Chicana and Chicano Visions of the Américas Series
José Antonio Rodríguez · A. Gabriel Meléndez · Alfredo Véa · Cynthia Cruz · Demetria Martínez · Denise Chávez · Robert Con Davis-Undiano · Roberto Cantú
Latest release: August 15, 2019
Series
9
Books
About this ebook series
Guadalupe Anaya, a waitress, is pregnant. She is also the newly elected block captain of Sunflower Street, in charge of raising awareness of safety in her southeast Albuquerque neighborhood. Her campaign platform: God helps those who help themselves. While she waits for the baby, Lupe writes letters to her unborn child, whom she names Destiny. It is Lupe’s dream that her daughter will be a writer, pushing a pen instead of a broom.
In this highly imaginative work of fiction by the acclaimed author of Mother Tongue, Demetria Martínez weaves a portrait of six unforgettable characters, whose lives intertwine through their activism as they seek to create a better world and find meaning in their own lives. At the center of this circle of friends is Lupe, and her heartfelt letters to Destiny punctuate the narrative. Until she crossed the border alone and without papers, Lupe worked in a maquiladora in Mexico. Rescued by strangers, she has made a family for herself among the kindhearted friends, swept up in various causes, who will be her daughter’s godparents.
Deftly alternating between first-person and second-person narratives, conscious states and dream states, The Block Captain’s Daughter is full of delightful surprises, even as it deals with universal themes of desire and risk, death and birth, and the powerful ties that bind us all together.
In this highly imaginative work of fiction by the acclaimed author of Mother Tongue, Demetria Martínez weaves a portrait of six unforgettable characters, whose lives intertwine through their activism as they seek to create a better world and find meaning in their own lives. At the center of this circle of friends is Lupe, and her heartfelt letters to Destiny punctuate the narrative. Until she crossed the border alone and without papers, Lupe worked in a maquiladora in Mexico. Rescued by strangers, she has made a family for herself among the kindhearted friends, swept up in various causes, who will be her daughter’s godparents.
Deftly alternating between first-person and second-person narratives, conscious states and dream states, The Block Captain’s Daughter is full of delightful surprises, even as it deals with universal themes of desire and risk, death and birth, and the powerful ties that bind us all together.
The Block Captain's Daughter
Book 11 · Aug 2012 ·
0.0star
Guadalupe Anaya, a waitress, is pregnant. She is also the newly elected block captain of Sunflower Street, in charge of raising awareness of safety in her southeast Albuquerque neighborhood. Her campaign platform: God helps those who help themselves. While she waits for the baby, Lupe writes letters to her unborn child, whom she names Destiny. It is Lupe’s dream that her daughter will be a writer, pushing a pen instead of a broom.
In this highly imaginative work of fiction by the acclaimed author of Mother Tongue, Demetria Martínez weaves a portrait of six unforgettable characters, whose lives intertwine through their activism as they seek to create a better world and find meaning in their own lives. At the center of this circle of friends is Lupe, and her heartfelt letters to Destiny punctuate the narrative. Until she crossed the border alone and without papers, Lupe worked in a maquiladora in Mexico. Rescued by strangers, she has made a family for herself among the kindhearted friends, swept up in various causes, who will be her daughter’s godparents.
Deftly alternating between first-person and second-person narratives, conscious states and dream states, The Block Captain’s Daughter is full of delightful surprises, even as it deals with universal themes of desire and risk, death and birth, and the powerful ties that bind us all together.
In this highly imaginative work of fiction by the acclaimed author of Mother Tongue, Demetria Martínez weaves a portrait of six unforgettable characters, whose lives intertwine through their activism as they seek to create a better world and find meaning in their own lives. At the center of this circle of friends is Lupe, and her heartfelt letters to Destiny punctuate the narrative. Until she crossed the border alone and without papers, Lupe worked in a maquiladora in Mexico. Rescued by strangers, she has made a family for herself among the kindhearted friends, swept up in various causes, who will be her daughter’s godparents.
