All About My Mother

āļž.āļĻ. 2542 â€Ē 101 āļ™āļēāļ—āļĩ
4.5
107 āļĢāļĩāļ§āļīāļ§
98%
Tomatometer
R
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āļĄāļĩāļŠāļīāļ—āļ˜āļīāđŒ
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āđ„āļĄāđˆāļĄāļĩāđ€āļŠāļĩāļĒāļ‡āļŦāļĢāļ·āļ­āļ„āļģāļšāļĢāļĢāļĒāļēāļĒāđƒāļ™āļ āļēāļĐāļēāļ‚āļ­āļ‡āļ„āļļāļ“ āļ„āļģāļšāļĢāļĢāļĒāļēāļĒāļ—āļĩāđˆāļžāļĢāđ‰āļ­āļĄāđƒāļŠāđ‰āļ‡āļēāļ™āđ€āļ›āđ‡āļ™āļ āļēāļĐāļēāļ­āļąāļ‡āļāļĪāļĐ

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Pedro AlmodÃģvar directed this story of a woman and her circle of friends who find themselves suffering a variety of emotional crises. Manuela (Cecilia Roth) is a single mother who has raised her son, Esteban (Eloy Azorín), to adulthood on her own and has come to emotionally depend on him. One night, Manuela and Esteban take in a production of +A Streetcar Named Desire; after the show, Esteban is struck and killed by a passing motorist as he dashes into the street to get an autograph from Huma Rojo (Marisa Paredes), who played Blanche. Emotionally devastated, Manuela relocates to Barcelona in hopes of finding her ex-husband (and Esteban's father), who is now working as a female impersonator. Manuela becomes reacquainted with old friend La Agrado (Antonia San Juan), a transsexual, and is introduced to Sister Rosa (PenÃĐlope Cruz), a good-hearted nun who has to contend with her considerably more cynical mother (Rosa María Sardà). While looking for work, Manuela becomes acquainted with Huma Rojo. Huma, on the other hand, has troubles of her own, most involving her drug-addicted significant other, Nina (Candela PeÃąa). Displaying AlmodÃģvar's trademark visual style and a unusually strong sense of character-driven drama, Todo Sobre Mi Madre/All About My Mother received a highly anticipated theatrical run in Spain before winning the Best Director award at the 1999 Cannes Film Festival; in 2000, AlmodÃģvar would receive the Academy Award for Best Foreign Language Film. ÂĐ 1999 El Deseo D.A., S.L.U. and Pathe Renn Production S.A.S. All Rights Reserved.
āļ„āļ°āđāļ™āļ™
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āļāļēāļĢāđƒāļŦāđ‰āļ„āļ°āđāļ™āļ™āđāļĨāļ°āļĢāļĩāļ§āļīāļ§

4.5
107 āļĢāļĩāļ§āļīāļ§
Karina Xiong
16 āļāļļāļĄāļ āļēāļžāļąāļ™āļ˜āđŒ 2559
I liked it good enough. I didn't really feel a real connection with any of the characters but they were likeable enough and the story is okay.
11 āļ„āļ™āļžāļšāļ§āđˆāļēāļĢāļĩāļ§āļīāļ§āļ™āļĩāđ‰āļĄāļĩāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒ
āļ„āļļāļ“āļ„āļīāļ”āļ§āđˆāļēāđ€āļ™āļ·āđ‰āļ­āļŦāļēāļ™āļĩāđ‰āļĄāļĩāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļŦāļĢāļ·āļ­āđ„āļĄāđˆ
Sam UrbÃīn
18 āđ€āļĄāļĐāļēāļĒāļ™ 2561
This is one of the best movies I've ever seen! Extremely European, and the subject matter is fascinating and different than mainstream movies
āļ„āļļāļ“āļ„āļīāļ”āļ§āđˆāļēāđ€āļ™āļ·āđ‰āļ­āļŦāļēāļ™āļĩāđ‰āļĄāļĩāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļŦāļĢāļ·āļ­āđ„āļĄāđˆ
angelica porras
22 āļ˜āļąāļ™āļ§āļēāļ„āļĄ 2559
something different very nice movie Thank u Pedro Almodovar
4 āļ„āļ™āļžāļšāļ§āđˆāļēāļĢāļĩāļ§āļīāļ§āļ™āļĩāđ‰āļĄāļĩāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒ
āļ„āļļāļ“āļ„āļīāļ”āļ§āđˆāļēāđ€āļ™āļ·āđ‰āļ­āļŦāļēāļ™āļĩāđ‰āļĄāļĩāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļŦāļĢāļ·āļ­āđ„āļĄāđˆ

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