This revised edition has been updated and corrected in the light of new scholarship and critical thinking since its first publication.
Alice and all her many friends will never be forgotten so long as books for children are published. The fascinating adventures of this timeless little girl as she plunges down the rabbit-hole, shrinks and grows, meets the pack of cards and the chess pieces -- should be read regularly by all ages for their totally original fantasy, their humor, and their charm.
Romeo and Juliet belongs to a tradition of tragic romances stretching back to antiquity. Its plot is based on an Italian tale, translated into verse as The Tragical History of Romeus and Juliet by Arthur Brooke in 1562 and retold in prose in Palace of Pleasure by William Painter in 1567. Shakespeare borrowed heavily from both but, to expand the plot, developed supporting characters, particularly Mercutio and Paris. Believed to have been written between 1591 and 1595, the play was first published in a quarto version in 1597. This text was of poor quality, and later editions corrected it, bringing it more in line with Shakespeare's original.
Shakespeare's use of his poetic dramatic structure, especially effects such as switching between comedy and tragedy to heighten tension, his expansion of minor characters, and his use of sub-plots to embellish the story, has been praised as an early sign of his dramatic skill. The play ascribes different poetic forms to different characters, sometimes changing the form as the character develops. Romeo, for example, grows more adept at the sonnet over the course of the play.
Romeo and Juliet has been adapted numerous times for stage, film, musical and opera. During the English Restoration, it was revived and heavily revised by William Davenant. David Garrick's 18th-century version also modified several scenes, removing material then considered indecent, and Georg Benda's operatic adaptation omitted much of the action and added a happy ending. Performances in the 19th century, including Charlotte Cushman's, restored the original text, and focused on greater realism. John Gielgud's 1935 version kept very close to Shakespeare's text, and used Elizabethan costumes and staging to enhance the drama. In the 20th and into the 21st century, the play has been adapted in versions as diverse as George Cukor's comparatively faithful 1936 production, Franco Zeffirelli's 1968 version, Baz Luhrmann's 1996 MTV-inspired Romeo + Juliet and the 2013non-Shakespearian adaptation by Carlo Carlei.
When her dear friend and bestselling novelist Orla Hart invites Millie to spend the summer with her in Cornwall, Millie leaps at the chance to spend the summer alone, recovering from a bad breakup. But Orla has other ideas.
Envisioning Millie as the heroine of her next novel, Orla is determined that Millie should meet the man of her dreams this summer. The trouble is, Millie's taste in men doesn't match with Orla's at all.
Hugh Emerson, dashing young widower, is the one who really interests her. He is also the one man Orla insists she shouldn't get involved with.
With dropped wallets, rollerskating gorillagrams, the world's most flirtatious boss, and a helicopter in the back garden, It's sure to be an unforgettable summer...
A fresh and fun British women's fiction and a great romantic book with plenty of humor, friendship, and some madcap fun.
Fans of Meg Cabot, Sophie Kinsella, Helen Fielding and Jennifer Weiner will want to escape to Cornwall this summer to find their own romance.What readers are saying about Millie's Fling:
"a delightfully funny romance"
"comparable to a good Romantic Comedy movie."
"the goings on and misunderstandings down in Cornwall reminded me of a MASH-UP OF AUSTEN AND SHAKESPEARE."
"a typical not-at-all-perfect heroine, stuck between jobs and with a mixed up family and a few wacky friends."
"FRESH AND WITTY"
"a non-stop roller coaster ride full of ROLLICKING FUN and laughs"What reviewers are saying about Millie's Fling:
"Millie's Fling is a super cute and wicked funny book and I thoroughly enjoyed myself while reading it. "—Night Owl Romance
"Readers will find a CHARMING ROMP in Jill Mansell'sMillie's Fling."—BookPage
"Ms. Mansell creates such likable and heartwarming characters (like Millie and Orla) that the reader can't help but root for them."—Booking Mama
"Millie's Fling is a feel-good book for chick lit fans or readers looking for a light and funny novel packed with memorable characters."—Diary of an EccentricWhat everyone is saying about the queen of British chick lit, Jill Mansell:
"Fans of chick lit - if you haven't read Mansell yet - what are you waiting for!?" —A Bookworm's World
"Pick this up at your peril: you won't get a thing done till it's finished." —Heat magazine
"A romantic romp full of larger-than-life characters." — Express
"FAST, FURIOUS AND FABULOUS FUN. To read it is to devour it." — Company
"Expect to run the gamut of emotions, as this book is both laugh-out-loud funny and tear-jerkingly sad. Basically, you won't put it down." — New Woman
Gulliver's Travels is, of course, his world-renowned masterpiece in the genre; however, Swift wrote other, shorter works that also offer excellent evidence of his inspired lampoonery. Perhaps the most famous of these is "A Modest Proposal," in which he straight-facedly suggests that Ireland could solve its hunger problems by using its children for food. Also included in this collection are "The Battle of the Books," "A Meditation upon a Broomstick," "A Discourse Concerning the Mechanical Operation of the Spirit," and "An Argument Against Abolishing Christianity in England." This inexpensive edition will certainly be welcomed by teachers and students of English literature, but its appeal extends to any reader who delights in watching a master satirist wield words as weapons.
