Tom Grimes
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17 แแแแแแแ แ, 2019 It was entertaining. The storyline was intact, coherent, dragged a bit in the Dern-Sorvino-Makely-at-the-ranch segment (could have used some tightening), but otherwise was plausible. I noticed the six shooters had historically correct firing pins...a Peter Sherayko touch, I suspect. The four most consistent flaws were these: (1) The music was overbearing and could have been eliminated in places or could have benefitted from a lighter, less heavy-handed mix. It competed at times with the dialog. If this is re-released in the future, I'd re-mix the music. (2) The characters' word choices were too articulate. They used words that seemed inappropriate at times...too literate, They spoke like Yale graduates. (3) Makely over acted in places, at times too theatrical, He could have backed off a little...lightened up. (4) I thought the Wainwright character (Jeff Fahey) talked too much. A bit cartoonish. Justin Lee (the screenwriter) could have made Huxley Wainwright a little less cloying by being less articulate and more to-the-point. Sorvino and Wyss came across as seasoned, experienced artists who knew how to play their parts properly.Finally, in the final sequence, when Breecher came out of the hotel into the street shooting, was the sound of Breecher's gun firing enhanced with a vocal tone subtly mixed in by the sound editor? Maybe not. But the sound of Breecher's gun was particularly effective -- powerful. If the audio was deliberately mixed to make the gun sound like that, it was a nice touch.