Black Girl

1966 โ€ข 59 แž“แžถแž‘แžธ
4.8
แž€แžถแžšแžœแžถแž™แžแž˜แŸ’แž›แŸƒ 5
94%
Tomatometer
แž˜แžถแž“แžŸแžทแž‘แŸ’แž’แžท
แž˜แžพแž›แž“แŸ…แž€แŸ’แž“แžปแž„แž€แž˜แŸ’แž˜แžœแžทแž’แžธแžšแžปแž€แžšแž€แžแžถแž˜แžขแŸŠแžธแž“แž’แžบแžŽแžทแž แžฌแž“แŸ…แž›แžพแžงแž”แž€แžšแžŽแŸแžŠแŸ‚แž›แžขแžถแž…แž”แŸ’แžšแžพแž”แžถแž“ย แžŸแŸ’แžœแŸ‚แž„แž™แž›แŸ‹แž”แž“แŸ’แžแŸ‚แž˜
แž˜แžทแž“แžแžถแžŸแŸ†แžกแŸแž„ แžฌแžขแž€แŸ’แžŸแžšแžšแžแŸ‹แž‚แžบแž˜แžทแž“แž˜แžถแž“แž‡แžถแž—แžถแžŸแžถแžšแž”แžŸแŸ‹แžขแŸ’แž“แž€แž‘แŸแŸ” แžขแž€แŸ’แžŸแžšแžšแžแŸ‹แž˜แžถแž“แž‡แžถแž—แžถแžŸแžถ แžขแž„แŸ‹แž‚แŸ’แž›แŸแžŸ แŸ”

แžขแŸ†แž–แžธแž—แžถแž–แž™แž“แŸ’แžโ€‹แž“แŸแŸ‡โ€‹

Ousmane Sembรจne was one of the greatest and most groundbreaking filmmakers who ever lived, as well as the most renowned African director of the twentieth centuryโ€”and yet his name still deserves to be better known in the rest of the world. He made his feature debut in 1966 with the brilliant and stirring Black Girl. Sembรจne, who was also an acclaimed novelist in his native Senegal, transforms a deceptively simple plotโ€”about a young Senegalese woman who moves to France to work for a wealthy white family and finds that life in their small apartment becomes a prison, both figuratively and literallyโ€”into a complexly layered critique of the lingering colonialist mind-set of a supposedly postcolonial world. Featuring a moving central performance by MBissine Thรฉrรจse Diop, Black Girl is a harrowing human drama as well as a radical political statementโ€”and one of the essential films of the 1960s.

แž€แžถแžšแžŠแžถแž€แŸ‹แž•แŸ’แž€แžถแž™ แž“แžทแž„แž˜แžแžทแžœแžถแž™แžแž˜แŸ’แž›แŸƒ

4.8
แž€แžถแžšแžœแžถแž™แžแž˜แŸ’แž›แŸƒ 5
ARR
12 แžœแžทแž…แŸ’แž†แžทแž€แžถ 2018
This movie is powerful and though my personal experiences are irrelevant, it clearly captures many of the expectations and feelings of that of some of my coworkers when traveling to work as domestic help abroad. Its a story about a woman who jumps at at an opportunity for a new life. Though we may not all have the same experiences I am sure many can relate!
แž˜แž“แžปแžŸแŸ’แžŸ 5 แž“แžถแž€แŸ‹โ€‹แž”แžถแž“แž™แž›แŸ‹แžแžถโ€‹แž€แžถแžšแžœแžถแž™แžแž˜แŸ’แž›แŸƒแž“แŸแŸ‡โ€‹แž˜แžถแž“แž”แŸ’แžšแž™แŸ„แž‡แž“แŸ
แžแžพแžขแŸ’แž“แž€โ€‹แž™แž›แŸ‹แžแžถโ€‹แž€แžถแžšแžœแžถแž™แžแž˜แŸ’แž›แŸƒแž“แŸแŸ‡โ€‹แž˜แžถแž“แž”แŸ’แžšแž™แŸ„แž‡แž“แŸโ€‹แžŠแŸ‚แžšแž‘แŸ?

แžœแžถแž™แžแž˜แŸ’แž›แŸƒโ€‹แž—แžถแž–แž™แž“แŸ’แžโ€‹แž“แŸแŸ‡

แž”แŸ’แžšแžถแž”แŸ‹แž™แžพแž„แžขแŸ†แž–แžธแž€แžถแžšแž™แž›แŸ‹แžƒแžพแž‰แžšแž”แžŸแŸ‹แžขแŸ’แž“แž€แŸ”