Anomalisa

реирежрезрел тАв репреж рдорд┐рдирд┐рдЯреЗ
рей.рен
рейренреж рдкрд░реАрдХреНрд╖рдг
91%
рдЯреЛрдореЕрдЯреЛрдореАрдЯрд░
R
рд░реЗрдЯрд┐рдВрдЧ
рдкрд╛рддреНрд░
рд╡реЗрдм рдмреНрд░рд╛рдЙрдЭрд░рд╡рд░ рдХрд┐рдВрд╡рд╛ рд╕рдкреЛрд░реНрдЯ рдЕрд╕рд▓реЗрд▓реНрдпрд╛ рдбрд┐рд╡реНрд╣рд╛рдЗрд╕рд╡рд░ рдкрд╣рд╛┬ардЕрдзрд┐рдХ рдЬрд╛рдгреВрди рдШреНрдпрд╛
рддреБрдордЪреНрдпрд╛ рднрд╛рд╖реЗрдд рдСрдбрд┐рдУ рдХрд┐рдВрд╡рд╛ рдЙрдкрд╢реАрд░реНрд╖рдХреЗ рдЙрдкрд▓рдмреНрдз рдирд╛рд╣реАрдд. рдЙрдкрд╢реАрд░реНрд╖рдХреЗ рдЗрдВрдЧреНрд░рдЬреА рдордзреНрдпреЗ рдЙрдкрд▓рдмреНрдз рдЖрд╣реЗрдд.

рдпрд╛ рдЪрд┐рддреНрд░рдкрдЯрд╛рд╡рд┐рд╖рдпреА

From the Oscar-winner who brought you ETERNAL SUNSHINE OF THE SPOTLESS MIND and BEING JOHN MALKOVICH comes a riveting new masterpiece. Michael Stone - husband father and noted author - travels to Cincinnati to speak at a customer service conference. But once he's separated from the routine of his daily life a chance encounter helps him to realize just what and whom he's been missing. Love laughter and loneliness align in a staggeringly inventive (Chris Nashawaty Entertainment Weekly) stop-motion work of art from directors Charlie Kaufman and Duke Johnson.
рд░реЗрдЯрд┐рдВрдЧ
R

рд░реЗрдЯрд┐рдВрдЧ рдЖрдгрд┐ рдкреБрдирд░рд╛рд╡рд▓реЛрдХрдиреЗ

рей.рен
рейренреж рдкрд░реАрдХреНрд╖рдгреЗ
Kit Stephenson
рейреж рдорд╛рд░реНрдЪ, реирежрезрем
Tried so hard but fails so much harder. If you like uncomfortably watching middle-aged fat puppets shower and f*** stop-animation-style you'd be better off watching Team America: World Police. At least you'd get a laugh out of Team America with some sort of plot line unlike Amonolisa which is just garbage.
реп рд▓реЛрдХрд╛рдВрдирд╛ рд╣реЗ рдкрд░реАрдХреНрд╖рдг рдЙрдкрдпреБрдХреНрдд рд╡рд╛рдЯрд▓реЗ
рд╣реЗ рддреБрдореНрд╣рд╛рд▓рд╛ рдЙрдкрдпреБрдХреНрдд рд╡рд╛рдЯрд▓реЗ рдХрд╛?
Trevor B
реиреж рдПрдкреНрд░рд┐рд▓, реирежрезрем
Absolutely, unforgivably terrible. This movie will have you repeatedly cringing at both the despicable nature of the primary protagonists, and also the intentional and heavily misguided doses of awkwardness injected into the film on a constant basis. Only a sycophantic audience would appreciate a movie so utterly deprived of even a small dose of meaning. The trailer for this movie was the true work of art - it painted a beautiful picture of a spiritual awakening coming to a man drowned in the ordinary... the movie, however, shows only the half-hearted depravity of one man's midlife crisis bursting it's way forth in a gurgle of dry dialogue. We can, of course, all speculate as to what this may "mean", but the movie itself gives us nearly nothing to go on... it does not explain why he finds so much of his life to be meaningless, and it furthermore very unapologetically reveals the protagonists as intellectually and morally dishonest. There is nothing to love in those two. If you're looking for a hallow movie masquerading as a lucidity-inducing drama, look no further... go grab you're thick rimmed glasses and your favorite flannel shirt. For everyone else, steer clear...
рд╣реЗ рддреБрдореНрд╣рд╛рд▓рд╛ рдЙрдкрдпреБрдХреНрдд рд╡рд╛рдЯрд▓реЗ рдХрд╛?
Joel Frisch
реирео рдорд╛рд░реНрдЪ, реирежрезрем
This movie was tremendously reaching for some kind of existential meaning. It falls flat. Those who found this 'cerebral' are likely the same who think anything mildly artistic needs to be celebrated. I am highly disappointed. I love movies like Eternal Sunshine..., Frequencies, and Waking Life but Anomalisa squandered it's artistic edge for a sub-par plot. This film is horrendously overrated.
резрео рд▓реЛрдХрд╛рдВрдирд╛ рд╣реЗ рдкрд░реАрдХреНрд╖рдг рдЙрдкрдпреБрдХреНрдд рд╡рд╛рдЯрд▓реЗ
рд╣реЗ рддреБрдореНрд╣рд╛рд▓рд╛ рдЙрдкрдпреБрдХреНрдд рд╡рд╛рдЯрд▓реЗ рдХрд╛?

рд╣рд╛ рдЪрд┐рддреНрд░рдкрдЯ рд░реЗрдЯ рдХрд░рд╛

рддреБрдореНрд╣рд╛рд▓рд╛ рдХрд╛рдп рд╡рд╛рдЯрддреЗ рддреЗ рдЖрдореНрд╣рд╛рд▓рд╛ рд╕рд╛рдВрдЧрд╛.