The full anthology comprises six bound volumes, together with an extensive website component; the latter has been edited, annotated, and designed according to the same high standards as the bound book component of the anthology, and is accessible by using the passcode obtained with the purchase of one or more of the bound volumes.
The two-volume Broadview Anthology of British Literature, Concise Edition provides an attractive alternative to the full six-volume anthology. Though much more compact, the concise edition nevertheless provides instructors with substantial choice, offering both a strong selection of canonical authors and a sampling of lesser-known works. With an unparalleled number of illustrations and contextual materials, accessible and engaging introductions, and full explanatory annotations, the concise edition of this acclaimed Broadview anthology provides focused yet wide-ranging coverage for British literature survey courses.
The second edition of this volume includes Chaucer’s “To Rosamond,” an expanded selection from Sidney’s Astrophil and Stella, and additional material from Elizabeth I. The new edition also offers an expanded selection from Paradise Lost as well as Pope’s Essay on Criticism and a new Contexts section on transatlantic literary currents.
In this work, which gave its name to the whole genre of books and movements hypothesizing an ideal society, More envisioned a patriarchal island kingdom that practiced religious tolerance, in which everybody worked, no one has more than his fellows, all goods were community-owned, and violence, bloodshed, and vice nonexistent. Based to some extent on the writings of Plato and other earlier authors, Utopia nevertheless contained much that was original with More.
In the nearly 500 years since the book's publication, there have been many attempts at establishing "Utopias" both in theory and in practice. All of them, however, seem to embody ideas already present in More's classic treatise: optimistic faith in human nature, emphasis on the environment and proper education, nostalgia for a lost innocence, and other positive elements.
In this new, inexpensive edition, readers can study for themselves the essentials of More's utopian vision and how, although the ideal society he envisioned is still unrealized, at least some of his proposals have come to pass in today's world.
This collection includes, of course, such famous poems as “The Lady of Shalott” and “The Charge of the Light Brigade.” There are extracts from all the major masterpieces—“Idylls of the King,” “The Princess,” “In Memoriam”—and several complete long poems, such as “Ulysses” and “Demeter and Persephone,” that demonstrate his narrative grace. Finally, there are many of the short lyrical poems, such as “Come into the Garden, Maud” and “Break, Break, Break,” for which he is justly celebrated.
Widely acknowledged as the most brilliant talker of his age, Wilde once explained to André Gide, "I put all my genius into my life; I put only my talent into my works." This fine collection of nearly 400 quotes, organized by category, contains quotations from both his works and his conversation, including gems from his personal life with which even devotees may be unfamiliar. The result is a splendid introduction to Wilde's mind and personality, embodied in a feast of the English language's most brilliant and perceptive witticisms.
From his sensational public appearances to the obsessive love affair that led him to betray, deceive, and break with those closest to him, Charles Dickens: A Life is a triumph of the biographer’s craft, a comedy that turns to tragedy in a story worthy of Dickens’ own pen.
Have you ever enjoyed a slam or two and thought, "I could do this," but felt apprehensive staring at that empty mic—or worse, you climbed up on stage and struggled?
Let Marc Kelly Smith, the founder of Slam Poetry, teach you everything you need to be a confident performer, from writing a powerful poem, to stage techniques, to going on tour (if that's where your muse leads you).
Take the Mic is filled with insider tips, backstage advice, and tons of examples of slam poems that wake up an audience. With this book, you'll also be able to link to the PoetrySpeaks.com community to listen to samples, meet poets, and unearth inspirations for your next performance.
