An inquiry into the nature and principles of Thorough Bass on a new plan, etc. MS. notes

An Inquiry Into the Nature and History of Greek and Latin Poetry: More Particularly of the Dramatic Species: Tending to Ascertain the Laws of Comic Metre in Both Those Languages; to Show, I. that Poetical Licences Have No Real Existence, But are Mere Corruptions; II. that the Verses of Plautus, Terence, Pindar, and Horace, are in Many Instances Erroneously Regulated; and to Suggest a More Rational and Musical Division of the Verses

An History of the Origin and Establishment of Gothic Architecture: Comprehending Also an Account, from His Own Writings, of Cæsar Cæsarianus, the First Professed Commentator on Vitruvius, and of His Translation of that Author; an Investigation of the Principles and Proportions of that Style of Architecture Called the Gothic; and an Inquiry Into the Mode of Painting Upon and Staining Glass, as Practiced in the Ecclesiastical Structures of the Middle Ages

An history of the origin and establishment of Gothic architecture; comprehending also an account of Cæsar Cæsarianus, an investigation of the principles and proportions of that style of architecture called the Gothic; and an inquiry into the mode of painting upon and staining glass, as practised in the ecclesiastical structures of the middle ages

An inquiry into the nature and principles of Thorough Bass on a new plan, etc. MS. notes

An Inquiry Into the Nature and History of Greek and Latin Poetry: More Particularly of the Dramatic Species: Tending to Ascertain the Laws of Comic Metre in Both Those Languages; to Show, I. that Poetical Licences Have No Real Existence, But are Mere Corruptions; II. that the Verses of Plautus, Terence, Pindar, and Horace, are in Many Instances Erroneously Regulated; and to Suggest a More Rational and Musical Division of the Verses

An History of the Origin and Establishment of Gothic Architecture: Comprehending Also an Account, from His Own Writings, of Cæsar Cæsarianus, the First Professed Commentator on Vitruvius, and of His Translation of that Author; an Investigation of the Principles and Proportions of that Style of Architecture Called the Gothic; and an Inquiry Into the Mode of Painting Upon and Staining Glass, as Practiced in the Ecclesiastical Structures of the Middle Ages

A Treatise on Painting

A Treatise on Painting

A Treatise on Painting