Candace Bushnell

Candace Bushnell is an American novelist and television producer based in New York City. Raised in Connecticut, she wrote a column for the New York Observer from 1994 to 1996, which was adapted into the bestselling Sex and the City anthology. The book was the basis for the HBO hit series Sex and the City and two subsequent movies. She followed the bestselling work with the international bestselling novels 4 Blondes, Trading Up, Lipstick Jungle, One Fifth Avenue, The Carrie Diaries and Summer and the City. Two of her novels have been adapted for television: Lipstick Jungle on NBC, and The Carrie Diaries on the CW. One Fifth Avenue has been optioned by the Mark Gordon Company and ABC for yet another television show.
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Twenty years after her sharp, seminal first book Sex and the City reshaped the landscape of pop culture and dating with its fly on the wall look at the mating rituals of the Manhattan elite, the trailblazing Candace Bushnell delivers a new book on the wilds and lows of sex and dating after fifty.

Set between the Upper East Side of Manhattan and a country enclave known as The Village, Is There Still Sex in the City? gathers Bushnell’s signature short, sharp, satirical commentaries on the love and dating habits of middle aged men and women as they continue to navigate the ever-modernizing world of relationships. Throughout, Bushnell documents 21st century dating phenomenon, such as the “Unintended Cub Situation” in which a sensible older woman suddenly becomes the love interest of a much younger man, the “Mona Lisa” Treatment—a vaginal restorative surgery often recommended to middle aged women, and what it’s really like to go on Tinder dates as a fifty something divorcee. Bushnell also updates one of her most celebrated stories from Sex and the City, “The Bicycle Boys,” a breed of New York man who was always trying to bring his bike up to women’s apartments. Once an anomaly, Bushnell charts their new ubiquitousness, in addition to where, and how to do your own man stalking via bicycle (and whether or not it’s worth it).

In Is There Still Sex in The City? Bushnell looks at love and life from all angles—marriage and children, divorce and bereavement, as well as the very real pressures on women to maintain their youth and have it all. This is a pull-no-punches social commentary and an indispensable companion to one of the most revolutionary dating books of the twentieth century.

From one of the most consistently astute and engaging social commentators of our day comes another look at the tough and tender women of New York City--this time, through the lens of where they live. One Fifth Avenue, the Art Deco beauty towering over one of Manhattan's oldest and most historically hip neighborhoods, is a one-of-a-kind address, the sort of building you have to earn your way into--one way or another. For the women in Candace Bushnell's new novel, One Fifth Avenue, this edifice is essential to the lives they've carefully established--or hope to establish. From the hedge fund king's wife to the aging gossip columnist to the free-spirited actress (a recent refugee from L.A.), each person's game plan for a rich life comes together under the soaring roof of this landmark building. Acutely observed and mercilessly witty, One Fifth Avenue is a modern-day story of old and new money, that same combustible mix that Edith Wharton mastered in her novels about New York's Gilded Age and F. Scott Fitzgerald illuminated in his Jazz Age tales. Many decades later, Bushnell's New Yorkers suffer the same passions as those fictional Manhattanites from eras past: They thirst for power, for social prominence, and for marriages that are successful--at least to the public eye. But Bushnell is an original, and One Fifth Avenue is so fresh that it reads as if sexual politics, real estate theft, and fortunes lost in a day have never happened before. From Sex and the City through four successive novels, Bushnell has revealed a gift for tapping into the zeitgeist of any New York minute and, as one critic put it, staying uncannily "just the slightest bit ahead of the curve." And with each book, she has deepened her range, but with a light touch that makes her complex literary accomplishments look easy. Her stories progress so nimbly and ring so true that it can seem as if anyone might write them--when, in fact, no one writes novels quite like Candace Bushnell. Fortunately for us, with One Fifth Avenue, she has done it again.
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