From Noon Till Three

резрепренрем тАв репреп рдорд┐рдирд┐рдЯреЗ
43%
рдЯреЛрдореЕрдЯреЛрдореАрдЯрд░
PG
рд░реЗрдЯрд┐рдВрдЧ
рдкрд╛рддреНрд░
рд╡реЗрдм рдмреНрд░рд╛рдЙрдЭрд░рд╡рд░ рдХрд┐рдВрд╡рд╛ рд╕рдкреЛрд░реНрдЯ рдЕрд╕рд▓реЗрд▓реНрдпрд╛ рдбрд┐рд╡реНрд╣рд╛рдЗрд╕рд╡рд░ рдкрд╣рд╛┬ардЕрдзрд┐рдХ рдЬрд╛рдгреВрди рдШреНрдпрд╛
рддреБрдордЪреНрдпрд╛ рднрд╛рд╖реЗрдд рдСрдбрд┐рдУ рдХрд┐рдВрд╡рд╛ рдЙрдкрд╢реАрд░реНрд╖рдХреЗ рдЙрдкрд▓рдмреНрдз рдирд╛рд╣реАрдд. рдЙрдкрд╢реАрд░реНрд╖рдХреЗ рдЗрдВрдЧреНрд░рдЬреА рдордзреНрдпреЗ рдЙрдкрд▓рдмреНрдз рдЖрд╣реЗрдд.

рдпрд╛ рдЪрд┐рддреНрд░рдкрдЯрд╛рд╡рд┐рд╖рдпреА

Written and directed by Frank D. Gilroy, this Western casts Charles Bronson as Graham Dorsey, a two-bit Western outlaw who has a three-hour affair with lonely Amanda Starbuck (Jill Ireland). When Dorsey is reported killed, Starbuck capitalizes on her liaison by building up the "legend" of the supposed deceased outlaw. Soon Dorsey has become an icon, glorified in song, fable, and dime novels. Imagine Starbuck's discomfort when he turns up very much alive, and extremely upset at being turned into Amanda's own private cottage industry. At the end, Dorsey isn't even left with his own identity. This picture is somewhat unconventional for a Western, downplaying violence in favor of characterization and dark humor.
рд░реЗрдЯрд┐рдВрдЧ
PG