The Signal

āļž.āļĻ. 2551 â€Ē 103 āļ™āļēāļ—āļĩ
4.2
29 āļĢāļĩāļ§āļīāļ§
59%
Tomatometer
R
āļāļēāļĢāļˆāļąāļ”āļ›āļĢāļ°āđ€āļ āļ—
āļĄāļĩāļŠāļīāļ—āļ˜āļīāđŒ
āļ”āļđāđƒāļ™āđ€āļ§āđ‡āļšāđ€āļšāļĢāļēāļ§āđŒāđ€āļ‹āļ­āļĢāđŒāļŦāļĢāļ·āļ­āļ­āļļāļ›āļāļĢāļ“āđŒāļ—āļĩāđˆāļĢāļ­āļ‡āļĢāļąāļšÂ āļ”āļđāļ‚āđ‰āļ­āļĄāļđāļĨāđ€āļžāļīāđˆāļĄāđ€āļ•āļīāļĄ
āđ„āļĄāđˆāļĄāļĩāđ€āļŠāļĩāļĒāļ‡āļŦāļĢāļ·āļ­āļ„āļģāļšāļĢāļĢāļĒāļēāļĒāđƒāļ™āļ āļēāļĐāļēāļ‚āļ­āļ‡āļ„āļļāļ“ āļ„āļģāļšāļĢāļĢāļĒāļēāļĒāļ—āļĩāđˆāļžāļĢāđ‰āļ­āļĄāđƒāļŠāđ‰āļ‡āļēāļ™āđ€āļ›āđ‡āļ™āļ āļēāļĐāļēāļ­āļąāļ‡āļāļĪāļĐ

āđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļ āļēāļžāļĒāļ™āļ•āļĢāđŒāđ€āļĢāļ·āđˆāļ­āļ‡āļ™āļĩāđ‰

A horror film told in three parts from three perspectives, in which a mysterious transmission which invades every cell phone, radio and TV, turning people into killers. MPAA Rating: R
āļ„āļ°āđāļ™āļ™
R

āļāļēāļĢāđƒāļŦāđ‰āļ„āļ°āđāļ™āļ™āđāļĨāļ°āļĢāļĩāļ§āļīāļ§

4.2
29 āļĢāļĩāļ§āļīāļ§
DewN Nitek
27 āļāļĢāļāļŽāļēāļ„āļĄ 2556
AJ Bowen's presence initially piqued my interest in The Signal, but the real narrative center is Justin Wellborne as Ben. I liked the way his character persevered in the face of the film's many horrors in the search for his companion Mya. The film reminds me of a small budget adaptation of Stephen King's Cell.
āļ„āļļāļ“āļ„āļīāļ”āļ§āđˆāļēāđ€āļ™āļ·āđ‰āļ­āļŦāļēāļ™āļĩāđ‰āļĄāļĩāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļŦāļĢāļ·āļ­āđ„āļĄāđˆ
Loren Teryl Green
8 āļŠāļīāļ‡āļŦāļēāļ„āļĄ 2558
I don't know of a movie that polarizes audiences more than this one. Without a doubt one of the most original films I've had the luxury to witness. It is always a recommendation when someone wants to watch something new.
2 āļ„āļ™āļžāļšāļ§āđˆāļēāļĢāļĩāļ§āļīāļ§āļ™āļĩāđ‰āļĄāļĩāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒ
āļ„āļļāļ“āļ„āļīāļ”āļ§āđˆāļēāđ€āļ™āļ·āđ‰āļ­āļŦāļēāļ™āļĩāđ‰āļĄāļĩāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļŦāļĢāļ·āļ­āđ„āļĄāđˆ
Sarah Jones
4 āļāļĢāļāļŽāļēāļ„āļĄ 2561
I still think about this movie 10 years later. I am an avid horror fan and this exceeded my expectations. It's strange. It's different. It's awesome!
āļ„āļļāļ“āļ„āļīāļ”āļ§āđˆāļēāđ€āļ™āļ·āđ‰āļ­āļŦāļēāļ™āļĩāđ‰āļĄāļĩāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļŦāļĢāļ·āļ­āđ„āļĄāđˆ

āđƒāļŦāđ‰āļ„āļ°āđāļ™āļ™āļ āļēāļžāļĒāļ™āļ•āļĢāđŒāđ€āļĢāļ·āđˆāļ­āļ‡āļ™āļĩāđ‰

āđāļŠāļ”āļ‡āļ„āļ§āļēāļĄāđ€āļŦāđ‡āļ™āļ‚āļ­āļ‡āļ„āļļāļ“āđƒāļŦāđ‰āđ€āļĢāļēāļĢāļąāļšāļĢāļđāđ‰