NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
The Washington Post • The New York Times Book Review • NPR • BookPage • LibraryReads • Minneapolis Star Tribune • St. Louis Post-Dispatch
Look for Elizabeth Strout’s highly anticipated new work of fiction, Anything Is Possible, which is available for pre-order now.
Lucy Barton is recovering slowly from what should have been a simple operation. Her mother, to whom she hasn’t spoken for many years, comes to see her. Gentle gossip about people from Lucy’s childhood in Amgash, Illinois, seems to reconnect them, but just below the surface lie the tension and longing that have informed every aspect of Lucy’s life: her escape from her troubled family, her desire to become a writer, her marriage, her love for her two daughters. Knitting this powerful narrative together is the brilliant storytelling voice of Lucy herself: keenly observant, deeply human, and truly unforgettable.
Praise for My Name Is Lucy Barton
“There is not a scintilla of sentimentality in this exquisite novel. Instead, in its careful words and vibrating silences, My Name Is Lucy Barton offers us a rare wealth of emotion, from darkest suffering to—‘I was so happy. Oh, I was happy’—simple joy.”—Claire Messud, The New York Times Book Review
“Spectacular . . . Smart and cagey in every way. It is both a book of withholdings and a book of great openness and wisdom. . . . [Strout] is in supreme and magnificent command of this novel at all times.”—Lily King, The Washington Post
“A short novel about love, particularly the complicated love between mothers and daughters, but also simpler, more sudden bonds . . . It evokes these connections in a style so spare, so pure and so profound the book almost seems to be a kind of scripture or sutra, if a very down-to-earth and unpretentious one.”—Marion Winik, Newsday
“Potent with distilled emotion. Without a hint of self-pity, Strout captures the ache of loneliness we all feel sometimes.”—Time
“An aching, illuminating look at mother-daughter devotion.”—People
“A quiet, sublimely merciful contemporary novel about love, yearning, and resilience in a family damaged beyond words.”—The Boston Globe
“Sensitive, deceptively simple . . . It is Lucy’s gentle honesty, complex relationship with her husband, and nuanced response to her mother’s shortcomings that make this novel so subtly powerful. . . . [It’s] more complex than it first appears, and all the more emotionally persuasive for it.”—San Francisco Chronicle
“Strout maps the complex terrain of human relationships by focusing on that which is often unspoken and only implied. . . . A powerful addition to Strout’s body of work.”—The Seattle Times
“[Strout] reminds us of the power of our stories—and our ability to transcend our troubled narratives.”—Miami Herald
One of Entertainment Weekly’s 10 Best Books of 2017 So Far
Recalling Olive Kitteridge in its richness, structure, and complexity, Anything Is Possible explores the whole range of human emotion through the intimate dramas of people struggling to understand themselves and others.
Here are two sisters: One trades self-respect for a wealthy husband while the other finds in the pages of a book a kindred spirit who changes her life. The janitor at the local school has his faith tested in an encounter with an isolated man he has come to help; a grown daughter longs for mother love even as she comes to accept her mother’s happiness in a foreign country; and the adult Lucy Barton (the heroine of My Name Is Lucy Barton, the author’s celebrated New York Times bestseller) returns to visit her siblings after seventeen years of absence.
Reverberating with the deep bonds of family, and the hope that comes with reconciliation, Anything Is Possible again underscores Elizabeth Strout’s place as one of America’s most respected and cherished authors.
Praise for Anything Is Possible
“When Elizabeth Strout is on her game, is there anybody better? . . . This is a generous, wry book about everyday lives, and Strout crawls so far inside her characters you feel you inhabit them. . . . This is a book that earns its title. Try reading it without tears, or wonder.”—USA Today (four stars)
“Readers who loved My Name Is Lucy Barton . . . are in for a real treat. . . . Strout is a master of the story cycle form. . . . She paints cumulative portraits of the heartache and soul of small-town America by giving each of her characters a turn under her sympathetic spotlight.”—NPR
“These stories return Strout to the core of what she does more magnanimously than anyone else.”—The Washington Post
“In this wise and accomplished book, pain and healing exist in perpetual dependence, like feuding siblings.”—The Wall Street Journal
“Anything Is Possible confirms Strout as one of our most grace-filled, and graceful, writers.”—The Boston Globe
“Stunning . . . Strout, always good, just keeps getting better.”—Vogue
“Smart and soulful.”—Elle
In a voice more powerful and compassionate than ever before, New York Times bestselling author Elizabeth Strout binds together thirteen rich, luminous narratives into a book with the heft of a novel, through the presence of one larger-than-life, unforgettable character: Olive Kitteridge.
