singer who's been constantly undervalued by the music industry.' MOJO
'Schmidt cannot be faulted... carefully factual, sensitively pitched book.' The Word
'The first truly convincing account of her nightmarish story.' The Guardian
Recent translations of the plays, while linguistically correct, often fail to capture the beauty of Sophocles’ original words. In combining the skills of a distinguished poet, Ruth Fainlight, and an eminent classical scholar, Robert J. Littman, this new edition of the Theban Plays is both a major work of poetry and a faithful translation of the original works.
Thoughtful introductions, extensive notes, and glossaries frame each of the plays within their historical contexts and illuminate important themes, mythological roots, and previous interpretations.
This elegant and uncommonly readable translation will make these seminal Greek tragedies accessible to a new generation of readers.
*Black Velvet Band
*Clancy Lowered the Boom
*Cockles and Mussels (Molly Malone)
*Danny Boy (Londonderry Air)
*I'll Take You Home Again, Kathleen
*The Irish Rover
*The Irish Washerwoman
*Irish Wedding Song (The Wedding Song)
*It's a Great Day for the Irish
*The Kerry Dance
*The Last Rose of Summer
*My Wild Irish Rose
*The Parting Glass
*The Rocky Road to Dublin
*Seven Drunken Nights
*The Wearin' of the Green
*When Irish Eyes Are Smiling
*Whiskey in the Jar
*The Wild Rover
*You Raise Me Up
This edition is a revised translation by D. C. H. Rieu of the translation done by his father, E. V. Rieu, in the first Penguin Classic to be published. Contains a preface by D. C. H. Rieu and an introduction by Peter Jones. Also includes a map, explanatory footnotes, a combined glossary and index, as well as suggestions for further reading of acclaimed criticisms and references.