One mild summer evening, a young couple are enjoying dinner while their daughter sleeps peacefully in her stroller under a tree. When her mother steps outside she is stunned: the child is covered in blood.
Inspector Sejer is called to the hospital to meet the family. Mercifully, the child is unharmed, but the parents are deeply shaken, and Sejer spends the evening trying to understand why anyone would carry out such a sinister prank. Then, just before midnight, somebody rings his doorbell.
No one is at the door, but the caller has left a small gray envelope on Sejer’s mat. From his living room window, the inspector watches a figure disappear into the darkness. Inside the envelope Sejer finds a postcard bearing a short message: Hell begins now.
“No one can thoroughly chill the blood the way Karin Fossum can . . . will put you away, no questions asked.”—Los Angeles Times
Suspicion immediately falls on Emil Mork, a local character who lives alone and hasn’t spoken since childhood. His mother insists on cleaning his house weekly—although she’s sometimes afraid of what she might find there. A mother’s worst nightmare in either case—to lose a child or to think a child capable of murder. As Ida’s relatives reach the breaking point and the media frenzy surrounding the case begins, Inspector Konrad Sejer is his usual calm and reassuring self. But he’s puzzled. And disturbed. This is the strangest case he’s seen in years.
Another brilliantly conceived, dark novel from one of Europe’s most successful crime writers.
Critically acclaimed across Europe, Karin Fossum's Inspector Sejer novels are masterfully constructed, psychologically convincing, and compulsively readable. They evoke a world that is at once profoundly disturbing and terrifyingly familiar.
In Bad Intentions, Konrad Sejer must face down his memories and fears as he struggles to determine why the corpses of troubled young men keep surfacing in local lakes.
The first victim, Jon Moreno, was getting better. His psychiatrist said so, and so did his new friend at the hospital, Molly Gram, with her little-girl-lost looks. He was racked by a mysterious guilt that had driven him to a nervous breakdown one year earlier. But when he drowns in Dead Water Lake, Sejer hesitates to call it a suicide.
Then another corpse is found in a lake, a Vietnamese immigrant. And Sejer begins to feel his age weigh on him. Does he still have the strength to pursue the elusive explanations for human evil?
This e-book includes a sample chapter of THE MURDER OF HARRIET KROHN.
Eva Magnus and her daughter are out walking by the river when a man’s body floats to the water’s surface. Eva goes to call the police, but when she reaches the phone, she dials another number altogether.
The police find the body anyway. Inspector Sejer and his team quickly determine that the man, Egil, died in a violent attack. But Egil has been missing for months and the trail to his killer is cold. It’s as puzzling as another unsolved case on Sejer’s desk: the murder of a prostitute, found dead just before Egil went missing. Sejer sets to work piecing together these two impossible cases; it's not long before he realizes that they aren’t as separate as they previously seemed.
Shrewdly, patiently, as is his way, Inspector Sejer confronts a case where the strangeness of the crime is matched only by the strangeness of the criminals, and where small-town prejudices warp every piece of information he tries to collect. Fossum once again provides extraordinary insight into marginalized lives and richly evokes the atmosphere she captured so brilliantly in Don't Look Back.
Carmen and Nicolai failed to resuscitate their son, Tommy, after finding him floating in their backyard pond. When Inspector Skarre arrives on the scene, Carmen reports that Tommy, a healthy toddler with Down syndrome, wandered into the garden while Nicolai was working in the basement and she was cleaning the house. Skarre senses something is off with Carmen’s story and consults his trusted colleague, the famed Inspector Sejer. An autopsy reveals Tommy’s lungs to be full of soap.
When Sejer and Skarre revisit the couple, Carmen, an epileptic, changes her story, confessing that she’d been knocked unconscious by a seizure while bathing Tommy. When she came to, she found him drowned in the tub and, horrified and frightened, threw him into the pond.
But Skarre and Sejer’s doubt is not appeased and the case is reopened. What more could Carmen be hiding? And what lengths will she take to cover her guilt? As Carmen’s own family starts to doubt her, Skarre and Sejer work to find the truth.
“One of the standouts of the Nordic thriller boom.” — New York Magazine
“No one can thoroughly chill the blood the way Karin Fossum can.” — Los Angeles Times
“A truly great writer and explorer of the human mind.” — Jo Nesbø
“The queen of Norwegian crime fiction . . . Prolific and brilliant.” —Men’s Journal
Charlo Torp, a newly recovered gambler, makes his way through the slush to Harriet Krohn’s apartment, flowers in hand. Determined to pay off his debts, Charlo plans to steal the old woman’s antique silver collection. But he didn’t expect her to put up a fight. The following morning, Inspector Sejer is called to the scene to investigate. Harriet is dead, her silver missing, and the only clue in the apartment is an abandoned bouquet. When Charlo sees the news, he knows he should be relieved, but he’s heard of Sejer’s amazing record — the detective has solved every case he’s ever been assigned to.
Told through the eyes of a killer, The Murder of Harriet Krohn poses the question: How far would you go to turn your life around, and could you live with yourself afterward?
Riktor doesn’t like the way the policeman storms into his home without even knocking. He doesn’t like the arrogant way he walks around the house, taking note of its contents. The policeman doesn’t bother to explain why he’s there, and Riktor is too afraid to ask. He knows he’s guilty of a terrible crime and he’s sure the policeman has found him out. But when the policeman finally does arrest him, it’s for something totally unexpected. Riktor doesn’t have a clear conscience, but the crime he’s being accused of is one he certainly didn’t commit. Imprisoned and desperate to break out, he fights to clear his name without further incriminating himself, in a gripping standalone novel from “a truly great writer” (Jo Nesbø).