Roald Dahl's The Witches

ā§¨ā§Ļā§¨ā§Ļ â€ĸ ā§§ā§Ļā§Ē āĻŽāĻŋāĻ¨āĻŋāĻŸ
ā§Š.ā§Ļ
ā§§ā§ŽāĻŸāĻŋ āĻ°āĻŋāĻ­āĻŋāĻ‰
49%
āĻŸāĻŽā§‡āĻŸā§‹āĻŽāĻŋāĻŸāĻžāĻ°
PG
āĻ°ā§‡āĻŸāĻŋāĻ‚
āĻ‰āĻĒāĻ¯ā§āĻ•ā§āĻ¤
āĻ“ā§Ÿā§‡āĻŦ āĻŦā§āĻ°āĻžāĻ‰āĻœāĻžāĻ° āĻŦāĻž āĻŦā§āĻ¯āĻŦāĻšāĻžāĻ°āĻ¯ā§‡āĻžāĻ—ā§āĻ¯ āĻĄāĻŋāĻ­āĻžāĻ‡āĻ¸ā§‡ āĻĻā§‡āĻ–ā§āĻ¨Â āĻ†āĻ°āĻ“ āĻœāĻžāĻ¨ā§āĻ¨
āĻ†āĻĒāĻ¨āĻžāĻ° āĻ­āĻžāĻˇāĻžāĻ¯āĻŧ āĻ…āĻĄāĻŋāĻ“ āĻ•āĻŋāĻ‚āĻŦāĻž āĻ¸āĻžāĻŦāĻŸāĻžāĻ‡āĻŸā§‡āĻ˛ āĻ‰āĻĒāĻ˛āĻŦā§āĻ§ āĻ¨ā§ŸāĨ¤ āĻ¸āĻžāĻŦāĻŸāĻžāĻ‡āĻŸā§‡āĻ˛ āĻ†āĻ‡āĻ¸āĻ˛ā§āĻ¯āĻžāĻ¨ā§āĻĄā§€āĻ¯āĻŧ, āĻ†āĻ°āĻŦāĻŋ, āĻ‡āĻ‚āĻ°ā§‡āĻœāĻŋ, āĻ‡āĻ¤āĻžāĻ˛āĻŋāĻ¯āĻŧ, āĻāĻ¸ā§āĻ¤ā§‹āĻ¨ā§€āĻ¯āĻŧ, āĻ“āĻ˛āĻ¨ā§āĻĻāĻžāĻœ, āĻ•ā§‹āĻ°āĻŋāĻ¯āĻŧāĻžāĻ¨, āĻ•ā§āĻ¯āĻžāĻ¨ā§āĻŸā§‹āĻ¨āĻŋāĻœ, āĻ•ā§āĻ°ā§‹āĻ¯āĻŧā§‡āĻļā§€āĻ¯āĻŧ, āĻ—ā§āĻ°āĻŋāĻ•, āĻšā§€āĻ¨āĻž (āĻāĻ¤āĻŋāĻšā§āĻ¯āĻŦāĻžāĻšā§€), āĻšā§‡āĻ•, āĻœāĻžāĻĒāĻžāĻ¨āĻŋ, āĻœāĻžāĻ°ā§āĻŽāĻžāĻ¨, āĻĄā§‡āĻ¨āĻŋāĻļ, āĻĨāĻžāĻ‡, āĻ¨āĻ°āĻ“āĻ¯āĻŧā§‡āĻœā§€āĻ¯āĻŧ, āĻĒāĻ°ā§āĻ¤ā§āĻ—ā§€āĻœ (āĻĒāĻ°ā§āĻ¤ā§āĻ—āĻžāĻ˛), āĻĒāĻ°ā§āĻ¤ā§āĻ—ā§€āĻœ (āĻŦā§āĻ°āĻžāĻœāĻŋāĻ˛), āĻĒā§‹āĻ˛āĻŋāĻļ, āĻĢāĻ°āĻžāĻ¸āĻŋ (āĻĢā§āĻ°āĻžāĻ¨ā§āĻ¸), āĻĢāĻŋāĻ¨āĻŋāĻļ, āĻ°ā§āĻļ, āĻ˛āĻžāĻ¤ā§â€ŒāĻ­ā§€āĻ¯āĻŧ, āĻ˛āĻŋāĻĨā§āĻ¯āĻŧā§‡āĻ¨ā§€āĻ¯āĻŧ, āĻ¸ā§āĻ‡āĻĄāĻŋāĻļ, āĻ¸ā§āĻĒā§āĻ¯āĻžāĻ¨āĻŋāĻļ, āĻ¸ā§āĻĒā§āĻ¯āĻžāĻ¨āĻŋāĻļ (āĻ˛āĻžāĻ¤āĻŋāĻ¨ āĻ†āĻŽā§‡āĻ°āĻŋāĻ•āĻž) āĻāĻŦāĻ‚ āĻšāĻžāĻ™ā§āĻ—ā§‡āĻ°ā§€āĻ¯āĻŧ āĻ­āĻžāĻˇāĻžā§Ÿ āĻ†āĻ›ā§‡āĨ¤

