Taking a regional approach, Smethurst examines local expressions of the nascent Black Arts Movement, a movement distinctive in its geographical reach and diversity, while always keeping the frame of the larger movement in view. The Black Arts Movement, he argues, fundamentally changed American attitudes about the relationship between popular culture and "high" art and dramatically transformed the landscape of public funding for the arts.
Tracing the development of the Left over the course of the last century, the essays connect the Old Left of the pre-World War II era to the New Left and Third World nationalist Left of the 1960s and 1970s, as well as to the multicultural Left that has emerged since the 1970s. Individual essays explore the Left in relation to the work of such key figures as Ralph Ellison, T. S. Eliot, Chester Himes, Harry Belafonte, Americo Paredes, and Alice Childress. The collection also reconsiders the role of the Left in such critical cultural and historical moments as the Harlem Renaissance, the Cold War, and the Black Arts Movement of the 1960s and 1970s.
The contributors are Anthony Dawahare, Barbara Foley, Marcial Gonzalez, Fred Ho, William J. Maxwell, Bill V. Mullen, Cary Nelson, B. V. Olguin, Rachel Rubin, Eric Schocket, James Smethurst, Michelle Stephens, Alan Wald, and Mary Helen Washington.
Publication of The Souls of Black Folk was a dramatic event that helped to polarize black leaders into two groups: the more conservative followers of Washington and the more radical supporters of aggressive protest. Its influence cannot be overstated. It is essential reading for everyone interested in African-American history and the struggle for civil rights in America.
As real as you can get without jumping in, this is the story of Slim’s life as he saw, felt, tasted, and smelled it. Only he could tell this story and make the reader feel it. If you thought Hustle & Flow was the true pimp story, this book is where it all began. This is the heyday of the pimp, the hard-won pride and glory, small though it may be; the beginnings of pimp before it was dragged in front of the camera, before pimp juice and pimp style. A trip through hell by one man who lived to tell the tale. The dangers of jail, addiction and death that are still all too familiar for today’s black community. Though it is a tale of his times, it will remain current and true for as long as there is a race bias, as long as there is a street life, as long as there is exploitation.
"... informative and inspiring reading." -- The Journal of American History
Jarena Lee, Zilpha Elaw, and Julia Foote underwent a revolution in their own sense of self that helped to launch a feminist revolution in American religious life and in American society as a whole.
Sexy, dangerous, and intriguing—the next novel in the bestselling, much loved Thug series. Old fans will devour this new installment and new fans will discover Wahida Clark’s work for the first time.
In the torrid world of sex, drugs, and crime, Wahida Clark presents the definitive Hip-Hop soap opera that fans have come to love.
Justify My Thug continues the scintillating drama of the bestselling Thug series. The first and second books of the series appeared on the Essence bestseller list and her latest, Thug Lovin’, debuted on the New York Times extended bestseller list.
Following the action of Thug Lovin’, the story rejoins the saga’s favorite couple, Tasha and Trae, as they try to overcome their troubles and make their marriage work.
The Queen of Thug Love fiction, Wahida Clark has created one of Hip-Hop’s iconic street lit series. Wahida Clark has already sold 500,000 books, including 350,000 from the Thugs series alone.
The chilling truth is that his story could have been mine. The tragedy is that my story could have been his.
Two kids named Wes Moore were born blocks apart within a year of each other. Both grew up fatherless in similar Baltimore neighborhoods and had difficult childhoods; both hung out on street corners with their crews; both ran into trouble with the police. How, then, did one grow up to be a Rhodes Scholar, decorated veteran, White House Fellow, and business leader, while the other ended up a convicted murderer serving a life sentence? Wes Moore, the author of this fascinating book, sets out to answer this profound question. In alternating narratives that take readers from heart-wrenching losses to moments of surprising redemption, The Other Wes Moore tells the story of a generation of boys trying to find their way in a hostile world.
