Against the Grain (À rebours)
Információk a hangoskönyvről
With a title translated either as Against The Grain or as Against Nature, this wildly original fin-de-siècle novel follows its sole character, Des Esseintes, a decadent, ailing aristocrat who retreats to an isolated villa where he indulges his taste for luxury and excess.
Veering between nervous excitability and debilitating ennui, he gluts his aesthetic appetites with classical literature and art, exotic jewels (with which he fatally encrusts the shell of his tortoise), rich perfumes, and a kaleidoscope of sensual experiences. The original handbook of decadence, Against The Grain exploded like a grenade (in the words of Huysmans) and has enjoyed a cult readership from its publication to the present day
Értékelések és vélemények
A szerzőről
Charles-Marie-Georges Huysmans (5 February 1848 – 12 May 1907) was a French novelist and art critic who published his works as Joris-Karl Huysmans. He is most famous for the novel À rebours (1884, published in English as Against the Grain or Against Nature). He supported himself by way of a 30-year career in the French civil service.
Huysmans' work is considered remarkable for its idiosyncratic use of the French language, large vocabulary, descriptions, satirical wit and far-ranging erudition. First considered part of Naturalism, he became associated with the decadent movement with his publication of À rebours. His work expressed his deep pessimism, which had led him to the philosophy of Arthur Schopenhauer. In later years, his novels reflected his study of Catholicism, religious conversion, and becoming an oblate. He discussed the iconography of Christian architecture at length in La cathédrale (1898), set at Chartres and with its cathedral as the focus of the book.
Là-bas (1891), En route (1895) and La cathédrale (1898) are a trilogy that feature Durtal, an autobiographical character whose spiritual progress is tracked and who converts to Catholicism. In the novel that follows, L'Oblat (1903), Durtal becomes an oblate in a monastery, as Huysmans himself was in the Benedictine Abbey at Ligugé, near Poitiers, in 1901. La cathédrale was his most commercially successful work. Its profits enabled Huysmans to retire from his civil service job and live on his royalties.