āĻāĻ‡ āĻ¸āĻŋāĻ¨ā§‡āĻŽāĻžāĻ° āĻŦāĻŋāĻˇā§Ÿā§‡

Reimagining Roald Dahl's beloved story for a modern audience, Robert Zemeckis's visually innovative THE WITCHES tells the darkly humorous and heartwarming tale of a young orphaned boy (Bruno) who, in late 1967, goes to live with his loving Grandma (Spencer) in the rural Alabama town of Demopolis. The boy and his grandmother come across some deceptively glamorous but thoroughly diabolical witches, so Grandma wisely whisks our young hero away to an opulent seaside resort. Regrettably, they arrive at precisely the same time that the world's Grand High Witch (Hathaway) has gathered her fellow cronies from around the globe—undercover—to carry out her nefarious plans.
āĻ°ā§‡āĻŸāĻŋāĻ‚
PG

āĻ°ā§‡āĻŸāĻŋāĻ‚ āĻ“ āĻĒāĻ°ā§āĻ¯āĻžāĻ˛ā§‹āĻšāĻ¨āĻžāĻ—ā§āĻ˛āĻŋ

ā§Š.ā§Ļ
ā§§ā§ŽāĻŸāĻŋ āĻ°āĻŋāĻ­āĻŋāĻ‰
H H
ā§¨ā§§ āĻ†āĻ—āĻ¸ā§āĻŸ, ā§¨ā§Ļā§¨ā§¨
I have to say that this remake is appalling. It is no longer a children's movie. I would advise people, not to watch this with their younger kids. The the mouth is disturbing as well. The grand high witch pulling him out of the vent is equally creepy. You took a much-loved piece of my childhood and ruined it. I'm only giving this movie one star because I have to rate it to leave a review.
āĻāĻŸāĻŋ āĻ•āĻŋ āĻ†āĻĒāĻ¨āĻžāĻ° āĻ•āĻžāĻœā§‡ āĻ˛ā§‡āĻ—ā§‡āĻ›ā§‡?
Krueger's Kid
ā§¨ā§Ž āĻāĻĒā§āĻ°āĻŋāĻ˛, ā§¨ā§Ļā§¨ā§¨
COMPLETELY AWFUL. I'm a fan of Chris Rock but hearing his scratchy high-pitched voice versus a calm and sweet grandmother as the narrator just turned me off immediately. The original is still better. Also it really felt like Anne Hathaway didn't even try. Like seriously, stop agreeing to everything.
āĻāĻŸāĻŋ āĻ•āĻŋ āĻ†āĻĒāĻ¨āĻžāĻ° āĻ•āĻžāĻœā§‡ āĻ˛ā§‡āĻ—ā§‡āĻ›ā§‡?
Bizzzy
ā§¨ā§­ āĻœā§āĻ˛āĻžāĻ‡, ā§¨ā§Ļā§¨ā§¨
More scarier than expected. Anne was a good actor in the movie. Although disappointed at the execution and the worst movie I have seen in 5 years
āĻāĻŸāĻŋ āĻ•āĻŋ āĻ†āĻĒāĻ¨āĻžāĻ° āĻ•āĻžāĻœā§‡ āĻ˛ā§‡āĻ—ā§‡āĻ›ā§‡?

āĻāĻ‡ āĻ¸āĻŋāĻ¨ā§‡āĻŽāĻžāĻŸāĻŋāĻ•ā§‡ āĻ°ā§‡āĻŸ āĻĻāĻŋāĻ¨

āĻ†āĻĒāĻ¨āĻžāĻ° āĻŽāĻ¤āĻžāĻŽāĻ¤ āĻœāĻžāĻ¨āĻžāĻ¨āĨ¤