Taking his title from Richard Wright’s poem "The FB Eye Blues," Maxwell details how the FBI threatened the international travels of African American writers and prepared to jail dozens of them in times of national emergency. All the same, he shows that the Bureau’s paranoid style could prompt insightful criticism from Hoover’s ghostreaders and creative replies from their literary targets. For authors such as Claude McKay, James Baldwin, and Sonia Sanchez, the suspicion that government spy-critics tracked their every word inspired rewarding stylistic experiments as well as disabling self-censorship.
Illuminating both the serious harms of state surveillance and the ways in which imaginative writing can withstand and exploit it, F.B. Eyes is a groundbreaking account of a long-hidden dimension of African American literature.
The thoughts Woodson expressed in addresses and articles formed the basis for this work, described by The New York Times as a challenging book that "throws down the gauntlet to those who have had anything to do with Negro education, whether of white or black race."
The founder of the Association for the Study of Negro Life and History, Woodson was also the author of more than sixteen books and the founder and editor of the Journal of Negro History and the Negro History Bulletin. This landmark work remains essential reading for educators and everyone who seeks to understand the African-American experience.
With stunning works by seminal black voices such as Zora Neale Hurston, Countee Cullen, and W.E.B. DuBois, Locke has constructed a vivid look at the new negro, the changing African American finding his place in the ever shifting sociocultural landscape that was 1920s America. With poetry, prose, and nonfiction essays, this collection is widely praised for its literary strength as well as its historical coverage of a monumental and fascinating time in the history of America.
Starting with such well-known caricatures as the Uncle Tom and the black rapist, Richardson investigates a range of pathologies of black masculinity that derive ideological force from their associations with the South. Military policy, black-liberation discourse, and contemporary rap, she argues, are just some of the instruments by which egregious pathologies of black masculinity in southern history have been sustained. Richardson's sources are eclectic and provocative, including Ralph Ellison's fiction, Charles Fuller's plays, Spike Lee's films, Huey Newton's and Malcolm X's political rhetoric, the O. J. Simpson discourse, and the music production of Master P, the Cash Money Millionaires, and other Dirty South rappers.
Filled with new insights into the region's role in producing hierarchies of race and gender in and beyond their African American contexts, this new study points the way toward more epistemological frameworks for southern literature, southern studies, and gender studies.
In this epic, beautifully written masterwork, Pulitzer Prize–winning author Isabel Wilkerson chronicles one of the great untold stories of American history: the decades-long migration of black citizens who fled the South for northern and western cities, in search of a better life. From 1915 to 1970, this exodus of almost six million people changed the face of America. Wilkerson compares this epic migration to the migrations of other peoples in history. She interviewed more than a thousand people, and gained access to new data and official records, to write this definitive and vividly dramatic account of how these American journeys unfolded, altering our cities, our country, and ourselves.
With stunning historical detail, Wilkerson tells this story through the lives of three unique individuals: Ida Mae Gladney, who in 1937 left sharecropping and prejudice in Mississippi for Chicago, where she achieved quiet blue-collar success and, in old age, voted for Barack Obama when he ran for an Illinois Senate seat; sharp and quick-tempered George Starling, who in 1945 fled Florida for Harlem, where he endangered his job fighting for civil rights, saw his family fall, and finally found peace in God; and Robert Foster, who left Louisiana in 1953 to pursue a medical career, the personal physician to Ray Charles as part of a glitteringly successful medical career, which allowed him to purchase a grand home where he often threw exuberant parties.
Wilkerson brilliantly captures their first treacherous and exhausting cross-country trips by car and train and their new lives in colonies that grew into ghettos, as well as how they changed these cities with southern food, faith, and culture and improved them with discipline, drive, and hard work. Both a riveting microcosm and a major assessment, The Warmth of Other Suns is a bold, remarkable, and riveting work, a superb account of an “unrecognized immigration” within our own land. Through the breadth of its narrative, the beauty of the writing, the depth of its research, and the fullness of the people and lives portrayed herein, this book is destined to become a classic.