Deftly alternating between first-person and second-person narratives, conscious states and dream states, The Block Captain’s Daughter is full of delightful surprises, even as it deals with universal themes of desire and risk, death and birth, and the powerful ties that bind us all together.
The King and Queen of Comezón
Book 13 · Sep 2014 ·
0.0star
Comezón: It’s more than an itch. It’s a long-standing desire that will never be fulfilled. And, in this novel by award-winning author Denise Chávez, it is also a border town in New Mexico whose denizens’ longings are as powerful as they are, all too often, impossible.
But in the feverish dance of life that seizes Comezón during its two annual fiestas, all things seem possible. As the townspeople revel in the freedom of the fiestas, their stories unfold in all manner of mystery, drama, and comic charm. In the middle of it all is Arnulfo P. Olivárez, master of ceremonies and befuddled patriarch of a less-than-tractable family. At the moment, he is calculating his chances of becoming mayor, as well as pondering the fate of his beautiful disabled daughter, Juliana.
Arnulfo’s daughters (“the half and the whole,” he deems them) are the Fiesta Queen, Lucinda, a lovely, lost and wild girl, and Juliana, her half sister, wheelchair-bound but with soaring dreams of love for the local priest, El Padre Manolito. Their mother, the saintly Doña Emilia, attends to all her children, including Arnulfo, with grace. Lucinda’s unsuitable suitor, Ruley Terrazas, a tall, bumpy-skinned boy, is not to be trusted, nor is his father, Cuco “Matamosca” Terrazas, the local chief of police. And Rey Suárez, owner of the Mil Recuerdos Lounge, is haunted by his former incarnation as an immigration officer, an expert in spotting fake IDs.
Between New Mexico and México, between Cinco de Mayo and the 16th of September, between the dreams and the realities of Comezón’s characters, something has to give. Each character is attempting to find love in this feverish fiesta called Life. And in the deft hands of Denise Chávez this tragicomic novel gives unerringly: pleasure, surprise, and the satisfaction of a tale well told.
The Mexican Flyboy
Book 16 · Jul 2016 ·
5.0star
What if we could travel back in time to save our heroes from painful deaths? What if we could rewrite history to protect and reward the innocent victims of injustice? In Alfredo Véa’s daring new novel, one man does just that, taking readers on a series of remarkable journeys.
Abandoned as a child, brooding and haunted as an adult, Simon Vegas, “the Mexican Flyboy,” toils for years to repair a time machine that fell into his hands in Vietnam. With the help of his friend, eccentric Hephaestus Segundo, Simon uses the device to fly through time. Wherever acts of human cruelty take place, in the past or in the present, the machine lets him lift the suffering away and deliver them to a utopian afterlife. Blending magical realism, science fiction, history, and comic-book fantasy, The Mexican Flyboy swoops readers from the jungles of Southeast Asia to the vineyards of Northern California, from Ethel Rosenberg’s execution to Joan of Arc’s pyre, in a tale of justice, trauma, regret, and redemption.
The dead pass through the narrative in a parade at once heartbreaking and hopeful, among them Vincent van Gogh and Malcolm X, Ernest Hemingway and Amadou Diallo. But the living—Simon’s pregnant wife, Elena, his old friend Ezekiel Stein, prisoner Lenny Hudson—all throw doubt onto Simon’s story. Is Simon truly a “magus,” transporting martyrs to a shared community in paradise? Or is he just a man broken by loss, guilt, and the trauma of war, hopelessly lost in an illusion of his own making?
Crossing genres and blending comedy with tragedy, Alfredo Véa imagines a world where we can rewrite our pasts and heal the wounds inflicted by history. Inviting comparisons to the work of James Joyce and Jorge Luis Borges, Junot Díaz and Michael Chabon, this powerful book is like nothing else you have ever read.
