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The Wicker Man (The Final Cut) [1973]

1973 • 93 minutos
4.6
76 opiniones
90%
Tomatometer
18
Calificación
Apto
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Four decades after its 1973 cinema release, the unique British cult classic The Wicker Man still holds an enduring fascination for audiences all over the world. In this 40th anniversary edition, the film is presented as The Final Cut, a version which has never before been restored and never before been seen in UK cinemas. Approved by director Robin Hardy, The Final Cut is the finest and most complete version of The Wicker Man. This 40th anniversary edition is every Wicker Man fan’s perfect ending to a much mythicised search for the most complete version of the film. Having left no stone unturned in the search for the original film materials, the ghosts have now been laid to rest, as we can finally and happily confirm, that this is The Final Cut.
Clasificación
18

Calificaciones y opiniones

4.6
76 opiniones
Un usuario de Google
16 de julio de 2016
This film is tremendous, even after 43 years. A amazing cast including legendary Christopher Lee and Edward Woodward, sadly missed. Acting throughout the cast is nailed, and beautifully balanced. I have never seen before or since, a film that covers so many genres. Horror, Comedy, Drama, Sex, Pagan and Adventure, through themes on local Pagan and Christian religion ideology. A great film, the ending still packs a horrific punch, even after 40+ years.
L Thornton
8 de abril de 2016
Utterly love this film (remake -don't bother). Reported to be Sir Christopher Lee favourite film to star in. A clash between Christianity and Pagaenism. Locals acting in it gives this film that uniqueness.
John McInnes (mrjonthehat)
6 de agosto de 2016
The 'final cut', since director Hardy died this year, and it has the film looking and sounding better than ever. Paul Giovanni's music, Tony (Sleuth) Shaffer's fantastic writing, Woodward, Lee, and the supporting cast all so memorable. There isn't a film like it. It's clever, camp, creepy, cool, a cult movie. People may guess the ending, but it's still disturbing. This is not a horror in the true sense. It's rather a comment on faith and belief, and a great depiction of 1970s, remote, Scottish communities.