From the Hardcover edition.
In 2005, Tyler Perry took Hollywood by storm. The movie he wrote, produced, and starred in, Diary of a Mad Black Woman, opened number one at the box office and went on to gross more than $50 million. In its first week on sale, the DVD sold 2.4 million copies. At the same time, Perry was starring nightly across the country in a soldout stage show he'd also written, produced, and scored-Madea Goes to Jail-even as another one of his productions, Meet the Browns, was touring nationally. Every week in 2005, 35,000 people saw a Tyler Perry production. His second feature film, Madea's Family Reunion, opens in theaters in February 2006. Now, this triple-threat actor/playwright/director, has written his first book, and it features his most beloved, most irreverent creation: sixty-eight-year-old grandmother Madea Simmons.
Madea is at the center of all of Tyler Perry's work, and she's always unfailingly outspoken, dead-on, and hilarious. But in Don't Make a Black Woman Take Off Her Earrings, Madea shares more than she ever has before- about herself, and about what she thinks of everyone around her. The topics inimitably covered by Madea (a term of endearment for "Mother Dear") include love and marriage, child-rearing, etiquette and neighborliness, beauty tips, health tips, financial tips, the Bible and the church, and, of course, gun care. She's brazen, feisty, and never at a loss for words, but at the heart of everything she says- and at the heart of all of Perry's work-is a resounding message of faith and forgiveness.
Shockingly hilarious, surprisingly moving, and as rousing and inspiring as a great gospel show, Madea's words of wisdom, memories, and straight-up in-your-face advice will be cherished by Perry's numerous fans- and it all comes just in time for Mother's Day. Tyler Perry is about to take the publishing world by storm.
The volume begins with an overview of Wilson's aesthetic and dramatic agenda, along with a discussion of the forces that propelled him beyond his potentially troubled life in Pittsburgh to his current status as one of America's most gifted playwrights. A detailed plot summary of "Fences" is provided, followed by an overview of the play's distinguished production history. The play's historical and cultural background and themes are explored, as is Wilson's dramatic art. The reference closes with a look at the critical and scholarly reception of "Fences" and a bibliographical essay. Included are rare photos from the play's Broadway premiere and its 1999 premiere in Beijing.
Wald traces how changing ideas about disease emergence and social interaction coalesced in the outbreak narrative. She returns to the early years of microbiology—to the identification of microbes and “Typhoid Mary,” the first known healthy human carrier of typhoid in the United States—to highlight the intertwined production of sociological theories of group formation (“social contagion”) and medical theories of bacteriological infection at the turn of the twentieth century. Following the evolution of these ideas, Wald shows how they were affected by—or reflected in—the advent of virology, Cold War ideas about “alien” infiltration, science-fiction stories of brainwashing and body snatchers, and the HIV/AIDS pandemic. Contagious is a cautionary tale about how the stories we tell circumscribe our thinking about global health and human interactions as the world imagines—or refuses to imagine—the next Great Plague.
Published during a literary era marked by the ascendance of black writers such as Richard Wright, Ralph Ellison, James Baldwin, and Alex Haley, this thinly fictionalized account of Claude Brown’s childhood as a hardened, streetwise criminal trying to survive the toughest streets of Harlem has been heralded as the definitive account of everyday life for the first generation of African Americans raised in the Northern ghettos of the 1940s and 1950s.
When the book was first published in 1965, it was praised for its realistic portrayal of Harlem—the children, young people, hardworking parents; the hustlers, drug dealers, prostitutes, and numbers runners; the police; the violence, sex, and humor.
The book continues to resonate generations later, not only because of its fierce and dignified anger, not only because the struggles of urban youth are as deeply felt today as they were in Brown’s time, but also because of its inspiring message. Now with an introduction by Nathan McCall, here is the story about the one who “made it,” the boy who kept landing on his feet and grew up to become a man.
