The Goldfinch

2020 โ€ข 150 ื“ืงื•ืช
3.7
3 ื‘ื™ืงื•ืจื•ืช
25%
Tomatometer
ืฆืคื™ื™ื” ืžื•ื’ื‘ืœืช
ื“ื™ืจื•ื’
ื›ืฉื™ืจ
ืœืฆืคื™ื™ื” ื‘ื“ืคื“ืคืŸ ืื™ื ื˜ืจื ื˜ ืื• ื‘ืžื›ืฉื™ืจื™ื ื ืชืžื›ื™ืย ืžื™ื“ืข ื ื•ืกืฃ
ืื™ืŸ ืื•ื“ื™ื• ื•ื›ืชื•ื‘ื™ื•ืช ื‘ืฉืคื” ืฉืœืš. ื™ืฉ ื›ืชื•ื‘ื™ื•ืช ื‘ืื™ื˜ืœืงื™ืช, ืื™ืกืœื ื“ื™ืช, ืื ื’ืœื™ืช, ืืกื˜ื•ื ื™ืช, ื’ืจืžื ื™ืช, ื“ื ื™ืช, ื”ื•ืœื ื“ื™ืช, ื”ื•ื ื’ืจื™ืช, ื˜ื•ืจืงื™ืช, ื™ื•ื•ื ื™ืช, ื™ืคื ื™ืช, ืœื˜ื‘ื™ืช, ืœื™ื˜ืื™ืช, ื ื•ืจื•ื•ื’ื™ืช, ืกื™ื ื™ืช (ืžืกื•ืจืชื™), ืกื™ื ื™ืช (ืคืฉื•ื˜), ืกืœื•ื‘ื ื™ืช, ืกืคืจื“ื™ืช, ืกืคืจื“ื™ืช (ืืžืจื™ืงื” ื”ืœื˜ื™ื ื™ืช), ืขืจื‘ื™ืช, ืคื•ืœื ื™ืช, ืคื•ืจื˜ื•ื’ื–ื™ืช (ื‘ืจื–ื™ืœ), ืคื•ืจื˜ื•ื’ื–ื™ืช (ืคื•ืจื˜ื•ื’ืœ), ืคื™ื ื™ืช, ืฆืจืคืชื™ืช (ืฆืจืคืช), ืฆืณื›ื™ืช, ืงื ื˜ื•ื ื–ื™ืช, ืงืจื•ืื˜ื™ืช, ืจื•ืกื™ืช, ืฉื•ื•ื“ื™ืช ื•ืชืื™ืช.

ืžื™ื“ืข ืขืœ ืกืจื˜ ื–ื”

Theodore โ€œTheoโ€ Decker (Ansel Elgort) was 13 years old when his mother was killed in a bombing at the Metropolitan Museum of Art. The tragedy changes the course of his life, sending him on a stirring odyssey of grief and guilt, reinvention and redemption, and even love. Through it all, he holds on to one tangible piece of hope from that terrible day...a painting of a tiny bird chained to its perch. The Goldfinch.
ื“ื™ืจื•ื’
ืฆืคื™ื™ื” ืžื•ื’ื‘ืœืช

ื“ื™ืจื•ื’ื™ื ื•ื‘ื™ืงื•ืจื•ืช

3.7
3 ื‘ื™ืงื•ืจื•ืช
ะ”ะพะจะธะ ะฐะš ะดะžัˆะ˜ั€ะะบ
30 ื‘ื™ื ื•ืืจ 2020
ะญั‚ะพั‚ ั„ะธะปัŒะผ ะทะฐัั‚ะฐะฒะธะป ะผะตะฝั ะฟั€ะพัะปะตะทะธะปัั ๐Ÿ’ซ๐Ÿ˜ข
ื”ื‘ื™ืงื•ืจืช ื”ื–ื• ื”ื•ืขื™ืœื” ืœ-8 ืื ืฉื™ื.