The Ultimate Guide to Writing and Performing with Power
Take the Mic is an essential guide for lifting your poetry from the page to the stage. Marc Kelly Smith (So What!), grand founder of the Slam movement, serves as you personal coach, showing you how to craft stage-worthy verse and deliver a poetry performance that shakes the rafters and sparks thunderous applause. In Take the Mic, you discover how to...Pen poetry that's conducive to on-stage performance Overcome stage fright Practice powerful performance techniques Rehearse like a pro Shape a loose collection of poems into a killer set Connect with your audience — heart and soul Master the art of self-promotion Schedule your own slam poetry tour Transform your hobby into paying gigs Act professional to establish a solid reputation in the Slam community
Take the Mic is packed with practical exercises you can do alone or in class to hone your skills and transform your body, mind, voice, verse, and spirit into an engaging stage presence.
You'll also find a brief history of slam, the rules and regulations that govern official slam competitions, and a list of PSI (Poetry Slam, Inc.) Certified Slams, so no matter where you are, you always have a place to Take the Mic!
Dexter Yates has the looks, the money, the swanky apartment, and girlfriends galore. But it's not until his niece, Delphi, is born that Dex falls in love for the first time in his life.
Then tragedy strikes when Dex's sister Laura dies in an accident. Suddenly, Dex finds himself a new parent and a single father to boot. With no idea how to raise an eight-month-old baby girl on his own, Dex decides to move into his weekend home in the small village of Briarwood in the Cotswolds.
The quirky neighborhood welcomes him with open arms, especially next—door neighbor and gifted cartoonist Molly who offers to help with Delphi. Molly won't put up with any nonsense and her messy romantic past makes her cautious.
If they can learn to trust each other, there might be a happily-ever-after for all three.
A fresh and fun British women's fiction and a great romantic book with plenty of humor and friendship.
Fans of Meg Cabot, Sophie Kinsella, Helen Fielding and Jennifer Weiner will love Mansell's quirky humor and the "will they, won't they" relationship between Molly and Dex.What readers are saying about Don't Want To Miss A Thing:
"reading a Jill Mansell novel is like that first satisfying sip of tea after a hard day and this one was, thankfully, no different"
"This was A BRILLIANT BOOK that I just couldn't put down"
"A SINGLE, HOT BRITISH GUY with a baby? Yep, Ms Mansell has hit the JACKPOT"
"a great cast of characters and always SO MUCH WARMTH."
"My first Jill Mansell and it was a most delicious experience. I actually give this book 10 stars. I can't find a flaw, not one."
"COMPLICATED, QUIRKY, WHIMSICAL"What reviewers are saying about Don't Want To Miss A Thing:
"A little bundle of joy changes everything in this quirky chick—lit tale... charmingly well charted. " -Publishers Weekly
" her signature blend of humor, romance, and multiple happy endings, " -Booklist
"Utterly charming from the first page, Mansell's engaging tale is as welcome and warming as a cup of tea on a rainy night. " -RT Book Reviews
"One of the masters of fun, upbeat fiction with twists of romance..." -Shelf Awareness
"sweet, funny, and even a tiny bit sad but oh so fantastic!" -Peeking Between the Pages
" With a charming English village, a baby, and a playboy, chick—lit enthusiasts can go wrong with this book!" -Debbie's Book BagWhat everyone is saying about the queen of British chick lit, Jill Mansell:
"Fans of chick lit — if you haven't read Mansell yet WHAT ARE YOU WAITING FOR!?" -A Bookworm's World
"Pick this up at your peril: you won't get a thing done till it's finished." — Heat magazine
"A romantic romp full of larger-than-life characters."— Express
"Fast, furious and fabulous fun. To read it is to devour it." — Company
"Expect to run the gamut of emotions, as this book is both laugh-out-loud funny and tear-jerkingly sad. Basically, you won't put it down." — New Woman
Here are two thousand years of London’s history and folklore, its chroniclers and criminals and plain citizens, its food and drink and countless pleasures. Blackfriar’s and Charing Cross, Paddington and Bedlam. Westminster Abbey and St. Martin in the Fields. Cockneys and vagrants. Immigrants, peasants, and punks. The Plague, the Great Fire, the Blitz. London at all times of day and night, and in all kinds of weather. In well-chosen anecdotes, keen observations, and the words of hundreds of its citizens and visitors, Ackroyd reveals the ingenuity and grit and vitality of London. Through a unique thematic tour of the physical city and its inimitable soul, the city comes alive.