At the edge of the continent, Crosby, Maine, may seem like nowhere, but seen through this brilliant writer’s eyes, it’s in essence the whole world, and the lives that are lived there are filled with all of the grand human drama–desire, despair, jealousy, hope, and love.
At times stern, at other times patient, at times perceptive, at other times in sad denial, Olive Kitteridge, a retired schoolteacher, deplores the changes in her little town and in the world at large, but she doesn’t always recognize the changes in those around her: a lounge musician haunted by a past romance: a former student who has lost the will to live: Olive’s own adult child, who feels tyrannized by her irrational sensitivities; and Henry, who finds his loyalty to his marriage both a blessing and a curse.
As the townspeople grapple with their problems, mild and dire, Olive is brought to a deeper understanding of herself and her life–sometimes painfully, but always with ruthless honesty. Olive Kitteridge offers profound insights into the human condition–its conflicts, its tragedies and joys, and the endurance it requires.
NAMED ONE OF THE BEST BOOK OF THE YEAR BY
People • USA Today • The Atlantic • The Washington Post Book World • Seattle Post-Intelligencer • Entertainment Weekly • The Christian Science Monitor • San Francisco Chronicle • Salon • San Antonio Express-News • Chicago Tribune • The Wall Street Journal
“Perceptive, deeply empathetic . . . Olive is the axis around which these thirteen complex, relentlessly human narratives spin themselves into Elizabeth Strout’s unforgettable novel in stories.”—O: The Oprah Magazine
“Fiction lovers, remember this name: Olive Kitteridge. . . . You’ll never forget her. . . . [Elizabeth Strout] constructs her stories with rich irony and moments of genuine surprise and intense emotion. . . . Glorious, powerful stuff.”—USA Today
“Funny, wicked and remorseful, Mrs. Kitteridge is a compelling life force, a red-blooded original. When she’s not onstage, we look forward to her return. The book is a page-turner because of her.”—San Francisco Chronicle
“Olive Kitteridge still lingers in memory like a treasured photograph.”—Seattle Post-Intelligencer
“Rarely does a story collection pack such a gutsy emotional punch.”—Entertainment Weekly
“Strout animates the ordinary with astonishing force. . . . [She] makes us experience not only the terrors of change but also the terrifying hope that change can bring: she plunges us into these churning waters and we come up gasping for air.”—The New Yorker
BONUS: This edition includes an excerpt from Elizabeth Strout’s The Burgess Boys.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
The Washington Post • NPR • Good Housekeeping
Elizabeth Strout “animates the ordinary with an astonishing force,” wrote The New Yorker on the publication of her Pulitzer Prize–winning Olive Kitteridge. The San Francisco Chronicle praised Strout’s “magnificent gift for humanizing characters.” Now the acclaimed author returns with a stunning novel as powerful and moving as any work in contemporary literature.
Haunted by the freak accident that killed their father when they were children, Jim and Bob Burgess escaped from their Maine hometown of Shirley Falls for New York City as soon as they possibly could. Jim, a sleek, successful corporate lawyer, has belittled his bighearted brother their whole lives, and Bob, a Legal Aid attorney who idolizes Jim, has always taken it in stride. But their long-standing dynamic is upended when their sister, Susan—the Burgess sibling who stayed behind—urgently calls them home. Her lonely teenage son, Zach, has gotten himself into a world of trouble, and Susan desperately needs their help. And so the Burgess brothers return to the landscape of their childhood, where the long-buried tensions that have shaped and shadowed their relationship begin to surface in unexpected ways that will change them forever.
With a rare combination of brilliant storytelling, exquisite prose, and remarkable insight into character, Elizabeth Strout has brought to life two deeply human protagonists whose struggles and triumphs will resonate with readers long after they turn the final page. Tender, tough-minded, loving, and deeply illuminating about the ties that bind us to family and home, The Burgess Boys is Elizabeth Strout’s newest and perhaps most astonishing work of literary art.
Look for special features inside. Join the Random House Reader’s Circle for author chats and more.
