Black Christmas

реирежрезреп тАв репреи рдорд┐рдиреЗрдЯ
реи.реж
рейрел рд╕рдореАрдХреНрд╖рд╛рд╣рд░реВ
40%
Tomatometer
PG -13
рдореВрд▓реНрдпрд╛рдЩреНрдХрди
рдпреЛрдЧреНрдп
рдпреЛ рднрд┐рдбрд┐рдпреЛ рд╡реЗрдм рдмреНрд░рд╛рдЙрдЬрд░ рд╡рд╛ рдпреЛ рдПрдк рдЪрд▓реНрдиреЗ рдбрд┐рднрд╛рдЗрд╕рд╣рд░реВрдорд╛ рд╣реЗрд░реНрдиреБрд╣реЛрд╕реН┬ардердк рдЬрд╛рдиреНрдиреБрд╣реЛрд╕реН
рддрдкрд╛рдИрдВрдХреЛ рднрд╛рд╖рд╛рдорд╛ рди рдд рдЕрдбрд┐рдпреЛ рди рдЙрдк-рд╢реАрд░реНрд╖рдХрд╣рд░реВ рдЙрдкрд▓рдмреНрдз рдЫрдиреНтАМред рдЕрдЩреНрдЧреНрд░реЗрдЬреА,рдЗрдЯрд╛рд▓реЗрд▓реА, рдЗрд╕реНрдЯреЛрдирд┐рдпрди, рдЧреНрд░реАрдХ, рдЪрд┐рдирд┐рдпрд╛рдБ (рдкрд░рдореНрдкрд░рд╛рдЧрдд), рдЪреЗрдХ, рдЬрд░реНрдорди, рдЬрд╛рдкрд╛рдиреА, рдЯрд░реНрдХрд┐рд╢, рдбреЗрдирд┐рд╕, рдирд░реНрд╡реЗрд▓реА, рдкреЛрд░реНрддреБрдЧреА, рдкреЛрд░реНрддреБрдЧреА (рдмреНрд░рд╛рдЬрд┐рд▓), рдкреЛрд▓рд┐рд╕, рдлрд┐рдирд┐рд╕, рдлреНрд░рд╛рдиреНрд╕реЗрд▓реА, рдлреНрд░рд╛рдиреНрд╕реЗрд▓реА (рдХреНрдпрд╛рдирд╛рдбрд╛), рдмреБрд▓реНрдЧреЗрд░рд┐рдпрд╛рд▓реА, рд▓рд╛рддреНрднрд┐рдпрд╛рд▓реА, рд▓рд┐рдереБрдЖрдирд┐рдпрд╛рд▓реА, рд╕реНрдкреЗрдиреА, рд╕реНрд▓реЛрднреЗрдирд┐рдпрд╛рд▓реА, рд╕реНрд╡рд┐рдбрд┐рд╕ рд░ рд╣рдЩреНрдЧреЗрд░рд┐рдпрд╛рд▓реА рдорд╛ рдЙрдк-рд╢реАрд░реНрд╖рдХрд╣рд░реВ рдЙрдкрд▓рдмреНрдз рдЫрдиреНтАМред

рдпрд╕ рдЪрд▓рдЪрд┐рддреНрд░рдХрд╛ рдмрд╛рд░реЗрдорд╛

From the producer of Get Out and Halloween, comes a timely take on a cult horror classic as a campus killer comes to face a formidable group of friends in sisterhood. Hawthorne College is quieting down for the holidays. But as Riley Stone and her Mu Kappa Epsilon sisters prepare to deck the halls with a series of seasonal parties, a black-masked stalker begins killing sorority women one by one. As the body count rises, the sisters start to question whether they can trust any man. Whoever the killer is, he's about to discover that this generation's young women aren't about to be anybody's victims.
рдореВрд▓реНрдпрд╛рдЩреНрдХрди
PG -13

рдореВрд▓реНрдпрд╛рдЩреНрдХрди рд░ рд╕рдореАрдХреНрд╖рд╛рд╣рд░реВ

реи.реж
рейрел рд╕рдореАрдХреНрд╖рд╛рд╣рд░реВ
Franklin Matics
реирежреирез рдореЗ рей
Respect the cast and crew for trying. But Blumhouse didn't give the writers enough time to develop a proper story with proper characters. Good ideas and good kills, and it's admirable that the filmmakers wanted to make a movie to discuss serious issues with young teenage girls. But the supernatural horror, poorly made fight scenes, and the fact that the main characters basically murder innocent men. Good effort, but the nineteen seventy-five original is better. Also it's super boring.
рддрдкрд╛рдИрдВрд▓рд╛рдИ рдпреЛ рд╕рдореАрдХреНрд╖рд╛ рд╕рд╣рдпреЛрдЧреА рд▓рд╛рдЧреНрдпреЛ?
Jenna Moore
реирежреирез рдЬреБрди резрез
The classic black christmas is by far superior then, this dumpster fire! and wow a statue head with supernatural powers and brainwashed sorority members who dresses like a wannabe doctor doom cosplay outfit lol!!, not scary at all lol!! but great slapstick comedy movie I seen and a major disrespectful to movie slasher fans that's wants to enjoy a good movie.
рен рдЬрдирд╛ рдорд╛рдиреНрдЫреЗрд╣рд░реВрд▓рд╛рдИ рдпреЛ рд╕рдореАрдХреНрд╖рд╛ рдЙрдкрдпреЛрдЧреА рд▓рд╛рдЧреНрдпреЛ
рддрдкрд╛рдИрдВрд▓рд╛рдИ рдпреЛ рд╕рдореАрдХреНрд╖рд╛ рд╕рд╣рдпреЛрдЧреА рд▓рд╛рдЧреНрдпреЛ?
Sylvio
реирежреиреи рдорд╛рд░реНрдЪ реирек
I think that this film had a lot of potential, but it seems like the writers did not get a chance to fully develop an actual story. The 2006 film was a lot more fully-formed; and even though I wasn't a huge fan of the that one either, I do think it did a way better job at being a great horror film.
рддрдкрд╛рдИрдВрд▓рд╛рдИ рдпреЛ рд╕рдореАрдХреНрд╖рд╛ рд╕рд╣рдпреЛрдЧреА рд▓рд╛рдЧреНрдпреЛ?

рдпрд╕ рдЪрд▓рдЪрд┐рддреНрд░рдХреЛ рдореВрд▓реНрдпрд╛рдЩреНрдХрди рдЧрд░реНрдиреБрд╣реЛрд╕реН

рд╣рд╛рдореАрд▓рд╛рдИ рдЖрдлреНрдиреЛ рдзрд╛рд░рдгрд╛ рдмрддрд╛рдЙрдиреБрд╣реЛрд╕реНред