Looking back on how he went from being a homeless child in Memphis to playing in the NFL, Michael talks about the goals he had to break out of the cycle of poverty, addiction, and hopelessness that trapped his family. Eventually he grasped onto football as his ticket out and worked hard to make his dream into a reality. With his adoptive family, the Touhys, and other influential people in mind, he describes the absolute necessity of seeking out positive role models and good friends who share the same values to achieve one's dreams. Sharing untold stories of heartache, determination, courage, and love, I Beat the Odds is an incredibly rousing tale of one young man's quest to achieve the American dream.
Through the compelling stories of Nina Gordon, the mistress of a slave plantation, and Dred, a black revolutionary, Stowe brings to life conflicting beliefs about race, the institution of slavery, and the possibilities of violent resistance. Probing the political and spiritual goals that fuel Dred's rebellion, Stowe creates a figure far different from the acquiescent Christian martyr Uncle Tom.
In his introduction to the classic novel, Robert S. Levine outlines the antislavery debates in which Stowe had become deeply involved before and during her writing of Dred. Levine shows that in addition to its significance in literary history, the novel remains relevant to present-day discussions of cross-racial perspectives.
In his moving yet practical book, Hill Harper undertakes a journey both universal and deeply personal in search of answers to these questions. He has conversations with friends and strangers –married, single and divorced – and learns about their private struggles, emotional vulnerabilities, and real concerns, and begins to see common themes emerge. As his journey picks up momentum, Hill begins to recognize his own struggles in other people’s stories, and is encouraged to more deeply examine his own relationship issues.
Why does so much misinformation and mistrust exist between the sexes? Hill addresses the stereotypes that have developed in the Black community, in the hope that by addressing the challenges, Black men and women can find their way to common ground. The Conversation aims to open up the lines of communication, and offers inspiration to those who want to take control of this crisis and start building successful, sustainable relationships.
"Mr. Harris, I'm sorry, but you have cancer." Although devastated to learn he has just one year to live, fifty-five-year-old Julius Harris has always known that the day would come when he would pay for walking out on his wife and three children twenty years earlier. Now, with a sudden and passionate determination to make his family whole again, Julius begins trying to find a way back to his sons.
Caleb, the youngest, struggling to support a son and make his way in a
relentless world, couldn't care less about his own absentee father. Middle
son Marcus can't abide even his father's memory, which gets in the way
of his committing to the one woman who has turned his life around. And Austin, Julius' eldest child, so adores what he remembers of his father that he's following in his footsteps, abandoning his wife and children just
as Julius had done.
Inspired by RM Johnson's own fragile family history, The Harris Men is his poignant exploration of the increasing problem of absentee fathers -- and of the compromises made by the families they leave behind. As the Harris men grapple with their fears and their choices, Johnson gets to the very heart of what it means to be a man.
In CliffsNotes on The Color Purple, you follow the beautiful and difficult story of a shy and abused Southern black woman's struggle to create an identity, a feeling of self-worth, and love.
Covering a series of personal letters that span a 40-year period, this study guide shares a story about growth, endurance, loyalty, solidarity, and joy -- all nurtured by the strength of love. You'll gain comfort with the black folk language main character Celie's uses to express herself as you move through critical commentaries on each of the novel's 89 letters. Other features that help you figure out this important work includeLife and background of the author, Alice WalkerAnalyses of a large cast of charactersIntroduction to the novelA review section that tests your knowledge and suggests essay topicsA selected bibliography that leads you to more great resources
Classic literature or modern-day treasure — you'll understand it all with expert information and insight from CliffsNotes study guides.
The Souls of Mixed Folk seeks a middle way between competing hagiographic and apocalyptic impulses in mixed race scholarship, between those who proselytize mixed race as the great hallelujah to the "race problem" and those who can only hear the alarmist bells of civil rights destruction. Both approaches can obscure some of the more critically astute engagements with new millennial iterations of mixed race by the multi-generic cohort of contemporary writers, artists, and performers discussed in this book. The Souls of Mixed Folk offers case studies of their creative work in an effort to expand the contemporary idiom about mixed race in the so-called post-race moment, asking how might new millennial expressive forms suggest an aesthetics of mixed race? And how might such an aesthetics productively reimagine the relations between race, art, and social equity in the twenty-first century?
