Get Out

ā§¨ā§Ļā§§ā§­ â€ĸ ā§§ā§Ļā§Ē āĻŽāĻŋāĻ¨āĻŋāĻŸ
ā§Ē.ā§Š
ā§§ā§Ģā§ĻāĻŸāĻŋ āĻ°āĻŋāĻ­āĻŋāĻ‰
98%
āĻŸāĻŽā§‡āĻŸā§‹āĻŽāĻŋāĻŸāĻžāĻ°
R
āĻ°ā§‡āĻŸāĻŋāĻ‚
āĻ‰āĻĒāĻ¯ā§āĻ•ā§āĻ¤
āĻ“ā§Ÿā§‡āĻŦ āĻŦā§āĻ°āĻžāĻ‰āĻœāĻžāĻ° āĻŦāĻž āĻŦā§āĻ¯āĻŦāĻšāĻžāĻ°āĻ¯ā§‡āĻžāĻ—ā§āĻ¯ āĻĄāĻŋāĻ­āĻžāĻ‡āĻ¸ā§‡ āĻĻā§‡āĻ–ā§āĻ¨Â āĻ†āĻ°āĻ“ āĻœāĻžāĻ¨ā§āĻ¨
āĻ†āĻĒāĻ¨āĻžāĻ° āĻ­āĻžāĻˇāĻžāĻ¯āĻŧ āĻ…āĻĄāĻŋāĻ“ āĻ•āĻŋāĻ‚āĻŦāĻž āĻ¸āĻžāĻŦāĻŸāĻžāĻ‡āĻŸā§‡āĻ˛ āĻ‰āĻĒāĻ˛āĻŦā§āĻ§ āĻ¨ā§ŸāĨ¤ āĻ¸āĻžāĻŦāĻŸāĻžāĻ‡āĻŸā§‡āĻ˛ āĻ‡āĻ‚āĻ°ā§‡āĻœāĻŋ, āĻ‡āĻ¤āĻžāĻ˛āĻŋāĻ¯āĻŧ, āĻ“āĻ˛āĻ¨ā§āĻĻāĻžāĻœ, āĻšā§€āĻ¨āĻž (āĻāĻ¤āĻŋāĻšā§āĻ¯āĻŦāĻžāĻšā§€), āĻœāĻžāĻĒāĻžāĻ¨āĻŋ, āĻœāĻžāĻ°ā§āĻŽāĻžāĻ¨, āĻĄā§‡āĻ¨āĻŋāĻļ, āĻ¤ā§āĻ°ā§āĻ•ā§€, āĻ¨āĻ°āĻ“āĻ¯āĻŧā§‡āĻœā§€āĻ¯āĻŧ, āĻĒāĻ°ā§āĻ¤ā§āĻ—ā§€āĻœ, āĻĒāĻ°ā§āĻ¤ā§āĻ—ā§€āĻœ (āĻŦā§āĻ°āĻžāĻœāĻŋāĻ˛), āĻĒā§‹āĻ˛āĻŋāĻļ, āĻĢāĻ°āĻžāĻ¸āĻŋ, āĻĢāĻŋāĻ¨āĻŋāĻļ, āĻ¸ā§āĻ‡āĻĄāĻŋāĻļ, āĻ¸ā§āĻĒā§āĻ¯āĻžāĻ¨āĻŋāĻļ, āĻ¸ā§āĻĒā§āĻ¯āĻžāĻ¨āĻŋāĻļ (āĻ˛āĻžāĻ¤āĻŋāĻ¨ āĻ†āĻŽā§‡āĻ°āĻŋāĻ•āĻž) āĻāĻŦāĻ‚ āĻšāĻžāĻ™ā§āĻ—ā§‡āĻ°ā§€āĻ¯āĻŧ āĻ­āĻžāĻˇāĻžā§Ÿ āĻ†āĻ›ā§‡āĨ¤

āĻāĻ‡ āĻ¸āĻŋāĻ¨ā§‡āĻŽāĻžāĻ° āĻŦāĻŋāĻˇā§Ÿā§‡

When Chris (Daniel Kaluuya), a young African-American man, visits his white girlfriend's (Allison Williams) family estate, he becomes ensnared in the more sinister, real reason for the invitation. At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he could have never imagined. This speculative thriller from Blumhouse (producers of The Visit, Insidious series and The Gift) and the mind of Jordan Peele (Key & Peele) is equal parts gripping thriller and provocative commentary.
āĻ°ā§‡āĻŸāĻŋāĻ‚
R

āĻ°ā§‡āĻŸāĻŋāĻ‚ āĻ“ āĻĒāĻ°ā§āĻ¯āĻžāĻ˛ā§‹āĻšāĻ¨āĻžāĻ—ā§āĻ˛āĻŋ

ā§Ē.ā§Š
ā§§ā§Ģā§ĻāĻŸāĻŋ āĻ°āĻŋāĻ­āĻŋāĻ‰
Erik G.
ā§§ā§¨ āĻœā§āĻ¨, ā§¨ā§Ļā§¨ā§¨
It's basically Skeleton Key but from an African American's perspective. The foreshadowing was pretty obvious and I was able to call the twists less than halfway in. That dropped the excitement and made it just a casual watch. It's still a 'decent' movie... I'm not disappointed... But it lost its luster early on for me. Not bad; could have been better.
āĻāĻŸāĻŋ āĻ•āĻŋ āĻ†āĻĒāĻ¨āĻžāĻ° āĻ•āĻžāĻœā§‡ āĻ˛ā§‡āĻ—ā§‡āĻ›ā§‡?
yadon kno
ā§§ā§Š āĻœā§āĻ¨, ā§¨ā§Ļā§¨ā§¨
I might be biased.. this movie was okay. I thought it was going to be a horror about how scary a group of people who don't relate to, know, or care about you can be. That racism would play in. Instead I got a sci Fi thriller. I've heard some people try and explain it to me, but I just can't shake that this is a dumbed down version of the movie I thought. That it needed to pull a shyamalan.
āĻāĻŸāĻŋ āĻ•āĻŋ āĻ†āĻĒāĻ¨āĻžāĻ° āĻ•āĻžāĻœā§‡ āĻ˛ā§‡āĻ—ā§‡āĻ›ā§‡?
Elektrik in der Luft (Ambient Music)
ā§¨ā§Š āĻ…āĻ•ā§āĻŸā§‹āĻŦāĻ°, ā§¨ā§Ļā§¨ā§¨
I was not really surprised by the so called plot twists. That's why my rating is so low in the first place. It is a good movie, but don't expect too much.
āĻāĻŸāĻŋ āĻ•āĻŋ āĻ†āĻĒāĻ¨āĻžāĻ° āĻ•āĻžāĻœā§‡ āĻ˛ā§‡āĻ—ā§‡āĻ›ā§‡?

āĻāĻ‡ āĻ¸āĻŋāĻ¨ā§‡āĻŽāĻžāĻŸāĻŋāĻ•ā§‡ āĻ°ā§‡āĻŸ āĻĻāĻŋāĻ¨

āĻ†āĻĒāĻ¨āĻžāĻ° āĻŽāĻ¤āĻžāĻŽāĻ¤ āĻœāĻžāĻ¨āĻžāĻ¨āĨ¤