Although we think we know the story of Titanic—the famously luxurious and supposedly unsinkable ship that struck an iceberg on its maiden voyage from Britain to America—very little has been written about what happened to the survivors after the tragedy. How did they cope in the aftermath of this horrific event? How did they come to remember that night, a disaster that has been likened to the destruction of a small town?
Drawing on a wealth of previously unpublished letters, memoirs, and diaries as well as interviews with survivors’ family members, award-winning journalist and author Andrew Wilson reveals how some used their experience to propel themselves on to fame, while others were so racked with guilt they spent the rest of their lives under the Titanic’s shadow. Some reputations were destroyed, and some survivors were so psychologically damaged that they took their own lives in the years that followed.
Andrew Wilson brings to life the colorful voices of many of those who lived to tell the tale, from famous survivors like Madeleine Astor (who became a bride, a widow, an heiress, and a mother all within a year), Lady Duff Gordon, and White Star Line chairman J. Bruce Ismay, to lesser known second- and third-class passengers such as the Navratil brothers—who were traveling under assumed names because they were being abducted by their father.
Today, one hundred years after that fateful voyage, Shadow of the Titanic adds an important new dimension to our understanding of this enduringly fascinating story.
On February 25 , 1956, twenty-three-year-old Sylvia Plath walked into a party and immediately spotted Ted Hughes. This encounter—now one of the most famous in all of literary history—was recorded by Plath in her journal, where she described Hughes as a “big, dark, hunky boy.” Sylvia viewed Ted as something of a colossus, and to this day his enormous shadow has obscured her life and work. The sensational aspects of the Plath-Hughes relationship have dominated the cultural landscape to such an extent that their story has taken on the resonance of a modern myth.
Before she met Ted, Plath had lived a complex, creative, and disturbing life. Her father had died when she was only eight; she had gone out with literally hundreds of men, had been unofficially engaged, had tried to commit suicide, and had written more than two hundred poems. Mad Girl’s Love Song chronicles these early years, traces the sources of her mental instability, and examines how a range of personal, economic, and societal factors—the real disquieting muses— conspired against her.
Drawing on exclusive interviews with friends and lovers who have never spoken openly about Plath before and using previously unavailable archives and papers, this is the first book to focus on the early life of the twentieth century’s most popular and enduring female poet. Mad Girl’s Love Song reclaims Sylvia Plath from the tangle of emotions associated with her relationship with Ted Hughes and reveals the origins of her unsettled and unsettling voice.
It is a dramatic story: an outgoing president implicated via secret tape-recordings in corruption and murder; a shadowy world of political cheats and manipulators; the massive covert involvement of Putinâ€™s Russia; the poisoning of the opposition challenger; and finally the mass protest of half a million Ukrainians that forced a second poll and the victory of Viktor Yushchenko.
As well as giving an account of the election and its aftermath, the book examines the broader implications of the Orange Revolution and of Russiaâ€™s serious miscalculation of its level of influence. It explores the likely chain reaction in Moldova, Belarus, and the nervous autocracies of the Caucasus, and points to a historical transformation of the geopolitics of Eurasia.
For Beautiful Shadow, the first biography of Highsmith, British journalist Andrew Wilson mined the vast archive of diaries, notebooks, and letters she left behind, astonishing in their candor and detail. He interviewed her closest friends and colleagues as well as some of her many lovers. But Wilson also traces Highsmith's literary roots in the work of Poe, noir, and existentialism, locating the influences that helped distinguish Highsmith's writing so startlingly from more ordinary thrillers. The result is both a serious critical biography and one that reveals much about a brilliant and contradictory woman, one who despite her acclaim and affairs always maintained her solitude.
Incomparable explores sixty names and descriptions of our creator. Each chapter is filled with profound Biblical insights and revelations that will inspire and enrich your faith. Selah moments allow for a time of reflection and worship. And practical applications connect each truth with your daily life. Throughout, Incomparable unfolds the greatest wonder our minds and hearts will ever contemplate.
Immerse yourself in His character. Delve into the depths of His presence. And experience a God that is truly beyond compare.
When forty-year-old Alexander McQueen committed suicide in February 2010, a shocked world mourned the loss. McQueen had risen from humble beginnings as the son of an East London taxi driver to scale the heights of fame, fortune, and glamour. He created a multimillion-dollar luxury brand that became a favorite with celebrities, including Kate Moss and Naomi Campbell. He designed clothes for the world’s most beautiful women and royalty, most famously the Duchess of Cambridge, who wore a McQueen dress on her wedding day.
But behind the confident facade and bad-boy image, lay a sensitive soul who struggled to survive in the ruthless world of fashion. As the pressures of work intensified, McQueen became increasingly dependent on the drugs that contributed to his tragic end. Meanwhile, his failure to find lasting love in a string of boyfriends only added to his despair. And then there were the secrets that haunted his sleep…
A modern-day fairy tale infused with the darkness of a Greek tragedy, Alexander McQueen provides “a thorough and emotionally compelling exploration…of a complex and enigmatic artist” (Publishers Weekly). Andrew Wilson’s “magnificent” (The Independent, UK) and “compelling and heavily researched bio” (Entertainment Weekly), featuring never-before-seen photographs and rare interviews, dispels myths, corrects inaccuracies, and shares new insights into McQueen’s private life and the source of his creative genius.
Wilson looks at Belarusian history as a series of false starts in the medieval and pre-modern periods, and at the many rival versions of Belarusian identity, culminating with the Soviet Belarusian project and the establishment of Belarus's current borders during World War II. He also addresses Belarus's on-off relationship with Russia, its simultaneous attempts to play a game of balance in the no-man's-land between Russia and the West, and how, paradoxically, Belarus is at last becoming a true nation under the rule of Europe's "last dictator."
“An interesting and provocative read, which will, one hopes, contribute to the Western understanding of what Ukraine is and why it matters.”—Volodymyr Kulyk, Harvard Ukrainian Studies
“A spirited and eminently learned investigation of who Ukranians say that they are, how they came to be so, and how others view them. . . . If you re add only one book of Ukraine, this should probably be it.”—Elizabeth Luchka Haigh, H-Net Reviews
Before long Adam becomes indispensable to the feeble Crace, and he finds himself at once drawn to and repelled by his elderly employer's brilliant mind and eccentric habits. As Adam comes to learn more about the scandal that brought Crace to Venice years ago, he realizes he has stumbled upon the raw material that could launch his own literary career and makes a bold decision: He will secretly write the famous author's biography. But outsmarting Crace is easier said than done, and the two soon find themselves locked in a bitter contest over the right to determine how the story of Crace's life will end. Against the haunting backdrop of the serene city, the two men engage in a ruthless game of cat and mouse that builds to a breathtaking and unexpected conclusion.