Abandoned as a child, brooding and haunted as an adult, Simon Vegas, “the Mexican Flyboy,” toils for years to repair a time machine that fell into his hands in Vietnam. With the help of his friend, eccentric Hephaestus Segundo, Simon uses the device to fly through time. Wherever acts of human cruelty take place, in the past or in the present, the machine lets him lift the suffering away and deliver them to a utopian afterlife. Blending magical realism, science fiction, history, and comic-book fantasy, The Mexican Flyboy swoops readers from the jungles of Southeast Asia to the vineyards of Northern California, from Ethel Rosenberg’s execution to Joan of Arc’s pyre, in a tale of justice, trauma, regret, and redemption.
The dead pass through the narrative in a parade at once heartbreaking and hopeful, among them Vincent van Gogh and Malcolm X, Ernest Hemingway and Amadou Diallo. But the living—Simon’s pregnant wife, Elena, his old friend Ezekiel Stein, prisoner Lenny Hudson—all throw doubt onto Simon’s story. Is Simon truly a “magus,” transporting martyrs to a shared community in paradise? Or is he just a man broken by loss, guilt, and the trauma of war, hopelessly lost in an illusion of his own making?
Crossing genres and blending comedy with tragedy, Alfredo Véa imagines a world where we can rewrite our pasts and heal the wounds inflicted by history. Inviting comparisons to the work of James Joyce and Jorge Luis Borges, Junot Díaz and Michael Chabon, this powerful book is like nothing else you have ever read.
The Forked Juniper: Critical Perspectives on Rudolfo Anaya
Book 17 · Nov 2016 ·
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Widely acclaimed as the founder of Chicano literature, Rudolfo Anaya is one of America’s most compelling and prolific authors. A recipient of a National Humanities Medal and best known for his debut novel, Bless Me, Ultima, his writings span multiple genres, from novels and essays to plays, poems, and children’s stories. Despite his prominence, critical studies of Anaya’s writings have appeared almost solely in journals, and the last book-length collection of essays on his work is now more than twenty-five years old. The Forked Juniper remedies this gap by offering new critical evaluations of Anaya’s ever-evolving artistry.
Edited by distinguished Chicano studies scholar Roberto Cantú, The Forked Juniper presents thirteen essays written by U.S., Mexican, and German critics and academics. The essayists employ a range of critical methods in their analyses of such major works as Bless Me, Ultima (1972), Jalamanta: A Message from the Desert (1996), and the Sonny Baca narrative quartet (1995–2005). Through the lens of cultural studies, the essayists also discuss intriguing themes in Anaya’s writings, such as witchcraft in colonial New Mexico, the reconceptualization of Aztlán, and the aesthetics of the New World Baroque. The volume concludes with an interview with renowned filmmaker David Ellis, who produced the 2014 film Rudolfo Anaya: The Magic of Words.
The symbol of the forked juniper tree—venerated as an emblem of healing and peace in some spiritual traditions and a compelling image in Bless Me, Ultima—is open to multiple interpretations. It echoes the manifold meanings the contributors to this volume reveal in Anaya’s boundlessly imaginative literature.
The Forked Juniper illuminates both the artistry of Anaya’s writings and the culture, history, and diverse religious traditions of his beloved Nuevo Mexico. It is an essential reference for any reader seeking greater understanding of Anaya’s world-embracing work.
The Book of Archives and Other Stories from the Mora Valley, New Mexico
Book 18 · Apr 2017 ·
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In the shadow of the Sangre de Cristo Mountains, New Mexico’s Mora Valley harbors the ghosts of history: troubadours and soldiers, Plains Indians and settlers, families fleeing and finding home. There, more than a century ago, villagers collect scraps of paper documenting the valley’s history and their identity—military records, travelers’ diaries, newspaper articles, poetry, and more—and bind them into a leather portfolio known as “The Book of Archives.” When a bomb blast during the Mexican-American War scatters the book’s contents to the wind, the memory of the accounts lives on instead in the minds of Mora residents. Poets and storytellers pass down the valley’s traditions into the twentieth century, from one generation to the next. In this pathbreaking dual-language volume, author A. Gabriel Meléndez joins their ranks, continuing the retelling of Mora Valley’s tales for our time.