The four Grace sisters-Liz, Sal, Tilly, and Addie-love their quiet life in the country village of Chevis Green. To some, their insular world might seem dull, but the sisters and their father, Mr. Grace, never seem to run out of conversation, jokes, and pleasant ways to pass the time together. They truly are the happiest of families.
That is, until Aunt Rona comes to town. Rona intends to stay with the Graces indefinitely, and her superior, meddlesome attitude immediately sets the sisters' teeth on edge. Throw in another unexpected houseguest, some potential suitors, and a case of mistaken intentions, and the members of the Grace family suddenly find themselves quite out of their element. Will they manage to make it through the summer and return to their quiet ways? Or will their close-knit family change forever?
The Four Graces is another heartwarming tale from D.E. Stevenson, beloved author of Miss Buncle's Book
Readers Love The Four Graces:
"Reading D.E. Stevenson is simultaneously profoundly entertaining and heart-wrenching."
This anthology of Stapledon's work offers many of his fictional gems, including sections of his best-known novels, Last and First Men, Darkness and the Light, and Star Maker, and the complete test of a novella, The Flames: A Fantasy and the story "Old Man in New World." Many previously unpublished writings, such as Stapledon's essays, poems, memoirs, and letters round out this collection.
Sophie Wells is a successful photographer with a focus on putting the past firmly behind her. When Josh Strachan returns to the seaside town of Cornwall from the States to run his family's hotel, he can't understand why the fun, sexy girl has zero interest in letting him-or any man for that matter-into her life. He also can't understand how he's been duped into employing Sophie's impulsive friend Tula, whose crush on him is decidedly unrequited. Both girls remain mum about the reasons behind Sophie's indifference to love. But that doesn't mean Josh is going to quit trying...
Mother Jones • Bloomberg News • National Post • Kirkus
In these pages, Nicholas Basbanes—the consummate bibliophile’s bibliophile—shows how paper has been civilization’s constant companion. It preserves our history and gives record to our very finest literary, cultural, and scientific accomplishments. Since its invention in China nearly two millennia ago, the technology of paper has spread throughout the inhabited world.
With deep knowledge and care, Basbanes traces paper’s trail from the earliest handmade sheets to the modern-day mills. Paper, yoked to politics, has played a crucial role in the unfolding of landmark events, from the American Revolution to Daniel Ellsberg’s Pentagon Papers to the aftermath of 9/11. Without paper, modern hygienic practice would be unimaginable; as currency, people will do almost anything to possess it; and, as a tool of expression, it is inextricable from human culture. Lavishly researched, compellingly written, this masterful guide illuminates paper’s endless possibilities.
Describing Dante's descent into Hell with Virgil as a guide, Inferno depicts a cruel underworld in which desperate figures are condemned to eternal damnation for committing one or more of seven deadly sins. As he descends through nine concentric circles of increasingly agonising torture, Dante encounters many doomed souls before he is finally ready to meet the ultimate evil in the heart of Hell: Satan himself.
This new edition of Inferno includes explanatory notes and an illustration of Dante's plan of hell. Robin Kirkpatrick's masterful translation is also available in a bilingual Penguin edition, with the original Italian on facing pages, and in a complete edition of The Divine Comedy with an introduction and other editorial materials.
Dante Alighieri was born in 1265. He studied at the university of Bologna, married at the age of twenty and had four children. His first major work was La Vita Nuova (1292), a tribute to Beatrice Portinari, the great love of his life who had died two years earlier. In 1302, Dante's political activism resulted in his being exiled from Florence. After years of wandering, he settled in Ravenna and in about 1307 began writing The Divine Comedy. Dante died in 1321.
Robin Kirkpatrick is a poet and widely-published Dante scholar. He has taught courses on Dante's Divine Comedy in Hong Kong, Dublin and Cambridge, where is Fellow of Robinson College and Professor of Italian and English Literatures.
'The perfect balance of tightness and colloquialism...likely to be the best modern version of Dante' - Bernard O'Donoghue
“How lucky the young poet who discovers this wisest and most lighthearted of manuals.”—James Merrill
“Marvelously comprehensive, clarifying and useful, and a delight to read.”—John Reardon, Los Angeles Times Book Review
“A virtuoso performance and a mandatory text for poetry readers and practioners alike.”—ALA Booklist
"In his work a continent awakens to consciousness." So wrote the Swedish Academy in awarding the Nobel Prize to Pablo Neruda, the author of more than thirty-five books of poetry and one of Latin America's most revered writers, lionized during his lifetime as "the people's poet."
