No Subtitles Necessary: Laszlo & Vilmos

2008 โ€ข 86 เดฎเดฟเดจเดฟเดฑเตเดฑเต
4.0
เด’เดฐเต เด…เดตเดฒเต‹เด•เดจเด‚
70%
Tomatometer
เดฏเต‹เด—เตเดฏเดคเดฏเตเดฃเตเดŸเต
เดตเต†เดฌเต เดฌเตเดฐเต—เดธเดฑเดฟเดฒเต‹ เดชเดฟเดจเตเดคเตเดฃเดฏเตเด•เตเด•เตเดจเตเดจ เด‰เดชเด•เดฐเดฃเด™เตเด™เดณเดฟเดฒเต‹ เด•เดพเดฃเตเด•ย เด•เต‚เดŸเตเดคเดฒเดฑเดฟเดฏเตเด•
เดจเดฟเด™เตเด™เดณเตเดŸเต† เดญเดพเดทเดฏเดฟเตฝ เด“เดกเดฟเดฏเต‹เดฏเต‹ เดธเดฌเตโ€ŒเดŸเตˆเดฑเตเดฑเดฟเดฒเตเด•เดณเต‹ เดฒเดญเตเดฏเดฎเดฒเตเดฒ. เด‡เด‚เด—เตเดฒเต€เดทเต เดญเดพเดทเด•เดณเดฟเตฝ เดธเดฌเตโ€ŒเดŸเตˆเดฑเตเดฑเดฟเดฒเตเด•เตพ เดฒเดญเตเดฏเดฎเดพเดฃเต.

เดˆ เดธเดฟเดจเดฟเดฎเดฏเต†เด•เตเด•เตเดฑเดฟเดšเตเดšเต

NO SUBTITLES NECESSARY follows the lives of renowned cinematographers Lรกszlรณ Kovacs and Vilmos Zsigmond from escaping the 1956 Soviet invasion of Hungary to present day. As film students in Hungary, they shot footage of the Russian invasion of Budapest and subsequently volunteered to smuggle it out of the country. Barely escaping with their lives, they fled to America and settled in Hollywood, eventually saving enough money to buy their own 16mm camera to begin shooting movies. Both rose to prominence in the late 60's and 70's having shot films such as "Easy Rider," "Five Easy Pieces," "McCabe and Mrs. Miller," "Deliverance," "Paper Moon," and "Close Encounters of the Third Kind." During that time, working with directors including Robert Altman, Bob Rafelson, Peter Bogdanovich, and Martin Scorsese, they helped define a new American film aesthetic, and pioneered innovative, fearless ways to tell stories. This is the story of a 50 year journey, an intimate portrait of two giants of modern image-making and their deep bond of brotherhood that transcended every imaginable boundary.

เดฑเต‡เดฑเตเดฑเดฟเด‚เด—เตเด•เดณเตเด‚ เดฑเดฟเดตเตเดฏเต‚เด•เดณเตเด‚

4.0
เด’เดฐเต เด…เดตเดฒเต‹เด•เดจเด‚