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Double Di Trouble

āļž.āļĻ. 2557 â€Ē 107 āļ™āļēāļ—āļĩ
4.5
86 āļĢāļĩāļ§āļīāļ§
29%
Tomatometer
U
āļāļēāļĢāļˆāļąāļ”āļ›āļĢāļ°āđ€āļ āļ—
āđ„āļĄāđˆāļĄāļĩāđ€āļŠāļĩāļĒāļ‡āļŦāļĢāļ·āļ­āļ„āļģāļšāļĢāļĢāļĒāļēāļĒāđƒāļ™āļ āļēāļĐāļēāļ‚āļ­āļ‡āļ„āļļāļ“ āļ„āļģāļšāļĢāļĢāļĒāļēāļĒāļ—āļĩāđˆāļžāļĢāđ‰āļ­āļĄāđƒāļŠāđ‰āļ‡āļēāļ™āđ€āļ›āđ‡āļ™āļ āļēāļĐāļēāļ­āļąāļ‡āļāļĪāļĐ

āđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļ āļēāļžāļĒāļ™āļ•āļĢāđŒāđ€āļĢāļ·āđˆāļ­āļ‡āļ™āļĩāđ‰

Double Di Trouble, based on Comedy of Errors, Shakespeare's well-known play, takes a Desi avatar when father-son pair discover their mirror images in a different city. The riot of laughter begins when the people around this duplicate duo keep confusing between the two. The situation gets further confounded when the duo tries to put their own logic behind the new faces behaving like old pals. Hold your horses before you jump to conclusions. This is one of the morals of the film. For the rest, come and die with laughter and witness the legendary Dharmendra's first full-fledged foray in a Punjabi film alongside the reigning superstar, Gippy Grewal. (CBFC U DIL/1/103/2014-MUM)
āļ„āļ°āđāļ™āļ™
U

āļāļēāļĢāđƒāļŦāđ‰āļ„āļ°āđāļ™āļ™āđāļĨāļ°āļĢāļĩāļ§āļīāļ§

4.5
86 āļĢāļĩāļ§āļīāļ§
Prashu P
20 āļāļĢāļāļŽāļēāļ„āļĄ 2558
This was a really great movie and I would definitely recommend everyone to watch it. It is a movie fit for the whole family to watch and I guaranteed to make everyone laugh.
41 āļ„āļ™āļžāļšāļ§āđˆāļēāļĢāļĩāļ§āļīāļ§āļ™āļĩāđ‰āļĄāļĩāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒ
āļ„āļļāļ“āļ„āļīāļ”āļ§āđˆāļēāđ€āļ™āļ·āđ‰āļ­āļŦāļēāļ™āļĩāđ‰āļĄāļĩāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļŦāļĢāļ·āļ­āđ„āļĄāđˆ
Jatinder Kumar
20 āđ€āļĄāļĐāļēāļĒāļ™ 2561
This movie is full of comedy and kale letters mai type maine ainve hi nahi kita
āļ„āļļāļ“āļ„āļīāļ”āļ§āđˆāļēāđ€āļ™āļ·āđ‰āļ­āļŦāļēāļ™āļĩāđ‰āļĄāļĩāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļŦāļĢāļ·āļ­āđ„āļĄāđˆ
sourav sharma
2 āļāļĢāļāļŽāļēāļ„āļĄ 2559
Always sees something different from Gippy # No. 1 Punjabi actor
7 āļ„āļ™āļžāļšāļ§āđˆāļēāļĢāļĩāļ§āļīāļ§āļ™āļĩāđ‰āļĄāļĩāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒ
āļ„āļļāļ“āļ„āļīāļ”āļ§āđˆāļēāđ€āļ™āļ·āđ‰āļ­āļŦāļēāļ™āļĩāđ‰āļĄāļĩāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļŦāļĢāļ·āļ­āđ„āļĄāđˆ

āđƒāļŦāđ‰āļ„āļ°āđāļ™āļ™āļ āļēāļžāļĒāļ™āļ•āļĢāđŒāđ€āļĢāļ·āđˆāļ­āļ‡āļ™āļĩāđ‰

āđāļŠāļ”āļ‡āļ„āļ§āļēāļĄāđ€āļŦāđ‡āļ™āļ‚āļ­āļ‡āļ„āļļāļ“āđƒāļŦāđ‰āđ€āļĢāļēāļĢāļąāļšāļĢāļđāđ‰