“What truly makes Strout exceptional . . . is the perfect balance she achieves between the tides of story and depths of feeling.”—Chicago Tribune
“Strout’s prose propels the story forward with moments of startlingly poetic clarity.”—The New Yorker
“Elizabeth Strout’s first two books, Abide with Me and Amy and Isabelle, were highly thought of, and her third, Olive Kitteridge, won the Pulitzer Prize in fiction. But The Burgess Boys, her most recent novel, is her best yet.”—The Boston Globe
“A portrait of an American community in turmoil that’s as ambitious as Philip Roth’s American Pastoral but more intimate in tone.”—Time
“[Strout’s] extraordinary narrative gifts are evident again. . . . At times [The Burgess Boys is] almost effortlessly fluid, with superbly rendered dialogue, sudden and unexpected bolts of humor and . . . startling riffs of gripping emotion.”—Associated Press
“[Strout] is at her masterful best when conjuring the two Burgess boys. . . . Scenes between them ring so true.”—San Francisco Chronicle
From the Trade Paperback edition.
In “Miss Lora,” Junot Díaz masterfully puts us in the mind of a teenage boy who throws aside his better sense and pursues an intimate affair with a high school teacher. Sheila Kohler tackles innocence and abuse as a child wanders away from her mother, in thrall to a stranger she believes is the “Magic Man.” Kirstin Valdez Quade’s “Nemecia” depicts the after-effects of a secret, violent family trauma. Joan Wickersham’s “The Tunnel” is a tragic love story about a mother’s declining health and her daughter’s helplessness as she struggles to balance her responsibility to her mother and her own desires. New author Callan Wink’s “Breatharians” unsettles the reader as a farm boy shoulders a grim chore in the wake of his parents’ estrangement.
“Elizabeth Strout was a wonderful reader, an author who knows well that the sound of one’s writing is just as important as and indivisible from the content,” writes series editor Heidi Pitlor. “Here are twenty compellingly told, powerfully felt stories about urgent matters with profound consequences.”
In her luminous and long-awaited novel, bestselling author Elizabeth Strout welcomes readers back to the archetypal, lovely landscape of northern New England, where the events of her first novel, Amy and Isabelle, unfolded. In the late 1950s, in the small town of West Annett, Maine, a minister struggles to regain his calling, his family, and his happiness in the wake of profound loss. At the same time, the community he has served so charismatically must come to terms with its own strengths and failings—faith and hypocrisy, loyalty and abandonment—when a dark secret is revealed.
Tyler Caskey has come to love West Annett, “just up the road” from where he was born. The short, brilliant summers and the sharp, piercing winters fill him with awe—as does his congregation, full of good people who seek his guidance and listen earnestly as he preaches. But after suffering a terrible loss, Tyler finds it hard to return to himself as he once was. He hasn’t had The Feeling—that God is all around him, in the beauty of the world—for quite some time. He struggles to find the right words in his sermons and in his conversations with those facing crises of their own, and to bring his five-year-old daughter, Katherine, out of the silence she has observed in the wake of the family’s tragedy.
A congregation that had once been patient and kind during Tyler’s grief now questions his leadership and propriety. In the kitchens, classrooms, offices, and stores of the village, anger and gossip have started to swirl. And in Tyler’s darkest hour, a startling discovery will test his congregation’ s humanity—and his own will to endure the kinds of trials that sooner or later test us all.
In prose incandescent and artful, Elizabeth Strout draws readers into the details of ordinary life in a way that makes it extraordinary. All is considered—life, love, God, and community—within these pages, and all is made new by this writer’s boundless compassion and graceful prose.
BONUS: This edition includes an excerpt from Elizabeth Strout’s The Burgess Boys.
Praise for Abide with Me
“Strout’s greatly anticipated second novel . . . is an answered prayer.”—Vanity Fair
“Superb . . . a shimmering tale of loss, faith, and human fallibility . . . You feel yourself in the hands of a master storyteller.”—O: The Oprah Magazine
“Deeply moving . . . In one beautiful page after another, Strout captures the mysterious combinations of hope and sorrow. She sees all these wounded people with heartbreaking clarity, but she has managed to write a story that cradles them in understanding and that, somehow, seems like a foretaste of salvation.”—The Washington Post
“This lovely second novel confirms Strout as the possessor of an irresistibly companionable, peculiarly American voice: folksy, poetic, but always as precise as a shadow on a brilliant winter day.”—The Atlantic Monthly
“Graceful and moving . . . The pacing of Strout’s deeply felt fiction about the distance between parents and children gives her work an addictive quality.”—People (four stars)