Motherless Brooklyn

ā§¨ā§Ļā§§ā§¯ â€ĸ ā§§ā§Ēā§Ē āĻŽāĻŋāĻ¨āĻŋāĻŸ
ā§Ē.ā§§
ā§Ŧā§ŽāĻŸāĻŋ āĻ°āĻŋāĻ­āĻŋāĻ‰
64%
āĻŸāĻŽā§‡āĻŸā§‹āĻŽāĻŋāĻŸāĻžāĻ°
R
āĻ°ā§‡āĻŸāĻŋāĻ‚
āĻ‰āĻĒāĻ¯ā§āĻ•ā§āĻ¤
āĻ“ā§Ÿā§‡āĻŦ āĻŦā§āĻ°āĻžāĻ‰āĻœāĻžāĻ° āĻŦāĻž āĻŦā§āĻ¯āĻŦāĻšāĻžāĻ°āĻ¯ā§‡āĻžāĻ—ā§āĻ¯ āĻĄāĻŋāĻ­āĻžāĻ‡āĻ¸ā§‡ āĻĻā§‡āĻ–ā§āĻ¨Â āĻ†āĻ°āĻ“ āĻœāĻžāĻ¨ā§āĻ¨
āĻ†āĻĒāĻ¨āĻžāĻ° āĻ­āĻžāĻˇāĻžāĻ¯āĻŧ āĻ…āĻĄāĻŋāĻ“ āĻ•āĻŋāĻ‚āĻŦāĻž āĻ¸āĻžāĻŦāĻŸāĻžāĻ‡āĻŸā§‡āĻ˛ āĻ‰āĻĒāĻ˛āĻŦā§āĻ§ āĻ¨ā§ŸāĨ¤ āĻ¸āĻžāĻŦāĻŸāĻžāĻ‡āĻŸā§‡āĻ˛ āĻ†āĻ‡āĻ¸āĻ˛ā§āĻ¯āĻžāĻ¨ā§āĻĄā§€āĻ¯āĻŧ, āĻ†āĻ°āĻŦāĻŋ, āĻ‡āĻ‚āĻ°ā§‡āĻœāĻŋ, āĻ‡āĻ¤āĻžāĻ˛āĻŋāĻ¯āĻŧ, āĻāĻ¸ā§āĻ¤ā§‹āĻ¨ā§€āĻ¯āĻŧ, āĻ“āĻ˛āĻ¨ā§āĻĻāĻžāĻœ, āĻ•ā§‹āĻ°āĻŋāĻ¯āĻŧāĻžāĻ¨, āĻ•ā§āĻ¯āĻžāĻ¨ā§āĻŸā§‹āĻ¨āĻŋāĻœ, āĻ—ā§āĻ°āĻŋāĻ•, āĻšā§€āĻ¨āĻž (āĻāĻ¤āĻŋāĻšā§āĻ¯āĻŦāĻžāĻšā§€), āĻšā§€āĻ¨āĻž (āĻ¸āĻ°āĻ˛ā§€āĻ•ā§ƒāĻ¤), āĻšā§‡āĻ•, āĻœāĻžāĻĒāĻžāĻ¨āĻŋ, āĻœāĻžāĻ°ā§āĻŽāĻžāĻ¨, āĻĄā§‡āĻ¨āĻŋāĻļ, āĻĨāĻžāĻ‡, āĻ¨āĻ°āĻ“āĻ¯āĻŧā§‡āĻœā§€āĻ¯āĻŧ, āĻĒāĻ°ā§āĻ¤ā§āĻ—ā§€āĻœ (āĻĒāĻ°ā§āĻ¤ā§āĻ—āĻžāĻ˛), āĻĒāĻ°ā§āĻ¤ā§āĻ—ā§€āĻœ (āĻŦā§āĻ°āĻžāĻœāĻŋāĻ˛), āĻĒā§‹āĻ˛āĻŋāĻļ, āĻĢāĻ°āĻžāĻ¸āĻŋ (āĻĢā§āĻ°āĻžāĻ¨ā§āĻ¸), āĻĢāĻŋāĻ¨āĻŋāĻļ, āĻ°ā§āĻļ, āĻ˛āĻžāĻ¤ā§â€ŒāĻ­ā§€āĻ¯āĻŧ, āĻ¸ā§āĻ‡āĻĄāĻŋāĻļ, āĻ¸ā§āĻĒā§āĻ¯āĻžāĻ¨āĻŋāĻļ, āĻ¸ā§āĻĒā§āĻ¯āĻžāĻ¨āĻŋāĻļ (āĻ˛āĻžāĻ¤āĻŋāĻ¨ āĻ†āĻŽā§‡āĻ°āĻŋāĻ•āĻž), āĻ¸ā§āĻ˛ā§‹āĻ­ā§‡āĻ¨ā§€āĻ¯āĻŧ āĻāĻŦāĻ‚ āĻšāĻžāĻ™ā§āĻ—ā§‡āĻ°ā§€āĻ¯āĻŧ āĻ­āĻžāĻˇāĻžā§Ÿ āĻ†āĻ›ā§‡āĨ¤