This selection of Neruda's poetry, the most comprehensive single volume available in English, presents nearly six hundred poems, scores of them in new and sometimes multiple translations, and many accompanied by the Spanish original. In his introduction, Ilan Stavans situates Neruda in his native milieu as well as in a contemporary English-language one, and a group of new translations by leading poets testifies to Neruda's enduring, vibrant legacy among English-speaking writers and readers today.
"I have been led into an exploration of the way the social form of Elizabethan holidays contributed to the dramatic form of festive comedy. To relate this drama to holiday has proved to be the most effective way to describe its character. And this historical interplay between social and artistic form has an interest of its own: we can see here, with more clarity of outline and detail than is usually possible, how art develops underlying configurations in the social life of a culture."--C. L. Barber, in the Introduction
This new edition includes a foreword by Stephen Greenblatt, who discusses Barber's influence on later scholars and the recent critical disagreements that Barber has inspired, showing that Shakespeare's Festive Comedy is as vital today as when it was originally published.
Gregory Orr draws from a generous array of sources. He weaves discussions of work by Keats, Dickinson, and Whitman with quotes from three-thousand-year-old Egyptian poems, Inuit songs, and Japanese love poems to show that writing personal lyric has helped poets throughout history to process emotional and experiential turmoil, from individual stress to collective grief. More specifically, he considers how the acts of writing, reading, and listening to lyric bring ordering powers to the chaos that surrounds us. Moving into more contemporary work, Orr looks at the poetry of Sylvia Plath, Stanley Kunitz, and Theodore Roethke, poets who relied on their own work to get through painful psychological experiences.
As a poet who has experienced considerable trauma--especially as a child--Orr refers to the damaging experiences of his past and to the role poetry played in his ability to recover and survive. His personal narrative makes all the more poignant and vivid Orr's claims for lyric poetry's power as a tool for healing. Poetry as Survival is a memorable and inspiring introduction to lyric poetry's capacity to help us find safety and comfort in a threatening world.
This anthology embraces a wide variety of compositions: it ranges from song-poems of the Pele and Hiiaka cycle and the pre-Christian Shark Hula for Ka-lani-opuu to postmissionary chants and gospel hymns. These later selections date from the reign of Ka-mehameha III (1825-1854) to that of Queen Liliu-o-ka-lani (1891-1893) and comprise the major portion of the book. They include, along with heroic chants celebrating nineteenth-century Hawaiian monarchs, a number of works composed by commoners for commoners, such as Bill the Ice Skater, Mr. Thurston's Water-Drinking Brigade, and The Song of the Chanter Kaehu. Kaehu was a distinguished leper-poet who ended his days at the settlement-hospital on Molokai.
From the Hardcover edition.
Quincy Troupe • Czeslaw Milosz • Campbell McGrath • C.D. Wright • Jack Gilbert • Heather McHugh • David Lehman • Wang Ping • Joseph Brodsky • Paul Beatty • Lorna Dee Cervantes • Paul Muldoon • Lucille Clifton • Naomi Shihab Nye • Richard Blanco • Albert Goldbarth • Carrie Allen McCray • Belle Waring • Russell Edson • Kevin Young • Nuali Di Dhomhnaill • Charles Harper Webb • Denise Duhamel • Yusef Komunyakaa • Hal Sirowitz • Lucia Perillo • Amy Gerstler • Maura Stanton • Marilyn Chin • Philip Booth • Jane Cooper • Diane DiPrima • Elizabeth Spires
From the Trade Paperback edition.
Mattie J. T. Stepanek lived and died a child, but he had the spirit of a giant. Affected by a rare and fatal neuromuscular disease, Mattie lived almost fourteen years but in that time became a poet, best-selling author, peace activist, and a prominent voice for the Muscular Dystrophy Association. Before his death in June 2004, his five volumes of Heartsongs poetry sold more than a million copies.
Reflections of a Peacemaker: A Portrait Through Heartsongs is the final collection of Heartsongs that Mattie was working on when he died. It includes the last poem Mattie penned along with a special collection of unpublished poetry, photographs, and artwork spanning the decade from when he began writing Heartsongs at age three. Culled from the thousands of poems, essays, and journal entries Mattie left behind, the entries in Reflections of a Peacemaker create a portrait of Mattie in his own words. In these poems he explores disability, despair, and death but also the gifts he finds in nature, prayer, peace, and his belief in something "bigger and better than the here and now." The poems are grouped by theme such as playful, stormy, sacred, and final Heartsongs, with each section introduced by a personal tribute from the likes of Maya Angelou, Oprah Winfrey, Larry King, and former President Jimmy Carter.
