Aves de Presa y la fantabulosa emancipación de una Harley Quinn

2020 • 108 minutos

Acerca de esta película

¿Alguna vez te han contado la historia sobre la policía, la chica rubia, la psicópata y la princesa de la mafia? Aves de Presa y la fantabulosa emancipación de una Harley Quinn es una retorcida historia contada por la propia Harley, como solo ella puede hacerlo. Cuando Roman Sionis, uno de los villanos más perversos de Ciudad Gótica, y Zsasz, su despiadado secuaz, se marcan como objetivo a una joven llamada Cass, la ciudad entera se vuelca en su búsqueda. Los caminos de Harley, Cazadora, Canario Negro y Renée Montoya se entrecruzan y no tienen más remedio que formar un equipo para detener a Roman.

Calificaciones y opiniones

Don't believe the hype. Whilst Margot Robbie returns on form and Ewan McGregor tries his best, this movie barely goes anywhere for a hour in terms of plot, which basically kills the film before it gets going. Nothing more than exhaustingly repetitive fight scenes, largely unimaginative violence (the only stand out scene being the police station), gratuitous swearing and (apart from Robbie and McGregor) tiresome acting and pointless backstory. Suicide Squad was a mess, this is no better.

Bland, boring and unenjoyable. I'm surprised that it's not unbearably woke, but that doesn't mean it's good. The acting is poor (the only one who cared was Jurnee Smollett-Bell), the story was not engaging, and has debatably the worse marketing ever. They didn't want men to watch it, they blamed men for it being a flop, and they have the balls to say women like it, when I know a lot of women who don't like it, or don't want to support them. Don't bother wasting your money.

One of the few enjoyable films in the "DCEU". Birds of Prey is grungy, bloody fun which at times reminded me of William Friedkin’s ‘Sorcerer’ (1977), in that it deftly juggles a group of separate characters, setting-up and fleshing-out each one’s disparate stakes in the proceedings, before bringing them all together at the end for the showdown. The staging and the choreography of both the action and the script is really good, when you’d otherwise think that with so many elements in the mix, it ought to have been a complete mess. But then, the screenplay is written by Christina Hodson who also scripted Bumblebee (2018), which much like 'BOP', is a really great instalment in a notoriously messy franchise.