The papers collected in this volume deal with different aspects of Cohen’s thought, ethical, political, aesthetic and religious aspectsin particular. However they all represent attempts to follow the ubiquitous presence of certain important themes in Cohen and their capacity for containing meanings that cannot be limited to a single philosophical sphere: themes that are keys to reading unity of inspiration in his thought, which is more deeply imbedded than the exterior architectural unity of his work. The search for the fundamental themes behind Cohen is an important task, if we wish to see this philosopher as a present-day vital point of reference.
By bringing Hegel’s earliest writings into dialogue with his Philosophy of Right, Goldstein argues that Hegel’s mature political philosophy should be understood as a response to his youthful failure to build a sustainable account of the good life upon the foundations of ancient virtue. This study reveals how Hegel’s mature response integrates ancient concerns for the well-ordered life and modern concerns for autonomy in a new, robust conception of selfhood that can be actualized across the full expanse of the modern political community.
The essays are organized in four sections. The first pairs two essays on Mendelssohn’s theory of language and writing. The second section offers three essays addressing a number of topics in Mathematics and philosophy in Mendelssohn. A group of eight essays follows, dealing with Metaphysics in a historical context. The fourth section presents five essays discussing Mendelssohn’s Aesthetics in a historical context.
Moses Mendelssohn’s Metaphysics and Aesthetics arises from a conference held in Amsterdam in 2009, which gathered numerous authorities to address the central theme. Taken together, these eighteen essays present a sophisticated portrait of Mendelssohn, packed with detail and rich in complexity.
Author Lior Nitzan reconstructs, step by step, the historical development of Beck’s doctrine. He shows how Beck's unique view is drastically different from that of his contemporaries and presents the relevance of Beck to contemporary debates about the proper interpretation of Kant’s notion of objectivity, the refutation of idealism and the role of the thing in itself in Kant’s transcendental idealism. In doing so, Nitzan presents a defense of Beck's radical perspective of Kant’s theory and claims that some of Kant’s negative responses to it may in fact be due more to the adversary academic environment at the time than to Kant’s true, well considered, opinion.
Jacob Sigismund Beck’s Standpunctslehre challenges the two dominant schools in the interpretation of Kant’s transcendental idealism—the "two world" and the "two aspect" view. It presents a new way of understanding Kant’s transcendental idealism, according to which the thing in itself plays no positive role in relation to the possibility of experience. Moreover, it claims that eliminating the thing in itself as the ultimate object of knowledge is not to admit idealism but in fact is the only way to consistently uphold realism. In addition, the book also addresses the question why, assuming that the proposed interpretation is correct, Kant had chosen not to make his true intentions clear.
In addition, the book also applies an interpretation of ugliness in Kant’s aesthetics to resolve certain issues that have been raised in contemporary aesthetics, namely the possibility of appreciating artistic and natural ugliness and the role of disgust in artistic representation.
Offering a theoretical and practical analysis of different kinds of negative aesthetic experiences, this book will help readers acquire a better understanding of his or her own evaluative processes, which may be helpful in coping with complex aesthetic experiences. Readers will gain unique insight into how ugliness can be offensive, yet, at the same time, fascinating, interesting and captivating.