Dazz Cam Vintage Camera
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About this app
Some photos look like a memory the moment you take them. That is what this camera is for.
Vintage Camera puts 23 vintage cameras in your pocket, each with its own tones, its own grain and its own way of handling light. You are not stacking effects on a clean photo. You are choosing what the photo is made of before you press the shutter.
PICK YOUR ERA
Film, for the nostalgic ones. SR 76 is a sun bleached seventies roll. GL 65 catches late light with a warm leak. WM 160 prints warm with friendly skin. DZ 400 is daily film with soft contrast. EM 100 keeps greens crisp and highlights cool. TY 35 is a toy camera with heavy corners. SU 80 is the amber hour.
Y2K, for the party years. Y2K 99 is a blown flash on a magenta night. VH 98 is heavy grain with flash and a leak, the look of a camcorder tape.
CCD, for the early digital era. CD 220 clips its whites and hits hard. CD 330 stays flat with murky turquoise shadows.
Instant, for prints. IN 600 is bleached, warm and soft. IN 70 is cold and moody with crushed blacks.
Mono, for the timeless. BW 400 carries real grain. NR 32 goes deep and hard. SP 12 is antique warmth on aged paper.
Dreamy, for the soft ones. MT 50 is milky and matte. RS 90 leaves a soft pink cast. FR 64 is pale and cold. DM 25 is hazy pastel.
Digicam, for a plain photo. DZ 000 adds no look at all. AZ 200 is clean daylight. VX 100 is punchy in hard sun.
A CAMERA, NOT A FILTER MENU
Tap to focus, pinch to zoom, pick a focal length, nudge exposure. White balance moves on a temperature and tint pad with presets for tungsten, daylight, cloudy and shade. Grid, timer, flash and the front camera are always to hand.
Layer a double exposure. Bend the frame with a fisheye. Shoot a 3D wiggle and keep it as a GIF. Film video on tape, Super 8, MiniDV or neon effects.
FINISH IT WITHOUT LEAVING
A full editor sits behind every photo. Swap the camera look after the fact. Move exposure, contrast, highlights, shadows, whites and blacks. Push grain by amount and by size. Add halation, vignette and light leaks. Break it on purpose with channel split, torn slices, scanlines and signal bleed. Crop for Instagram, YouTube or stories, straighten a horizon by a fraction of a degree, then add text in thirteen fonts, stickers, shapes or a freehand line in any colour.
PRINTS, STAMPS AND ROLLS
Mount a photo on paper in five styles, a classic print and two instant borders among them. Add a retro date stamp in an LED, digital, classic or typewriter face and drag it where you want it. Instant cameras hand you a finished print, framed already.
Your photos save straight to your gallery, never to a separate library you have to manage. The original is never overwritten, so nothing you do is final. My Rolls keeps every shot with the camera that took it, so a roll reads like a roll of film.
Made for anyone who likes retro photography, real grain and tones that feel remembered rather than applied.
Vintage Camera puts 23 vintage cameras in your pocket, each with its own tones, its own grain and its own way of handling light. You are not stacking effects on a clean photo. You are choosing what the photo is made of before you press the shutter.
PICK YOUR ERA
Film, for the nostalgic ones. SR 76 is a sun bleached seventies roll. GL 65 catches late light with a warm leak. WM 160 prints warm with friendly skin. DZ 400 is daily film with soft contrast. EM 100 keeps greens crisp and highlights cool. TY 35 is a toy camera with heavy corners. SU 80 is the amber hour.
Y2K, for the party years. Y2K 99 is a blown flash on a magenta night. VH 98 is heavy grain with flash and a leak, the look of a camcorder tape.
CCD, for the early digital era. CD 220 clips its whites and hits hard. CD 330 stays flat with murky turquoise shadows.
Instant, for prints. IN 600 is bleached, warm and soft. IN 70 is cold and moody with crushed blacks.
Mono, for the timeless. BW 400 carries real grain. NR 32 goes deep and hard. SP 12 is antique warmth on aged paper.
Dreamy, for the soft ones. MT 50 is milky and matte. RS 90 leaves a soft pink cast. FR 64 is pale and cold. DM 25 is hazy pastel.
Digicam, for a plain photo. DZ 000 adds no look at all. AZ 200 is clean daylight. VX 100 is punchy in hard sun.
A CAMERA, NOT A FILTER MENU
Tap to focus, pinch to zoom, pick a focal length, nudge exposure. White balance moves on a temperature and tint pad with presets for tungsten, daylight, cloudy and shade. Grid, timer, flash and the front camera are always to hand.
Layer a double exposure. Bend the frame with a fisheye. Shoot a 3D wiggle and keep it as a GIF. Film video on tape, Super 8, MiniDV or neon effects.
FINISH IT WITHOUT LEAVING
A full editor sits behind every photo. Swap the camera look after the fact. Move exposure, contrast, highlights, shadows, whites and blacks. Push grain by amount and by size. Add halation, vignette and light leaks. Break it on purpose with channel split, torn slices, scanlines and signal bleed. Crop for Instagram, YouTube or stories, straighten a horizon by a fraction of a degree, then add text in thirteen fonts, stickers, shapes or a freehand line in any colour.
PRINTS, STAMPS AND ROLLS
Mount a photo on paper in five styles, a classic print and two instant borders among them. Add a retro date stamp in an LED, digital, classic or typewriter face and drag it where you want it. Instant cameras hand you a finished print, framed already.
Your photos save straight to your gallery, never to a separate library you have to manage. The original is never overwritten, so nothing you do is final. My Rolls keeps every shot with the camera that took it, so a roll reads like a roll of film.
Made for anyone who likes retro photography, real grain and tones that feel remembered rather than applied.
Nostalgic film and VHS tones, CCD and Y2K looks, instant frames and edits.
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About the developer
Prashant Joshi
prashantddjoshi1814@gmail.com
Bedkot 8 Kanchanpur
mahendranagar 10400
Nepal