A native of Mora with el don de la palabra, the divine gift of words, Meléndez mines historical sources and his own imagination to reconstruct the valley’s story, first in English and then in Spanish. He strings together humorous, tragic, and quotidian vignettes about historical events and unlikely occurrences, creating a vivid portrait of Mora, both in cultural memory and present reality. Local gossip and family legend intertwine with Spanish-language ballads and the poetry of New Mexico’s most famous dueling troubadours, Old Man Vilmas and the poet García. Drawing on New Mexican storytelling tradition, Meléndez weaves a colorful dual-language representation of a place whose irresistible characters and unforgettable events, and the inescapable truths they embody, still resonate today.
Mestizos Come Home!: Making and Claiming Mexican American Identity
Book 19 · Mar 2017 ·
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Uruguayan writer Eduardo Galeano has described U.S. and Latin American culture as continually hobbled by amnesia—unable, or unwilling, to remember the influence of mestizos and indigenous populations. In Mestizos Come Home! author Robert Con Davis-Undiano documents the great awakening of Mexican American and Latino culture since the 1960s that has challenged this omission in collective memory. He maps a new awareness of the United States as intrinsically connected to the broader context of the Americas. At once native and new to the American Southwest, Mexican Americans have “come home” in a profound sense: they have reasserted their right to claim that land and U.S. culture as their own.
Mestizos Come Home! explores key areas of change that Mexican Americans have brought to the United States. These areas include the recognition of mestizo identity, especially its historical development across the nineteenth and twentieth centuries; the re-emergence of indigenous relationships to land; and the promotion of Mesoamerican conceptions of the human body. Clarifying and bridging critical gaps in cultural history, Davis-Undiano considers important artifacts from the past and present, connecting the casta (caste) paintings of eighteenth-century Mexico to modern-day artists including John Valadez, Alma López, and Luis A. Jiménez Jr. He also examines such community celebrations as Day of the Dead, Cinco de Mayo, and lowrider car culture as examples of mestizo influence on mainstream American culture. Woven throughout is the search for meaning and understanding of mestizo identity.
A large-scale landmark account of Mexican American culture, Mestizos Come Home! shows that mestizos are essential to U.S. national culture. As an argument for social justice and a renewal of America’s democratic ideals, this book marks a historic cultural homecoming.
Mestizos Come Home! explores key areas of change that Mexican Americans have brought to the United States. These areas include the recognition of mestizo identity, especially its historical development across the nineteenth and twentieth centuries; the re-emergence of indigenous relationships to land; and the promotion of Mesoamerican conceptions of the human body. Clarifying and bridging critical gaps in cultural history, Davis-Undiano considers important artifacts from the past and present, connecting the casta (caste) paintings of eighteenth-century Mexico to modern-day artists including John Valadez, Alma López, and Luis A. Jiménez Jr. He also examines such community celebrations as Day of the Dead, Cinco de Mayo, and lowrider car culture as examples of mestizo influence on mainstream American culture. Woven throughout is the search for meaning and understanding of mestizo identity.
A large-scale landmark account of Mexican American culture, Mestizos Come Home! shows that mestizos are essential to U.S. national culture. As an argument for social justice and a renewal of America’s democratic ideals, this book marks a historic cultural homecoming.
House Built on Ashes: A Memoir
Book 20 · Feb 2017 ·
5.0star
The year is 2009, and José Antonio Rodríguez, a doctoral student at Binghamton University in upstate New York, is packing his suitcase, getting ready to spend the Thanksgiving holiday with his parents in South Texas. He soon learns from his father that a drug cartel has overtaken the Mexican border village where he was born. Now, because of the violence there, he won’t be able to visit his early-childhood home. Instead, his memories will have to take him back.
