Last Girl

2015 • 81 minuts

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The MOST EXTREME HORROR ever filmed. - Kidnapped and tortured, elite call girl "#12" must overcome her attackers and fight through a post-industrial hell to avoid the brutal filming of her own death. Last Girl builds to a shattering conclusion you will never forget. This footage was only previously available in the Detroit underground by reality filmmaker Jorje Krippe, and his extreme vision has now been released for the first time.

Puntuacions i ressenyes

You see nothing. It's not scary unless you find running in the dark sniveling and and crying at what could happen. Maybe, all be it gory, show what they do with the girls Instead of a head and blood on a guys crotch. Then maybe you'd feel more fear or shock. This did nothing in the way of being so called "extreme horror ". For you to say that you'd need to at least show the killings or torture. This movie did nithing. Many main stream horror films are alot more graphic in content. I'm wasting my time just to trash this movie so that no one wastes a penny on it. PLEASE AND I PROMISE YOU IF YOU WANT TO SEE A GORY HORROR FILM DO NOT RENT THIS. YOU WILL DEFINITELY REGRET IT I CAN PROMISE YOU THAT. GARBAGE. BTW I've never taken the time to write a 1 star review in all the hundreds of movies I've reviewed. That's how bad this was.

Instead of expecting the movie to be "the most brutal" thing you will ever see, try watching it in this context: Last Girl is a grueling and immersive film that challenges you to reconsider what you think about every gruesome film you have ever enjoyed. This is a movie that can hit you in the head and heart.

I read the bad reviews and still watched this film. I really liked it. I'm not blind, I see the flaws but I like these kinds of movies so I'm biased. I thought the big dude, David Kallaway was awesome. He did a great job, he's scary as hell in the movie. Katie Keene, the lead chick was awesome as well. If you like horror films and gore than this is a cool movie. If you are looking for some Disney BS keep it moving . . .