Hailed by Toni Morrison as “required reading,” a bold and personal literary exploration of America’s racial history by “the single best writer on the subject of race in the United States” (The New York Observer)
“This is your country, this is your world, this is your body, and you must find some way to live within the all of it.”
In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden?
Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the world through a series of revelatory experiences, from Howard University to Civil War battlefields, from the South Side of Chicago to Paris, from his childhood home to the living rooms of mothers whose children’s lives were taken as American plunder. Beautifully woven from personal narrative, reimagined history, and fresh, emotionally charged reportage, Between the World and Me clearly illuminates the past, bracingly confronts our present, and offers a transcendent vision for a way forward.
Praise for Between the World and Me
“I’ve been wondering who might fill the intellectual void that plagued me after James Baldwin died. Clearly it is Ta-Nehisi Coates. The language of Between the World and Me, like Coates’s journey, is visceral, eloquent, and beautifully redemptive. And its examination of the hazards and hopes of black male life is as profound as it is revelatory.”—Toni Morrison
“Powerful and passionate . . . profoundly moving . . . a searing meditation on what it means to be black in America today.”—Michiko Kakutani, The New York Times
“Really powerful and emotional.”—John Legend, The Wall Street Journal
“Extraordinary.”—David Remnick, The New Yorker
“Brilliant . . . a mature writer entirely consumed by a momentous subject and working at the extreme of his considerable powers.”—The Washington Post
“An eloquent blend of history, reportage, and memoir.”—The Boston Globe
“[Coates] speaks resolutely and vividly to all of black America.”—Los Angeles Times
“A work that’s both titanic and timely . . . the latest essential reading in America’s social canon.”—Entertainment Weekly
The trial and acquittal of Till's murderers became, in the words of one historian, "the first great media event of the civil rights movement," and since then, the lynching has assumed a central place in literary memory. The international group of contributors to this volume explores how the Emmett Till story has been fashioned and refashioned in fiction, poetry, drama, and autobiography by writers as diverse as William Bradford Huie, James Baldwin, Langston Hughes, Gwendolyn Brooks, Audre Lorde, Anne Moody, Nicolás Guillén, Aimé Césaire, Bebe Moore Campbell, and Lewis Nordan. They suggest the presence of an "Emmett Till narrative" deeply embedded in post-1955 literature, an overarching recurrent plot that builds on recognizable elements and is as legible as the "lynching narrative" or the "passing narrative." Writers have fashioned Till's story in many ways: an the annotated bibliography that ends the volume discusses more than 130 works that memorialize the lynching, calling attention to the full extent of Till's presence in literary memory.
Breaking new ground in civil rights studies and the discussion of race in America, Emmett Till in Literary Memory and Imagination eloquently attests to the special power and artistic resonance of one young man's murder.
The result is a motivational but approachable book full of encouragement on a wide array of hot topics, particularly among young African-American and Hispanic men. From the challenges of getting a good education and making it through college to the media’s destructive emphasis on material wealth, Letters to a Young Brother delivers eye-opening answers. Reminiscent of Marian Wright Edelman’s New York Times bestseller, The Measure of Our Success: A Letter to My Children and Yours, Hill Harper’s words will resonate for years to come.
It is a prophetic book with a revolutionary perspective. It is prophetic in that it points to the direction the Black Church must take to effectively address the spiritual needs of the Black community. It is revolutionary because it challenges the Church and believers to establish a new paradigm, an African Spiritual frame of reference. The Black Church must transform itself and take on a new view of the scriptures, doctrines and dogmas of Christendom.
