Beowulf

২০০৭ • ১১৪ মিনিট

এই চলচ্চিত্ৰখনৰ বিষয়ে

In the age of heroes comes the mightiest warrior of them all, Beowulf. After destroying the overpowering demon Grendel, he incurs the undying wrath of the beast's ruthlessly seductive mother who will use any means possible to ensure revenge.

মূল্যাংকন আৰু পৰ্যালোচনাসমূহ

I have never read the original book, but I do know the storyline of it, and it is a captivating epic about good-versus-evil where a mighty man of pride fights three of the most notorious monsters. The story of "Beowulf" shows an example that heroes will always be remembered and their legends never die. I am highly satisfied with Robert Zemeckis's immersive and riveting take on the epic tale; I had a blast, it took my breath away, and it's entertainment value is pleasing and satisfying. Robert's vision for this enthralling epic shall be glorified; Not only that the exterior is stunning, the whole movie itself is stunning. This film based on the epic poem is not only about protecting others for pride and courage, it is also about lust and fallibility. Robert did a fantastic job with his direction, and has given the storytelling some structure and has added more meaningful stuff here that makes his version strongly executed. The pacing here has been provided carefully for gripping execution. The screenplay by Neil Gaiman and Roger Avary is well-wrought with some awe-inspiring set-pieces; there are some ominous moments involving the water reflection. Also at times, the camera really shows that it's not always the tone that can deliver uneasy suspense. And the gruesome action sequences are undeniably rousing with intense energy and ingenious imagery. There is even some funny unintentionally comedy due to it's well-utilized tone. As far as animation goes, the character animation is an eye-popping combination of motion capture and uncanny valley that was used for "The Polar Express." But the character animation here looks even more realistic with great precision; in fact, the designs look so photorealistic with striking detail and structure, that it can be quite hard to tell that the characters are animated. That is how astonishing the character animation is. Visually, the movie is stunning to look at with a great sense of scope with epic vistas. The superbly-written dialogue has some fun admirable lines that are unforgettable. Some lines were funny and some are admirable. The cast did a phenomenal job with their vigorous performances that were wonderfully directed, and it's pleasing to watch; giving their characters flashy personalities. Beowulf (Ray Winstone) is a masculine flawed hero with a legend that remains undead for eternity due to his brazen attitude and physical power towards heroism. He is also a forgiving man that sincerely accepts an apology. King Hrothgar (Anthony Hopkins) has a thick jolly personality as he appreciates Beowulf, because he sees Beowulf their only hope that can save their endangered lives as he has heard the stories of Beowulf. Both Beowulf and King Hrothgar are sympathetic because they have dead family members; Beowulf lost his father, and Hrothgar lost his children. Wiglaf (Brendan Gleeson) is Beowulf's lieutenant who will always be by his side and be there for him. Queen Wealtheow and Ursala are agreeable beautiful women. There are some amusing moments with Unferth and Hondshew with his no-nonsense wife. Grendel (Crispin Glover) represents Hrothgar's shame. Not only that he is a devastating demon with raucous screams and a horrendous appearance, but he is also a sympathetic antagonist. His mother (Angelina Jolie) is luscious and ominous at the same time with her slithery personality, which creates a haunting effect that provides anxious tension. There is a monstrous fire-breathing dragon that could represent Satan, as it burned down a cross, as well as causing terror and destruction. The presence of the dragon is daunting. The simple yet epic score by Alan Silvestri has been a huge dramatic journey for my ears as it successfully supports the entire movie with impressive results. In conclusion: There is no denying that Robert Zemeckis's take on the ancient epic is absolutely spectacular and hugely enjoyable; the best animated film I've ever seen since "The Polar Express." Highly Recommended!

I see why they used the motion-capture CG effect in this film (does that technique have a name yet?) as it allows several advantages over traditional film and special effects. Some of the camera moves are completely nuts and put to shame even what was accomplished in The Matrix Trilogy. The story, characters, and effects all work when applied in the correct way: Anthony Hopkins as a rotund and heirless king works; Angelina Jolie as the naked demonic temptress works; Brendan Gleeson as the noble and devoted second-in-command works; Ray Winstone as the chiseled and flawed hero in the titular role? Not so much. Maybe it's because I always picture good ol' Ray as the porky Cockney that he is. (Incidentally, when he's playing a hefty talking beaver in The Chronicles of Narnia, that works OK.) This to me was the film's only major flaw, although it starts to go away as the film goes on. Or at least, you forgive it more. I really wonder if they wanted someone like Russell Crowe to play the part; maybe he was busy. Most of the film is forgettable, but it is a well done and sometimes enjoyable forgettable.

Good rendition that made some probably necessary changes for film and modern audiences. And that is fine...after all, Beowulf the poem would have been adapted by different singers over centuries.. The filmmakers did a good job showing the hero ethic that Beowulf embodied. **Spoiler** They added a Arthurian style romance to the mix (romance with water demon). Even that is OK if one reflects that there were old Germanic legends of water spirits, luring men to their deaths, like Kelpies.