1970 signalled the end of an era. The Swinging Sixties came to a crashing halt as the world seemed to be changing for the worse. Ideological and generational rifts became deeper and violent protest more commonplace. Politicians dealt with realities, not dreams. The Vietnam War dragged on. As ever, popular culture mirrored it all with the death of Jimi Hendrix and the break-up of The Beatles. Yet these apparent crises produced a climate in which new ideas could develop, pointing the way to a decade when creativity and tumult went hand-in-hand. In Different Tracks, his follow-up to Changing Times: Music and Politics In 1964, Steve Millward charts the major events of 1970 and the reaction they provoked – from the increased militancy of the Black Panthers, the Baader-Meinhof Gang and the Angry Brigade to the new ways of living advocated by foodists, feminists and futurists. At the same time he makes the connections to a thriving music scene where singer-songwriters such as Joni Mitchell and Nick Drake rubbed shoulders with innovators like Curtis Mayfield and Frank Zappa. He shows how James Brown defined funk, prog bands reached a peak of extravagance and the search was on to fuse rock with jazz, folk and classical music. Different Tracks is the second book in a trilogy spanning 1964-74. It will appeal to all music fans, especially those looking for fresh insights into a turbulent and dynamic epoch.
1964-1974 was a tumultuous decade. In the first two books of his ‘Music and Politics’ trilogy, Steve Millward traced how the optimism and adventure of 1964 had, by 1970, soured into frustration and uncertainty. Fast Forward: Music and Politics in 1974 brings the story to a climax by showing that while the year was riddled with soul-searching and looking backwards, the future was, in fact, approaching rapidly. As in the previous volumes, Millward links major political developments such as the energy crisis, Watergate, the troubles in Northern Ireland and the rise of the National Front to trends in rock, jazz, folk and classical music. He also explains the part played by music in the revolutions across Africa and in the struggle for civil rights in the USA. James Brown, Neil Young, David Bowie and Bob Marley are among the major names featured, but there is also discussion of the multitude of artists who made crucial but less celebrated contributions, including Millie Jackson, Steve Reich, Billy Cobham and even the poet laureate John Betjeman. Precursors of punk such as Patti Smith, The Ramones, Dr Feelgood and Kilburn and The High Roads are also examined in detail. Finally, Millward weaves into the plot sporting events like the World Cup and the Rumble in the Jungle and the host of excellent films released during the year. Fast Forward: Music and Politics in 1974 offers a multidimensional interpretation of a momentous year – analytical yet accessible, weighty yet witty – and is the perfect addition to any music-lover’s bookcase. It merits the accolade given by Record Collector magazine to its predecessor, Different Tracks (Matador, 2014) – ‘an incisive, all-inclusive discourse...a sharply-delineated time-capsule’.