This book documents the fact that what Blacks have been given as Christianity is in reality stolen African mythology, cosmology and history that has been corrupted by Roman and Greek priest, philosophers and emperors. It is one of the most powerful challenges to Orthodox Christianity to date. The Truth will liberate you from their strong delusions.
While there is indeed some positive and beneficial aspects to Church membership it is time for the Black Church to make its exodus from the Western religious way of faith in God to the African spiritual way of knowledge of God.
Black Pastors and religious leaders must begin to teach that which will bring about the manifestation of the fullness of Christ. This is the charge given to all church leadership by the Bible they teach from. “And He Himself gave some to be apostles, some prophets, some evangelist, some pastors and teachers, for the equipping of the saints for the work of the ministry, for the edifying of the body of Christ, till we all come to the unity of the faith and the knowledge of the Son of God, to be a perfect man, to the measure of the stature of the fullness of Christ.” Ephesians 4:11-13. There are far too many Babes in Christ in the Church. It is not the fault of the believers but a reflection of corrupted doctrines and false dogmas. In addition the unity of the Black Church must become a priority. Not one church or believer can say they have no need of the rest of the Body of Christ in good conscience. Yet unity in the Black Church is more a rhetorical than an actual reality. Imagine what could be done if the wealth of the Church was combined to establish a super fund. Unity must be at the top of the agenda for the Black Church and for the Black community.
Lastly, though we have the proverbial church on every corner there is an undeniable spiritual crisis in the Black community. The Liberation of the African Mind: The Key to Black Salvation makes the Spiritual Resurrection of the Black man a valid goal and priority. It will challenge many long held beliefs and dogmas, however Christendom must be examined and that which is not of God must be abandoned. Not since Marcus Garvey, Fredrick Douglas and the Honorable Elijah Muhammad have Blacks questioned the validity or efficacy of Christianity. Mr. Muhammad made an attempt to make Blacks aware that Christianity was the religion of the people who had enslaved them. Every race worships God in a way that is peculiar to their culture. Since the days of captivity Blacks have worshiped the god of their conquerors and oppressors. Worshipping a White man as God is not only a form of idolatry but extremely detrimental to the Black Psyche.
Brown wrote extensively as a journalist but was also a pioneer in other literary genres. His many groundbreaking works include Clotel, the first African American novel; The Escape: or, A Leap for Freedom, the first published African American play; Three Years in Europe, the first African American European travelogue; and The Negro in the American Rebellion, the first history of African American military service in the Civil War. Brown also wrote one of the most important fugitive slave narratives and a striking array of subsequent self-narratives so inventively shifting in content, form, and textual presentation as to place him second only to Frederick Douglass among nineteenth-century African American autobiographers.
Ezra Greenspan has selected the best of Brown's work in a range of fields including fiction, drama, history, politics, autobiography, and travel. The volume opens with an introductory essay that places Brown and his work in a cultural and political context. Each chapter begins with a detailed introductory headnote, and the contents are closely annotated; there is also a selected bibliography. This reader offers an introduction to the work of a major African American writer who was engaged in many of the important debates of his time.
This pioneering documentary collection offers readers a chance to discover, or rediscover, Delany in all his complexity. Through nearly 100 documents--approximately two-thirds of which have not been reprinted since their initial nineteenth-century publications--it traces the full sweep of his fascinating career. Included are selections from Delany's early journalism, his emigrationist writings of the 1850s, his 1859-62 novel, Blake (one of the first African American novels published in the United States), and his later writings on Reconstruction. Incisive and shrewd, angry and witty, Delany's words influenced key nineteenth-century debates on race and nation, addressing issues that remain pressing in our own time.
MO' META BLUES
The World According to Questlove
Mo' Meta Blues is a punch-drunk memoir in which Everyone's Favorite Questlove tells his own story while tackling some of the lates, the greats, the fakes, the philosophers, the heavyweights, and the true originals of the music world. He digs deep into the album cuts of his life and unearths some pivotal moments in black art, hip hop, and pop culture.
