The Color of Pomegranates

1969 โ€ข 80 แž“แžถแž‘แžธ
5.0
แž€แžถแžšแžœแžถแž™แžแž˜แŸ’แž›แŸƒ 3
94%
Tomatometer
แž˜แžถแž“แžŸแžทแž‘แŸ’แž’แžท
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แž˜แžทแž“แžแžถแžŸแŸ†แžกแŸแž„ แžฌแžขแž€แŸ’แžŸแžšแžšแžแŸ‹แž‚แžบแž˜แžทแž“แž˜แžถแž“แž‡แžถแž—แžถแžŸแžถแžšแž”แžŸแŸ‹แžขแŸ’แž“แž€แž‘แŸแŸ” แžขแž€แŸ’แžŸแžšแžšแžแŸ‹แž˜แžถแž“แž‡แžถแž—แžถแžŸแžถ แžขแž„แŸ‹แž‚แŸ’แž›แŸแžŸ (แžŸแž แžšแžŠแŸ’แž‹แžขแžถแž˜แŸแžšแžทแž€) แŸ”

แžขแŸ†แž–แžธแž—แžถแž–แž™แž“แŸ’แžโ€‹แž“แŸแŸ‡โ€‹

A breathtaking fusion of poetry, ethnography, and cinema, Sergei Parajanovโ€™s masterwork overflows with unforgettable images and sounds. In a series of tableaux that blend the tactile with the abstract, The Color of Pomegranates revives the splendors of Armenian culture through the story of the eighteenth-century troubadour Sayat-Nova, charting his intellectual, artistic, and spiritual growth through iconographic compositions rather than traditional narrative. The filmโ€™s tapestry of folklore and metaphor departed from the realism that dominated the Soviet cinema of its era, leading authorities to block its distribution, with rare underground screenings presenting it in a restructured form. This edition features the cut closest to Parajanovโ€™s original vision, in a restoration that brings new life to one of cinemaโ€™s most enigmatic meditations on art and beauty.

แž€แžถแžšแžŠแžถแž€แŸ‹แž•แŸ’แž€แžถแž™ แž“แžทแž„แž˜แžแžทแžœแžถแž™แžแž˜แŸ’แž›แŸƒ

5.0
แž€แžถแžšแžœแžถแž™แžแž˜แŸ’แž›แŸƒ 3

แžœแžถแž™แžแž˜แŸ’แž›แŸƒโ€‹แž—แžถแž–แž™แž“แŸ’แžโ€‹แž“แŸแŸ‡

แž”แŸ’แžšแžถแž”แŸ‹แž™แžพแž„แžขแŸ†แž–แžธแž€แžถแžšแž™แž›แŸ‹แžƒแžพแž‰แžšแž”แžŸแŸ‹แžขแŸ’แž“แž€แŸ”