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TEXAS CHAIN SAW MASSACRE

āļž.āļĻ. 2564 â€Ē 83 āļ™āļēāļ—āļĩ
4.4
5 āļĢāļĩāļ§āļīāļ§
89%
Tomatometer
R18+
āļāļēāļĢāļˆāļąāļ”āļ›āļĢāļ°āđ€āļ āļ—
āļĄāļĩāļŠāļīāļ—āļ˜āļīāđŒ
āđ„āļĄāđˆāļĄāļĩāđ€āļŠāļĩāļĒāļ‡āļŦāļĢāļ·āļ­āļ„āļģāļšāļĢāļĢāļĒāļēāļĒāđƒāļ™āļ āļēāļĐāļēāļ‚āļ­āļ‡āļ„āļļāļ“ āđ€āļŠāļĩāļĒāļ‡āļ—āļĩāđˆāļžāļĢāđ‰āļ­āļĄāđƒāļŠāđ‰āļ‡āļēāļ™āđ€āļ›āđ‡āļ™āļ āļēāļĐāļēāļ­āļąāļ‡āļāļĪāļĐ

āđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļ āļēāļžāļĒāļ™āļ•āļĢāđŒāđ€āļĢāļ·āđˆāļ­āļ‡āļ™āļĩāđ‰

When The Texas Chain Saw Massacre hit movie theatres in 1974, it quickly supplanted the previous year's top horror flick, The Exorcist, as "the most terrifying movie ever made." Unlike The Exorcist, however, The Texas Chainsaw Massacre eschewed standard production values and modern special effects in favour of a grainy documentary-like approach with visceral, low-tech, in-your-face visual effects. The tale of five young students who unwittingly meet up with a sinister hitchhiker, the mask-wearing maniac Leatherface (whose mask is actually made from dried human skin), The Texas Chainsaw Massacre turned a lumberjack's tool into the stuff of nightmares and the blood-curdling scream into an art form.
āļ„āļ°āđāļ™āļ™
R18+

āļāļēāļĢāđƒāļŦāđ‰āļ„āļ°āđāļ™āļ™āđāļĨāļ°āļĢāļĩāļ§āļīāļ§

4.4
5 āļĢāļĩāļ§āļīāļ§
Frankie Teardrop
21 āļĄāļāļĢāļēāļ„āļĄ 2565
Why has the audio been messed up so much? I swear I can hear John Larroquette for a split second at the start of the night time sequence. At other parts it loops audio for some reason. Weird.
āļ„āļļāļ“āļ„āļīāļ”āļ§āđˆāļēāđ€āļ™āļ·āđ‰āļ­āļŦāļēāļ™āļĩāđ‰āļĄāļĩāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļŦāļĢāļ·āļ­āđ„āļĄāđˆ
Tyler Rad
14 āļĄāļĩāļ™āļēāļ„āļĄ 2564
Great film, quite tame for such a classic slasher
āļ„āļļāļ“āļ„āļīāļ”āļ§āđˆāļēāđ€āļ™āļ·āđ‰āļ­āļŦāļēāļ™āļĩāđ‰āļĄāļĩāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļŦāļĢāļ·āļ­āđ„āļĄāđˆ
Flynn Caldow
24 āļāļļāļĄāļ āļēāļžāļąāļ™āļ˜āđŒ 2564
Amazing!
āļ„āļļāļ“āļ„āļīāļ”āļ§āđˆāļēāđ€āļ™āļ·āđ‰āļ­āļŦāļēāļ™āļĩāđ‰āļĄāļĩāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļŦāļĢāļ·āļ­āđ„āļĄāđˆ

āđƒāļŦāđ‰āļ„āļ°āđāļ™āļ™āļ āļēāļžāļĒāļ™āļ•āļĢāđŒāđ€āļĢāļ·āđˆāļ­āļ‡āļ™āļĩāđ‰

āđāļŠāļ”āļ‡āļ„āļ§āļēāļĄāđ€āļŦāđ‡āļ™āļ‚āļ­āļ‡āļ„āļļāļ“āđƒāļŦāđ‰āđ€āļĢāļēāļĢāļąāļšāļĢāļđāđ‰