Ahmir "Questlove" Thompson is many things: virtuoso drummer, producer, arranger, Late Night with Jimmy Fallon bandleader, DJ, composer, and tireless Tweeter. He is one of our most ubiquitous cultural tastemakers, and in this, his first book, he reveals his own formative experiences--from growing up in 1970s West Philly as the son of a 1950s doo-wop singer, to finding his own way through the music world and ultimately co-founding and rising up with the Roots, a.k.a., the last hip hop band on Earth. Mo' Meta Blues also has some (many) random (or not) musings about the state of hip hop, the state of music criticism, the state of statements, as well as a plethora of run-ins with celebrities, idols, and fellow artists, from Stevie Wonder to KISS to D'Angelo to Jay-Z to Dave Chappelle to...you ever seen Prince roller-skate?!?
But Mo' Meta Blues isn't just a memoir. It's a dialogue about the nature of memory and the idea of a post-modern black man saddled with some post-modern blues. It's a book that questions what a book like Mo' Meta Blues really is. It's the side wind of a one-of-a-kind mind.
It's a rare gift that gives as well as takes.
It's a record that keeps going around and around.
'Alice Walker, second edition':
* examines the full range of Walker's prose writings: her novels, short stories, essays, activist writings, speeches and memoirs
* has been thoroughly revised in the light of the latest scholarship and critical developments
* brings coverage of Walker's work right up to date with a new chapter on 'Now is the Time to Open Your Heart' (2004), and discussion of her recent non-fictional writing, including 'Overcoming Speechlessness' (2010)
* traces Walker's lineage back to nineteenth-century visionary black women preachers and activists
* assesses Walkers prose oeuvre both in terms of its literary and its activist merits and shortcomings.
Ideal for students and scholars alike, this established text remains an essential guide to the work of a key US author as it explains her unique place in contemporary American letters.
Written and published in 1861 after Jacobs' harrowing escape from a vile and predatory master, the memoir delivers a powerful and unflinching portrayal of the abuses and hypocrisy of the master-slave relationship. Jacobs writes frankly of the horrors she suffered as a slave, her eventual escape after several unsuccessful attempts, and her seven years in self-imposed exile, hiding in a coffin-like "garret" attached to her grandmother's porch.
A rare firsthand account of a courageous woman's determination and endurance, this inspirational story also represents a valuable historical record of the continuing battle for freedom and the preservation of family.
In Habitations of the Veil, Rebecka Rutledge
Fisher uses theory implicit in W. E. B. Du Bois’s use of metaphor to draw out
and analyze what she sees as a long tradition of philosophical metaphor in
African American literature. She demonstrates how Olaudah Equiano, Frances Ellen
Watkins Harper, Zora Neale Hurston, Richard Wright, and Ralph Ellison each use
metaphors to develop a critical discourse capable of overcoming the limits of
narrative language to convey their lived experiences. Fisher’s philosophical
investigations open these texts to consideration on ontological and
epistemological levels, in addition to those concerned with literary craft and
the politics of black identity.
Manifestations of Masculine Magnificence takes the reader to the source of power with an analysis of African Divinities and divine technologies. Washington explores the permanence and proliferation of African Gods from oppressive plantations to the empowering proclamations of such leaders as W. D. Fard, Marcus Garvey, Father Divine, and Allah, the Father. Washington analyzes the summonses to and from the Gods that resonate in the music of such artists as Erykah Badu, The RZA, Sun Ra, X Clan, and Rakim. Using literary analysis as a prism to display the diversity of Africana divinity, Washington reveals the literature of such writers as August Wilson, Walter Mosley, Toni Morrison, Ngugi wa Thiong’o, and Ishmael Reed to be three-way mirrors that eternally reflect and project the Gods, their myriad powers, and their weighty responsibilities.
Manifestations of Masculine Magnificence will prove indispensable to independent scholars as well as scholars of Comparative Literature, Hip Hop Studies, Gender Studies, Africana Studies, Literary Criticism, and Religious Studies.
