The Goldfinch

āļž.āļĻ. 2563 â€Ē 150 āļ™āļēāļ—āļĩ
4.4
17 āļĢāļĩāļ§āļīāļ§
25%
Tomatometer
R
āļāļēāļĢāļˆāļąāļ”āļ›āļĢāļ°āđ€āļ āļ—
āļĄāļĩāļŠāļīāļ—āļ˜āļīāđŒ
āļ”āļđāđƒāļ™āđ€āļ§āđ‡āļšāđ€āļšāļĢāļēāļ§āđŒāđ€āļ‹āļ­āļĢāđŒāļŦāļĢāļ·āļ­āļ­āļļāļ›āļāļĢāļ“āđŒāļ—āļĩāđˆāļĢāļ­āļ‡āļĢāļąāļšÂ āļ”āļđāļ‚āđ‰āļ­āļĄāļđāļĨāđ€āļžāļīāđˆāļĄāđ€āļ•āļīāļĄ

āđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļ āļēāļžāļĒāļ™āļ•āļĢāđŒāđ€āļĢāļ·āđˆāļ­āļ‡āļ™āļĩāđ‰

Theodore “Theo” Decker (Ansel Elgort) was 13 years old when his mother was killed in a bombing at the Metropolitan Museum of Art. The tragedy changes the course of his life, sending him on a stirring odyssey of grief and guilt, reinvention and redemption, and even love. Through it all, he holds on to one tangible piece of hope from that terrible day...a painting of a tiny bird chained to its perch. The Goldfinch.
āļ„āļ°āđāļ™āļ™
R

āļāļēāļĢāđƒāļŦāđ‰āļ„āļ°āđāļ™āļ™āđāļĨāļ°āļĢāļĩāļ§āļīāļ§

4.4
17 āļĢāļĩāļ§āļīāļ§
Home Home
18 āļžāļĪāļĻāļˆāļīāļāļēāļĒāļ™ 2563
āļĄāđƒāļŠāļ—āđˆāļ” āļĄāđƒ āļ.
Bancom Bang
30 āđ€āļĄāļĐāļēāļĒāļ™ 2563
āļĩāļˆāļˆāļˆāļĒāļĒāļĒāļĒāļĒāļĒāļĒāļĒāļĒāļ‡
19 āļ„āļ™āļžāļšāļ§āđˆāļēāļĢāļĩāļ§āļīāļ§āļ™āļĩāđ‰āļĄāļĩāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒ
āļšāļāļšāļāļš āļšāļ”āļˆāļ”āļĒāļĒāļ”
21 āļ•āļļāļĨāļēāļ„āļĄ 2563
āļ‡.
4 āļ„āļ™āļžāļšāļ§āđˆāļēāļĢāļĩāļ§āļīāļ§āļ™āļĩāđ‰āļĄāļĩāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