Thus, Rodríguez begins a meditative journey into the past. Through a series of vignettes, he mines the details of a childhood and adolescence fraught with deprivation but offset by moments of tenderness and beauty. Suddenly he is four years old again, and his mother is feeding him raw sugarcane for the first time. With the sweetness still on his tongue, he runs to a field, where he falls asleep under a glowing pink sky.
The conditions of rural poverty prove too much for his family to bear, and Rodríguez moves with his mother and three of his nine siblings across the border to McAllen, Texas. Now a resident of the “other side,” Rodríguez experiences the luxury of indoor toilets and gazes at television commercials promising more food than he has ever seen. But there is no easy passage into this brighter future.
Poignant and lyrical, House Built on Ashes contemplates the promises, limitations, and contradictions of the American Dream. Even as it tells a deeply personal story, it evokes larger political, cultural, and social realities. It speaks to what America is and what it is not. It speaks to a world of hunger, prejudice, and far too many boundaries. But it speaks, as well, to the redemptive power of beauty and its life-sustaining gift of hope.
Other Musics: New Latina Poetry
Book 22 · Apr 2019 ·
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Latina poets occupy an important place in today’s literary landscape. Coming from diverse backgrounds, they share an understanding of what it means to exist within the margins of society. As artists, they possess a dedication to their craft and a commitment to experimentation. Their voices—sometimes lyrical, sometimes autobiographical, sometimes politically charged—are distinctly female. Whereas previous anthologies have merged the works of Latino and Latina poets, this collection is the first to showcase Latina poetry on its own terms.
For years readers have admired the poetry of prominent Latina authors Cherríe Moraga, Ana Castillo, and Sandra Cisneros. Building on their inspirational legacy, Other Musics heralds a new generation of Latina poets whose work blends traditional forms and styles with postmodern innovations. These poets do not fit neatly into one category. They come from all walks of life, from remarkably varied class, ethnic, occupational, and educational backgrounds. Their topics and concerns are wide-ranging. All of the poets, according to volume editor Cynthia Cruz, are creating “a new kind of music,” one that embraces the “in-between” and bicultural world that Latina women must constantly straddle.
The fifteen poets featured in this anthology are Desirée Alvarez, Karen Bradway, Xochiquetzal Candelaria, Diana Maria Delgado, Natalie Diaz, Carolina Ebeid, Sandy Florian, Carrie Fountain, Leticia Hernández-Linares, Ada Limón, Sheryl Luna, Kristin Naca, Deborah Paredez, Emmy Pérez, and Carmen Giménez Smith. Along with an ample selection of each of their poetry, Other Musics features an artist statement by each poet, in which she discusses her work, her writing practice, how she became a writer, and her views on the purpose and mission of poetry in the contemporary world.
This American Autopsy: Poems
Book 23 · Aug 2019 ·
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In this powerful collection of free-verse poetry, immigrant, poet, and memoirist José Antonio Rodríguez encapsulates the experiences of an artist and citizen caught between two worlds. At once deeply personal and thematically expansive, these works offer a bracing look at the darker impulses of contemporary America.
Saturated with allusions to family, immigration, sexuality, and violence, This American Autopsy is also an unsettling meditation on life and death. With its provocative title, the collection calls to mind an image of our nation as a body awaiting examination to determine the cause of death. In this scenario the poet vacillates between various roles: coroner, pathologist, and the body itself.
Some of the poems in this collection look to the past: events such as the Space Shuttle Challenger explosion or the author’s first trip to an American grocery store. Others muse on more recent tragedies, including the racial violence in Ferguson, Missouri, and the illicit drug trade. A few of the poems are written in Spanish, and the volume concludes with two English translations of these poems, which the author originally wrote in his native language.
Even as he paints a vivid picture of American diversity, Rodriguez exposes the deterioration of our nation—broken promises, failed prosperity, the shattering of dreams. Intimate and urgent, these timely dispatches from the Texas-Mexico border reveal the tensions and contradictions of today’s America.