Northup accepted an offer from two strangers in Saratoga, New York, to catch up with their traveling circus and play in its band. But when the chase ended, Northup had been drugged, beaten, and sold to a slave trader in Washington, D.C. Subsequently, he was shipped to New Orleans, where he was purchased by a planter in the Red River region of Louisiana. For the next twelve years Northup lived as a chattel slave under several masters. He might well have died a slave, except for another set of bizarre circumstances which enabled him to get word to his family and finally regain his freedom.
These elements alone -- the kidnapping, enslavement, and rescue -- are sufficient for a sensational story. But Northup provides more. He was a shrewd observer of people and events. His memory was remarkable. He described cultivation of cotton and sugar in the Deep South. He detailed the daily routine and general life of the Negro slave. Indeed, he vividly portrayed the world of slavery -- from the underside.
Originally published in 1853, Northup's autobiography is regarded as one of the best accounts of American Negro slavery ever written by a slave. It is reprinted in full here for the first time, as the initial volume in The Library of Southern Civilization.
Northup's account has been carefully checked by the editors and has been found to be remarkably accurate. To his own narrative of a long and tragic adventure, Professors Eakin and Logsdon have added significant new details about Northup and the plantation country where he spent most of his time as a slave. Heretofore unknown information about the capture and trial of Northup's kidnappers has been included, adding still another fascinating episode to an already astounding story.
Contrary to what so many Americans learn in school, the pre-Columbian Indians were not sparsely settled in a pristine wilderness; rather, there were huge numbers of Indians who actively molded and influenced the land around them. The astonishing Aztec capital of Tenochtitlan had running water and immaculately clean streets, and was larger than any contemporary European city. Mexican cultures created corn in a specialized breeding process that it has been called man’s first feat of genetic engineering. Indeed, Indians were not living lightly on the land but were landscaping and manipulating their world in ways that we are only now beginning to understand. Challenging and surprising, this a transformative new look at a rich and fascinating world we only thought we knew.
From the Trade Paperback edition.
Now, in the first in-depth biography of Goines's life, author Eddie B. Allen explores exactly how one man could make the transition from street hustler to bestselling author. With exclusive access to personal letters, treatments from unwritten books, photographs, and family members, Allen uncovers Goines's personal experiences with drugs, prostitutes, prison, and urban violence. Fans of Goines's novels will note a dramatic parallelism between his life and his fictional tales.
A printer and newspaper editor in his youth, Garvey furthered his education in England and eventually traveled to the United States, where he impressed thousands with his speeches and millions more through his newspaper articles. His message of black pride resonated in all his efforts. This anthology contains some of his most noted writings, among them “The Negro’s Greatest Enemy,” "Declaration of the Rights of the Negro Peoples of the World," and "Africa for the Africans," as well as powerful speeches on unemployment, leadership, and emancipation.
Essential reading for students of African-American history, this volume will also serve as a useful reference for anyone interested in the history of the civil rights movement.
The collection begins with Henry Highland Garnet's 1843 "An Address to the Slaves of the United States of America," followed by Jermain Wesley Loguen's "I Am a Fugitive Slave," the famous "Ain't I a Woman?" speech by Sojourner Truth, and Frederick Douglass's immortal "What, to the Slave, Is the Fourth of July?" Subsequent orators include John Sweat Rock, John M. Langston, James T. Rapier, Alexander Crummell, Booker T. Washington, Mary Church Terrell, Ida B. Wells-Barnett, Francis J. Grimké, Marcus Garvey, and Mary McLeod Bethune. Martin Luther King, Jr.,'s "I Have a Dream" speech appears here, along with Malcolm X's "The Ballot or The Bullet," Shirley Chisholm's "The Black Woman in Contemporary America," "The Constitution: A Living Document" by Thurgood Marshall, and Barack Obama's "Knox College Commencement Address." Includes two selections from the Common Core State Standards Initiative: "I Have a Dream" and "What to the Slave is the Fourth of July."