āĻāĻ‡ āĻ¸āĻŋāĻ¨ā§‡āĻŽāĻžāĻ° āĻŦāĻŋāĻˇā§Ÿā§‡

Set against the backdrop of 1950s New York, “Motherless Brooklyn” follows Lionel Essrog (Edward Norton), a lonely private detective afflicted with Tourette's Syndrome, as he ventures to solve the murder of his mentor and only friend, Frank Minna (Bruce Willis). Armed only with a few clues and the powerful engine of his obsessive mind, Lionel unravels closely-guarded secrets that hold the fate of the whole city in the balance. In a mystery that carries him from gin-soaked jazz clubs in Harlem to the hard-edged slums of Brooklyn and, finally, into the gilded halls of New York's power brokers, Lionel contends with thugs, corruption and the most dangerous man in the city to honor his friend and save the woman who might be his own salvation.
āĻ°ā§‡āĻŸāĻŋāĻ‚
R

āĻ°ā§‡āĻŸāĻŋāĻ‚ āĻ“ āĻĒāĻ°ā§āĻ¯āĻžāĻ˛ā§‹āĻšāĻ¨āĻžāĻ—ā§āĻ˛āĻŋ

ā§Ē.ā§§
ā§Ŧā§ŽāĻŸāĻŋ āĻ°āĻŋāĻ­āĻŋāĻ‰
Michelle Ware-White
ā§Ģ āĻĢā§‡āĻŦā§āĻ°ā§āĻ¯āĻŧāĻžāĻ°ā§€, ā§¨ā§Ļā§¨ā§Ļ
Saw it was ok but glad I didn't go to the show for this one. I wish Edward Norton would pick better movies since he he's such a great actor.
āĻāĻŸāĻŋ āĻ•āĻŋ āĻ†āĻĒāĻ¨āĻžāĻ° āĻ•āĻžāĻœā§‡ āĻ˛ā§‡āĻ—ā§‡āĻ›ā§‡?
Joaquin Cano
ā§§ā§¯ āĻŽā§‡, ā§¨ā§Ļā§¨ā§Ļ
Jonathan Lethem is an old friend of mine, I grew up across the street from him, we lived on State Street in Boerum Hill. Great novelist, good old friend I give the movie 4 stars, but give the book 5!
āĻāĻŸāĻŋ āĻ•āĻŋ āĻ†āĻĒāĻ¨āĻžāĻ° āĻ•āĻžāĻœā§‡ āĻ˛ā§‡āĻ—ā§‡āĻ›ā§‡?
Jaisri Lingappa
ā§Ē āĻ¸ā§‡āĻĒā§āĻŸā§‡āĻŽā§āĻŦāĻ°, ā§¨ā§Ļā§¨ā§§
Loved this movie! It is beautifully crafted with phenomenal acting, great characters, interesting storyline, music, and cinematography. I wish all movies were as creative as this one with their scores. For anyone interested in the history of New York City, in community battles to save neighborhoods, and in how racism was woven into the fabric of the twentieth century, this is a must-see movie. Edward Norton clearly knows a lot about how neighborhoods are destroyed. Yes, the movie is a bit long, but it had me engaged from start to finish. I wouldn't cut anything.
āĻāĻŸāĻŋ āĻ•āĻŋ āĻ†āĻĒāĻ¨āĻžāĻ° āĻ•āĻžāĻœā§‡ āĻ˛ā§‡āĻ—ā§‡āĻ›ā§‡?

āĻāĻ‡ āĻ¸āĻŋāĻ¨ā§‡āĻŽāĻžāĻŸāĻŋāĻ•ā§‡ āĻ°ā§‡āĻŸ āĻĻāĻŋāĻ¨

āĻ†āĻĒāĻ¨āĻžāĻ° āĻŽāĻ¤āĻžāĻŽāĻ¤ āĻœāĻžāĻ¨āĻžāĻ¨āĨ¤