In the words of Mattie's mother, Jeni Stepanek, who has published Reflections of a Peacemaker at her son's request, "In reading these poems we enter Mattie's world and gain insight through a child who somehow balanced pain and fear with optimism and faith."
Alan Moore: Conversations includes ten substantial interviews, beginning with Moore's first published conversation, conducted by V for Vendetta cocreator David Lloyd in 1981. The remainder cover nearly all of his major works, including Watchmen, V for Vendetta, Swamp Thing, Marvelman, The League of Extraordinary Gentlemen, Promethea, From Hell, Lost Girls, and the unfinished Big Numbers.
While Moore's personal life and fraught business relations are discussed occasionally, the interviews chosen are principally devoted to Moore's creative practices and techniques, along with his shifting social, political, and philosophical beliefs. As such, Alan Moore: Conversations should add to any reader's enjoyment and understanding of Moore's work.
George Orwell was first and foremost an essayist, producing throughout his life an extraordinary array of short nonfiction that reflected—and illuminated—the fraught times in which he lived. “As soon as he began to write something,” comments George Packer in his foreword, “it was as natural for Orwell to propose, generalize, qualify, argue, judge—in short, to think—as it was for Yeats to versify or Dickens to invent.”
Facing Unpleasant Facts charts Orwell’s development as a master of the narrative-essay form and unites such classics as “Shooting an Elephant” with lesser-known journalism and passages from his wartime diary. Whether detailing the horrors of Orwell’s boyhood in an English boarding school or bringing to life the sights, sounds, and smells of the Spanish Civil War, these essays weave together the personal and the political in an unmistakable style that is at once plainspoken and brilliantly complex.
“Best known for his late-career classics Animal Farm and 1984, George Orwell—who used his given name, Eric Blair, in the earliest pieces of this collection aimed at the aficionado as well as the general reader—was above all a polemicist of the first rank. Organized chronologically, from 1931 through the late 1940s, these in-your-face writings showcase the power of this literary form.” —Publishers Weekly, starred review
From the Trade Paperback edition.
The "far, stubborn, disastrous" course of Jack Gilbert's resolute journey--not one that would promise in time to bring him home to the consolations of Penelope and the comforts of Ithaca but one that would instead take him ever outward to the impossible blankness of the desert--could never have been achieved in the society of others. What has kept this great poet brave has been the difficult company of his poems--and now we have, in Gilbert's third and most silent book, what may be, what must be, the bravest of these imperial accomplishments.
The British economist, philosopher, and ethical theorist's argument does not focus on "the so-called Liberty of the Will…but Civil, or Social Liberty: the nature and limits of the power which can be legitimately exercised by society over the individual." Mill asks and answers provocative questions relating to the boundaries of social authority and individual sovereignty. In powerful and persuasive prose, he declares that there is "one very simple principle" regarding the use of coercion in society — one may only coerce others either to defend oneself or to defend others from harm.
The new edition offers students of political science and philosophy, in an inexpensive volume, one of the most influential studies on the nature of individual liberty and its role in a democratic society.
Ranging from medieval Latin lyrics to a cyborg opera, sixteenth-century France to twentieth-century Brazil, romantic ballads to the contemporary avant-garde, the contributors to The Sound of Poetry/The Poetry of Sound explore such subjects as the translatability of lyric sound, the historical and cultural roles of rhyme,the role of sound repetition in novelistic prose, theconnections between “sound poetry” and music, between the visual and the auditory, the role of the body in performance, and the impact of recording technologies on the lyric voice. Along the way, the essaystake on the “ensemble discords” of Maurice Scève’s Délie, Ezra Pound’s use of “Chinese whispers,” the alchemical theology of Hugo Ball’s Dada performances, Jean Cocteau’s modernist radiophonics, and an intercultural account of the poetry reading as a kind of dubbing.
A genuinely comparatist study, The Sound of Poetry/The Poetry of Sound is designed to challenge current preconceptions about what Susan Howe has called “articulations of sound forms in time” as they have transformed the expanded poetic field of the twenty-first century.